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Pop Art Figurative Drawings and Watercolors

POP ART STYLE

Perhaps one of the most influential contemporary art movements, Pop art emerged in the 1950s. In stark contrast to traditional artistic practice, its practitioners drew on imagery from popular culture — comic books, advertising, product packaging and other commercial media — to create original Pop art paintings, prints and sculptures that celebrated ordinary life in the most literal way.

ORIGINS OF POP ART

CHARACTERISTICS OF POP ART 

  • Bold imagery
  • Bright, vivid colors
  • Straightforward concepts
  • Engagement with popular culture 
  • Incorporation of everyday objects from advertisements, cartoons, comic books and other popular mass media

POP ARTISTS TO KNOW

ORIGINAL POP ART ON 1STDIBS

The Pop art movement started in the United Kingdom as a reaction, both positive and critical, to the period’s consumerism. Its goal was to put popular culture on the same level as so-called high culture.

Richard Hamilton’s 1956 collage Just what is it that makes today’s homes so different, so appealing? is widely believed to have kickstarted this unconventional new style.

Pop art works are distinguished by their bold imagery, bright colors and seemingly commonplace subject matter. Practitioners sought to challenge the status quo, breaking with the perceived elitism of the previously dominant Abstract Expressionism and making statements about current events. Other key characteristics of Pop art include appropriation of imagery and techniques from popular and commercial culture; use of different media and formats; repetition in imagery and iconography; incorporation of mundane objects from advertisements, cartoons and other popular media; hard edges; and ironic and witty treatment of subject matter.

Although British artists launched the movement, they were soon overshadowed by their American counterparts. Pop art is perhaps most closely identified with American Pop artist Andy Warhol, whose clever appropriation of motifs and images helped to transform the artistic style into a lifestyle. Most of the best-known American artists associated with Pop art started in commercial art (Warhol made whimsical drawings as a hobby during his early years as a commercial illustrator), a background that helped them in merging high and popular culture.

Roy Lichtenstein was another prominent Pop artist that was active in the United States. Much like Warhol, Lichtenstein drew his subjects from print media, particularly comic strips, producing paintings and sculptures characterized by primary colors, bold outlines and halftone dots, elements appropriated from commercial printing. Recontextualizing a lowbrow image by importing it into a fine-art context was a trademark of his style. Neo-Pop artists like Jeff Koons and Takashi Murakami further blurred the line between art and popular culture.

Pop art rose to prominence largely through the work of a handful of men creating works that were unemotional and distanced — in other words, stereotypically masculine. However, there were many important female Pop artists, such as Rosalyn Drexler, whose significant contributions to the movement are recognized today. Best known for her work as a playwright and novelist, Drexler also created paintings and collages embodying Pop art themes and stylistic features.

Read more about the history of Pop art and the style’s famous artists, and browse the collection of original Pop art paintings, prints, photography and other works for sale on 1stDibs.

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Style: Pop Art
Choice I - In Celebration of Pride Month
Located in New Orleans, LA
Stone and Press Gallery is excited to offer several works in celebration of the LGBTQ community. Radek Husak, a contemporary process-driven mixed media artist, was born in Poland i...
Category

21st Century and Contemporary Pop Art Figurative Drawings and Watercolors

Materials

Pencil, Pigment

Mr. Magoo Original Vintage Animation Cel Hand Drawing Painting
Located in Surfside, FL
Born in 1918 in Budapest, Hungary, Engel began his professional career in animation as a color designer at the Walt Disney studio. Although his credits include work on such classics as Disney’s Bambi and Fantasia and UPA’s Gerald McBoing-Boing, he is best known as a mentor to literally hundreds of students. Engel was also one of the original members of United Productions of America (UPA), where, during the ’50s, he worked on classics such as Mr. Magoo, Gerald McBoing-Boing and Madeline. According to his biographer, Dr. Janeann Dill, Engel has created more than 33 personal films and received five Golden Eagle awards, an Annie Award, a Winsor McCay Award, the Fritz Award, a Jean Vigo Award, and the Norman McLaren...
Category

Mid-20th Century Pop Art Figurative Drawings and Watercolors

Materials

Mixed Media

Original handwritten Letter of thanks, hand signed by Keith Haring on letterhead
Located in New York, NY
Keith Haring Original Handwritten, hand signed Letter, ca. 1987 Ink on Haring's Private letterhead Stationery, Hand written and hand signed by Keith...
Category

1980s Pop Art Figurative Drawings and Watercolors

Materials

Paper, Ink, Permanent Marker

Mirrored XXXIII - In Celebration of Pride Month
Located in New Orleans, LA
Stone and Press Gallery is excited to offer several works in celebration of the LGBTQ community. Rad Husak, a contemporary process-driven mixed media artist, was born in Poland in ...
Category

21st Century and Contemporary Pop Art Figurative Drawings and Watercolors

Materials

Pencil, Pigment

Original Fashion Design Illustration Watercolor Painting Laura Ashley Designer
Located in Cirencester, Gloucestershire
Original Fashion Design Illustration by Roz Jennings, British watercolor and ink on card, unframed size: 12 x 8.25 inches condition: very good A beautifully colorful and characterfu...
Category

Late 20th Century Pop Art Figurative Drawings and Watercolors

Materials

Ink, Watercolor

Mixed media painting in monograph, Signed & inscribed to Museum Trustees, Framed
Located in New York, NY
David Hockney Hockney Paints the Stage (Signed and inscribed to Walker Museum trustees), 1983 Original acrylic, watercolor and ink painting done on title page of monograph (Signed an...
Category

1980s Pop Art Figurative Drawings and Watercolors

Materials

Paper, Ink, Acrylic, Watercolor

Sister Corita Kent, "Love You" Unique signed watercolor painting on paper Framed
Located in New York, NY
Sister Mary Corita Kent Love You, ca. 1975 Original signed watercolor painting on paper Signed in graphite pencil on the recto Floated and framed in white wood frame This is a unique work Measurements: Framed: 5.5" x 5.5" x 1.5" Artwork alone: 4" x 4" Extremely difficult to find unique watercolor works on paper on the market by Sister Corita...
Category

