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Landscape Drawings and Watercolors For Sale
Style: Post-Impressionist
Style: American Modern
Lake 1 (kayak), post-impressionistic landscape drawing
Located in New York, NY
Sandy Litchfield finds the consummate marriage of medium and subject in her latest enchanted landscapes. She narrows her focus to lake scenes, creating an almost palindrome-like comp...
Category
2010s Post-Impressionist Landscape Drawings and Watercolors
Materials
Color Pencil, Synthetic Paper
Sailboats at Shore, Watercolor by Charles Levier
Located in Long Island City, NY
Sailboats at Shore by Charles Levier, French (1920–2003)
Date: circa 1965
Watercolor on Paper, signed l.r.
Image Size: 11 x 16 inches
Size: 19.5 x 25 in. (49.53 x 63.5 cm)
Frame: 24 ...
Category
1960s Fauvist Landscape Drawings and Watercolors
Materials
Watercolor
WPA 1940s Framed Figurative Village Landscape with Figures Houses Mountains
Located in Denver, CO
Depression era watercolor painting by Charles Ragland Bunnell (1897-1968) titled "The Way War First Comes" from 1940 of an outdoor village scene. Presented in a custom black frame wi...
Category
1940s American Modern Landscape Drawings and Watercolors
Materials
Paper, Watercolor
Modernist Abstract Expressionist Watercolor Painting Bauhaus Weimar Pawel Kontny
By Pawel Kontny
Located in Surfside, FL
Abstract watercolor composition bearing the influence of the earlier color-block compositions of Paul Klee.
Pawel August Kontny, (Polish-German-American artist) He was born in Laurahuette, Poland, in 1923, the son of a wealthy pastry shop owner. In 1939 he began studying architecture in Breslau where he was introduced to the European masters and to the work of some of the German Expressionists, soon afterward banned as "degenerate artists" and removed from museums throughout Germany by the Nazi regime. His studies were interrupted by World War II. Drafted into the German army, traveling in many countries as a soldier, he sketched various landscapes but in 1945, he was captured and held as a prisoner of war in Italy. After the war, he studied at the Union of Nuremberg Architects to help design buildings to replace ones destroyed in the war. He recorded his impressions of the local population and the landscapes through his watercolors and drawings. Pawel Kontny thereafter moved to Nuremberg, Germany, becoming a member of the Union of Nuremberg Architects and helping to rebuild the city's historic center. He soon decided to concentrate on his professional art career. He married Irmgard Laurer, a dancer with the Nuremberg Opera. Pavel Kontny 's career as an artist was launched with his participation in an all German exhibition, held at the Dusseldorf Museum in 1952. He held one-man shows in Germany, Switzerland and the United States. During his trip to the United States in 1960, Kontny became instantly enamored with Colorado, and decided to relocate to Cherry Hills with his wife and two children. He quickly established himself in the local art community, being affiliated for a time with Denver Art Galleries and Saks Galleries. His subject matter became the Southwest. During this time he received the Prestigious Gold Medal of the Art Academy of Rome. His extensive travel provided material for the paintings he did using his hallmark marble dust technique. he also worked equally in pastel, watercolor, charcoal and pencil-and-ink. in a style which merged abstraction and realist styles, influenced by Abstract Expressionist painting and South Western American landscapes. This one bears the influence of Sam Francis. In the early 1960s he was one of only a few European-born professional artists in the state, a select group that included Herbert Bayer (1900-1985), a member of the prewar Bauhaus in Weimar and Dessau, Germany, and Roland Detre (1903-2001), a Hungarian modernist painter. As a Denver, Colorado resident, Pavel Kontny exhibited at galleries and museums throughout the United States, Germany and Japan. There, he was inspired by frequent trips to Native American pueblos in the Southwest, as well as by the study of the Plains Indians of Montana and Wyoming. Over the years Kontny had a number of students and generously helped young artist by hosting exhibitions at his Cherry Hills home. For many years he generously donated his paintings to support charitable causes in Denver. Influences during his European years included German pastelist C.O. Muller, German Informel painter Karl Dahmen and Swiss artist, Hans Erni. In the early 1950s his painting style showed the influence of the Die Brücke (The Bridge), a group of German expressionist artists formed in Dresden in 1905 who had a major impact on the evolution of modern art in the twentieth century in Germany. By the middle of the decade his style incorporated more referential abstraction and total abstraction, resulting in part from his study of Hans Hartung, a German artist based in Paris who exhibited his gestural abstract work in Germany. The American moon landing in 1969 inspired Paul Kontny...
Category
20th Century American Modern Landscape Drawings and Watercolors
Materials
Watercolor, Archival Paper
Purple Cypress Tree - Coastal Fauvist Vertical Landscape
By Karen Druker
Located in Soquel, CA
Brightly colored Fauvist coastal landscape of a vivid purple cypress tree at the edge of the water, under a bright yellow sky and orange sun by Karen Druker (American, 1945). Signed ...
Category
21st Century and Contemporary Fauvist Landscape Drawings and Watercolors
Materials
Paper, Pastel, Watercolor, Pencil
Landscape with Trees by Félix Pissarro - Drawing
Located in London, GB
*UK BUYERS WILL PAY AN ADDITIONAL 20% VAT ON TOP OF THE ABOVE PRICE
Landscape with Trees by Félix Pissarro (1874-1897)
Pencil on paper
29 x 22.5 cm (1...
Category
1890s Post-Impressionist Landscape Drawings and Watercolors
Materials
Pencil, Paper
Le Défilé Royal (Illustration for Voyage au Pays des Pommes) by Lucien Pissarro
Located in London, GB
Le Défilé Royal (Illustration for Voyage au Pays des Pommes) by Lucien Pissarro (1863-1944)
Watercolour on paper
22.5 x 26 cm (8 ⅞ x 10 ¼ inches)
Signed lower left with monogram
This work is accompanied by a letter of authenticity from Colin Harrison, Senior Curator of European Art at the Ashmolean Museum, Oxford.
