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Andy Warhol Leo Castelli Gallery 1972: Leo Castelli gallery released this colorful, highly collectible 1970s Andy Warhol Mao announcement card in ...

KAWS Grey Companion, 2016. New and sealed in its original packaging. Published by Medicom Japan in conjunction with the exhibition, KAWS: Where The...

Andy Warhol Banana Cover Art c. 1967-1968: The Velvet Underground & Nico: a set of 4 individual, visually striking original 1960s pressing’s accompanied by their original covers and records. Each Warhol Banana cover is presented in varying ‘peeled...

Andy Warhol Album Cover Art: a set of 40 works (1955-1987): A rare collection of 40 individual Andy Warhol illustrated record covers accompanied by their respective vinyl records. Mo...

KAWS Holiday Singapore (KAWS Singapore): set of 2 works: A set of 2 KAWS Holiday Companions new in their original packaging. KAWS Singapore was published in 2021 to commemorate the ...

Autographed Roy Lichtenstein Compositions exhibition catalog 1967: A must have hand-signed & dedicated example, with brilliant cover desi...

Ed Ruscha A Few Palm Trees 1971 (1st edition): Hand-signed 1st edition of Ed Ruscha's A Few Palm Trees. The highly collectible Ed Ruscha artsit book featuring photographs of thirteen...

70x70cm, print on canvas Edition 20 pcs.

PRODUCTION: The Lion King, 1994 MEDIUM: Storyboard, Double Sided SIZE: 10" x 5.5" SKU: CCV1940 ABOUT THE MEDIUM: Original Storyboard Drawings show what’s moving in each shot, and in which direction, so that the production team is crystal clear on the desired end result, which is exactly what a professional storyboard should do. Having an original production storyboard from one of your favorite movies or short films is a great collector's piece! Comes with a Certificate of Authenticity! ABOUT THE FILM: The Lion King tells the story of Simba (Swahili for lion), a young lion...

Animation Celluloid Image Size: 9 x 9 Frame Size: 16.5 x 28.5 Medium: Celluloid "Sylvester" This piece is an original drawing and a celluloid. Each piece is 9 inches by 9 inches.

Damien Hirst Schizophrenogenesis 2017: Rare, signed limited edition version of Damien Hirst’s publication ‘Schizophrenogenesis’. This work is uniquely sealed by Hirst, like a pill, i...

MEDIUM: ​Original Production Cel on Printed Background IMAGE SIZE: 10.5"x 9" PRODUCTION: Superman the Animated Series SKU: IFA2256 ABOUT THE IMAGE: Superman: The Animated Series is ...

Published by Grey Matter Art Halloween Regular Edition by Tyler Stout 24” x 36” Screen Print - (4/Color on French Speckletone Madero Beach) Artist Proof (...

Damien Hirst produced this album design exclusively for the heralded UK music group The Hours in 2009. Housed in a thick card gate-fold picture sleeve with a Bonus 12" x 12" Picture ...

Basquiat Serpentine Gallery London 1996: A rare, highly collectable 1990's Basquiat exhibition catalog published on the occasion of Basquiat's first major London exhibition: Jean-Mic...

KAWS TAKE (Black) new & unopened in its original packaging. A standout KAWS Companion figure and variation of KAWS' large scale TAKE sculpture - a key highlight of the exhibition, '...

MEDIUM: ​Original Production Drawing PRODUCTION: Batman Beyond, Black Out SKU: IFA1487 ABOUT THE IMAGE: In the year 2040, Gotham City is left without a symbol of hope as Bruce Wayn...

MEDIUM: ​Limited Edition Giclee Print IMAGE SIZE: 18" x 16.125" EDITION SIZE: 66 ABOUT THE IMAGE: A Limited Edition giclée print based on an original ink and paint book cover illustration created in 1968 attributed to Ed Levitt. Mr. Levitt was famous for not only designing backgrounds for Disney, but painting them too. His friendship with Bill Melendez...