1970s Pop Art Figurative Drawings and Watercolors

Materials

Watercolor, Paper

Fishing in the Clouds, fantastical jungle inspired cityscape by Guillaume Cornet
Located in Dallas, TX
GUILLAUME CORNET (b. 1987, Paris, France) Guillaume Cornet is an artist working with illustration and painting, exploring notions of abstract geometry, influenced by surreal perspec...
Category

2010s Pop Art Figurative Drawings and Watercolors

Materials

Watercolor, Permanent Marker, Screen, Mixed Media

"Jimi Hendrix original Color Pencil sketch" Fillmore East the very first version
Located in Southampton, NY
A new coffee table book has just been released titled "Poster Child" The Psychedelic Art & Technicolor Life of David Edward Byrd. This original drawing is featured on page 61 of the book. David Byrd created some of the most memorable Classic Theatre and Rock and Roll images from the 1960s and 70s. David created ALL of the Art for Bill Graham’s Fillmore East, including their Program covers and Rock posters, the art for Jimi Hendrix’s first Fillmore East appearance, The Rolling Stones 1969 World Tour art, The Who’s Performance of Tommy at the New York Metropolitan Opera House and The Fillmore, and The Grateful Dead Swell Dance Concert to name only a few. He also created the poster art for the original location of the 1969 Woodstock music festival . His memorable images were also used for classic Broadway shows like Godspell, Follies and Jesus Christ Superstar to mention only a few. These museum quality drawings are rarely made available for sale, they are not only wonderful rare works of art, but are truly historically important works in the field of Theatre and Rock and Roll collecting. It has been framed with archival double matting. David Byrd's poster art is in many museum collections, including : The Louvre, in Paris, Victoria & Albert in London, The Museum of Modern Art in New York and The Smithsonian in Washington, DC. Featured in this listing is the Original Color pencil Sketch created in 2006 by David Byrd prior to working on the finished painting which we also have available for sale. This drawing created in 2006 is based on David's very first original 1968 drawing for Hendrix's very first Fillmore East concert. It only featured Hendrix, and Bill Graham asked David if he could add the other two members of The Experience, which became the famous Fillmore East orange poster that featured all three members of the Experience. I included and image in this listing of the original pencil drawing from 1968 where you can see Bill requesting all three members to be included in the poster art. In this color rendering, David Byrd indicates two possible color choices for the poster in this sketch by listing the color numbers. He shows one half with one color combination and the other half with a different color combination. That was so that Bill Graham could choose which colors he preferred if the original 1968 poster art was to use this image. A great original color drawing that David Byrd created to show the colors of the first version of the 1968 Hendrix poster...
Category

Early 2000s Pop Art Figurative Drawings and Watercolors

Materials

Vellum, Color Pencil

Original signed drawing in book, Two Flowers with heart, inscribed in Japanese
Located in New York, NY
Takashi Murakami Untitled signed original drawing of Two Flowers with heart doodle, 2021 Original marker drawing done on title page and bound in hardback monograph with purple boards...
Category

2010s Pop Art Figurative Drawings and Watercolors

Materials

Mixed Media, Permanent Marker, Lithograph, Offset

Original Fashion Design Illustration Watercolor Painting Laura Ashley Designer
Located in Cirencester, Gloucestershire
Original Fashion Design Illustration by Roz Jennings, British watercolor and ink on card, unframed size: 12 x 8.25 inches condition: very good A beautifully colorful and characterfu...
Category

Late 20th Century Pop Art Figurative Drawings and Watercolors

Materials

Ink, Watercolor

Mr. Magoo Original Vintage Animation Cel Hand Drawing Painting
Located in Surfside, FL
Born in 1918 in Budapest, Hungary, Engel began his professional career in animation as a color designer at the Walt Disney studio. Although his credits include work on such classics as Disney’s Bambi and Fantasia and UPA’s Gerald McBoing-Boing, he is best known as a mentor to literally hundreds of students. Engel was also one of the original members of United Productions of America (UPA), where, during the ’50s, he worked on classics such as Mr. Magoo, Gerald McBoing-Boing and Madeline. According to his biographer, Dr. Janeann Dill, Engel has created more than 33 personal films and received five Golden Eagle awards, an Annie Award, a Winsor McCay Award, the Fritz Award, a Jean Vigo Award, and the Norman McLaren...
Category

Mid-20th Century Pop Art Figurative Drawings and Watercolors

Materials

Mixed Media

PLAYBOY BUNNY
Located in Aventura, FL
Synthetic polymer drawing on paper. Unsigned. Warhol Foundation stamp on verso. Sheet size 31.5 x 23.5 inches. Custom framed as pictured. Artwork is in excellent condition. Cert...
Category

1980s Pop Art Figurative Drawings and Watercolors

Materials

Paper, Polymer

IN THE BOTTOM OF MY GARDEN FS II.86-105
Located in Aventura, FL
Complete book comprising of 20 offset lithographs and cardboard cover, all hand-colored with watercolor. From the edition of unknown size. All 20 sheets bound (as issued). Minor ti...
Category

1970s Pop Art Figurative Drawings and Watercolors

Materials

Paper, Watercolor, Lithograph

French Money, unique signed drawing with collage Pop artist Larry Rivers, Framed
Located in New York, NY
Larry Rivers French Money, ca. 1966 Original graphite drawing with collage Boldly signed in graphite pencil in the center of this collage. Larry Rivers original, unique drawing with ...
Category

1960s Pop Art Figurative Drawings and Watercolors

Materials

Mixed Media, Graphite

Murakami Original hand signed Flower Drawing on limited edition skateboard deck
Located in New York, NY
Takashi Murakami Original hand signed Flower Drawing on limited edition skateboard, 2017 Unique Flower Drawing in Marker on skateboard. Signed by Murakami Flower drawing done in mark...
Category

2010s Pop Art Figurative Drawings and Watercolors

Materials

Wood, Mixed Media, Permanent Marker, Screen

CHOCOLATE BUNNY FS IIIA.49
Located in Aventura, FL
Screenprint, on Stonehenge paper, with full margins. Unsigned. Warhol Foundation stamp on verso. Sheet size 30.25 x 22 inches. Image size 22.5 x 18.125 inches. Custom framed as p...
Category

1980s Pop Art Figurative Drawings and Watercolors

Materials

Paper, Screen

Study for Tongue Cloud Over London with Thames Ball (framed original drawing)
Located in New York, NY
This gestural Claes Oldenburg drawing features subdued watercolor hues of green, orange, brown and grey. Pictured is “Ball”, an unbuilt monument conceived of in 1967 with Oldenburg’s wife Coosje van Bruggen. They imagined two ballcocks – the round mechanism in a toilet tank...
Category

