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Art by Medium: Drypoint

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Style: Modern
Medium: Drypoint
Holed Fruit from Flordali suite
Located in OPOLE, PL
Salvador Dali (1904-1989) - Holed Fruit from Flordali suite Lithograph with drypoint etching from 1969. The E.A. on Rives paper. Dimensions of work: 74.5 x 54.5 cm. Hand signed. ...
Category

1960s Modern Art by Medium: Drypoint

Materials

Drypoint, Etching

Siena [Large Version] - British Modernism Italian Architecture Siena
Located in London, GB
This original etching and drypoint is hand signed in pencil by the artist "Nicholson" at the lower left margin and dated “65” next to the signature. It is also hand numbered from the...
Category

1960s Modern Art by Medium: Drypoint

Materials

Drypoint, Etching

View of Venice - Etching by Alcione Gubellini - mid-20th Century
Located in Roma, IT
Etching and drypoint realized by Alcione Gubellini in the mid-20th Century. Edition of 16. Hand signed and numbered in pencil. Excellent condition.
Category

1930s Modern Art by Medium: Drypoint

Materials

Drypoint, Etching

The Mother Hen, 1942 (Histoire Naturelle - Textes de Buffon, B.345)
Located in Greenwich, CT
The Mother Hen is an aquatint and drypoint print on chine from one of the deluxe copies of Picasso's 1942 Histoire Naturelle - Textes de Buffon series. The image size is 10.6 x 8 inc...
Category

20th Century Modern Art by Medium: Drypoint

Materials

Drypoint, Aquatint

New Rochelle - Before the Wind
Located in Myrtle Beach, SC
'New Rochelle - Before the Wind', drypoint, 1931, edition 30 (only a few impressions printed), Rose l.163. Signed, dated '1932' and numbered '1 – XXX' in ...
Category

1930s Modern Art by Medium: Drypoint

Materials

Drypoint

The Deer, 1942 (Histoire Naturelle - Textes de Buffon, B.336)
Located in Greenwich, CT
The Deer is an aquatint and drypoint print on chine from one of the deluxe copies of Picasso's 1942 Histoire Naturelle - Textes de Buffon series. The image size is 10.5 x 8.15 inches, unsigned as issued, and framed in a contemporary silver and gray moulding. One of about 36 prints that exist with Picasso's remarqued title in French, from the edition of 262 (there were 226 portfolios, some with additional sets on varying papers). Catalogue - Cramer #37 The exceptional etchings from Picasso’s Histoire Naturelle – Textes de Buffon are a masterful combination of sugar-lift aquatint and drypoint, showcasing a full range of gray tonalities. The etchings of animals, birds and insects are considered some of the most beautiful and most unusual examples of Picasso’s graphic work. Roger Lacourière, Picasso’s master printer, pulled the prints for each etching between 1939-1942. It was Lacourière who taught Picasso the sugar-lift aquatint technique which allowed him to mimic the effect of brushstrokes in these etched images. Picasso first explored the technique in his plates for the Vollard Suite, but it was in the creation of the Buffon images that he fully realized its stunning, painterly potential. For the edition, 226 portfolios were produced with the first thirty-six counting as deluxe compilations. These rare deluxe sets were on diverse papers (chine, japon or vergé ancien) and each included a complete additional suite showing Picasso’s title remarques along the bottom. As such, the remarqued versions of the prints are quite rare with just thirty-six of each produced for the edition (with the exception of The Wolf which is never remarqued – the image always fills the entire etching plate). These prints are based on the writings of French naturalist Georges-Louis Leclerc, Comte de Buffon, who extensively documented the natural world in his monumental work Histoire Naturelle. Picasso’s association with the project to illustrate parts of the Buffon came during a tumultuous time in European history – the prelude to, and early years of, World War II. As the continent was ravaged, Picasso lived through the disaster in Paris, which the Germans occupied in 1940. These prints could be seen as a political statement – Picasso channeling his artistic expression into a form of resistance art...
Category