70x70cm, print on canvas Edition 20 pcs.

Vintage original Keith Haring Pop Shop hat designed & illustrated by Haring c. 1987: Medium & dimensions: Embroidered painter’s hat measuring approximately 10 x 8 x 3 in. (25.4 x 20...

70x70cm, print on canvas Edition 20 pcs.

70x70cm, print on canvas Edition 20 pcs.

KAWS 2020 Companion (Grey): KAWS COMPANION 2020 was created by KAWS to commemorate the 20th anniversary of his signature figure, Companion — and a...

Animation Celluloid Image Size: 7.5 x 9.5 Frame Size: 13 x 15 Medium: Celluloid "Bugs in Bow Tie" Signed by Chuck Jones

BATMAN OVER SAN PROSPERO CANVAS MEDIUM: Giclée on Canvas Edition SIZE: 26.25" x 19.75" EDITION SIZE: 100 ARTIST: Jim Lee SIGNED: Artist Jim Lee SKU: CP140...

SLICKMAU5 2020 DEADMAU5 X SLICK Black Hole Edition Signed Poster. Edition: 81/100 Size: 24 Inches H x 24 Inches W SOLD OUT - Edition Brand new in perfect condition. Slick’s work ha...

KAWS SHARE (Brown version), new & unopened in its original packaging: KAWS SHARE first appeared in 'BLACKOUT' – the first London solo exhibition by KAWS (Skarstedt London 2019). In S...

MEDIUM: ​Original Production Drawing IMAGE SIZE: 12 Field PRODUCTION: Animaniacs SKU: IFA8830 ABOUT THE IMAGE: Blending wit, slapstick and pop culture references, the variety show A...

Basquiat Bearbrick 400% set of 2 works: Unique, timeless collectible trademarked & licensed by the estates of Jean-Michel Basquiat and Andy Warhol (each respectively). The partnered...

The Ramones "Road To Ruin" Giant 3D Vintage Button - Hand made giant 3D vintage button by British artist, Tony Dennis, AKA Tapedeck Art Artwork printed o...

MEDIUM: ​Original Production Drawing IMAGE SIZE: 12 Field PRODUCTION: Looney Tunes SKU: IFA3968 ABOUT THE IMAGE: Looney Tunes is a series of animated short films by Warner Bros. It...

Depeche Mode Giant 3D Vintage Button - Hand made giant 3D vintage button by British artist, Tony Dennis, AKA Tapedeck Art Artwork printed onto vinyl and wrapped onto a hand spun aluminum button, hand finished, powder coated, epoxy resin to protect, individually aged, polished, hand signed and numbered. * Available in two sizes: Large - 40cm (17 5/8”) diameter Giant - 60cm (23 5/8”) diameter * Limited edition of only 10 made in each size * These 3D button limited editions are taken from Tape Decks...

Daffy and Penelope Pussy Cat MEDIUM: ​Original Production Cel PRODUCTION: Looney Tunes SKU: IFA8029 SIGNED: Darrell Van Citters ABOUT THE IMAGE: Looney Tunes is a series of animate...

Robert Colescott Semaphore 1980: Rare original 1980s announcement card published on the occasion of Robert Colescott's exhibition at Semaphore Gallery from January 6 - January 31, 1980; 462 West Broadway, New York, NY. Features an offset illustration of Colescott's work "The Collector (Tea for Two)" from 1980. Medium: Offset printed gallery announcement card. Approximate Dimensions: 4 x 6 inches Good overall vintage condition. Post marked on the reverse. Unsigned from an edition of unknown. Robert Colescott was an African-American artist known for his expressionistic paintings which dealt with his identity and Black history. In his work George Washington Carver Crossing the Delaware: Page from an American History Textbook (1975), Colescott humorously conflated the famous Emanuel Gottlieb Leutze painting of George Washington with the pioneering African-American chemist. Born Robert H. Colescott on August 26, 1925 in Oakland, CA, he played instruments and saw the work of his parents’ friend Sargent Johnson as well as Diego Rivera painting...