1970s Pop Art Figurative Drawings and Watercolors

Materials

Watercolor, Pencil

Original Fashion Design Illustration Watercolor Painting Laura Ashley Designer
Located in Cirencester, Gloucestershire
Original Fashion Design Illustration by Roz Jennings, British watercolor and ink on card, unframed size: 12 x 8.25 inches condition: very good A beautifu...
Category

Late 20th Century Pop Art Figurative Drawings and Watercolors

Materials

Ink, Watercolor

Handwritten letter on American Indian Theme II card signed to CBS News cameraman
Located in New York, NY
Roy Lichtenstein Handwritten note on card ink on paper hand signed by Roy Lichtenstein The card reads "Thank you so much for the wonderful prints Very kind of you to send them to me Best regards, Roy Lichtenstein This card depicts Roy Lichtenstein's American Indian Theme II (from American Indian Theme Series), 1980, Woodcut in colors on Suzuki handmade paper Provenance: This card was acquired from Dan Pope, a longtime CBS photographer and cameraman, who had amassed a superb collection of autographs by visual artists over many decades. This work has been elegantly floated and framed in a museum quality wood frame under UV plexiglass. Measurements: Framed 14.75 inches vertical by 11.5 horizontal by 1.5 inches depth Card (image) Roy Lichtenstein Biography Roy Lichtenstein was one of the most influential and innovative artists of the second half of the twentieth century. He is preeminently identified with Pop Art, a movement he helped originate, and his first fully achieved paintings were based on imagery from comic strips and advertisements and rendered in a style mimicking the crude printing processes of newspaper reproduction. These paintings reinvigorated the American art scene and altered the history of modern art. Lichtenstein’s success was matched by his focus and energy, and after his initial triumph in the early 1960s, he went on to create an oeuvre of more than 5,000 paintings, prints, drawings, sculptures, murals and other objects celebrated for their wit and invention. Roy Fox Lichtenstein was born on October 27, 1923, in New York City, the first of two children born to Milton and Beatrice Werner Lichtenstein. Milton Lichtenstein (1893–1946) was a successful real estate broker, and Beatrice Lichtenstein (1896–1991), a homemaker, had trained as a pianist, and she exposed Roy and his sister Rénee to museums, concerts and other aspects of New York culture. Roy showed artistic and musical ability early on: he drew, painted and sculpted as a teenager, and spent many hours in the American Museum of Natural History and the Museum of Modern Art. He played piano and clarinet, and developed an enduring love of jazz, frequenting the nightspots in Midtown to hear it. Lichtenstein attended the Franklin School for Boys, a private junior high and high school, and was graduated in 1940. That summer he studied painting and drawing from the model at the Art Students League of New York with Reginald Marsh. In September he entered Ohio State University (OSU) in Columbus in the College of Education. His early artistic idols were Rembrandt, Daumier and Picasso, and he often said that Guernica (1937; Museo Reina Sofía, Madrid), then on long-term loan to the Museum of Modern Art, was his favorite painting. Even as an undergraduate, Lichtenstein objected to the notion that one set of lines (one person’s drawings) “was considered brilliant, and somebody’s else’s, that may have looked better to you, was considered nothing by almost everyone.”i Lichtenstein’s questioning of accepted canons of taste was encouraged by Hoyt L. Sherman, a teacher whom he maintained was the person who showed him how to see and whose perception-based approach to art shaped his own. In February 1943, Lichtenstein was drafted, and he was sent to Europe in 1945. As part of the infantry, he saw action in France, Belgium and Germany. He made sketches throughout his time in Europe and, after peace was declared there, he intended to study at the Sorbonne. Lichtenstein arrived in Paris in October 1945 and enrolled in classes in French language and civilization, but soon learned that his father was gravely ill. He returned to New York in January 1946, a few weeks before Milton Lichtenstein died. In the spring of that year, Lichtenstein went back to OSU to complete his BFA and in the fall he was invited to join the faculty as an instructor. In June 1949, he married Isabel Wilson Sarisky (1921–80), who worked in a cooperative art gallery in Cleveland where Lichtenstein had exhibited his work. While he was teaching, Lichtenstein worked on his master’s degree, which he received in 1949. During his second stint at OSU, Lichtenstein became closer to Sherman, and began teaching his method on how to organize and unify a composition. Lichtenstein remained appreciative of Sherman’s impact on him. He gave his first son the middle name of “Hoyt,” and in 1994 he donated funds to endow the Hoyt L. Sherman Studio Art Center at OSU. In the late 1940s and early 1950s, Lichtenstein began working in series and his iconography was drawn from printed images. His first sustained theme, intimate paintings and prints in the vein of Paul Klee that poked lyrical fun at medieval knights, castles and maidens, may well have been inspired by a book about the Bayeux Tapestry. Lichtenstein then took an ironic look at nineteenth-century American genre paintings he saw in history books, creating Cubist interpretations of cowboys and Indians spiked with a faux-primitive whimsy. As with his most celebrated Pop paintings of the 1960s, Lichtenstein gravitated toward what he would characterize as the “dumbest” or “worst” visual item he could find and then went on to alter or improve it. In the 1960s, commercial art was considered beneath contempt by the art world; in the early 1950s, with the rise of Abstract Expressionism, nineteenth-century American narrative and genre paintings were at the nadir of their reputation among critics and collectors. Paraphrasing, particularly the paraphrasing of despised images, became a paramount feature of Lichtenstein’s art. Well before finding his signature mode of expression in 1961, Lichtenstein called attention to the artifice of conventions and taste that permeated art and society. What others dismissed as trivial fascinated him as classic and idealized—in his words, “a purely American mythological subject matter.”ii Lichtenstein’s teaching contract at OSU was not renewed for the 1951–52 academic year, and in the autumn of 1951 he and Isabel moved to Cleveland. Isabel Lichtenstein became an interior decorator specializing in modern design, with a clientele drawn from wealthy Cleveland families. Whereas her career blossomed, Lichtenstein did not continue to teach at the university level. He had a series of part-time jobs, including industrial draftsman, furniture designer, window dresser and rendering mechanical dials for an electrical instrument company. In response to these experiences, he introduced quirkily rendered motors, valves and other mechanical elements into his paintings and prints. In 1954, the Lichtensteins’ first son, David, was born; two years later, their second child, Mitchell, followed. Despite the relative lack of interest in his work in Cleveland, Lichtenstein did place his work with New York dealers, which always mattered immensely to him. He had his first solo show at the Carlebach Gallery in New York in 1951, followed by representation with the John Heller Gallery from 1952 to 1957. To reclaim his academic career and get closer to New York, Lichtenstein accepted a position as an assistant professor at the State University of New York at Oswego, in the northern reaches of the state. He was hired to teach industrial design, beginning in September 1957. Oswego turned out to be more geographically and aesthetically isolated than Cleveland ever was, but the move was propitious, for both his art and his career. Lichtenstein broke away from representation to a fully abstract style, applying broad swaths of pigment to the canvas by