20th Century Modern Art by Medium: Drypoint

Materials

Drypoint, Aquatint

Don Quixote Pear from Flordali suite
Located in OPOLE, PL
Salvador Dali (1904-1989) - Don Quixote Pear from Flordali suite Lithograph with drypoint etching from 1969. The edition 32/35 on Rives paper. Dimensions of work: 74.5 x 54.5 cm. ...
Category

1960s Modern Art by Medium: Drypoint

Materials

Drypoint, Etching

Low Country (South Carolina)
Located in Middletown, NY
An enchanting Southern landscape by the mother of the Charleston Renaissance, Elizabeth O'Neill Verner(1883-1979) Etching and drypoint on cream wove paper, 6 15/16 x 5 1/16 inches (175 x 128 mm), full margins. Signed, titled and numbered 72/100 in pencil, lower margin. Uniform age tone, minor surface soiling. A rich and inky impression of a magical southern landscape with figure tilling soil under Spanish moss covered oaks. A native of Charleston, South Carolina...
Category

1930s American Modern Art by Medium: Drypoint

Materials

Etching, Drypoint

Painter in front of one of Raphael's Three Graces..., from: Series 347
Located in London, GB
This drypoint, aquatint with scraper is hand signed in pencil by the artist “Picasso” at the lower right margin. It is dated in the plate “5.8.68.VI.” It is also hand numbered in pen...
Category

1960s Modern Art by Medium: Drypoint

Materials

Aquatint, Drypoint

L'Etalon Blanc (Hommage au cheval)
Located in OPOLE, PL
Salvador Dali (1904-1989) - L'Etalon Blanc (Hommage au cheval) Drypoint etching from 1974. The edition 17/75. Dimensions of work: 56 x 76 cm. Hand signed. Reference: Field, 74-9...
Category

1970s Modern Art by Medium: Drypoint

Materials

Etching, Drypoint

Guardians of the Spire (Amiens Cathedral Number 2)
Located in Storrs, CT
Guardians of the Spire (Amiens Cathedral Number 2). 1921. Etching. Fletcher 102. 6 3/4 x 9 7/8 (sheet 8 7/8 x 13 3/4). Gargoyle Series #4. Edition 75. Illustrated: Dorothy Noyes Arms...
Category

1920s American Modern Art by Medium: Drypoint

Materials

Drypoint, Etching

The Butterfly.
Located in Storrs, CT
Edmund Blampied, R.E. The Butterfly. 1928-29. Drypoint. Appleby 133. 9 5/8 x 7 7/8). Etching (sheet 15 1/4 x 10 3/16)on 100. A rich impression printed on cream-colored laid 'F.J.He...
Category

Early 20th Century Modern Art by Medium: Drypoint

Materials

Drypoint, Etching

Tool Drypoint: Paintbrush by Jim Dine, black and white tool still life sketch
Located in New York, NY
Jim Dine drew the plate for this image in the same period as his “Thirty Bones of My Body” 1972 portfolio of drypoint tool images. Crisbrook paper (30 x 22 in. / 76.2 x 56 cm.) and p...
Category

1970s Modern Art by Medium: Drypoint

Materials

Drypoint

Lumbermen.
Located in Storrs, CT
Lumbermen. 1923. Etching. Appleby 91. 9 x 12 (sheet 12 3/8 x 18 1/8). Edition 100. A cleanly-wiped impression printed on off-white 'FG Head & Co' laid paper with full margins. Signed...
Category

1920s Modern Art by Medium: Drypoint

Materials

Drypoint, Etching

Lumbermen.
Lumbermen.
$500 Sale Price
33% Off
Icart, Composition, Le Sopha (after)
Located in Southampton, NY
La pointe sèche etching on vélin de Rives filigrané à notre nom paper. Paper size: 9.5 x 7.5 inches; image size: 6.5 x 4.5 inches. Inscription: unsigned and unnumbered, as issued. No...
Category