Provenance
Mr Ian Robertson
Exhibition
London, Leicester Galleries, Memorial Exhibition of Lucien Pissarro's Work, Part II, 1947, No. 60 (catalogued as La Procession)
Artist biography
Born on the 20th February 1863, Lucien Pissarro was the eldest son of the Impressionist painter Camille Pissarro. Coached from a young age by his father and in the frequent company of figures such as Cézanne, Gauguin and Monet, it is no surprise that Lucien chose to pursue an artistic career. While he is best known as a landscape painter, Lucien was also a printmaker, wood engraver and printer of fine books, occasionally painting still lifes and portraits of his family.
Lucien first visited England in 1870 with his family when fleeing the Franco-Prussian war. It was the beginning of a great love affair with the country. He decided to move permanently to England in 1890, becoming an English citizen in 1916. Until then he had worked as a landscape painter and book illustrator in France. During this period he met and worked with painters such as Paul Signac, Georges Seurat and Vincent van Gogh. Moving simultaneously in Impressionist and Neo-Impressionist circles, Lucien exhibited Pointillist paintings with his father in the last Impressionist exhibition in 1886. In the same year he was one of the first artists to exhibit in the “Salon des Indépendants” as a Neo-Impressionist.
Despite his close relationship with his father, as revealed in their correspondence, Lucien showed remarkable independence of mind in his approach to his art. While Lucien was trained by his father, the influence the artists had on one another was reciprocal. Thanks to his relationship with Seurat and Signac, Lucien encouraged Camille to experiment with Pointillism, a characteristic of the Neo-Impressionist group.
Lucien’s move to England in 1890 allowed him greater freedom to pursue his interest in book illustration and printing. There Lucien and his wife Esther established the Éragny Press, named after the Normandy village where his family lived since 1884. The Éragny Press was principally notable for creating aesthetically pleasing books and paved the way for the development of European book art. Lucien’s illustrations for these books demonstrate his talent and command of colour.
Nevertheless, Lucien always considered painting his primary concern, particularly landscape painting. Continuing the tradition of the Impressionists, Lucien was a plein-air painter who liked to work outdoors and study the subject directly from nature. His landscapes reveal his fascination for the effects of weather and light. The contemporary art critic Frank Rutter described Lucien as a master of colour, writing in 1922: “there is no man living who has a more profound knowledge of the science of colour, or a more discriminating eye for its observation in nature.” Rutter was also struck by Lucien’s respect for his subject, nature itself: “Each canvas is wrought with a quiet perfection that conceals its art and is eloquent of the tender emotion which the loveliness of nature inspires in the artist.”
It is clear from Rutter’s praise that Lucien’s contemporaries were impressed by his combination of English and French artistic traditions. Unsurprisingly, he became associated with artistic groups that drew inspiration from the Impressionists, including the New English Art Club, with whom he exhibited in 1904, the Fitzroy Street Group in 1907 and the Camden Town Group in 1911. To his English contemporaries Lucien represented a direct link to the Impressionist Masters. His influence can be recognised in the work of British artists such as Spencer Gore, Harold Gilman...
Category
19th Century Post-Impressionist Landscape Drawings and Watercolors
Materials
Watercolor, Paper
Belveze du Razes - Neo-Impressionist Pointillist Oil, Landscape by Achille Lauge
Located in Marlow, Buckinghamshire
Stunning pointillist landscape oil on panel circa 1920 by French neo-impressionist painter Achille Lauge. The work depicts a path leading to the small village of Belveze du Razes in the South of France on a bright spring day. To the left are white blossom trees in bloom and the houses of the village can be seen in the distance.
Signature:
Signed and dated 1909 lower left
Dimensions:
Framed: 28"x36"
Unframed: 21"x29"
Provenance:
This work is included in the Catalogue Raisonne of the artist under preparation by Nicole Tamburini
A certificate of authenticity from Mme. Tamburini accompanies the painting
Achille Laugé...
Category
Early 1900s Pointillist Landscape Drawings and Watercolors
Materials
Oil, Canvas
La Maison Rose, Les Andelys by Ludovic-Rodo Pissarro - Landscape, watercolour
Located in London, GB
*UK BUYERS WILL PAY AN ADDITIONAL 20% VAT ON TOP OF THE ABOVE PRICE
La Maison Rose, Les Andelys by Ludovic-Rodo Pissarro (1878-1952)
Watercolour, ink and ...
Category
1930s Post-Impressionist Landscape Drawings and Watercolors
Materials
Ink, Paper, Watercolor, Pencil
Fires of Spring in Big Woods
Located in New York, NY
Estate stamp lower right
Category
20th Century American Modern Landscape Drawings and Watercolors
Materials
Pencil, Watercolor
Fauvist Watercolor Landscape with Weeping Willow Tree
By Les Anderson
Located in Soquel, CA
Vivid, imaginative colors whirl and swirl together to form this whimsical Fauvist abstracted landscape watercolor, featuring a beautiful weeping willow tree, by Les Anderson (America...
Category
1980s Fauvist Landscape Drawings and Watercolors
Materials
Paper, Watercolor
"New York Yankees World Series Celebration, " Kamil Kubik Baseball Street Parade
By Kamil Kubik
Located in New York, NY
Kamil Kubik (1930 - 2011)
The New York Yankees 1998 Baseball World Series Celebration, 1998
Pastel on paper
Sight 26 x 19 1/2 inches
Provenance:
The artist's estate
The 1998 New York Yankees were one of the best baseball teams ever, comprising players such as Jorge Posada, Tino Martinez, Chuck Knoblauch, Scott Brosius, Derek Jeter...
Category
1990s Post-Impressionist Landscape Drawings and Watercolors
Materials
Oil Pastel, Paper
Hilltop Through the Trees, Modernist Watercolor Landscape
Located in Soquel, CA
A vibrant modernist landscape watercolor by Laguna Beach, California artist Nevalda Bartolini Liberi (Italian/American, 20th Century). This lovely and bright watercolor features a view of a beautiful hillside, seen through a grove of twisting trees. A charming house is glimpsed in the distance.
Signed "Nevalda Bartolini" lower right.
Displayed in a new white mat. Unframed.
Paper size: 15"H x 22.25"W.
Nevalda Bartolini Liberi was an Italian-American artist active in New York in the 1960's, and later in Laguna Beach, California. She was married to the prolific painter, sculptor, and former Laguna Beach gallery owner Dante Liberi...