dragging the paint across its surface with a rag wrapped around his arm. At the same time, Lichtenstein was embedding comic-book characters figures such as Mickey Mouse and Donald Duck in brushy, expressionistic backgrounds. None of the proto-cartoon paintings from this period survive, but several pencil and pastel studies from that time, which he kept, document his intentions. Finally, when he was in Oswego, Lichtenstein met Reginald Neal, the new head of the art department at Douglass College, the women’s college of Rutgers University, in New Brunswick, New Jersey. The school was strengthening and expanding its studio art program, and when Neal needed to add a faculty member to his department, Lichtenstein was invited to apply for the job. Lichtenstein was offered the position of assistant professor, and he began teaching at Douglass in September 1960. At Douglass, Lichtenstein was thrown into a maelstrom of artistic ferment. With New York museums and galleries an hour away, and colleagues Geoffrey Hendricks and Robert Watts at Douglass and Allan Kaprow and George Segal at Rutgers, the environment could not help but galvanize him. In June 1961, Lichtenstein returned to the idea he had fooled around with in Oswego, which was to combine cartoon characters from comic books with abstract backgrounds. But, as Lichtenstein said, “[I]t occurred to me to do it by mimicking the cartoon style without the paint texture, calligraphic line, modulation—all the things involved in expressionism.”iii Most famously, Lichtenstein appropriated the Benday dots, the minute mechanical patterning used in commercial engraving, to convey texture and gradations of color—a stylistic language synonymous with his subject matter. The dots became a trademark device forever identified with Lichtenstein and Pop Art. Lichtenstein may not have calibrated the depth of his breakthrough immediately but he did realize that the flat affect and deadpan presentation of the comic-strip panel blown up and reorganized in the Sherman-inflected way “was just so much more compelling”iv than the gestural abstraction he had been practicing. Among the first extant paintings in this new mode—based on comic strips and illustrations from advertisements—were Popeye and Look Mickey, which were swiftly followed by The Engagement Ring, Girl with Ball and Step-on Can with Leg. Kaprow recognized the energy and radicalism of these canvases and arranged for Lichtenstein to show them to Ivan Karp, director of the Leo Castelli Gallery. Castelli was New York’s leading dealer in contemporary art, and he had staged landmark exhibitions of Jasper Johns and Robert Rauschenberg in 1958 and Frank Stella in 1960. Karp was immediately attracted to Lichtenstein’s paintings, but Castelli was slower to make a decision, partly on account of the paintings’ plebeian roots in commercial art, but also because, unknown to Lichtenstein, two other artists had recently come to his attention—Andy Warhol and James Rosenquist—and Castelli was only ready for one of them. After some deliberation, Castelli chose to represent Lichtenstein, and the first exhibition of the comic-book paintings was held at the gallery from February 10 to March 3, 1962. The show sold out and made Lichtenstein notorious. By the time of Lichtenstein’s second solo exhibition at Castelli in September 1963, his work had been showcased in museums and galleries around the country. He was usually grouped with Johns, Rauschenberg, Warhol, Rosenquist, Segal, Jim Dine, Claes Oldenburg, Robert Indiana and Tom Wesselmann. Taken together, their work was viewed as a slap in the face to Abstract Expressionism and, indeed, the Pop artists shifted attention away from many members of the New York School. With the advent of critical and commercial success, Lichtenstein made significant changes in his life and continued to investigate new possibilities in his art. After separating from his wife, he moved from New Jersey to Manhattan in 1963; in 1964, he resigned from his teaching position at Douglass to concentrate exclusively on his work. The artist also ventured beyond comic book subjects, essaying paintings based on oils by Cézanne, Mondrian and Picasso, as well as still lifes and landscapes. Lichtenstein became a prolific printmaker and expanded into sculpture, which he had not attempted since the mid-1950s, and in both two- and three-dimensional pieces, he employed a host of industrial or “non-art” materials, and designed mass-produced editioned objects that were less expensive than traditional paintings and sculpture. Participating in one such project—the American Supermarket show in 1964 at the Paul Bianchini Gallery, for which he designed a shopping bag—Lichtenstein met Dorothy Herzka (b. 1939), a gallery employee, whom he married in 1968. The late 1960s also saw Lichtenstein’s first museum surveys: in 1967 the Pasadena Art Museum initiated a traveling retrospective, in 1968 the Stedelijk Musem in Amsterdam presented his first European retrospective, and in 1969 he had his first New York retrospective, at the Solomon R. Guggenheim Museum. Wanting to grow, Lichtenstein turned away from the comic book subjects that had brought him prominence. In the late 1960s his work became less narrative and more abstract, as he continued to meditate on the nature of the art enterprise itself. He began to explore and deconstruct the notion of brushstrokes—the building blocks of Western painting. Brushstrokes are conventionally conceived as vehicles of expression, but Lichtenstein made them into a subject. Modern artists have typically maintained that the subject of a painting is painting itself. Lichtenstein took this idea one imaginative step further: a compositional element could serve as the subject matter of a work and make that bromide ring true. The search for new forms and sources was even more emphatic after 1970, when Roy and Dorothy Lichtenstein bought property in Southampton, New York, and made it their primary residence. During the fertile decade of the 1970s, Lichtenstein probed an aspect of perception that had steadily preoccupied him: how easily the unreal is validated as the real because viewers have accepted so many visual conceptions that they don’t analyze what they see. In the Mirror series, he dealt with light and shadow upon glass, and in the Entablature series, he considered the same phenomena by abstracting such Beaux-Art architectural elements as cornices, dentils, capitals and columns. Similarly, Lichtenstein created pioneering painted bronze sculpture that subverted the medium’s conventional three-dimensionality and permanence. The bronze forms were as flat and thin as possible, more related to line than volume, and they portrayed the most fugitive sensations—curls of steam, rays of light and reflections on glass. The steam, the reflections and the shadow were signs for themselves that would immediately be recognized as such by any viewer. Another entire panoply of works produced during the 1970s were complex encounters with Cubism, Futurism, Purism, Surrealism and Expressionism. Lichtenstein expanded his palette beyond red, blue, yellow, black, white and green, and invented and combined forms. He was not merely isolating found images, but juxtaposing, overlapping, fragmenting and recomposing them. In the words of art historian Jack Cowart, Lichtenstein’s virtuosic compositions were “a rich dialogue of forms—all intuitively modified and released from their nominal sources.”v In the early 1980s, which coincided with re-establishing a studio in New York City, Lichtenstein was also at the apex of a busy mural career. In the 1960s and 1970s, he had completed four murals; between 1983 and 1990, he created five. He also completed major commissions for public sculptures in Miami Beach, Columbus, Minneapolis, Paris, Barcelona and Singapore. Lichtenstein created three major series in the 1990s, each emblematic of his ongoing interest in solving pictorial problems. The Interiors, mural-sized canvases inspired by a miniscule advertisement in an Italian telephone...
Category

