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The Crown YP x JM Basquiat Date of creation: 2024 Medium: PVC or Silicon piping with LED lights mounted on recycled acrylic board Edition: Open Size: 40 x 30 cm Condition: Brand new...

70x70cm, print on canvas Edition 20 pcs.

Rare Warhol Basquiat exhibition catalog from 1986 published by Akira Ikeda Gallery, Tokyo. An exquisitely rendered Basquiat collectible produced during both artist's lifetime. 198...

KAWS One: KAWS Artist Monograph, 1st edition, 2001 Hardcover book, 80 pages Rare and out of print. A definitive look back at the development of the artist's style and early beginning...

Jean-Michel Basquiat - Horn Players, 1983 Date of creation: 2024 Medium: Digital print on Canadian maple wood Edition: Open Size: 80 x 20 cm (each skate) Condition: In mint conditions and never displayed This triptych is formed by three skate decks made of 7 ply grade A Canadian maple wood. © Estate of Jean-Michel Basquiat. Licensed by Artestar, New York "Horn Players" (1983) is one of Jean-Michel Basquiat's most famous works, and a great example of his unique style, which blends graffiti, pop art, and expressionist painting. In this piece, Basquiat depicts two jazz musicians, probably inspired by legends like Charlie Parker and Dizzy Gillespie. The figures are stylized with exaggerated features, something typical of his work. The painting is dominated by vibrant colors like yellow, red, and blue, with a background full of marks and strokes that give the sense of movement, as if you were hearing the music the characters are playing. Basquiat also incorporates text, such as the words “SAX” and “BIRD” (referring to Charlie "Bird" Parker), which not only provide more information about the characters but also add an extra layer of meaning, creating a connection between the music, the words, and the image. The piece can be interpreted as a tribute to African American culture and its impact on music, especially jazz, which was born in that community. But it also reflects deeper themes of identity, as the musicians are not just represented physically but also symbolically, through the music and the words surrounding them. Basquiat, who often explored themes of race, power, violence, and inequality, uses this work to highlight how jazz serves as a form of expression and resistance for Black culture. In 1983, when Basquiat created "Horn Players", he was already at the peak of his career. He had gained significant recognition in New York, and his work was widely acknowledged in the contemporary art world. This painting is part of a series where he pays homage to musicians and the history of jazz, a recurring theme in his work. Additionally, there’s an interesting connection between Basquiat’s art and the world of skateboarding. Skateboarding, much like Basquiat’s art, is defined by its rebellious spirit, its focus on urban culture, and its drive for self-expression. Basquiat's graffiti-style brushstrokes, with their raw energy, evoke the same defiant attitude seen in skateboarding culture, where skaters, much like artists, break free from established norms and create something unique. The influence of graffiti, which is central to skateboarding’s aesthetic, is also present in Basquiat’s works, forming a natural link between these two worlds of rebellion and creativity. "Horn Players" is a representative piece of Basquiat because it captures his vibrant style, his love for cultural references, and his ability to blend visual art with music. Moreover, it’s a work that celebrates Black culture, rebellion, and creative energy—values that also strongly resonate in the world of skateboarding. All of this showcases Basquiat’s mastery in merging different forms of artistic expression, connecting music, urban art, and the culture of resistance in a powerful work. ABOUT THE ARTIST Jean-Michel Basquiat (1960-1988) was one of the most influential artists of the 20th century, famous for his ability to fuse urban culture, social criticism and art history into a unique style. Born in Brooklyn, New York, to a Haitian father and Puerto Rican mother, his life and work were shaped by his multicultural heritage, the New York art scene and the social tensions of his time. Although his career was brief, his impact on contemporary art has been lasting and significant. Basquiat showed an interest in art from an early age. His mother, Matilde Andrades, took him to museums and encouraged him to draw. At the age of seven, a car accident left him hospitalized for a time, and it was then that his mother gave him a copy of the anatomy book Gray's Anatomy, which influenced his fascination with the human body and its visual representation. Despite his early talent, Basquiat's family life was turbulent. His mother was hospitalized for psychiatric problems and his relationship with his father, Gerard Basquiat, was troubled. This instability contributed to Basquiat dropping out of school at age 17 to pursue his artistic career on the streets of New York. As a teenager, Basquiat joined the New York graffiti scene under the pseudonym SAMO (an acronym for "Same Old Shit"), which he used to sign his cryptic and poetic messages on the streets of Manhattan with his friend Al Diaz. SAMO's graffiti were a mixture of philosophical and social commentary on popular culture, capitalism and religion, and soon attracted the attention of the underground art scene. In 1980, SAMO "died" when Basquiat and Diaz decided to end their collaboration, marking the beginning of Basquiat's transition from street graffiti to art galleries. Basquiat emerged as a talent to watch in 1980, when he participated in the group exhibition The Times Square Show, which included other emerging artists from New York's Lower East Side scene. That same year, he attracted the attention of critics and collectors who saw in his work an electrifying blend of street art and neo-expressionism, the predominant movement of the time. In 1981, art critic René Ricard published the influential essay The Radiant Child in Artforum magazine, which positioned Basquiat as one of the most promising artists of his generation. Shortly thereafter, he met renowned artist Andy Warhol, with whom he formed a close friendship and significant artistic collaboration. This association was instrumental in catapulting his career into the world of high art. The collaboration with Warhol was a pivotal point in Basquiat's career. The two artists, although coming from very different worlds, shared a fascination with fame and popular culture. Together, they produced a series of works that combined Warhol's pop art icons with Basquiat's raw, spontaneous style. However, this collaboration was also a source of controversy. Many critics accused Warhol of "exploiting" Basquiat, while others saw the collaboration as a creative dialogue between two genius minds. Although the criticism was mixed, there is no doubt that the relationship between the two artists helped cement Basquiat's reputation in the art world. Basquiat's style is a unique amalgam of influences. His work is characterized by the use of dismembered human figures, skeletons and internal organs, evoking the fragility of the body and mortality. Basquiat also used symbols that alluded to African-American and African history, such as crowns, masks and references to historical figures such as Toussaint Louverture. The use of text is another crucial aspect of his work. Words, phrases and numbers appeared in his paintings, often crossed out or overlapped, creating a sense of controlled chaos. These fragmented words provoked a non-linear reading of his works and conveyed multiple layers of meaning. His art also reflected his concerns about racial issues, especially the place of people of African descent in Western art history and in society at large. The crowns that Basquiat often drew on his figures were a symbol of power and resistance, a way of proclaiming himself "king" in a world that had historically excluded black artists from the upper echelons of art. In works such as The Death of Michael Stewart...