1930s Modern Art by Medium: Drypoint

Materials

Drypoint, Etching

'Little Girl' — American Modernism
Located in Myrtle Beach, SC
Milton Avery, 'Little Girl', drypoint, 1936, edition 60, Lunn 11. Signed, dated, and numbered '22/60' in pencil. A superb impression, in warm black ink with delicate overall plate tone, on off-white wove paper, with wide margins (2 5/8 to 4 1/8 inches); hinge stains on the top sheet edge, verso, otherwise in excellent condition. Matted to museum standards, unframed. Image size 8 3/4 x 4 3/4 inches (222 x 121 mm); sheet size 14 7/8 x 13 1/8 inches (378 x 333 mm). Collections: Cantor Arts Center, National Gallery of Art. ABOUT THE ARTIST "I never have any rules to follow; I follow myself." "I paint not by sight but by faith. Faith gives you sight." —Milton Avery 'His is the poetry of sheer loveliness.' —Mark Rothko in his 1965 eulogy to Avery. Milton Avery (1885-1965) is recognized as one of America's foremost modernist artists, renowned for his uniquely expressive style, evocative use of color, and captivating compositions. Growing up in a working-class family in Altmar, New York, Avery's early life was marked by the struggles and realities of rural New York. Despite lacking formal artistic training, he displayed an innate talent for drawing from an early age. In 1905, his family relocated to Hartford, Connecticut, where he worked various odd jobs while developing his artistic skills through self-study and experimentation. In 1915, he enrolled at the Connecticut League of Art Students, where he received formal instruction and began to refine his distinctive style. In 1918, Avery transferred to the School of the Art Society of Hartford and worked in the evenings so that he could paint during the day. He became a member of the Connecticut Academy of Fine Arts in 1924. That summer in Gloucester, Massachusetts, he met the artist Sally Michael...
Category

1930s American Modern Art by Medium: Drypoint

Materials

Drypoint

Icart, Composition, Le Sopha (after)
Located in Southampton, NY
La pointe sèche etching on vélin de Rives filigrané à notre nom paper. Paper size: 9.5 x 7.5 inches; image size: 6.5 x 4.5 inches. Inscription: unsigned and unnumbered, as issued. No...
Category

1930s Modern Art by Medium: Drypoint

Materials

Etching, Drypoint

Dragon Apple from Flordali suite
Located in OPOLE, PL
Salvador Dali (1904-1989) - Dragon Apple from Flordali suite Lithograph with drypoint etching from 1969. The edition X/XXXV on Japan paper. Dimensions of work: 74.5 x 54.5 cm. Ha...
Category

1960s Modern Art by Medium: Drypoint

Materials

Drypoint, Etching

At the Sea - Etching and Drypoint by Mino Maccari - 1925/1930
Located in Roma, IT
At the Sea is an original drypoint realized by Mino Maccari (1925-1930). The artwork is in good conditions, except for worn paper on the margins. Hand-signed by the artist on the r...
Category

1920s Modern Art by Medium: Drypoint

Materials

Paper, Drypoint, Etching

A Gale at Port Errol
Located in Storrs, CT
A Gale at Port Errol. 1923. Etching. Hardie 215, #46. 13 x 8 3/4 (sheet 16 7 /8 x 11 1/2). Edition 76. #46. Illustrated: Fine Prints of the Year, 1923. A rich...
Category

1930s Modern Art by Medium: Drypoint

Materials

Drypoint, Etching

Wheelbarrow Race
Located in Storrs, CT
1925-26. Drypoint. Appleby 114. 8 9/16 x 12 (sheet 12 x 17). Edition 100, #10. An excellent impression with burr, printed with plate tone on the full sheet of 'VGI' laid paper with ...
Category