Category
Late 20th Century American Modern Landscape Drawings and Watercolors
Materials
Watercolor, Paper
Half Dome in Pastel Colors, Yosemite National Park Fauvist Landscape Watercolor
By Karen Druker
Located in Soquel, CA
Bright Fauvist landscape of Half Dome in Yosemite National Park, with beautiful use of color by Karen Druker (American, 1945). Signed "Druker" in the lower right corner. Presented in...
Category
21st Century and Contemporary Fauvist Landscape Drawings and Watercolors
Materials
Paper, Pastel, Watercolor
"Hydrangeas, " Walter Inglis Anderson, Mississippi Southern Illustrator, Flowers
Located in New York, NY
Walter Anderson ( American, 1903 - 1965)
Hydrangeas, circa 1950
Mixed media on paper
11 x 8 1/2 inches
Provenance:
Luise Ross Gallery, New York
Private Collection, New Jersey
Acquired from the estate of the above, 2021
Walter Anderson firmly believed that quality art was an important part of life and should be made available to everyone. As he said, "There should be simple, good decorations, to be sold at prices to rival the five-and-ten." Noticing that only poor quality art was available in stores and little was available for children, he resolved to make art which could be reproduced easily and sell inexpensively — linoleum block prints. This technique enabled him to provide affordable, quality art.
The technique of linoleum block printing is a simple concept; however, it requires much skill and talent to actually produce memorable art. Anderson purchased surplus "battleship linoleum," thicker than ordinary linoleum with a burlap backing for better support, to create his blocks. During the mid-1940s, he created almost 300 linocuts working in the attic of the sea-side plantation house, Oldfields, his wife's family home in Gautier. Masses of linoleum chips accumulated at the foot of the attic stairs as he often worked night and day. He began with sketching out a design directly on the linoleum. Once he had carved the image into the surface, he used the back of faded, surplus stock wallpaper that a friend sent him, laying long strips on top of the inked linoleum. A roller made of sewer pipe filled with sand served as his press. When the print was completed, he often colored it by hand with bold strokes and vivid colors. The prints were sold at Shearwater Pottery, the family business, for a mere dollar a foot.
But "what about a well-designed fairy tale for a child's room?" he asked himself. Since there was a lack of affordable art for children, much of his work with linoleum blocks focused on subjects for children. He depicted fables and fairy tales ranging from Arabian Nights, to Germany and the Grimm Brothers' Rapunzel, to the French story of The White Cat, to the Greek tales such as Europa and the Bull, and to tales from China, India, and other cultures. Anderson also created "mini" books featuring the alphabet and Robinson Cat. The blocks are not only alive with the story being depicted, but they are also filled with designs taken from Best-Maugard's Method for Creative Design. Swirls, half-circles and zig-zag lines fill every available space on the linoleum block making them come alive and capture their audience.
But fairy tales, children's verses and the "mini" books, consisting of about 90 blocks, were not the sole subject of Anderson's linoleum block prints. In total, he created approximately 300 linoleum blocks with subjects ranging from coastal flora and fauna, coastal animals, and sports and other coastal activities. Anderson even created linoleum blocks to be used to print tablecloths and clothing, some worn by his own children. Color and subjects of the linoleum block prints were not the only things that got them noticed.
In 1945 when Anderson was creating these prints, the standard size of linoleum block prints was only 12 by 18 inches. These small dimensions were due to the common size of the paper available and the restrictions made by national competitions. Since Anderson used wallpaper...
Category
Mid-20th Century American Modern Landscape Drawings and Watercolors
Materials
Paper, Crayon
La Celle les Bordes by LUDOVIC-RODO PISSARRO - Post-Impressionist watercolour
Located in London, GB
La Celle les Bordes by LUDOVIC-RODO PISSARRO (1878-1952)
Watercolour on paper
35 x 25 cm (13 3⁄4 x 9 7⁄8 inches)
Signed lower left, Ludovic Rodo
Inscribed and dated lower right, La ...
Category
Early 1900s Post-Impressionist Landscape Drawings and Watercolors
Materials
Paper, Watercolor
The Blue Cabin - Vertical Landscape
By Karen Druker
Located in Soquel, CA
Brightly colored landscape of a cabin in the woods by Karen Druker (American, 1945). Signed "Druker" in the lower right corner. Presented in a cream mat. No frame. Image size: 30"H x...
Category
21st Century and Contemporary Fauvist Landscape Drawings and Watercolors
Materials
Paper, Pastel, Watercolor
Magazine Cover Illustration Mid 20th Century Modern Theatre Broadway Realism WPA
Located in New York, NY
Magazine Cover Illustration Mid 20th Century Modern Theatre Broadway Realism WPA
Ernest Hamlin Baker (1889 – 1975) “Today Magazine” Cover ...
Category
1930s American Modern Landscape Drawings and Watercolors
Materials
Gouache, Paper, Watercolor, Ink
"New York City Harbor" Leon Dolice, Downtown Skyline, East and Hudson River
By Leon Dolice
Located in New York, NY
Leon Dolice (1892 - 1960)
New York Harbor Skyline at Twilight (Searching), circa 1930-40
Pastel on paper
12 x 19 inches
Signed lower left
Provenance:
Spanierman Gallery, New York
T...
Category
1930s American Modern Landscape Drawings and Watercolors
Materials
Paper, Pastel
Untangling a Fly from the Tree
Located in Soquel, CA
Delicate depiction of a fly fisherman by Harvey Eckert (American, 1946-2018). Signed in the lower right corner. Presented in a wood frame with a double mat and anti-glare glass. Image size: 14"H x 18"W
Harvey Eckert (American, 1946-2018) was an American artist from Kansas. He attended Colby Community College, Hays Emporia State and graduated from Wichita University with two degrees. While living in Montana, he was employed by Bob Wards, Fran Johnson’s Sporting Goods and Cashell Engineers as a surveyor and draftsman. Eckert illustrated three books, Caddisflies by the late Gary LaFontaine, Montana Trout Flies and The Master Fly Weaver by the late George Grant. He did illustrations for the following publications: Montana Outdoors, Colorado Streamside, The River Rat published by Trout Unlimited, Fly Fisherman, Rod and Reel...