Edition 20 pcs., print on canvas

70x70cm, print on canvas Edition 20 pcs.

Roy Lichtenstein - Drowning Girl, 1963 Date of creation: 2024 Medium: Digital print on Canadian maple wood Edition: Open Size: 80 x 20 cm (each skate) Condition: In mint conditions ...

Cindy Sherman Comme des Garcons postcard 1993: A rare advertisement/promotional card designed and (offset) illustrated by Cindy Sherman in conjunction with Comme des Garcons FW93. D...

KAWS WHAT PARTY (orange): KAWS orange WHAT PARTY Companion featuring KAWS' CHUM character in a hunched position. Published to commemorate the debut of KAWS...

Shepard Fairey Cut It Up spray paint can: Limited Edition Shepard Fairey spray paint can published circa 2019 on the occasion of Shepard Fairey's, OBEY 30th anniversary. Features a w...

Jean-Michel Basquiat La Jolla Museum of Contemporary Art, 1985: Rare vintage original 1980s exhibition program published on the occasion of: ‘Jean-Michel Basquiat Parameters’ La ...

Damien Hirst Gagosian Gallery 2012 catalogue. "The Complete Spot Paintings: 1986 – 2011" published by Gagosian Gallery showcasing 25 years of Hirst's works. Medium: Exhibition catal...

Barbara Kruger Mary Boone Gallery, 2004: Rare folding announcement card for Kruger's Back to The Future exhibition at Mary Boone: Oct. 28 - Dec. 18, 2004. Well suited for framing at...

Keith Haring Coloring Book 1982: The rare, sought-after 1982 Keith Haring illustrated coloring book - featuring 16 (double-sided) lithographic prints. This book is seldom available i...