1920s Modern Art by Medium: Drypoint

Materials

Drypoint, Etching

Make Fast, Plate 2.
Located in Storrs, CT
Make Fast, plate 2. 1929. Etching. Laver catalog number 146; Hurst catalog number 258. Plate: 14 3/8 x 9 13/16 (sheet 17 5/8 x 11 3/4). Trial proof 2, before the edition or 75. Ill...
Category

1920s Modern Art by Medium: Drypoint

Materials

Etching, Drypoint

Samuel Chamberlain, The Public Gaol, Williamsburg (Virginia)
Located in New York, NY
Samuel Chamberlain was a superb draftsman and his architectural images are often very complex. This image is, by contrast, quiet and understated: serene to the point of lonely. It's ...
Category

1930s American Modern Art by Medium: Drypoint

Materials

Drypoint

Liebespaar I - Etching and Drypoint by Max Beckmann - 1916
Located in Roma, IT
Etching and drypoint. Signed and dated in pencil. Extremely rare artist's proof, II state on 2 A/C variant, before the editions Marées-Gesellschaft R. Piper & C. Printed in 1919 by ...
Category

1910s Modern Art by Medium: Drypoint

Materials

Drypoint, Etching

Such a Tall Woman - Original etching - 1951
Located in Paris, IDF
Andre DERAIN Such a Tall Woman Original drypoint etching Stamp signature of the artist On vellum 45 x 34 cm (c. 18 x 14 in) Excellent condition
Category

1950s Modern Art by Medium: Drypoint

Materials

Drypoint, Etching

Graceland Mansion
Located in Houston, TX
Jennifer Bartlett Graceland Mansions, 1978-79 Drypoint, aquatint, silkscreen, woodcut, and lithograph on J. Green Cold Press paper and Rives BFK paper 24 x 120 inches, unframed Ed...
Category

20th Century Modern Art by Medium: Drypoint

Materials

Etching, Lithograph, Screen, Woodcut, Drypoint, Aquatint

Tete de Veau (Calf's Head)
Located in OPOLE, PL
Salvador Dali (1904-1989) - Tete de Veau (Calf's Head) Drypoint etching and watercolor from 1968. The edition 25/145. Dimensions of work: 38.5 x 28.5 cm. Hand signed. The work i...
Category

1960s Modern Art by Medium: Drypoint

Materials

Drypoint, Etching

Misty Morning.
Located in Storrs, CT
Misty Morning. 1928-29. Drypoint. Appleby 137. 8 5/8 x 12 (sheet 11 5/8 x 18 1/16). Edition 100, #86. A rich impression with drypoint burr. Printed with ...
Category

1920s Modern Art by Medium: Drypoint

Materials

Drypoint, Etching

Three Figures - Original Etching and Drypoint by Pierre Girieud - 1920
Located in Roma, IT
Three Figures is an Original Etching and Drypoint realized by Pierre Girieud (1876-1940). Foxing and stains on top center. Includes a white cardboard passpartout (69x49 cm). Hand signed on the lower right corner. Pierre Girieud was a French painter (Marseille 1875 - Nogent-sur-Marne 1948). Follower of P. Gauguin, friend of Cézanne and Van Gogh, he painted still lifes, landscapes of Provence, naked, in a massive, archaic style, with influences of Italian Renaissance painting.
Category

1920s Modern Art by Medium: Drypoint

Materials

Drypoint, Etching

Icart, Composition, Le Sopha (after)
Located in Southampton, NY
La pointe sèche etching on vélin de Rives filigrané à notre nom paper. Paper size: 9.5 x 7.5 inches; image size: 6.5 x 4.5 inches. Inscription: unsigned and unnumbered, as issued. No...
Category

1930s Modern Art by Medium: Drypoint

Materials

Drypoint, Etching

Nude - Original Etching and Drypoint - Mid-20th Century
Located in Roma, IT
Nude is an original colored print in etching and drypoint on white paper realized by an anonymous artist of the Mid-20th Century. In very good conditions. The artwork created throug...
Category