Jean-Michel Basquiat Andy Warhol Bearbrick 1000% Figures: Set of two works: Unique, timeless collectibles trademarked & licensed by the Estates of Jean-Michel Basquiat & Andy Warhol...

POSE spray paint can 2021: Limited Edition POSE spray paint can published circa 2021. A unique street art / graffiti collectible that makes for a fantastic home display piece. Med...

Letters and numbers cut from a sheet of brushed steel. Hand signed and dated Brad Howe (born 1959) is an American sculptor from California. His work has been exhibited domestically and internationally. This is done in a bold and colorful Pop Art style reminiscent of the work of the Memphis Milano Group. Brad Howe was born in 1959 in Riverside, California. As a student of International Relations at Stanford University, Howe attended the University of São Paulo to specialize in Literature and Economic History. It was there that he discovered his passion for art and architecture that would eventually lead to his first exhibitions. He started his career as a sculptor in Brazil, using stainless steel, aluminum and polyurethane. He credits sculptor Alexander Calder as an early influence in his work. Since then, he has exhibited in over eighteen countries worldwide and his works have been placed in collections in more than 32 countries, including Brazil, Mexico, France, Germany, South Korea and United States. His work can also be found at various universities including Massachusetts Institute of Technology (MIT) in Boston, Temple University in Philadelphia, and UCLA. Monumental and Public Art have become a major focus of his career. Over the past ten years, he has completed over 30 public projects in 7 different countries. One of his sculptures can be seen in the city of Palo Alto, California. Moreover, as part of the Beverly Hills Centennial Arts of Palm Installation, he designed four sculptures outside the Beverly Hills City Hall, on North Santa Monica Boulevard in Beverly Hills, California. The Crocker Art Museum (Sacramento, California), the Honolulu Museum of Art, the Lancaster Museum of Art and History (Lancaster, California), and the Pasadena Museum of California Art (Pasadena, California) are among the museums holding work by Brad Howe. His work was included in the Arts of Palm exhibition in Beverly Hills, palm trees by prominent artists including Brad Howe, Michael McMillen, Mike Stilkey, Peter Shire, Peter Alexander and Ryan Schmidt. His studio is actively completing site-specific commissions and installations for cities, universities, museums, and private corporations. Brad Howe also actively participates in group gallery shows with smaller works that serve as models, or maquettes, for his large-scale pieces. SELECT GROUP EXHIBITS: On The Road: American Abstraction, David Klein Gallery, Detroit, Michigan Properties of Light, George Billis Gallery, Los Angeles, California Blur the Lines, Brad Howe and Takashi Murakami, Asian Art Works, Busan, Korea Brad Howe, Zachary Thornton, Lopez-Herrera, Thomas Punzmann Fine Arts, Frankfurt, Germany Gary Komarin and Brad Howe, Galerie Proarta, Zurich, Switzerland Color Balance, Marco Casentini and Brad Howe, Melissa Morgan Fine Art...

Andy Warhol Dies! Set of four complete 1987 New York newspapers announcing Warhol's death. A rare, highly sought-after series that would look unique framed together as a collage. An ...

Open unknown edition Unsigned Several months after releasing the KAWS Share Figure in February, the artist released his long anticipated KAWS Take Figure. The figure, which features...

Keith Haring Pop Shop Brussels 1988: Extremely rare vintage original Keith Haring Brussels Pop Shop advertisement designed by Haring to advertise the opening of his "Pop Shop in Brus...

**STORE CLOSURE - UP TO 80% OFF - TAKE ADVANTAGE OF IT** ***EVERYTHING MUST GO BY DECEMBER 31ST!*** >>The artist is moving to a new full time venture in 2026<< _______________________________________________________ This is the ultimate homage to QUEEN BE...