KAWS TIME OFF: A highly decorative KAWS Companion featuring KAWS’ much popularized BFF Companion in a resting position. This brightly colored, highly collectible KAWS Companion was p...

Jean-Michel Basquiat Andy Warhol Bearbrick 1000% Figures: Set of two works: Unique, timeless collectibles trademarked & licensed by the Estates of Jean-Michel Basquiat & Andy Warhol...

Keith Haring album art 1987: A rare vinyl art cover featuring original offset artwork by Keith Haring. Truly vibrant colors that make for stand-out wall art. Looks very cool framed. ...

Rare Out of Print Keith Haring Skateboard Deck featuring the artist's iconic Boom Box men. This highly decorative Keith Haring skate deck originated circa 2012 as a result of the co...

70x70cm, print on canvas Edition 20 pcs.

KAWS TAKE (Black) new & unopened in its original packaging. A standout KAWS Companion figure and variation of KAWS' large scale TAKE sculpture - a key highlight of the exhibition, '...

PRODUCTION: The Lion King, 1994 MEDIUM: Storyboard, Double Sided SIZE: 10" x 5.5" SKU: CCV1940 ABOUT THE MEDIUM: Original Storyboard Drawings show what’s moving in each shot, and in which direction, so that the production team is crystal clear on the desired end result, which is exactly what a professional storyboard should do. Having an original production storyboard from one of your favorite movies or short films is a great collector's piece! Comes with a Certificate of Authenticity! ABOUT THE FILM: The Lion King tells the story of Simba (Swahili for lion), a young lion...

Only 257 of the these books were hand signed by the artist CB HOYO. Each book binding is unique. "I Didn't Know How To Name This" is the new book dedicated to CB Hoyo's life and creative process. Published by SKIRA, the book is an official collection of all his works accompanied by a lengthy interview in which the artist speaks about himself and deepens his friendship with Plan X Art Gallery. The book is a significant chapter in CB Hoyo's artistic career and personal life. It reinforces the solid foundations of a path that the artist continues to build day after day and to which Plan X Art Gallery is happy to contribute. Only 257 of the these books were hand signed by the artist CB HOYO. Each book binding is unique. "I Didn't Know How To Name This" is the new book dedicated to CB Hoyo's life and creative process. Published by SKIRA, the book is an official collection of all his works accompanied by a lengthy interview in which the artist speaks about himself and deepens his friendship with Plan X Art Gallery. The book is a significant chapter in CB Hoyo's artistic career and personal life. It reinforces the solid foundations of a path that the artist continues to build day after day and to which Plan X Art Gallery is happy to contribute. Medium: Books and Portfolios: Condition: Book is in great condition and hand signed by the artist, CB HOYO in black ball point pen. Signature: Hand-signed by artist, Hand Signed by the artist CB HOYO on the binding of the pages. Please and thank you...

MEDIUM: ​Original Production Cel on Printed Background IMAGE SIZE: 10.5"x 9" PRODUCTION: Superman the Animated Series SKU: IFA2256 ABOUT THE IMAGE: Superman: The Animated Series is ...

Dance Love YP x Keith Haring Date of creation: 2024 Medium: PVC or Silicon piping with LED lights mounted on recycled acrylic board Edition: Open Size: 40 x 37 cm Condition: Brand n...

MEDIUM: ​Original Production Drawing PRODUCTION: Batman Beyond, Black Out SKU: IFA1487 ABOUT THE IMAGE: In the year 2040, Gotham City is left without a symbol of hope as Bruce Wayn...

Published by Grey Matter Art Halloween Regular Edition by Tyler Stout 24” x 36” Screen Print - (4/Color on French Speckletone Madero Beach) Hand-Numbered ...

70x70cm, print on canvas Edition 20 pcs.

Keith Haring Pop Shop Tokyo 1988: Rare vintage original Keith Haring Tokyo Pop Shop advertisements designed by Haring to advertise the opening of his 1980s Tokyo Pop Shop store and c...

Animation Celluloid Image Size: 9 x 9 Frame Size: 16.5 x 28.5 Medium: Celluloid "Sylvester" This piece is an original drawing and a celluloid. Each piece is 9 inches by 9 inches.

70x70cm, print on canvas Edition 20 pcs.

70x70cm, print on canvas Edition 20 pcs.