1980s Pop Art Figurative Drawings and Watercolors

Materials

Ink, Postcard

Mr. Magoo Original Vintage Animation Cel Hand Drawing Painting
Located in Surfside, FL
Born in 1918 in Budapest, Hungary, Engel began his professional career in animation as a color designer at the Walt Disney studio. Although his credits include work on such classics as Disney’s Bambi and Fantasia and UPA’s Gerald McBoing-Boing, he is best known as a mentor to literally hundreds of students. Engel was also one of the original members of United Productions of America (UPA), where, during the ’50s, he worked on classics such as Mr. Magoo, Gerald McBoing-Boing and Madeline. According to his biographer, Dr. Janeann Dill, Engel has created more than 33 personal films and received five Golden Eagle awards, an Annie Award, a Winsor McCay Award, the Fritz Award, a Jean Vigo Award, and the Norman McLaren...
Category

Mid-20th Century Pop Art Figurative Drawings and Watercolors

Materials

Mixed Media

Original Fashion Design Illustration Watercolor Painting Laura Ashley Designer
Located in Cirencester, Gloucestershire
Original Fashion Design Illustration by Roz Jennings, British watercolor and ink on card, unframed size: 12 x 8.25 inches condition: very good A beautifully colorful and characterfu...
Category

Late 20th Century Pop Art Figurative Drawings and Watercolors

Materials

Ink, Watercolor

Untitled (de Kooning)
Located in New York, NY
Richard Prince Untitled (de Kooning), 2008 Collage with color offset lithograph, hand-cutting, hand-painting and assemblage with extensive additions in graphite mounted on on inset board. Hand signed and numbered with the letter L (from A-Z) by artist on the front Frame Included Richard Prince’s “de Kooning” series is a process of interaction and appropriation with the works of ground-breaking imagery of the Abstract Expressionist master, Willem de Kooning. The idea for these edgy, Oedipal works came to him when he was leafing through a catalogue of de Kooning’s "Women" series. Prince started sketching over the paintings, and, as time went on, he began applying fragments cut and pasted from catalogues and vintage porn...
Category

Early 2000s Pop Art Figurative Drawings and Watercolors

Materials

Paper, Mixed Media, Color Pencil, Graphite

Original Fashion Design Illustration Watercolor Painting Laura Ashley Designer
Located in Cirencester, Gloucestershire
Original Fashion Design Illustration by Roz Jennings, British watercolor and ink on card, unframed size: 12 x 8.25 inches condition: very good A beautifu...
Category

Late 20th Century Pop Art Figurative Drawings and Watercolors

Materials

Ink, Watercolor

Artist Tracey Emin Working. Watercorlor on paper.
Located in Miami Beach, FL
Movies, TV and magazines are constant source of inspiration. Fame, as fleckring and shallow it can be sometimes, is very intriguing to him. The worlds of fashion, society and pop cu...
Category

2010s Pop Art Figurative Drawings and Watercolors

Materials

Watercolor, Ink, Gouache, Archival Paper

Original Fashion Design Illustration Watercolor Painting Laura Ashley Designer
Located in Cirencester, Gloucestershire
Original Fashion Design Illustration by Roz Jennings, British watercolor and ink on card, unframed size: 12 x 8.25 inches condition: very good A beautifully colorful and characterfu...
Category

Late 20th Century Pop Art Figurative Drawings and Watercolors

Materials

Ink, Watercolor

Original Fashion Design Illustration Watercolor Painting Laura Ashley Designer
Located in Cirencester, Gloucestershire
Original Fashion Design Illustration by Roz Jennings, British watercolor and ink on card, unframed size: 12 x 8.25 inches condition: very good A beautifully colorful and characterfu...
Category

Late 20th Century Pop Art Figurative Drawings and Watercolors

Materials

Ink, Watercolor

Original Fashion Design Illustration Watercolor Painting Laura Ashley Designer
Located in Cirencester, Gloucestershire
Original Fashion Design Illustration by Roz Jennings, British watercolor and ink on card, unframed size: 12 x 8.25 inches condition: very good A beautifully colorful and characterfu...
Category

Late 20th Century Pop Art Figurative Drawings and Watercolors

Materials

Ink, Watercolor

Original Fashion Design Illustration Watercolor Painting Laura Ashley Designer
Located in Cirencester, Gloucestershire
Original Fashion Design Illustration by Roz Jennings, British watercolor and ink on card, unframed size: 12 x 8.25 inches condition: very good A beautifully colorful and characterfu...
Category

Late 20th Century Pop Art Figurative Drawings and Watercolors

Materials

Ink, Watercolor

Andre Amstutz - Blending into the Landscape - 1970s British Illustration
Located in London, GB
ANDRE AMSTUTZ (1925-2015) Blending into the Landscape Signed l.l. Oil on board Framed 29.5 by 23 cm., 11 ½ by 9 in. (frame size 45.5 by 38 cm., 18 by 15 in.) Reproduced: Guinnes...
Category