Category
1980s American Modern Landscape Drawings and Watercolors
Materials
Watercolor, Paper
"New York City Skyline View from the East River, " Lionel Reiss, Jewish Artist
By Lionel Reiss
Located in New York, NY
Lionel S. Reiss (1894 - 1988)
New York City Skyline View from the East River
Watercolor on paper
13 x 19 inches
Signed lower left
In describing his own style, Lionel Reiss wrote, “By nature, inclination, and training, I have long since recognized the fact that...I belong to the category of those who can only gladly affirm the reality of the world I live in.” Reiss’s subject matter was wide-ranging, including gritty New York scenes, landscapes of bucolic Bucks County, Pennsylvania, and seascapes around Gloucester, Massachusetts. However, it was as a painter of Jewish life—both in Israel and in Europe before World War II—that Reiss excelled. I.B. Singer, the Nobel Prize winner for Literature, noted that Reiss was “essentially an artist of the nineteenth century, and because of this he had the power and the courage to tell visually the story of a people.”
Although Reiss was born in Jaroslaw, Poland, his family immigrated to the United States in 1898 when he was four years old. Reiss's family settled on New York City’s Lower East Side and he lived in the city for most of his life. Reiss attended the Art Students League and then worked as a commercial artist for newspapers and publishers. As art director for Metro-Goldwyn-Mayer, he supposedly created the studio’s famous lion logo.
After World War I, Reiss became fascinated with Jewish life in the ‘Old World.’ In 1921 he left his advertising work and spent the next ten years traveling in Europe, the Middle East, and North Africa. Like noted Jewish photographers Alter Kacyzne and Roman Vishniac, Reiss depicted Jewish life in Poland prior to World War II. He later wrote, “My trip encompassed three main objectives: to make ethnic studies of Jewish types wherever I traveled; to paint and draw Jewish life, as I saw it and felt it, in all aspects; and to round out my work in Israel.”
In Europe, Reiss recorded quotidian scenes in a variety of media and different settings such as Paris, Amsterdam, the Venice ghetto, the Jewish cemetery in Prague, and an array of shops, synagogues, streets, and marketplaces in the Jewish quarters of Warsaw, Lodz, Krakow, Lublin, Vilna, Ternopil, and Kovno. He paid great attention to details of dress, hair, and facial features, and his work became noted for its descriptive quality.
A selection of Reiss’s portraits appeared in 1938 in his book My Models Were Jews. In this book, published on the eve of the Holocaust, Reiss argued that there was “no such thing as a ‘Jewish race’.” Instead, he claimed that the Jewish people were a cultural group with a great deal of diversity within and between Jewish communities around the world. Franz Boas...
Category
1940s American Modern Landscape Drawings and Watercolors
Materials
Paper, Watercolor
Draveil by LUDOVIC-RODO PISSARRO (1878-1952) - Watercolour on paper
Located in London, GB
*UK BUYERS WILL PAY AN ADDITIONAL 20% VAT ON TOP OF THE ABOVE PRICE
Draveil by LUDOVIC-RODO PISSARRO (1878-1952)
Watercolour on paper
24 x 32 cm (9 1⁄2 x 12 5⁄8 inches)
Titled and ...
Category
Early 20th Century Post-Impressionist Landscape Drawings and Watercolors
Materials
Watercolor, Pencil, Paper
Le Barrage du Vey (Clécy) by H. CLAUDE PISSARRO - Post-Impressionist style
Located in London, GB
*UK BUYERS WILL PAY AN ADDITIONAL 20% VAT ON TOP OF THE ABOVE PRICE
Le Barrage du Vey (Clécy) by H. CLAUDE PISSARRO (b. 1935)
Pastel on card
37 x 51 cm (14 ⅝ x 20 ⅛ inches)
Signe...
Category
1990s Post-Impressionist Landscape Drawings and Watercolors
Materials
Pastel
“Summertime”
Located in Southampton, NY
Great example of the the artistic excellence of William J. Kayla and his mastery of the watercolor. Circa 1925. Signed lower left. Condition is very go...
Category
1920s Post-Impressionist Landscape Drawings and Watercolors
Materials
Watercolor, Archival Paper
The visit of the King of Persia Mozaffar al-Din Shah Qajar to the Ostend hippodr
Located in Roma, RM
Carlo Brancaccio ( Naples 1861 – 1920 ), The visit of the King of Persia Mozaffar al-Din Shah Qajar to the Ostend hippodrome
Watercolor on paper cm 74,5...
Category
1890s Post-Impressionist Landscape Drawings and Watercolors
Materials
Paper, Watercolor
NYC Watercolor Drawing American Modern 20th Century Modernism Mid-Century WPA
Located in New York, NY
NYC Watercolor Drawing American Modern 20th Century Modernism Mid-Century WPA.
David Fredenthal (1914-1958) "View of New York from New Jersey,"7 x 10 inches. Watercolor on Paper, c. 1948. Signed lower right.
David Fredenthal (1914 - 1958) was one ot America's most respected watercolor artists. He was famous for his bold, intensely vigorous and complex paintings and drawings that expressed his deep feeling for excitement with life and living. He was a draftsman with seemingly a special gift for catching anything, physically and emotionally on the spot, and he never went anywhere without three or four loaded pens and a sketchbook in his pocket.
As part of the WPA project he executed a number of murals including the Sports Pavilion on the Heinz Building of the New York World's Fair 1939. Some of his fresco and mural techniques were inspired by his friendship with Diego Rivera who had admired and encouraged him in the early 1930's.
After he won a traveling scholarship to Europe from The Museum of Modern Art at age 19, he was the recipient of two Guggenheim grants in Painting. He had his first solo exhibition at the Downtown Gallery in New York in 1937 at age 23, and many others after that including the Whitney Museum of American Art in 1947.
Because of Fredenthal's prodigious drawing gifts, he was chosen by Erskine Caldwell to illustrate his novel "Tobacco Road...
Category
1940s American Modern Landscape Drawings and Watercolors
Materials
Watercolor, Paper
Colorful Lake Reflections, Large-Scale Pastel Landscape with Ducks
Located in Soquel, CA
Vibrant large-scale pastel landscape of colorful reflections rippling on a calm lake with three small ducks and a boat by an unknown artist (American, 20th Century). Signed with the ...