MEDIUM: ​Original Production Drawing IMAGE SIZE: 12 Field PRODUCTION: Animaniacs SKU: IFA8830 ABOUT THE IMAGE: Blending wit, slapstick and pop culture references, the variety show A...

The Ramones "Road To Ruin" Giant 3D Vintage Button - Hand made giant 3D vintage button by British artist, Tony Dennis, AKA Tapedeck Art Artwork printed o...

Jean-Michel Basquiat Vrej Baghoomian, 21 October to 25 November, 1989: 1st edition exhibition catalog, printed 1989. 153 pages. Cloth binding with dust jacket. 10 x 12 inches. Very...

Depeche Mode Giant 3D Vintage Button - Hand made giant 3D vintage button by British artist, Tony Dennis, AKA Tapedeck Art Artwork printed onto vinyl and wrapped onto a hand spun aluminum button, hand finished, powder coated, epoxy resin to protect, individually aged, polished, hand signed and numbered. * Available in two sizes: Large - 40cm (17 5/8”) diameter Giant - 60cm (23 5/8”) diameter * Limited edition of only 10 made in each size * These 3D button limited editions are taken from Tape Decks...

Banana YP x JM Basquiat Date of creation: 2025 Medium: PVC or Silicon piping with LED lights mounted on recycled acrylic board Edition: Open Size: 41 x 50 cm Condition: Brand new Jean-Michel Basquiat’s banana is a recurring motif in his work that, like many of his symbols, blends humor, irony, and social critique. At first glance, it may seem trivial or even comical, but within Basquiat’s visual language it takes on multiple layers of meaning. On one hand, the banana works as a pop reference: an everyday object loaded with cultural, sexual, and even absurd connotations, echoing the tradition of pop art and artists like Andy Warhol (who, in 1967, famously turned the banana into an icon with the album cover for The Velvet Underground & Nico). Basquiat, who both admired and collaborated with Warhol, reintroduces the motif in a playful way, but with a more chaotic and visceral energy. On the other hand, the banana can be read as a critical symbol: it connects to themes of consumerism, exoticization, and racial stereotypes. The tropical fruit evokes colonial imaginaries and the economic exploitation tied to the trade of “exotic” goods in the West. By incorporating it into his work, Basquiat decontextualizes it and turns it into an emblem full of tensions—between comedy and discomfort, pop lightness and historical memory. Moreover, the way he depicts it —with energetic, almost childlike strokes, scattered words, and graphic marks— enhances the sense of immediacy and freshness, yet behind this apparent spontaneity lies a sharp reflection on identity, power, and contemporary visual culture. Ultimately, Basquiat’s banana is not just a fruit: it is a visual artifact that fuses humor, irreverence, and social critique, perfectly embodying the artist’s ability to transform the everyday into a biting commentary on the modern world. The flexible LED tube is safe and environmentally friendly, too! Set the light to the time of day with adjustable brightness. © Estate of Jean-Michel Basquiat. Licensed by Artestar, New York. Each sign is made of a neon flex material, consisting of PVC or Silicon piping with LED lights, that is mounted on a recycled acrylic board. These materials allow to create realistic neon signs, with bright lights and intense color, while being more durable, affordable, and sustainable than traditional neon. Sustainability is taken seriously thanks to its LED lights which consumes 6 times less energy than traditional lights, lasting up to 100,000 hours. These neon is crafted using recycled materials and 100% recycled packaging, including removing all useless plastic. ABOUT THE ARTIST Jean-Michel Basquiat (1960-1988) was one of the most influential artists of the 20th century, famous for his ability to fuse urban culture, social criticism and art history into a unique style. Born in Brooklyn, New York, to a Haitian father and Puerto Rican mother, his life and work were shaped by his multicultural heritage, the New York art scene and the social tensions of his time. Although his career was brief, his impact on contemporary art has been lasting and significant. Basquiat showed an interest in art from an early age. His mother, Matilde Andrades, took him to museums and encouraged him to draw. At the age of seven, a car accident left him hospitalized for a time, and it was then that his mother gave him a copy of the anatomy book Gray's Anatomy, which influenced his fascination with the human body and its visual representation. Despite his early talent, Basquiat's family life was turbulent. His mother was hospitalized for psychiatric problems and his relationship with his father, Gerard Basquiat, was troubled. This instability contributed to Basquiat dropping out of school at age 17 to pursue his artistic career on the streets of New York. As a teenager, Basquiat joined the New York graffiti scene under the pseudonym SAMO (an acronym for "Same Old Shit"), which he used to sign his cryptic and poetic messages on the streets of Manhattan with his friend Al Diaz. SAMO's graffiti were a mixture of philosophical and social commentary on popular culture, capitalism and religion, and soon attracted the attention of the underground art scene. In 1980, SAMO "died" when Basquiat and Diaz decided to end their collaboration, marking the beginning of Basquiat's transition from street graffiti to art galleries. Basquiat emerged as a talent to watch in 1980, when he participated in the group exhibition The Times Square Show, which included other emerging artists from New York's Lower East Side scene. That same year, he attracted the attention of critics and collectors who saw in his work an electrifying blend of street art and neo-expressionism, the predominant movement of the time. In 1981, art critic René Ricard published the influential essay The Radiant Child in Artforum magazine, which positioned Basquiat as one of the most promising artists of his generation. Shortly thereafter, he met renowned artist Andy Warhol, with whom he formed a close friendship and significant artistic collaboration. This association was instrumental in catapulting his career into the world of high art. The collaboration with Warhol was a pivotal point in Basquiat's career. The two artists, although coming from very different worlds, shared a fascination with fame and popular culture. Together, they produced a series of works that combined Warhol's pop art icons with Basquiat's raw, spontaneous style. However, this collaboration was also a source of controversy. Many critics accused Warhol of "exploiting" Basquiat, while others saw the collaboration as a creative dialogue between two genius minds. Although the criticism was mixed, there is no doubt that the relationship between the two artists helped cement Basquiat's reputation in the art world. Basquiat's style is a unique amalgam of influences. His work is characterized by the use of dismembered human figures, skeletons and internal organs, evoking the fragility of the body and mortality. Basquiat also used symbols that alluded to African-American and African history, such as crowns, masks and references to historical figures such as Toussaint Louverture. The use of text is another crucial aspect of his work. Words, phrases and numbers appeared in his paintings, often crossed out or overlapped, creating a sense of controlled chaos. These fragmented words provoked a non-linear reading of his works and conveyed multiple layers of meaning. His art also reflected his concerns about racial issues, especially the place of people of African descent in Western art history and in society at large. The crowns that Basquiat often drew on his figures were a symbol of power and resistance, a way of proclaiming himself "king" in a world that had historically excluded black artists from the upper echelons of art. In works such as The Death of Michael Stewart...