Raymond Pettibon Captive Chains, 1978: Featured in its entirety at The New Museum in New York, Pettibon's well documented first artist book is widely regarded as a seminal piece in the development of the artist's style and themes. Offset printed. 68 pages. 7.25 x 10.5 inches (26.6 x 18.4 cm). Good to very good overall vintage condition; normal signs of aging commensurate with medium. Published by Black Flag's label SST Productions in 1978. Literature/References: Raymond Pettibon: the Books 1978-1998 (New York: D.A.P. c. 2000). Raymond Pettibon: Homo Americanus (David Zwirner Books). Raymond Pettibon: A Pen of All Work (Massimialiano Gioni 2017). Exhibited: Raymond Pettibon, A Pen of All Work, The New Museum 2017 More on Raymond Pettibon: Raymond Pettibon is a contemporary American artist known for his stylized ink drawings combining images and text. His inventive narratives blend historical content with consumer culture to yield incisive critiques of contemporary society. “I was making my work as transparent as possible, without equivocations, without calling attention to itself, without apology,” he explained. “There's a lot of conventions in the art world that are not to be transgressed, but my economy of means doesn't abide by those strictures.” Born Raymond Ginn on June 16, 1957 in Tucson, AZ, the artist is self-taught, but cites drawings by William Blake, Edward Hopper, Francisco Goya, and John Sloan as instructive to his practice. Deriving inspiration from comics, cartoons, and other pop culture iconography, Pettibon began designing album covers and ephemera for his brother’s band Black Flag in the mid-1970s. He went on to produce cover art for Sonic Youth, the Minutemen...

Original Exhibition Catalog, for Jean-Michel Basquiat – A Retrospective; Musée Cantini, Marseille, France, 1992. Illustrated cover with flaps, 192 pages; approx 10 x 12 inches (30 x...

Get ready to elevate your movie poster collection with the Halloween Regular Edition by Tyler Stout, a stunning 24” x 36” screen print published by Grey Ma...

after Andy Warhol Colored Campbell's Soup - Beige Date of creation: 2019 Medium: Digital print on Canadian maple wood Size: 80 x 20 cm Condition: In mint conditions and never display...

Andy Warhol Electric Chairs announcement card: Rare early 1970s Warhol electric chairs announcement published on the occasion of: Andy Warhol ...

KAWS Grey Holiday Companion (KAWS Singapore): This standout KAWS art toy features KAWS' signature character COMPANION in a resting position. Published to commemorate the debut of KA...

Ed Ruscha Domestic Tranquility: Rare 1970s Ed Ruscha announcement card published by Castelli Graphics, New York on occasion of the release of Ruscha’s "Domestic Tranquility" suite. ...