Category
Late 20th Century Post-Impressionist Landscape Drawings and Watercolors
Materials
Pastel, Paper
"New York City Harbor (Brooklyn Bridge), " Leon Dolice, East River, Mid-Century
By Leon Dolice
Located in New York, NY
Leon Dolice (1892 - 1960)
New York Harbor (Brooklyn Bridge), circa 1930-40
Pastel on paper
12 x 19 inches
Signed lower right
Provenance:
Spanierman Gallery, New York
The romantic b...
Category
1930s American Modern Landscape Drawings and Watercolors
Materials
Paper, Pastel
[untitled] Street Scene with Fruit Vendor.
Located in New York, NY
Emilio Sanchez (1921-1999) created [untitled] “STREET SCENE WITH FRUIT VENDOR” in circa 1950. This unsigned watercolor and came to us directly from the Sanchez estate. It is stamped on the verso "Estate of Emilio Sanchez." This piece is in good to very good condition and painted to the paper's edge. The paper size is 14.88 x 15.25 inches (37.6 x 38.6 cm).
“Best known for his architectural paintings and lithographs, Emilio Sanchez (1921-1999) explored the effects of light and shadow to emphasize the abstract geometry of his subjects. His artwork encompasses his Cuban heritage...
Category
1950s American Modern Landscape Drawings and Watercolors
Materials
Graphite, Watercolor
![[untitled] Street Scene with Fruit Vendor.](https://a.1stdibscdn.com/a_3312/1641486106885/sanchez_fruit_vendor_79509_master.jpg?width=240 "emilio sanchez photographer age")
Italian Village - Mid 20th Century Impressionist Watercolour by Bennett
Located in Watford, Hertfordshire
Sterndale Bennett Honor 1886-1975
Watercolour artist, born in Watford, she married into the famous family noted for its composers and for its military members. As an army wife she s...
Category
1950s Post-Impressionist Landscape Drawings and Watercolors
Materials
Watercolor, Paper
"Bass Rocks, Gloucester, Massachusetts" Watercolor Bright Seascape
Located in New York, NY
Louis Wolchonok (1898 - 1973)
Bass Rocks, Gloucester, Massachusetts, 1923
Watercolor on wove watercolor stock paper
13 x 17 3/4 inches
Signed and dated lower right corner: LWolchonok...
Category
1920s American Modern Landscape Drawings and Watercolors
Materials
Paper, Watercolor
Cliffs near Paramé, France, vibrant seascape & landscape watercolor
By Frank Wilcox
Located in Beachwood, OH
Frank Nelson Wilcox (American, 1887-1964)
Cliffs near Paramé, France, c. 1926-7
Watercolor on paper
Signed lower right
11 x 14.5 inches
Frank Nelson Wilcox (October 3, 1887 – April 17, 1964) was a modernist American artist and a master of watercolor. Wilcox is described as the "Dean of Cleveland School painters". In 1906 Wilcox enrolled from the Cleveland School of Art...
Category
1920s American Modern Landscape Drawings and Watercolors
Materials
Watercolor
Georgetown (Church in the Mountains, Colorado), Modernist Landscape Ink Drawing
Located in Denver, CO
Georgetown, Colorado, vintage 1938 WPA era ink drawing/painting on paper of a church set in a rocky mountain landscape by Charles Bunnell (1897-1968). Black on a creamy white paper, signed and dated lower right, titled lower left. Presented in a custom frame with all archival materials, outer dimensions measure 16 ¼ x 14 ½ x 1¼ inches. Image size is 7 ¾ x 5 ¾ inches.
Drawing is clean and in good vintage condition - please contact us for a detailed condition report.
Provenance: Estate of Charles Ragland Bunnell
Expedited and international shipping is available - please contact us for a quote.
About the Artist:
Charles Bunnell developed a love for art as a child in Kansas City, Missouri. Around 1915, Bunnell moved with his family to Colorado Springs, Colorado.
He served in World War I and later used his GI Training to study at the Broadmoor Art Academy (later renamed the Colorado Springs Fine Arts Center) during 1922 and 1923. In 1922, he married fellow student, Laura Palmer...
Category
1930s American Modern Landscape Drawings and Watercolors
Materials
Ink, Archival Paper
Untitled (Woodstock Landscape)
Located in Lawrence, NY
Jehudith (Judyta) Sobel was a colorist whose style is a blend of the major movements of early modernist art, including cubism and constructivism. A prolific artist, she primarily pai...
Category
1960s Post-Impressionist Landscape Drawings and Watercolors
Materials
Watercolor
Paysage de l'Aven by Ludovic-Rodo Pissarro - Watercolour, Coastal scene
Located in London, GB
*UK BUYERS WILL PAY AN ADDITIONAL 20% VAT ON TOP OF THE ABOVE PRICE
Paysage de l'Aven by Ludovic-Rodo Pissarro (1878-1952)
Watercolour and pencil on paper
27 x 38 cm (10 ⅝ x 15 inc...
Category
Early 1900s Post-Impressionist Landscape Drawings and Watercolors
Materials
Paper, Watercolor, Pencil
1940's Provence French Landscape - Post Impressionist artist
By Louis Bellon
Located in Cirencester, Gloucestershire
Provencal Landscape
by Louis Bellon (French 1908-1998)
From a batch of similar work where most were dated 1942-1947
wax crayon painting on paper, unframed
measurements: 12 x 17.5 in...
Category
Mid-20th Century Post-Impressionist Landscape Drawings and Watercolors
Materials
Wax Crayon
Modernist Trees, 1940s Framed Modernist Landscape Watercolor Painting, Red Green
Located in Denver, CO
Modernist painting of trees, interior forest scene by Colorado artist, Richard Sorby (1911-2001). Painted in dark colors of green, blue and black with brown, orange and white. Water...
Category
1940s American Modern Landscape Drawings and Watercolors
Materials
Watercolor, Archival Paper
Paul Emile Lecomte (1877-1950) A landscape, signed watercolor
Located in Paris, FR
Paul Emile Lecomte (1877-1950)
A Landscape
Signed lower left
Watercolor on paper
22.5 x 30.5cm
In good condition
Framed: 37.5 x 46 cm
Paul Emile Lecomte (1877– 1950). Painter of wat...