1970s Pop Art Figurative Drawings and Watercolors

Materials

Oil

Original Fashion Design Illustration Watercolor Painting Laura Ashley Designer
Located in Cirencester, Gloucestershire
Original Fashion Design Illustration by Roz Jennings, British watercolor and ink on card, unframed size: 12 x 8.25 inches condition: very good A beautifully colorful and characterfu...
Category

Late 20th Century Pop Art Figurative Drawings and Watercolors

Materials

Ink, Watercolor

Original Flower Drawing inscribed signed twice bound in Whitney Museum monograph
Located in New York, NY
Jeff Koons Original Flower Drawing (signed twice), 2016 Original, hand signed drawing inscribed to Nadine, done with silver sharpie, and held in hardback monograph with dust jacket, ...
Category

2010s Pop Art Figurative Drawings and Watercolors

Materials

Paper, Mixed Media, Permanent Marker, Lithograph, Offset

Jim Dine New York SIGNED poster "Gilbert and Sullivan" hand painted pink copper
Located in New York, NY
This radiant purple pink poster was designed by Jim Dine for a production of Gilbert and Sullivan at New York City Center in 1968. The stripe down...
Category

1960s Pop Art Figurative Drawings and Watercolors

Materials

Gouache, Offset

Vibrant Alan Davie Scottish Colorful Surrealist British Pop Art Village Painting
Located in Surfside, FL
Alan Davie, Scotland (1920-2014). Gouache painting with watercolor 'Village Myth' Hand signed ('with love') lower left, 1982 Dimensions: with frame 37.5"H x 30.25"W; image, 28"H x 22.5"W. James Alan Davie (1920 – 2014) was a Scottish painter and musician. Davie was born in Grangemouth, Scotland in 1920, the son of Elizabeth (née Turnbull) and James William Davie, an art teacher and painter who exhibited at the Salon des Artistes Français in 1925. During this formative period Davie discovered the poetry of Walt Whitman and T.S. Eliot, whose prose is echoed in letters home as well as his own verses. Alan Davie studied at Edinburgh College of Art from 1937 to 1941. An early exhibition of his work came through the Society of Scottish Artists. After the Second World War, Davie played tenor saxophone in the Tommy Sampson Orchestra, which was based in Edinburgh and broadcast and toured in Europe. He also earned a living making jewellery during the postwar period. Davie began teaching basic design in the jewellery department at London’s Central School of Arts and Crafts led by the Scottish artist William Johnstone, where colleagues included artists Nigel Henderson, Eduardo Paolozzi, Richard Hamilton and Patrick Heron. In 1961, Davie’s jewellery was featured in The International Exhibition of Modern Jewellery at London’s Goldsmith’s Hall, a milestone in the history of jewellery making in Britain where an impressive roster of international and British artists including Alexander Calder, Naum Gabo, Victor Pasmore and John McHale...
Category

1980s Pop Art Figurative Drawings and Watercolors

Materials

Paper, Watercolor, Gouache

Original Figurative Portrait Painting by Cuban Artist Juan Carlos Vazquez Lima
Located in Brooklyn, NY
ARTIST— Juan Carlos Vazquez Lima Juan Carlos was born in Havana Cuba June 30th 1986. He Studied at Eduardo Garcia Delgado School of Art. He currently lives and works in Havana. PAI...
Category

2010s Pop Art Figurative Drawings and Watercolors

Materials

Acrylic, Ballpoint Pen

Original Pencil Drawing from PIERRE, "I DONT CARE" (CBS 1970s)
Located in Surfside, FL
An original animation drawing from the CBS-TV broadcast of Sendak's "REALLY ROSIE" - (this was the first time "Rosie" appeared anywhere other than Sendak's original book) - this cel is from the PIERRE, "I DONT CARE" sequence. this is the original pencil drawing from the 1970s. it is from the estate of the film producer Dan Hunn. Maurice Bernard Sendak, June 10, 1928-2012 Dubbed by one critic “the Picasso of children’s literature” and once addressed by former President Bill Clinton as “the King of Dreams,” Maurice Sendak illustrated nearly a hundred picture books throughout a career that spanned more than 60 years. Some of his best known books include Chicken Soup...
Category

1970s Pop Art Figurative Drawings and Watercolors

Materials

Paper, Carbon Pencil

Equestrian Horseman
Located in Palm Desert, CA
"Equestrian Horseman" is a mixed media on paper by LeRoy Neiman. The artwork is signed lower right, "Leroy Neiman '66". The framed piece measures 40 3/4 x 46 1/2 x 1 1/2 in. LeRoy N...
Category

1960s Pop Art Figurative Drawings and Watercolors

Materials

Paper, Mixed Media

Original Animation Cel from PIERRE, "I DONT CARE" (CBS 1970s)
Located in Surfside, FL
An original animation cel drawing from the CBS-TV broadcast of Sendak's "REALLY ROSIE" - (this was the first time "Rosie" appeared anywhere other than Sendak's original book) - this cel is from the PIERRE, "I DONT CARE" sequence. this is the original vintage acetate drawing/painting from the 1970s. it is from the estate of the film producer Dan Hunn. I cannot say definitively that it is by Maurice Sendak's hand. He definitely worked on this project and the provenance is impeccable. They are quite rare and unusual. Maurice Bernard Sendak, June 10, 1928-2012 Dubbed by one critic “the Picasso of children’s literature” and once addressed by former President Bill Clinton as “the King of Dreams,” Maurice Sendak illustrated nearly a hundred picture books throughout a career that spanned more than 60 years. Some of his best known books include Chicken Soup...
Category

1970s Pop Art Figurative Drawings and Watercolors

Materials

Watercolor

Look Jane Ink Watercolor on Paper
Located in Lake Worth Beach, FL
Look Jane, ink, watercolor on archival paper. From the new series. Jane and Dick conversation. Keith Carrington’s experiences have led him to express his talents through the fluid &...
Category