Jean-Michel Basquiat - Horn Players, 1983 Date of creation: 2024 Medium: Digital print on Canadian maple wood Edition: Open Size: 80 x 20 cm (each skate) Condition: In mint conditions and never displayed This triptych is formed by three skate decks made of 7 ply grade A Canadian maple wood. © Estate of Jean-Michel Basquiat. Licensed by Artestar, New York "Horn Players" (1983) is one of Jean-Michel Basquiat's most famous works, and a great example of his unique style, which blends graffiti, pop art, and expressionist painting. In this piece, Basquiat depicts two jazz musicians, probably inspired by legends like Charlie Parker and Dizzy Gillespie. The figures are stylized with exaggerated features, something typical of his work. The painting is dominated by vibrant colors like yellow, red, and blue, with a background full of marks and strokes that give the sense of movement, as if you were hearing the music the characters are playing. Basquiat also incorporates text, such as the words “SAX” and “BIRD” (referring to Charlie "Bird" Parker), which not only provide more information about the characters but also add an extra layer of meaning, creating a connection between the music, the words, and the image. The piece can be interpreted as a tribute to African American culture and its impact on music, especially jazz, which was born in that community. But it also reflects deeper themes of identity, as the musicians are not just represented physically but also symbolically, through the music and the words surrounding them. Basquiat, who often explored themes of race, power, violence, and inequality, uses this work to highlight how jazz serves as a form of expression and resistance for Black culture. In 1983, when Basquiat created "Horn Players", he was already at the peak of his career. He had gained significant recognition in New York, and his work was widely acknowledged in the contemporary art world. This painting is part of a series where he pays homage to musicians and the history of jazz, a recurring theme in his work. Additionally, there’s an interesting connection between Basquiat’s art and the world of skateboarding. Skateboarding, much like Basquiat’s art, is defined by its rebellious spirit, its focus on urban culture, and its drive for self-expression. Basquiat's graffiti-style brushstrokes, with their raw energy, evoke the same defiant attitude seen in skateboarding culture, where skaters, much like artists, break free from established norms and create something unique. The influence of graffiti, which is central to skateboarding’s aesthetic, is also present in Basquiat’s works, forming a natural link between these two worlds of rebellion and creativity. "Horn Players" is a representative piece of Basquiat because it captures his vibrant style, his love for cultural references, and his ability to blend visual art with music. Moreover, it’s a work that celebrates Black culture, rebellion, and creative energy—values that also strongly resonate in the world of skateboarding. All of this showcases Basquiat’s mastery in merging different forms of artistic expression, connecting music, urban art, and the culture of resistance in a powerful work. ABOUT THE ARTIST Jean-Michel Basquiat (1960-1988) was one of the most influential artists of the 20th century, famous for his ability to fuse urban culture, social criticism and art history into a unique style. Born in Brooklyn, New York, to a Haitian father and Puerto Rican mother, his life and work were shaped by his multicultural heritage, the New York art scene and the social tensions of his time. Although his career was brief, his impact on contemporary art has been lasting and significant. Basquiat showed an interest in art from an early age. His mother, Matilde Andrades, took him to museums and encouraged him to draw. At the age of seven, a car accident left him hospitalized for a time, and it was then that his mother gave him a copy of the anatomy book Gray's Anatomy, which influenced his fascination with the human body and its visual representation. Despite his early talent, Basquiat's family life was turbulent. His mother was hospitalized for psychiatric problems and his relationship with his father, Gerard Basquiat, was troubled. This instability contributed to Basquiat dropping out of school at age 17 to pursue his artistic career on the streets of New York. As a teenager, Basquiat joined the New York graffiti scene under the pseudonym SAMO (an acronym for "Same Old Shit"), which he used to sign his cryptic and poetic messages on the streets of Manhattan with his friend Al Diaz. SAMO's graffiti were a mixture of philosophical and social commentary on popular culture, capitalism and religion, and soon attracted the attention of the underground art scene. In 1980, SAMO "died" when Basquiat and Diaz decided to end their collaboration, marking the beginning of Basquiat's transition from street graffiti to art galleries. Basquiat emerged as a talent to watch in 1980, when he participated in the group exhibition The Times Square Show, which included other emerging artists from New York's Lower East Side scene. That same year, he attracted the attention of critics and collectors who saw in his work an electrifying blend of street art and neo-expressionism, the predominant movement of the time. In 1981, art critic René Ricard published the influential essay The Radiant Child in Artforum magazine, which positioned Basquiat as one of the most promising artists of his generation. Shortly thereafter, he met renowned artist Andy Warhol, with whom he formed a close friendship and significant artistic collaboration. This association was instrumental in catapulting his career into the world of high art. The collaboration with Warhol was a pivotal point in Basquiat's career. The two artists, although coming from very different worlds, shared a fascination with fame and popular culture. Together, they produced a series of works that combined Warhol's pop art icons with Basquiat's raw, spontaneous style. However, this collaboration was also a source of controversy. Many critics accused Warhol of "exploiting" Basquiat, while others saw the collaboration as a creative dialogue between two genius minds. Although the criticism was mixed, there is no doubt that the relationship between the two artists helped cement Basquiat's reputation in the art world. Basquiat's style is a unique amalgam of influences. His work is characterized by the use of dismembered human figures, skeletons and internal organs, evoking the fragility of the body and mortality. Basquiat also used symbols that alluded to African-American and African history, such as crowns, masks and references to historical figures such as Toussaint Louverture. The use of text is another crucial aspect of his work. Words, phrases and numbers appeared in his paintings, often crossed out or overlapped, creating a sense of controlled chaos. These fragmented words provoked a non-linear reading of his works and conveyed multiple layers of meaning. His art also reflected his concerns about racial issues, especially the place of people of African descent in Western art history and in society at large. The crowns that Basquiat often drew on his figures were a symbol of power and resistance, a way of proclaiming himself "king" in a world that had historically excluded black artists from the upper echelons of art. In works such as The Death of Michael Stewart...

