Pop Art More Art

MEDIUM: ​Original Production Cel on Printed Background IMAGE SIZE: 12.5" x 10.5" PRODUCTION: Looney Tunes SKU: IFA9711 ABOUT THE IMAGE: Looney Tunes is a series of animated short ...

MEDIUM: Giclée on Canvas Edition SIZE: 41.75" x 31" EDITION SIZE: 100 SIGNATURE: Jim Lee SKU: CP1599D DESCRIPTION: The original art for "Batman 1000" was iss...

“I don’t have any Seine River like Monet, I’ve just got US 66 between Oklahoma and Los Angeles.” — Ed Ruscha True First Edition of Ruscha's most iconic book - hand signed with except...

Tattooed Woman Holding Rose MEDIUM: Fine Art Lithograph on Paper IMAGE SIZE: 11" x 29" EDITION SIZE: Unknown ARTIST: Andy Warhol DESCRIPTION: Tattoo Ladies served as Andy Warhol's calling card in 1955. He used this piece as his business card and he would fold it up and drop it off at advertising agencies that he was interested in working with. The woman's pin-up silhouette is filled with logos of companies he hoped to work for. In the center, we see the artist's old-fashioned NYC phone number and subsequent references to the Murray Hill neighborhood he lived in at the time. Not many Pop Art pieces are more iconic than this! This offset lithograph is printed with orange ink on green onion skin paper with horizontal folds. It measures 11 x 29 and is embossed in the lower left-hand corner with the Andy Warhol Art Authentication Board Inc. stamp and the Estate of Andy Warhol ink...

Morocco , 70x70cm, print on canvas Edition 20 pcs.

Morocco , 70x70cm, print on canvas Edition 20 pcs.

Robert Rauschenberg Photos In+Out City Limits: Boston (hand signed by Robert Rauschenberg), 1981 Monograph held in slipcase (Hand signed in graphite pencil) Hand signed by Robert Rau...

70x70cm, print on canvas Edition 20 pcs.

Gary John has been a street artist since 1985. Originally from Seattle, Washington, he moved to Venice Beach, Los Angeles in 2003 and began selling his work on the Venice boardwalk. ...

MEDIUM: ​Original Production Cel on Original Background IMAGE SIZE: 10.5" x 9" PRODUCTION: Batman The Animated Series, The Clock King SKU: IFA7437 ABOUT THE IMAGE: Batman: The Anim...

Package Dimensions 14.25 x 8.58 x 3.62 inches Item Weight 1.17 pounds Sculptures are in Pristine Condition and have been stored safely since 2016. The figures are both sealed in cl...

MEDIUM: ​Original Production Drawing IMAGE SIZE: 10.5"x 9.5" PRODUCTION: Looney Tunes SKU: IFA4778 ABOUT THE IMAGE: Looney Tunes is a series of animated short films by Warner Bros....

70x70cm, print on canvas Edition of 20 pieces

70x70cm, print on canvas Edition 20 pcs.

MEDIUM: Giclée Canvas Limited Edition SIZE: 18" x 27" EDITION SIZE: 195 ARTIST: Peter Ellenshaw SKU: DFA-LE-POOHFRIENDS ABOUT THE IMAGE: Inspired by W...

With Lou Reed Written on box in Andy Warhol’s hand: Louis – 2 copies Written on box: Tri-X Rev. 2 copies. 1+ Written on back in Andy Warhol’s...

70x70cm, print on canvas Edition 20 pcs.

MEDIUM: Giclée on Paper EDITION: 100 SIZE: 17” x 13.5” SIGNED BY: Alan Burnett, Paul Dini & Bruce Timm DESCRIPTION: Some of Gotham's greatest villains circle Batman and the place they call home in this signed hand-painted limited edition cel. Featuring The Riddler, Scarecrow, The Joker, Harley Quinn...

Los Angeles native RF fuses original and iconic characters in her vivid graffiti-inspired twisted pop artworks. Within each artwork, RF blends a mix of humor, eccentricity, and contr...