Keith Haring Three Eyed Smiling sticker c. 1982: A timeless Keith Haring collectible originally given out at Haring's first solo exhibit in 1982; and later sold at Haring's Pop Shop circa mid 1980s. Vintage Pop Shop sticker featuring original design by Keith Haring; offset printed. Approx. 3 inches square in size. Very good overall vintage condition; missing back adhesive, but appears unused. Unsigned from an edition of unknown. Keith Haring Pop Shop History: In 1986, New York artist Keith Haring opened the Pop Shop in downtown Manhattan. Haring saw the Pop Shop as an extension of his work, a fun boutique where his art could be accessible to everyone. For nearly twenty years, the shop continued to be a downtown attraction with floor-to-ceiling murals and affordable clothing and gift items all featuring Keith Haring's unique icons. In September, 2005, the Pop Shop finally closed its doors to the public. Keith Haring's work continues to be displayed around the world at galleries and museums and in public spaces...

MEDIUM: ​Original Production Drawing IMAGE SIZE: 12 Field PRODUCTION: Looney Tunes SKU: IFA3968 ABOUT THE IMAGE: Looney Tunes is a series of animated short films by Warner Bros. It...

after Andy Warhol Colored Campbell's Soup - Peach Date of creation: 2019 Medium: Digital print on Canadian maple wood Size: 80 x 20 cm Condition: In mint conditions and never display...

KAWS: HOLIDAY United Kingdom Brown (KAWS UK): KAWS' signature character COMPANION presented in an upright standing position with its eyes covered. New in their original packaging - ...