Category
1930s Post-Impressionist Landscape Drawings and Watercolors
Materials
Watercolor
Reflections Along the Ohio River, 20th Century Landscape Watercolor
By Frank Wilcox
Located in Beachwood, OH
Reflections Along the Ohio River, c. 1920
Watercolor and graphite on board
Signed lower left
22 x 30 inches
Frank Nelson Wilcox (October 3, 1887 – April 1...
Category
1920s American Modern Landscape Drawings and Watercolors
Materials
Watercolor
Modernist Abstract Expressionist Watercolor Painting Bauhaus Weimar Pawel Kontny
By Pawel Kontny
Located in Surfside, FL
Abstract watercolor composition bearing the influence of the earlier color-block compositions of Paul Klee.
Pawel August Kontny, (Polish-German-American artist) He was born in Laurahuette, Poland, in 1923, the son of a wealthy pastry shop owner. In 1939 he began studying architecture in Breslau where he was introduced to the European masters and to the work of some of the German Expressionists, soon afterward banned as "degenerate artists" and removed from museums throughout Germany by the Nazi regime. His studies were interrupted by World War II. Drafted into the German army, traveling in many countries as a soldier, he sketched various landscapes but in 1945, he was captured and held as a prisoner of war in Italy. After the war, he studied at the Union of Nuremberg Architects to help design buildings to replace ones destroyed in the war. He recorded his impressions of the local population and the landscapes through his watercolors and drawings. Pawel Kontny thereafter moved to Nuremberg, Germany, becoming a member of the Union of Nuremberg Architects and helping to rebuild the city's historic center. He soon decided to concentrate on his professional art career. He married Irmgard Laurer, a dancer with the Nuremberg Opera. Pavel Kontny 's career as an artist was launched with his participation in an all German exhibition, held at the Dusseldorf Museum in 1952. He held one-man shows in Germany, Switzerland and the United States. During his trip to the United States in 1960, Kontny became instantly enamored with Colorado, and decided to relocate to Cherry Hills with his wife and two children. He quickly established himself in the local art community, being affiliated for a time with Denver Art Galleries and Saks Galleries. His subject matter became the Southwest. During this time he received the Prestigious Gold Medal of the Art Academy of Rome. His extensive travel provided material for the paintings he did using his hallmark marble dust technique. he also worked equally in pastel, watercolor, charcoal and pencil-and-ink. in a style which merged abstraction and realist styles, influenced by Abstract Expressionist painting and South Western American landscapes. This one bears the influence of Sam Francis. In the early 1960s he was one of only a few European-born professional artists in the state, a select group that included Herbert Bayer (1900-1985), a member of the prewar Bauhaus in Weimar and Dessau, Germany, and Roland Detre (1903-2001), a Hungarian modernist painter. As a Denver, Colorado resident, Pavel Kontny exhibited at galleries and museums throughout the United States, Germany and Japan. There, he was inspired by frequent trips to Native American pueblos in the Southwest, as well as by the study of the Plains Indians of Montana and Wyoming. Over the years Kontny had a number of students and generously helped young artist by hosting exhibitions at his Cherry Hills home. For many years he generously donated his paintings to support charitable causes in Denver. Influences during his European years included German pastelist C.O. Muller, German Informel painter Karl Dahmen and Swiss artist, Hans Erni. In the early 1950s his painting style showed the influence of the Die Brücke (The Bridge), a group of German expressionist artists formed in Dresden in 1905 who had a major impact on the evolution of modern art in the twentieth century in Germany. By the middle of the decade his style incorporated more referential abstraction and total abstraction, resulting in part from his study of Hans Hartung, a German artist based in Paris who exhibited his gestural abstract work in Germany. The American moon landing in 1969 inspired Paul Kontny...
Category
20th Century American Modern Landscape Drawings and Watercolors
Materials
Watercolor, Archival Paper
“A Norman Peasant’s Home”
Located in Southampton, NY
"A Norman Peasant's Home," (Near Caudebec -en-Caux, Seine, France); and also identified as, "Peasant's Doorway." by Hezekiah Anthony Dyer. This area would be considered Normandy hence the title. Watercolor and gouache on archival paper. Signed lower left by the artist. Condition is very good. Included with the purchase is dated 1925 correspondence between the artist and purchaser of the painting with apologies from the artist for the painting not being shipped from Newport on time. Recently professionally custom double matted and framed under glass. Overall framed measurements are 19.25 by 15.5 inches. Provenance: Rhode Island collector.
H. A. Dyer
1872 - 1943 Historical Rhode Island artist Hezekiah Anthony Dyer, son of Elisha and Nancy Anthony Dyer , was born into a prominent Rhode Island family, having both his grandfather and father serve as governor of the state. A descendent of the Hoppin family, known for their own artistic inclination, Dyer inherited both an interest in the arts as well as his father’s interest in public affairs. He fulfilled his destiny by becoming a notable figure in Rhode Island politics and public service as well as an accomplished artist.
Dyer attended boarding school at St. Paul’s Church in Concord, New Hampshire and then went on to attend Brown University. Following his graduation from Brown in 1894, Dyer became serious about pursuing an art career and made the decision to travel abroad to Holland, Italy and France where he focused on refining his watercolor technique. Following his initial trip to Europe, Dyer returned to Providence and attended classes at the Rhode Island School of Design. By 1919 he received an Honorary Masters of Arts Degree from Brown University.
Throughout his life, Dyer traveled to Europe for several months of each year to paint. He had a particular affinity for European seascapes and landscapes, as well as for picturesque scenes of old European villages. Dyer’s travels took him throughout the continent including Belgium, Brittany, Normandy, England and both the Swiss and Italian Alpine regions. Hezekiah was heavily influenced by the English School of painting, and in the early years of his career as a painter, worked exclusively in a deliberately realistic style. During this time, Dyer also began showcasing his paintings in exhibits that consisted of only his own work and which were very successful. As his painting progressed, Dyer allowed himself to experiment more in the field of watercolor. He developed a technique of painting on grey or tan paper and would paint everything lighter than the paper using an opaque gouache, and everything darker than the paper in transparent washes of color. This technique allowed Dyer to represent a great deal of detail not usually found in watercolor paintings. It also resulted in wonderfully vibrant colors that would not fade when dry.