Mid-20th Century Modern Art by Medium: Drypoint

Materials

Drypoint, Etching

The Vraic Season (No 1).
Located in Storrs, CT
The Vraic Season (No 1). 1936. Etching. Appleby 181. 12 x 14 1/4 (sheet 15 1/4 x 20). Edition 125 for The American College Society of Print Collectors (alternatively titled Seaweed H...
Category

1930s Modern Art by Medium: Drypoint

Materials

Drypoint, Etching

Warrington Colescott, Your Day in Court mixed media graphic signed Artists Proof
Located in New York, NY
Warrington Colescott Your Day in Court, from the portfolio Wisconsin Graphics, 1971 Drypoint, etching, aquatint, woodcut, & soft-ground etching, w roulette, vibrograver, letterpress ...
Category

1970s Modern Art by Medium: Drypoint

Materials

Drypoint, Etching, Aquatint, Woodcut

City Hall Tower, Rothenburg, Germany.
Located in Middletown, NY
Etching and drypoint on cream wove paper, 10 3/4 x 7 1/2 inches (270 x 190 mm), full margins. Signed, inscribed and titled in pencil, lower margin. Some small, scattered light spots...
Category

Early 20th Century Modern Art by Medium: Drypoint

Materials

Handmade Paper, Drypoint, Etching

Night Time in a Stable.
Located in Storrs, CT
Night Time in a Stable. 1927-28. Drypoint. Appleby 131. 10 1/8 x 12 1/8 (sheet 11 1/2 x 16 1/2). Edition 100. Illustrated: Print Collector's Quarterly 25 (1...
Category

Early 20th Century Modern Art by Medium: Drypoint

Materials

Drypoint, Etching

A Sunset in Ireland.
Located in Storrs, CT
A Sunset in Ireland. 1863. Etching and drypoint. Schneiderman catalog number 47 state vii/xiv. 5 1/2 x 8 1/2 (sheet 6 7/8 x 9 1/2). An extremely rich impression with drypoint burr, p...
Category

19th Century Modern Art by Medium: Drypoint

Materials

Drypoint, Etching

Icart, Composition, Le Sopha (after)
Located in Southampton, NY
La pointe sèche etching on vélin de Rives filigrané à notre nom paper. Paper size: 9.5 x 7.5 inches; image size: 6.5 x 4.5 inches. Inscription: unsigned and unnumbered, as issued. No...
Category

1930s Modern Art by Medium: Drypoint

Materials

Drypoint, Etching

The Berry Pickers
Located in Middletown, NY
Drypoint etching on cream laid paper with an oak leaf watermark, c 1935. 7 1/4 x 9 3/4 inches (183 x 241 mm), full margins. Signed, titled and inscribed in pencil, lower margin. A b...
Category

Mid-20th Century American Modern Art by Medium: Drypoint

Materials

Drypoint, Laid Paper, Etching

The Fair
Located in Storrs, CT
The Fair. 1895-96. Lithograph. Way 92, Levy 144, Tedeschi, Stratis and Spink 135 state ii. Image 9 1/4 x 6 1/2 (sheet 13 x 9 5/8). A fine impression printed on antique cream-laid paper. Way lists 15-lifetime impressions (Goulding printed...
Category

Late 19th Century American Modern Art by Medium: Drypoint

Materials

Drypoint, Etching

The Workshop (Stirling)
Located in Storrs, CT
The Workshop (Stirling). 1905. Etching and drypoint. Rinder 369 state .ii/iv.Image: 8 3/16 x 12 (sheet 8 5/16 x 12). No published edition. A rich impression with drypoint burr printe...
Category