Banana YP x JM Basquiat Date of creation: 2025 Medium: PVC or Silicon piping with LED lights mounted on recycled acrylic board Edition: Open Size: 41 x 50 cm Condition: Brand new Jean-Michel Basquiat’s banana is a recurring motif in his work that, like many of his symbols, blends humor, irony, and social critique. At first glance, it may seem trivial or even comical, but within Basquiat’s visual language it takes on multiple layers of meaning. On one hand, the banana works as a pop reference: an everyday object loaded with cultural, sexual, and even absurd connotations, echoing the tradition of pop art and artists like Andy Warhol (who, in 1967, famously turned the banana into an icon with the album cover for The Velvet Underground & Nico). Basquiat, who both admired and collaborated with Warhol, reintroduces the motif in a playful way, but with a more chaotic and visceral energy. On the other hand, the banana can be read as a critical symbol: it connects to themes of consumerism, exoticization, and racial stereotypes. The tropical fruit evokes colonial imaginaries and the economic exploitation tied to the trade of “exotic” goods in the West. By incorporating it into his work, Basquiat decontextualizes it and turns it into an emblem full of tensions—between comedy and discomfort, pop lightness and historical memory. Moreover, the way he depicts it —with energetic, almost childlike strokes, scattered words, and graphic marks— enhances the sense of immediacy and freshness, yet behind this apparent spontaneity lies a sharp reflection on identity, power, and contemporary visual culture. Ultimately, Basquiat’s banana is not just a fruit: it is a visual artifact that fuses humor, irreverence, and social critique, perfectly embodying the artist’s ability to transform the everyday into a biting commentary on the modern world. The flexible LED tube is safe and environmentally friendly, too! Set the light to the time of day with adjustable brightness. © Estate of Jean-Michel Basquiat. Licensed by Artestar, New York. Each sign is made of a neon flex material, consisting of PVC or Silicon piping with LED lights, that is mounted on a recycled acrylic board. These materials allow to create realistic neon signs, with bright lights and intense color, while being more durable, affordable, and sustainable than traditional neon. Sustainability is taken seriously thanks to its LED lights which consumes 6 times less energy than traditional lights, lasting up to 100,000 hours. These neon is crafted using recycled materials and 100% recycled packaging, including removing all useless plastic. ABOUT THE ARTIST Jean-Michel Basquiat (1960-1988) was one of the most influential artists of the 20th century, famous for his ability to fuse urban culture, social criticism and art history into a unique style. Born in Brooklyn, New York, to a Haitian father and Puerto Rican mother, his life and work were shaped by his multicultural heritage, the New York art scene and the social tensions of his time. Although his career was brief, his impact on contemporary art has been lasting and significant. Basquiat showed an interest in art from an early age. His mother, Matilde Andrades, took him to museums and encouraged him to draw. At the age of seven, a car accident left him hospitalized for a time, and it was then that his mother gave him a copy of the anatomy book Gray's Anatomy, which influenced his fascination with the human body and its visual representation. Despite his early talent, Basquiat's family life was turbulent. His mother was hospitalized for psychiatric problems and his relationship with his father, Gerard Basquiat, was troubled. This instability contributed to Basquiat dropping out of school at age 17 to pursue his artistic career on the streets of New York. As a teenager, Basquiat joined the New York graffiti scene under the pseudonym SAMO (an acronym for "Same Old Shit"), which he used to sign his cryptic and poetic messages on the streets of Manhattan with his friend Al Diaz. SAMO's graffiti were a mixture of philosophical and social commentary on popular culture, capitalism and religion, and soon attracted the attention of the underground art scene. In 1980, SAMO "died" when Basquiat and Diaz decided to end their collaboration, marking the beginning of Basquiat's transition from street graffiti to art galleries. Basquiat emerged as a talent to watch in 1980, when he participated in the group exhibition The Times Square Show, which included other emerging artists from New York's Lower East Side scene. That same year, he attracted the attention of critics and collectors who saw in his work an electrifying blend of street art and neo-expressionism, the predominant movement of the time. In 1981, art critic René Ricard published the influential essay The Radiant Child in Artforum magazine, which positioned Basquiat as one of the most promising artists of his generation. Shortly thereafter, he met renowned artist Andy Warhol, with whom he formed a close friendship and significant artistic collaboration. This association was instrumental in catapulting his career into the world of high art. The collaboration with Warhol was a pivotal point in Basquiat's career. The two artists, although coming from very different worlds, shared a fascination with fame and popular culture. Together, they produced a series of works that combined Warhol's pop art icons with Basquiat's raw, spontaneous style. However, this collaboration was also a source of controversy. Many critics accused Warhol of "exploiting" Basquiat, while others saw the collaboration as a creative dialogue between two genius minds. Although the criticism was mixed, there is no doubt that the relationship between the two artists helped cement Basquiat's reputation in the art world. Basquiat's style is a unique amalgam of influences. His work is characterized by the use of dismembered human figures, skeletons and internal organs, evoking the fragility of the body and mortality. Basquiat also used symbols that alluded to African-American and African history, such as crowns, masks and references to historical figures such as Toussaint Louverture. The use of text is another crucial aspect of his work. Words, phrases and numbers appeared in his paintings, often crossed out or overlapped, creating a sense of controlled chaos. These fragmented words provoked a non-linear reading of his works and conveyed multiple layers of meaning. His art also reflected his concerns about racial issues, especially the place of people of African descent in Western art history and in society at large. The crowns that Basquiat often drew on his figures were a symbol of power and resistance, a way of proclaiming himself "king" in a world that had historically excluded black artists from the upper echelons of art. In works such as The Death of Michael Stewart...