Daffy and Penelope Pussy Cat MEDIUM: ​Original Production Cel PRODUCTION: Looney Tunes SKU: IFA8029 SIGNED: Darrell Van Citters ABOUT THE IMAGE: Looney Tunes is a series of animate...

Javier Calleja is showcasing a fresh crop of paintings and sculptures in NANZUKA’s 2G gallery and the dealer’s emerging outpost, 3110NZ by LDH Kitchen, ...

KAWS Holiday Companion 2018-2021: A curated set of 32 individual KAWS HOLIDAY Companions; these highly decorative KAWS Companions were produced in conjunction with KAWS’ widely popular, traveling art installation, ‘HOLIDAY'- spanning worldwide destinations, such as: Mt. Fuji Japan, Taipei (Taiwan), Changbai Mountain (China); even launching one into orbit (KAWS Holiday Space). Each new & unopened in their original packaging. Includes the complete sets of (dimensions apply to each individual figure within the set): KAWS UK: complete set of 3 (12 inches in height). KAWS Fuji /Japan: complete set of 3 (9.4 inches). KAWS Taipei: complete set of 3 (5.5 x 7 inches). KAWS Changbai...

(after) Andy Warhol Flowers Bearbrick 400% & 100%: Andy Warhol Flowers art toy trademarked & licensed by the Estate of Andy Warhol. The partnered collectible reveals Warhol's iconic Flowers imagery wrapping the figure in its entirety. Housed in a standout Warhol Flowers collectors' box. Medium: Vinyl Figurine. Set of two figurines. Dimensions of larger piece: 11 x 5 inches. Condition: New in its original packaging. Warhol foundation trademark featured on lower left of reverse. Published by Medicom from a sold out edition of unknown. Further Background: BE@RBRICKs are a form of collectible toy that resemble a cross between LEGO and well, a bear. These block-style figurines boast teddy bear-style heads that have become an integral pillar of the collectible toy scene. In fact, it wouldn’t be so far-fetched to say that it almost single-handedly carved out the fad of toy collecting in modern times, treading the very fine line between toy and art. Since its inception, BE@RBRICKs have become one of the most recognizable characters in the world, and some of the most sought after. Please note exact patterns may vary. Further Background: The idea to paint flowers as the subject of a major series was apparently suggested to Warhol by Henry Geldzahler, then curator at the Metropolitan Museum in New York. To some degree, the pictures belong to a long art historical tradition of still-life painting. "With the Flowers, Andy was just trying a different subject matter. In a funny way, he was kind of repeating the history of art. It was like, now we're doing my Flower period! Like Monet's water lillies, Van Gogh...

KAWS Companion 2016, Complete Set of 8 works. Each new and sealed in original packaging. Published by Medicom Japan in conjunction with the exhibition, KAWS: Where The End Starts at ...

KAWS Holiday Singapore (KAWS Singapore): set of 2 works: A set of 2 KAWS Holiday Companions new in their original packaging. KAWS Singapore was published in 2021 to commemorate the ...

Original Exhibition Catalog, for Jean-Michel Basquiat – A Retrospective; Musée Cantini, Marseille, France, 1992. Illustrated cover with flaps, 192 pages; approx 10 x 12 inches (30 x...

Vintage original Keith Haring Pop Shop hat designed & illustrated by Haring c. 1987: Medium & dimensions: Embroidered painter’s hat measuring approximately 10 x 8 x 3 in. (25.4 x 20...

Damien Hirst produced this album design exclusively for the heralded UK music group The Hours in 2009. Housed in a thick card gate-fold picture sleeve with a Bonus 12" x 12" Picture ...

Robert Indiana The Love Ring. 1969. Multiple. Gold-plated ring. Diameter 2 cm. In an original box by Charles Revson, New York.

This is an original square button with a fastening pin on the verso, created as merchandise for Roy Lichtenstein's exhibition at the Kupferstichkabinett in Berlin in 1981. This butto...