Early 20th Century Modern Art by Medium: Drypoint

Materials

Etching, Drypoint

Duchamp, Le Cheval, Composition, Du cubisme (after)
Located in Southampton, NY
Etching, Engraving, Drypoint on vélin du Lana Papiers Spéciaux pure rag paper. Unsigned and unnumbered, as issued. Good Condition. Notes: From the folio, Du Cubisme, 1947. Published ...
Category

1940s Modern Art by Medium: Drypoint

Materials

Etching, Engraving, Drypoint

Figure - Original Etching and Drypoint - Mid-20th Century
Located in Roma, IT
Figure is an original etching and drypoint on paper realized by an anonymous artist of the mid-20th Century. In very good conditions. The artwork created through confident strokes,...
Category

Mid-20th Century Modern Art by Medium: Drypoint

Materials

Drypoint, Etching

The Doorway.
Located in Storrs, CT
Hardie/Carter 244. 8 1/16 x 6 3/8 (sheet 10 1/4 x 8 1/4). Edition 80, #52. Illustrated: Guichard, British Etchers, 1850-1940; ; Eric Denker, Reflections & Undercurrents: Ernest Roth ...
Category

Early 20th Century Modern Art by Medium: Drypoint

Materials

Drypoint, Etching

Olliver St. John Gogarty
Located in Storrs, CT
Oliver St. John Gogarty. 1935. Etching. Fletcher 78. 6 7/8 x 5 1/2 (sheet 11 1/4 x 8 3/8). Edition 100. 75 intended for the Cuala Press, Dublin. A rich impression, printed on cream-wove paper. Signed in pencil. The etching was done as a commission for Cuala Press, Dublin, as a frontispiece for Gogarty's book, Elbow Room Before publication, the project was changed and the print was never used.

Oliver Joseph St. John Gogarty (17 August 1878 – 22 September 1957) was an Irish poet...

Category

Mid-20th Century Modern Art by Medium: Drypoint

Materials

Drypoint, Etching

Icart, Sans titre, Le Sopha (after)
Located in Southampton, NY
La pointe sèche etching on vélin de Rives filigrané à notre nom paper. Paper size: 9.5 x 7.5 inches; image size: 6.5 x 4.5 inches. Inscription: unsigned and unnumbered, as issued. No...
Category

1930s Modern Art by Medium: Drypoint

Materials

Drypoint, Etching

Chelsea Old Church, London
Located in Storrs, CT
Chelsea Old Church. 1924. Etching, drypoint, and aquatint. Dickins 94. 5 3/8 x 8 (sheet 8 1/2 x 9 3/4). Edition 100 for The Print Collector's Club. A fine proof with tonal wiping, printed on cream wove paper. Signed and dedicated "W.R. Button from W. Walcot London 1930" in pencil. Chelsea Old Church, also known as All Saints, is an Anglican church, on Old Church Street, Chelsea, London SW3, England, near Albert Bridge. It is the church for a parish in the Diocese of London, part of the Church of England. Inside the Grade I listed building, there is seating for 400 people. There is a memorial plaque to the author Henry James (1843–1916) who lived nearby on Cheyne Walk. To the west of the church is a small public garden containing a sculpture by Sir Jacob Epstein. When he was seventeen,William Walcot began to study architecture under Louis Benois at the Imperial Academy of Art in Saint Petersburg. He went to Paris where he continued his studies at the Ecole des Beaux-Arts and the Atelier Redon. He practiced as an architect briefly in Moscow, designing the Hotel Metropole...
Category

Early 20th Century Modern Art by Medium: Drypoint

Materials

Drypoint, Etching, Aquatint

Vin Rouge (Red Wine)
Located in Storrs, CT
1932. Drypoint. Appleby 167. 9 1/4 x 11 5/8 (sheet 11 3/8 x 17 15/16). Edition 100 #48. Mat line, well outside the image; otherwise excellent condition. A rich impression with drypo...
Category