2010s Pop Art Figurative Drawings and Watercolors

Materials

Ink, Watercolor, Archival Paper

I Am Money Magnet
Located in Lake Worth Beach, FL
I am money magnet, Ink on archival paper. Keith Carrington’s experiences have led him to express his talents through the fluid & exacting mediums of watercolor and ink. He has honed his skills, clarified his vision, experimented, explored and expanded his expression steadily over the years, the results of which thus far culminate here. Keith’s extensive travels have roots in the luminous quality of his work, eminently holding the unlimited possibilities of beauty and significance. Keith’s most recent paintings combine original comic book renderings that his mother did for Disney et al. and reinterprets them effectively combining the past with present energies and infuses his enthusiasm into these dynamic pieces that you see here today. GROUP EXHIBITIONS 2017, 2018 Renata Fine Arts, West Palm Beach, FL 2015, 2016 Renata Fine Arts, Hudson, New York 2013 @60inches New York, NY 2012 @60inches New York, NY curated sale with Harry Heisman 2011 KL/Karen Lynne Gallery, Boca Raton, Florida & Beverly Hills, California 2003 Dupont Gallery, Milwaukee Wisconsin 1994 Jack Shainman Gallery, New York, NY 1994 The Roger Smith Gallery, New York, NY 1993 Ambassador Galleries, New York, NY 1992 Elaine Benson Gallery, Bridgehampton, New York 1983 Manor House Gallery, Rhinebeck, New York SOLO EXHIBITIONS 2014, 2015 C. Bell, Palm Beach, Florida 2010 Luxe Energy Aesthetics, West Palm Beach, Florida 1995 Time Warner Publishing, New York, NY 1991 Imperial Hotel Gallery, Chestertown, Maryland 1990 National Symphony Show House, Washington, DC 1988, 1987 International Jumping Derby, Jockey Club, Newport, Rhode Island 1986 Elijah Locke House, Rye Beach, New Hampshire 1984 Washington Design Center, Washington, D.C. SELECTED CORPORATE COLLECTIONS Bovis Inc., New York, NY The Kiplinger Collection, Washington, D.C. The International Monetary Fund, Washington, D.C. Hopkins & Sutter, Washington, D.C. McKenna, Conner, & Cuneo, Washington, D.C. Oliver T. Carr Company, Alexandria, Virginia SELECTED PRIVATE COLLECTIONS RuPaul, Beverly Hills, California Kelly Klein, New York, NY Governor & Mrs. Bruce Sundlun, Providence, Rhode Island Mr. & Mrs. William Aylward...
Category

2010s Pop Art Figurative Drawings and Watercolors

Materials

Ink, Watercolor, Archival Paper, Sequins

Original Pencil Drawing from PIERRE, "I DONT CARE" (CBS 1970s)
Located in Surfside, FL
An original animation drawing from the CBS-TV broadcast of Sendak's "REALLY ROSIE" - (this was the first time "Rosie" appeared anywhere other than Sendak's original book) - this cel is from the PIERRE, "I DONT CARE" sequence. this is the original pencil drawing from the 1970s. it is from the estate of the film producer Dan Hunn. Maurice Bernard Sendak, June 10, 1928-2012 Dubbed by one critic “the Picasso of children’s literature” and once addressed by former President Bill Clinton as “the King of Dreams,” Maurice Sendak illustrated nearly a hundred picture books throughout a career that spanned more than 60 years. Some of his best known books include Chicken Soup...
Category

1970s Pop Art Figurative Drawings and Watercolors

Materials

Paper, Carbon Pencil

Lady Profile, Peter Max
Located in Auburn Hills, MI
Pen and ink on vélin paper, 1997. Paper size: 13 x 14 inches. Inscription: Hand signed, as issued. PETER MAX (1937) is a German-American artist known for using bright colors in his ...
Category

1990s Pop Art Figurative Drawings and Watercolors

Materials

Ink, Pen

Mr. Magoo Original Vintage Animation Cel Hand Drawing Painting
Located in Surfside, FL
Born in 1918 in Budapest, Hungary, Engel began his professional career in animation as a color designer at the Walt Disney studio. Although his credits include work on such classics as Disney’s Bambi and Fantasia and UPA’s Gerald McBoing-Boing, he is best known as a mentor to literally hundreds of students. Engel was also one of the original members of United Productions of America (UPA), where, during the ’50s, he worked on classics such as Mr. Magoo, Gerald McBoing-Boing and Madeline. According to his biographer, Dr. Janeann Dill, Engel has created more than 33 personal films and received five Golden Eagle awards, an Annie Award, a Winsor McCay Award, the Fritz Award, a Jean Vigo Award, and the Norman McLaren...
Category

Mid-20th Century Pop Art Figurative Drawings and Watercolors

Materials

Mixed Media

Study for Scenography - Watercolor by Erminio Loy - 1920s
By Erminio Loy
Located in Roma, IT
Study for Scenography is a painting in watercolor realized in the 1920s by Erminio Loy. Hand-signed on the lower right. Good conditions. The artwork represented through harmonious...
Category

1920s Pop Art Figurative Drawings and Watercolors

Materials

Watercolor

Original Ronald Shap figure drawing
Located in Columbus, OH
Original oil pastel figure drawing by celebrated, twentieth-century California landscape painter, Ronald Shap. Sketch of woman with glasses. 22.5x17.5 ...
Category

1980s Pop Art Figurative Drawings and Watercolors

Materials

Oil Pastel

Mont Saint Michel, fantastic watercolor illustration by Guillaume Cornet framed
Located in Dallas, TX
This beautiful intricate, hand colored illustration made using fine calligraphy pens to crate the black outline, then Cornet makes 5 lithograph prints, each one is colored differentl...
Category

2010s Pop Art Figurative Drawings and Watercolors

Materials

Mixed Media, Watercolor, Permanent Marker, Screen

All the Cheese in NYC, fantastic illustration by Guillaume Cornet white framed
Located in Dallas, TX
This beautiful intricate, Rotring pen and markers on paper, on 350gsm Colorset white paper. This piece is framed on a white wood frame, uv glass and all archival materials. GUILLAUM...
Category

2010s Pop Art Figurative Drawings and Watercolors

Materials

Watercolor, Pen, Permanent Marker

Féminine Mystique Ink on Paper
Located in Lake Worth Beach, FL
Feminine Mistique, ink on archival paper. Keith Carrington’s experiences have led him to express his talents through the fluid & exacting mediums of watercolor and ink. He has honed...
Category