Letters and numbers cut from a sheet of brushed steel. Hand signed and dated Brad Howe (born 1959) is an American sculptor from California. His work has been exhibited domestically and internationally. This is done in a bold and colorful Pop Art style reminiscent of the work of the Memphis Milano Group. Brad Howe was born in 1959 in Riverside, California. As a student of International Relations at Stanford University, Howe attended the University of São Paulo to specialize in Literature and Economic History. It was there that he discovered his passion for art and architecture that would eventually lead to his first exhibitions. He started his career as a sculptor in Brazil, using stainless steel, aluminum and polyurethane. He credits sculptor Alexander Calder as an early influence in his work. Since then, he has exhibited in over eighteen countries worldwide and his works have been placed in collections in more than 32 countries, including Brazil, Mexico, France, Germany, South Korea and United States. His work can also be found at various universities including Massachusetts Institute of Technology (MIT) in Boston, Temple University in Philadelphia, and UCLA. Monumental and Public Art have become a major focus of his career. Over the past ten years, he has completed over 30 public projects in 7 different countries. One of his sculptures can be seen in the city of Palo Alto, California. Moreover, as part of the Beverly Hills Centennial Arts of Palm Installation, he designed four sculptures outside the Beverly Hills City Hall, on North Santa Monica Boulevard in Beverly Hills, California. The Crocker Art Museum (Sacramento, California), the Honolulu Museum of Art, the Lancaster Museum of Art and History (Lancaster, California), and the Pasadena Museum of California Art (Pasadena, California) are among the museums holding work by Brad Howe. His work was included in the Arts of Palm exhibition in Beverly Hills, palm trees by prominent artists including Brad Howe, Michael McMillen, Mike Stilkey, Peter Shire, Peter Alexander and Ryan Schmidt. His studio is actively completing site-specific commissions and installations for cities, universities, museums, and private corporations. Brad Howe also actively participates in group gallery shows with smaller works that serve as models, or maquettes, for his large-scale pieces. SELECT GROUP EXHIBITS: On The Road: American Abstraction, David Klein Gallery, Detroit, Michigan Properties of Light, George Billis Gallery, Los Angeles, California Blur the Lines, Brad Howe and Takashi Murakami, Asian Art Works, Busan, Korea Brad Howe, Zachary Thornton, Lopez-Herrera, Thomas Punzmann Fine Arts, Frankfurt, Germany Gary Komarin and Brad Howe, Galerie Proarta, Zurich, Switzerland Color Balance, Marco Casentini and Brad Howe, Melissa Morgan Fine Art...

SLICKMAU5 2020 DEADMAU5 X SLICK Black Hole Edition Signed Poster. Edition: 81/100 Size: 24 Inches H x 24 Inches W SOLD OUT - Edition Brand new in perfect condition. Slick’s work ha...

KAWS FAMILY 2021 set of 2 (KAWS FAMILY brown & KAWS FAMILY grey): A well-received work and variation of KAWS' larger FAMILY sculpture - this highly collectible KAWS Companion set was...

POSE spray paint can 2021: Limited Edition POSE spray paint can published circa 2021. A unique street art / graffiti collectible that makes for a fantastic home display piece. Med...

Keith Haring Pop Shop c. 1986: Set of 6 original Pop Shop magnets designed by Keith Haring. Sold at the Pop Shop in New York circa 1986 (dated 1985). Item is unopened. Features a bol...

70x70cm, print on canvas Edition 20 pcs.

KAWS SHARE, KAWS TAKE: Set of 2 black KAWS figurative sculptures, each new & unopened in original packaging. Medium: Painted Vinyl Cast Resin (applies to each). SHARE: 12.4 x 6.3 inches. TAKE: 13.4 x 6 inches. Condition: New, unopened in original box; excellent condition (applies to each). Each from a sold out edition of unknown. Stamped on the underside of each foot. Shipped securely from New York. KAWS uses two of his characters here to convey opposing human attitudes. In the sculpture TAKE, the BFF holds a child Companion defensively, pulling it back in a gesture of mistrust as if to prevent someone else from touching it; the child cowed looks to the ground, the fear is transferred. In SHARE, the Companion is secure and looks outward, holding but not attached to the toy in its hand. KAWS’ figures...

**STORE CLOSURE - UP TO 80% OFF - TAKE ADVANTAGE OF IT** ***EVERYTHING MUST GO BY DECEMBER 31ST!*** CELEBRATING MARILYN MONROE 100TH BIRTHDAY. 'Disco Marilyn' showcase ...