1930s Modern Art by Medium: Drypoint

Materials

Drypoint

The Smithy
Located in Middletown, NY
A warm composition, in theme and tone; the creaky timber interior of a 19th century Scottish blacksmith's shop. Etching and drypoint on cream laid Japan paper, 8 x 10 inches (202 x ...
Category

Late 20th Century Modern Art by Medium: Drypoint

Materials

Laid Paper, Drypoint, Etching

Barnacle Geese Affrighted
Located in Middletown, NY
Etching and drypoint on cream wove paper, full margins. Signed and numbered 59/75 in pencil, lower margin. Notations in pencil along the lower sheet edge, recto, well outside of ima...
Category

Mid-20th Century Modern Art by Medium: Drypoint

Materials

Handmade Paper, Drypoint, Etching

Guardians of the Spire; Amiens Cathedral Number 2
Located in Middletown, NY
Guardians of the Spire; Amiens Cathedral Number 2 New York: 1937. Etching and drypoint on watermarked F.J. Head cream-colored, antique laid paper, 6 3/4 ...
Category

Mid-20th Century American Modern Art by Medium: Drypoint

Materials

Drypoint, Etching

Evening, Port of Genoa
Located in Storrs, CT
Evening, Port of Genoa. 1915. Drypoint. Dodgson 337.i/v. 7 5/8 x 9 15/16 (sheet 9 1/8 x 14). Edition of 45 in five states. An exceptionally rich impression with drypoint burr, printe...
Category

1910s Modern Art by Medium: Drypoint

Materials

Drypoint

Entering the Sauna - Original etching - 1951
Located in Paris, IDF
Andre DERAIN Entering the Sauna Original drypoint etching Stamp signature of the artist On vellum 45 x 34 cm (c. 18 x 14 in) Excellent condition
Category

1950s Modern Art by Medium: Drypoint

Materials

Drypoint, Etching

Picasso: A Ticket for Glory
Located in OPOLE, PL
Salvador Dali (1904-1989) - Picasso: A Ticket for Glory Drypoint etching with stencil from 1973. Editon A 55/195 on Arches paper. Dimensions of work: 65.4 x 50.4 cm Publisher: Tr...
Category

1970s Modern Art by Medium: Drypoint

Materials

Drypoint, Etching

Through the Storm.
Located in Storrs, CT
Appleby 97. 4 x 6 15/16 (sheet 8 1/8 x 10 3/8). Edition 100. A rich impression with drypoint burr and carefully wiped plate tone, printed on 'FJ Head' paper, on the full sheet with ...
Category

1920s Modern Art by Medium: Drypoint

Materials

Drypoint, Etching

Victoria Station (London)
By Kenneth Holmes, A.R.C.A.
Located in Middletown, NY
A lovely dark and inky impression, signed by the artist. Drypoint etching on cream laid paper, 10 7/8 x 8 5/8 inches (275 x 218 mm), full margins. Signed in pencil, lower center marg...
Category

Early 20th Century Modern Art by Medium: Drypoint

Materials

Laid Paper, Drypoint, Etching

Bernard Sanders, Young Girl (With Arms Crossed), about 1930
Located in New York, NY
Young Girl by Bernard Sanders (1906-1967) is a classic example of his masterful portraiture. This is a drypoint. It is signed in pencil, titled in the lower left margin, and initial...
Category