2010s Pop Art Figurative Drawings and Watercolors

Materials

Ink, Watercolor, Archival Paper

Hand signed letter of advice ("one either jumps into the water or doesn't")
Located in New York, NY
Jasper Johns Letter ("one either jumps into the water or doesn't"), 1996 Hand signed letter framed on top of a Time Magazine cover depicting a work by the artist Hand signed by Jasper Johns underneath a typewritten letter by his secretary (JJ/st) Frame Included This listing consists of a typewritten letter, hand signed by Jasper Johns in response to one sent by the present addressee. While we do not see the fan's letter that prompted this response from Johns, it's not too difficult to guess, as Jasper Johns replies, stating, in part, "I wish I felt I could advise you but I can't. One either jumps in the water or doesn't. There doesn't seem to be any in-between." No truer words could have been spoken regarding the artist's life. Underneath this letter, is a vintage Time Magazine cover, presumably from the same year, depicting a Jasper Johns Flag...
Category

1990s Pop Art Figurative Drawings and Watercolors

Materials

Ink, Mixed Media, Lithograph, Offset

Feelin Good Ink On Paper
Located in Lake Worth Beach, FL
Feelin Good, Ink on archival paper. Keith Carrington’s experiences have led him to express his talents through the fluid & exacting mediums of watercolor and ink. He has honed his s...
Category

2010s Pop Art Figurative Drawings and Watercolors

Materials

Ink, Watercolor, Archival Paper

Mr. Magoo Original Vintage Animation Cel Hand Drawing Painting
Located in Surfside, FL
Born in 1918 in Budapest, Hungary, Engel began his professional career in animation as a color designer at the Walt Disney studio. Although his credits include work on such classics as Disney’s Bambi...
Category

Mid-20th Century Pop Art Figurative Drawings and Watercolors

Materials

Mixed Media

The Art World Series, Watercolor on Archival Paper
Located in Miami Beach, FL
Movies, TV and magazines are constant source of inspiration. Fame, as fleckring and shallow it can be sometimes, is very intriguing to him. The worlds of fashion, society and pop cu...
Category

2010s Pop Art Figurative Drawings and Watercolors

Materials

Ink, Watercolor, Gouache, Paper

Original Fashion Design Illustration Watercolor Painting Laura Ashley Designer
Located in Cirencester, Gloucestershire
Original Fashion Design Illustration by Roz Jennings, British watercolor and ink on card, unframed size: 12 x 8.25 inches condition: very good A beautifully colorful and characterfu...
Category

Late 20th Century Pop Art Figurative Drawings and Watercolors

Materials

Ink, Watercolor

1960s American Pop Art hyperrealist drawing Lucky Strike
Located in Norwich, GB
A striking pop art drawing, dating from the 1960s, featuring lettering and a packet of Lucky Strike cigarettes. Pop art as art movement emerged in the 1950s and flourished in the 196...
Category

1960s Pop Art Figurative Drawings and Watercolors

Materials

Graphite

THE ENDURING SPIRIT NEW YORK
Located in Aventura, FL
Original graphite, watercolor on paper. Hand signed top left front by Richard Lindner. Artwork size 14 x 12.25 inches. Frame size approx. 22.75 x 20.75 inches. Artwork is in o...
Category

Mid-20th Century Pop Art Figurative Drawings and Watercolors

Materials

Paper, Watercolor, Graphite

Richard Lindner Marilyn Monroe Was Here, hand signed Pop Art lithograph Framed
Located in New York, NY
This is a rare, pencil signed print based upon the original drawing which is illustrated in the catalogue raisonne of Richard Lindner's Paintings, Watercolors and Drawings, Edited by...
Category

1960s Pop Art Figurative Drawings and Watercolors

Materials

Rice Paper, Pencil

Original Fashion Design Illustration Watercolor Painting Laura Ashley Designer
Located in Cirencester, Gloucestershire
Original Fashion Design Illustration by Roz Jennings, British watercolor and ink on card, unframed size: 12 x 8.25 inches condition: very good A beautifully colorful and characterfu...
Category

Late 20th Century Pop Art Figurative Drawings and Watercolors

Materials

Ink, Watercolor

Saturday Night with Artists Karen Kilimnik and Elizabeth Peyton painting
Located in Miami Beach, FL
Movies, TV and magazines are constant source of inspiration. Fame, as fleckring and shallow it can be sometimes, is very intriguing to him. The worlds of fashion, society and pop cu...
Category

2010s Pop Art Figurative Drawings and Watercolors

Materials

Watercolor, Ink, Gouache, Archival Paper

Art dealerd Jeffrey Deitch Protected by His Angels Warhol and Basquiat
Located in Miami Beach, FL
Movies, TV and magazines are constant source of inspiration. Fame, as fleckring and shallow it can be sometimes, is very intriguing to him. The worlds of fashion, society and pop cu...
Category

2010s Pop Art Figurative Drawings and Watercolors

Materials

Watercolor, Ink, Gouache, Archival Paper

Original Fashion Design Illustration Watercolor Painting Laura Ashley Designer
Located in Cirencester, Gloucestershire
Original Fashion Design Illustration by Roz Jennings, British watercolor and ink on card, unframed size: 12 x 8.25 inches condition: very good A beautifu...
Category

Late 20th Century Pop Art Figurative Drawings and Watercolors

Materials

Ink, Watercolor

Pop Art figurative drawings and watercolors for sale on 1stDibs.

Find a wide variety of authentic Pop Art figurative drawings and watercolors available for sale on 1stDibs. Works in this style were very popular during the 21st Century and Contemporary, but contemporary artists have continued to produce works inspired by this movement. If you’re looking to add figurative drawings and watercolors created in this style to introduce contrast in an otherwise neutral space in your home, the works available on 1stDibs include elements of blue, orange, pink, purple and other colors. Many Pop art paintings were created by popular artists on 1stDibs, including Guillaume Cornet, Andy Warhol, Keith Carrington, and Keith Haring. Frequently made by artists working with Paint, and Watercolor and other materials, all of these pieces for sale are unique and have attracted attention over the years. Not every interior allows for large Pop Art figurative drawings and watercolors, so small editions measuring 4.73 inches across are also available. Prices for figurative drawings and watercolors made by famous or emerging artists can differ depending on medium, time period and other attributes. On 1stDibs, the price for these items starts at $124 and tops out at $1,595,000, while the average work sells for $2,200.

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