H. A. Dyer was a prominent member of both the art community and of Rhode Island public life. While he never held an office, Dyer became very involved in politics and from 1916 to 1919 was president of the Republican Club of Rhode Island. At the beginning of the First World War, Hezekiah was made chairman of the speaker’s bureau for the Food Administration of Rhode Island, and was later made chairman of the speaker’s bureau for the Council of Defense. Dyer also became a chairman for a philanthropic organization called Rhode Island of the Fatherless Children of France. In 1922, France presented both Hezekiah Dyer...
Category
1920s Post-Impressionist Landscape Drawings and Watercolors
Materials
Gouache, Archival Paper, Watercolor
"Industrial Landscape, " WPA Mid-Century Modern Social Realist Watercolor
Located in New York, NY
Louis Wolchonok (1898 - 1973)
Industrial Landscape, 1925
Watercolor on paper
22 1/4 x 16 inches
Louis Wolchonok was an author of art books, etcher, painter of townscapes, landscapes, figures, muralist, and graphic artist. Wolchonok was a social realist...
Category
1920s American Modern Landscape Drawings and Watercolors
Materials
Laid Paper, Watercolor
Wotton-under-Edge by LUCIEN PISSARRO - Watercolour, work on paper, art
Located in London, GB
Wotton-under-Edge by LUCIEN PISSARRO (1863-1944)
Ink, watercolour and crayon on paper
14.6 x 18.5 cm (5 3⁄4 x 7 1⁄4 inches)
Signed with monogram and dated lower left, 1920 Inscribed lower right, Wootton-under-Edge
Provenance:
Colchester, The Minories, The R.A. Bevan Collection, July - August 1975, no. 119 Sudbury, Gainsborough's House, The Bevan Collection: A Selection of Paintings by British Artists including the Camden Group...
Category
1920s Post-Impressionist Landscape Drawings and Watercolors
Materials
Ink, Crayon, Watercolor
Turkeys in the Trees, Early 20th Century Farm Landscape Watercolor
By Frank Wilcox
Located in Beachwood, OH
Turkey in the Trees, c. 1922
Watercolor on paper
Signed lower right
22 x 29 inches
Frank Nelson Wilcox (October 3, 1887 – April 17, 1964) was a modernist American artist and a mast...
Category
1920s American Modern Landscape Drawings and Watercolors
Materials
Watercolor
View Towards Christmas Cove, Maine, Early 20th Century East Coast Landscape
By Frank Wilcox
Located in Beachwood, OH
View Towards Christmas Cove, Maine, c. 1923
Watercolor on paper
Signed lower right
14 x 19.5 inches
Frank Nelson Wilcox (October 3, 1887 – April 17, 1...
Category
1920s American Modern Landscape Drawings and Watercolors
Materials
Watercolor
Untitled (Landscape #20)
Located in Albuquerque, NM
Alex Peña, Untitled (Landscape #20), 2021, ink on paper
Framed size: 12" x 14"
Image size: 5.75" x 7.5"
Category
2010s American Modern Landscape Drawings and Watercolors
Materials
Ink
Untitled (Landscape #19)
Located in Albuquerque, NM
Alex Peña, Untitled (Landscape #19), 2021, ink on paper
Framed size: 12" x 14"
Image size: 8" x 5.75"
Category
2010s American Modern Landscape Drawings and Watercolors
Materials
Ink
Sailboats on Shore I, Watercolor by Charles Levier
Located in Long Island City, NY
Sailboats on Shore I
Charles Levier, French (1920–2003)
Date: circa 1965
Watercolor on Paper, signed l.r.
Image Size: 11 x 16 inches
Size: 19.5 x 25 in. (49.53 x 63.5 cm)
Category
1960s Fauvist Landscape Drawings and Watercolors
Materials
Watercolor
"Manhattan Bridge" NYC American Scene Modernism Watercolor WPA Urban Realism
Located in New York, NY
Reginald Marsh "Manhattan Bridge" NYC American Scene Modernism Watercolor WPA Urban Realism, 20 x 14 inches. Watercolor and pencil on paper, 1938. Signed...
Category
1930s American Modern Landscape Drawings and Watercolors
Materials
Paper, Watercolor, Pencil
Frosty Dawn, Upstate New York, 20th century American modern watercolor
By Frank Wilcox
Located in Beachwood, OH
Frank Nelson Wilcox (American, 1887-1964)
Frosty Dawn, Upstate New York, c. 1916
Watercolor and gouache on board
Signed lower right
21 x 30 inches
Frank Nelson Wilcox (October 3, 1887 – April 17, 1964) was a modernist American artist and a master of watercolor. Wilcox is described as the "Dean of Cleveland School painters". In 1906 Wilcox enrolled from the Cleveland School of Art...
Category
1910s American Modern Landscape Drawings and Watercolors
Materials
Watercolor, Gouache
Modernist Abstract Expressionist Watercolor Painting Bauhaus Weimar Pawel Kontny
By Pawel Kontny
Located in Surfside, FL
Abstract watercolor composition bearing the influence of the earlier color-block compositions of Paul Klee.