Brillo Box YP x Andy Warhol Date of creation: 2024 Medium: PVC or Silicon piping with LED lights mounted on recycled acrylic board Edition: 500 Size: 62 x 60 cm Condition: Brand new...

Basquiat & Keith Haring Bearbrick Vinyl Figures: Set of two individual works: Unique, timeless Keith Haring, Jean-Michel Basquiat collectibles trademarked & licensed by the Estate of...

This is a one of a kind original functional vessel made by southern California artist, Ron Carlson. Its dimensions are 3.75 x 2.25 in (L x H). A certificate of authenticity will foll...

Animation Celluloid Image Size: 7.5 x 9.5 Frame Size: 13 x 15 Medium: Celluloid "Daffy Duck" Signed by Chuck Jones

Andy Warhol Marilyn Bearbrick: Vinyl Figures: Set of two (400% & 100%) c. 2020: Andy Warhol Marilyn collectible trademarked & licensed by the Estate of Andy Warhol. The partnered col...

Love People YP x Keith Haring Date of creation: 2024 Medium: PVC or Silicon piping with LED lights mounted on recycled acrylic board Edition: Open Size: 52 x 52 cm Condition: Brand ...

KAWS SHARE, KAWS TAKE: Set of 2 black KAWS figurative sculptures, each new & unopened in original packaging. Medium: Painted Vinyl Cast Resin (applies to each). SHARE: 12.4 x 6.3 inches. TAKE: 13.4 x 6 inches. Condition: New, unopened in original box; excellent condition (applies to each). Each from a sold out edition of unknown. Stamped on the underside of each foot. Shipped securely from New York. KAWS uses two of his characters here to convey opposing human attitudes. In the sculpture TAKE, the BFF holds a child Companion defensively, pulling it back in a gesture of mistrust as if to prevent someone else from touching it; the child cowed looks to the ground, the fear is transferred. In SHARE, the Companion is secure and looks outward, holding but not attached to the toy in its hand. KAWS’ figures...

Jean-Michel Basquiat, Annina Nosei Gallery, New York, 1982-1988: A set of 2 rare vintage original Basquiat announcement cards from 1982 & 1988, respectively published on the occasion(s) of: - ‘Basquiat Anatomy’ 1982 (a suite of 18 screen prints). - Jean-Michel Basquiat December 3, 1988. Medium: 2 off-set printed gallery announcements. Dimensions: 4 x 6 inches & 6 x 8 inches 9 (anatomy). Each in good to very good overall vintage condition. Published by Annina Nosei Gallery, New York, 1982-1988. Each unsigned from an edition of unknown. Scarce. Jean-Michel Basquiat’s dramatic life and iconic paintings—which variously feature obsessive scribbling, enigmatic symbols and diagrams, and iconography including skulls...

Andy Warhol Cowboys & Indians 1986 (announcement): Rare original Warhol announcement card published to celebrate the publication of Andy Warhol's C...

Alien Workshop Iconic Collection W/ Andy Warhol Comes with Original Alien Skateboard sticker and wall mount. From the Iconic Collection, depicting the...

sisterhood , 70x70cm, print on canvas Edition 20 pcs.