1930s American Modern Art by Medium: Drypoint

Materials

Drypoint

Charing Cross - The Statue of Charles I.
Located in Storrs, CT
Charing Cross -- The Statue of Charles I. 1919. Etching with aquatint and drypoint. 3 5/8 x 4 7/8 (sheet 9 1/8 x 11 3/8). A fine proof with tonal wiping, printed on cream-wove paper. Signed in pencil. Charing Cross is located at the junction of the Strand, Whitehall, and Cockspur Street in Central London, England. The name originates from the Eleanor cross installed by King Edward I as a memorial to his wife, Eleanor of Castile at the former hamlet of Charing. Since 1675, the cross site has been occupied by a statue of King Charles I mounted on a horse. The pedestal is thought to be designed by Wren and carved by Grinling Gibbons. Chelsea Old Church, also known as All Saints, is an Anglican church, on Old Church Street, Chelsea, London SW3, England, near Albert Bridge. It is the church for a parish in the Diocese of London, part of the Church of England. Inside the Grade I listed building, there is seating for 400 people. There is a memorial plaque to the author Henry James (1843–1916) who lived nearby on Cheyne Walk. To the west of the church is a small public garden containing a sculpture by Sir Jacob Epstein. When he was seventeen,William Walcot began to study architecture under Louis Benois at the Imperial Academy of Art in Saint Petersburg. He went to Paris where he continued his studies at the Ecole des Beaux-Arts and the Atelier Redon. He practiced as an architect briefly in Moscow, designing the Hotel...
Category

Early 20th Century Modern Art by Medium: Drypoint

Materials

Drypoint, Etching, Aquatint

Ludgate Hill
Located in Storrs, CT
Ludgate Hill. 1921. Etching, aquatint, and drypoint. Dickins 69. 5 5/8 x 5 1/8 (sheet 13 5/8 x 9 3/4). A fine proof with plate tone, printed on 'J Wha[tman] cream wove paper. Edition of 275 for the UK and 125 for the US. Signed in pencil. Ludgate Hill is a street that runs west from St. Paul's Churchyard to Ludgate Circus (built in 1864), and from there becomes Fleet Street. The Ludgate Hill railway station, between Water Lane and New Bridge Street, is a station of the London, Chatham, and Dover Railway. It was closed before World War II and the railway bridge and viaduct between Holborn Viaduct and Blackfriars stations was demolished in 1990 to enable the construction of the City Thameslink railway station in a tunnel. This also involved the regrading of the slope of Ludgate Hill at the junction. About halfway up Ludgate Hill is St Martin, Ludgate church. This was physically joined to the Ludgate. When he was seventeen, William Walcot began to study architecture under Louis Benois at the Imperial Academy of Art in Saint Petersburg. He went to Paris where he continued his studies at the Ecole des Beaux-Arts and the Atelier Redon. He practiced as an architect briefly in Moscow, designing the Hotel...
Category

Early 20th Century Modern Art by Medium: Drypoint

Materials

Drypoint, Etching, Aquatint

Windy Night, Stockholm.
Located in Storrs, CT
Windy Night, Stockholm. 1935. Drypoint. Dodgson 457.x. 11 7/8 x 7 5/8 (sheet 15 1/2 x 10 7/8). Edition of 80 in this state (total 93 in 10 states). Illustrated: Guichard, British Etc...
Category

1930s Modern Art by Medium: Drypoint

Materials

Drypoint, Etching

Model - Etching by G. De Nittis - 1870s
Located in Roma, IT
Charming original drypoint on ivorycoloured plate realized by Giuseppe De Nittis between 1870 and 1880. Signed on plate lower left margin, not numbered and in perfect conditions. Inc...
Category

1870s Modern Art by Medium: Drypoint

Materials

Drypoint, Etching

Drypoint art for sale on 1stDibs.

Find a wide variety of authentic Drypoint art available on 1stDibs. While artists have worked in this medium across a range of time periods, art made with this material during the 21st Century is especially popular. If you’re looking to add art created with this material to introduce a provocative pop of color and texture to an otherwise neutral space in your home, the works available on 1stDibs include elements of orange, yellow, green, red and other colors. There are many well-known artists whose body of work includes ceramic sculptures. Popular artists on 1stDibs associated with pieces like this include Salvador Dalí, Pablo Picasso, André Derain, and Anselmo Bucci. Frequently made by artists working in the Modern, Contemporary, all of these pieces for sale are unique and many will draw the attention of guests in your home. Not every interior allows for large Drypoint art, so small editions measuring 0.01 inches across are also available

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