Pawel August Kontny, (Polish-German-American artist) He was born in Laurahuette, Poland, in 1923, the son of a wealthy pastry shop owner. In 1939 he began studying architecture in Breslau where he was introduced to the European masters and to the work of some of the German Expressionists, soon afterward banned as "degenerate artists" and removed from museums throughout Germany by the Nazi regime. His studies were interrupted by World War II. Drafted into the German army, traveling in many countries as a soldier, he sketched various landscapes but in 1945, he was captured and held as a prisoner of war in Italy. After the war, he studied at the Union of Nuremberg Architects to help design buildings to replace ones destroyed in the war. He recorded his impressions of the local population and the landscapes through his watercolors and drawings. Pawel Kontny thereafter moved to Nuremberg, Germany, becoming a member of the Union of Nuremberg Architects and helping to rebuild the city's historic center. He soon decided to concentrate on his professional art career. He married Irmgard Laurer, a dancer with the Nuremberg Opera. Pavel Kontny 's career as an artist was launched with his participation in an all German exhibition, held at the Dusseldorf Museum in 1952. He held one-man shows in Germany, Switzerland and the United States. During his trip to the United States in 1960, Kontny became instantly enamored with Colorado, and decided to relocate to Cherry Hills with his wife and two children. He quickly established himself in the local art community, being affiliated for a time with Denver Art Galleries and Saks Galleries. His subject matter became the Southwest. During this time he received the Prestigious Gold Medal of the Art Academy of Rome. His extensive travel provided material for the paintings he did using his hallmark marble dust technique. he also worked equally in pastel, watercolor, charcoal and pencil-and-ink. in a style which merged abstraction and realist styles, influenced by Abstract Expressionist painting and South Western American landscapes. This one bears the influence of Sam Francis. In the early 1960s he was one of only a few European-born professional artists in the state, a select group that included Herbert Bayer (1900-1985), a member of the prewar Bauhaus in Weimar and Dessau, Germany, and Roland Detre (1903-2001), a Hungarian modernist painter. As a Denver, Colorado resident, Pavel Kontny exhibited at galleries and museums throughout the United States, Germany and Japan. There, he was inspired by frequent trips to Native American pueblos in the Southwest, as well as by the study of the Plains Indians of Montana and Wyoming. Over the years Kontny had a number of students and generously helped young artist by hosting exhibitions at his Cherry Hills home. For many years he generously donated his paintings to support charitable causes in Denver. Influences during his European years included German pastelist C.O. Muller, German Informel painter Karl Dahmen and Swiss artist, Hans Erni. In the early 1950s his painting style showed the influence of the Die Brücke (The Bridge), a group of German expressionist artists formed in Dresden in 1905 who had a major impact on the evolution of modern art in the twentieth century in Germany. By the middle of the decade his style incorporated more referential abstraction and total abstraction, resulting in part from his study of Hans Hartung, a German artist based in Paris who exhibited his gestural abstract work in Germany. The American moon landing in 1969 inspired Paul Kontny...
Category
20th Century American Modern Landscape Drawings and Watercolors
Materials
Watercolor, Archival Paper
Maison au Bord de Chemin by Ludovic-Rodo Pissarro - Watercolour
Located in London, GB
Maison au Bord de Chemin by Ludovic-Rodo Pissarro (1878 - 1952)
Watercolour and ink on paper
27 x 36.7 cm (10 ⁵/₈ x 14 ¹/₂ inches)
Signed with Estate stamp, lower right
SOLD UNFRAME...
Category
20th Century Post-Impressionist Landscape Drawings and Watercolors
Materials
Watercolor, Ink
Metropolitan Fantasy - City at Night with Pulsing Lights
Located in Miami, FL
Yvonne Jacquette uses pastel on a heavy rag paper to depict an ariel city scene at night with pulsing lights. There is a heavy texture to the paper and the surface is rich and vibra...
Category
1990s American Modern Landscape Drawings and Watercolors
Materials
Pastel, Rag Paper
Shower at Head of Valley
By Frank Wilcox
Located in Beachwood, OH
Shower at Head of Valley, c. 1950
Watercolor on paper
Frank Nelson Wilcox (October 3, 1887 – April 17, 1964) was a modernist American artist and a master of watercolor. Wilcox is described as the "Dean of Cleveland School painters". In 1906 Wilcox enrolled from the Cleveland School of Art...
Category
1950s American Modern Landscape Drawings and Watercolors
Materials
Watercolor
Alfred Bendiner, Avalon (New Jersey)
Located in New York, NY
Apparently Bendiner never went a day without drawing. He was amazing! From Bendiner's Philadelphia the New Jersey beaches were an easy drive. Avalon is st...
Category
Mid-20th Century American Modern Landscape Drawings and Watercolors
Materials
Watercolor
Post Impressionist French landscape in blues and reds, pastels
Located in Petworth, West Sussex
Andre Bicat (French, 1909 – 1996)
A Post Impressionist landscape
Pastel on paper
Signed ‘Bicat’ (lower left)
15.3/8 x 24 in. (39 x 61cm.)
Category
20th Century Post-Impressionist Landscape Drawings and Watercolors
Materials
Paper, Pastel
Summertime - Martha's Vineyard - Sunset Golden Sky and Red Lighthouse
Located in Miami, FL
Summertime in Martha's Vineyard is drenched in saturated yellows and reds. People in the foreground look out to the sea. Two people on horseback are masterfully rendered in a loose ...
Category
1960s Post-Impressionist Landscape Drawings and Watercolors
Materials
Watercolor, Board, Pencil
William Jacobs "Urban Scene II", original pastel on paper
Located in Glenview, IL
"Urban Scene II" by noted Chicago painter William Jacobs (1897 - 1973) is a pastel on paper created in 1972. The artwork is signed and dated in pencil by t...
Category
1970s American Modern Landscape Drawings and Watercolors
Materials
Pastel
Shop Landscape Drawings and Watercolor Paintings
Landscape drawings and watercolors show the world through the lenses of different cultures and perspectives. They were also incredibly important for displaying natural scenes before the invention of photography.
There are many ways to effectively arrange art on your walls so that you’re maximizing your wall space. You can introduce peace and serenity within the confines of a living room or bedroom if landscape drawings and watercolors are part of the art that you choose to bring into a space.
Watercolor landscapes have a rich history dating back to ancient China, where they dominated painting genres by the late Tang dynasty. Ink-on-silk paintings in China featured mountains and large bodies of water as far back as the third century. The Netherlands was home to landscapes as a major theme in painting as early as the 1500s, and by the Renaissance, watercolors had made their way to the West and into European culture, becoming a staple of decorative art.
It wasn’t until the Industrial Revolution that watercolor paints became more widely available and embedded in fine arts. Despite their broad distribution today, some artists have chosen to revive the old craft of preparing their own watercolor pigments, paying homage to the medium’s roots.
The variety of brush combinations and painting methods makes watercolor landscapes some of the most stunning pieces in any collection. Find landscape drawings and watercolors on 1stDibs.