Triple Eyes YP x Keith Haring Date of creation: 2025 Medium: PVC or Silicon piping with LED lights mounted on recycled acrylic board Edition: Open Size: 51 x 52 cm Condition: Brand ...

after Andy Warhol Colored Campbell's Soup - Blood Date of creation: 2019 Medium: Digital print on Canadian maple wood Size: 80 x 20 cm Condition: In mint conditions and never display...

after Andy Warhol Colored Campbell's Soup - Eggplant Date of creation: 2019 Medium: Digital print on Canadian maple wood Size: 80 x 20 cm Condition: In mint conditions and never disp...

MEDIUM: Giclée Canvas Limited Edition SIZE: 24" x 36" EDITION SIZE: 300 ARTIST: Peter Ellenshaw SKU: DFA-LE-AURORASRESCUE ABOUT THE IMAGE: Cinderella ...

MEDIUM: ​Original Production Drawing IMAGE SIZE: 12 Field PRODUCTION: Looney Tunes SKU: IFA3527 ABOUT THE IMAGE: Looney Tunes is a series of animated short films by Warner Bros. It ...

Los Angeles street artist Gary John exploded onto the international art scene first during Art Basel Miami in 2013. John’s playfully bold work quickly gained attention and he was nam...

MEDIUM: ​Original Production Cel on Printed Background IMAGE SIZE: 12 Field PRODUCTION: Looney Tunes, Box Office Bunny SKU: IFA8302 ABOUT THE IMAGE: Looney Tunes is a series of ani...

Original Syndicated Flintstone Comic Stip Signed By Hanna + Barbera Up for sale is a limited edition, large, giclee on canvas titled Wile E. Van Gogh. This piece is limited to only...

MEDIUM: Limited Edition Cel SIZE: 9.5" x 12.5" EDITION SIZE: 150 SKU: MLC11 ABOUT THE IMAGE: A jubilant Linus is certain that the Great Pumpkin has arrived; Sally is stunned at fir...

MEDIUM: Hand-Painted Limited Edition Cel EDITION: 500 SIZE: 10.5” x 12.5” SKU: WB1151 Former criminal psychiatrist Dr. Harleen Quinzel, “Harley” herself became certifiable after falling in love with The Joker. Their relationship has never been without its ups and downs: as the duo of The Joker and Harley amassed many crime exploits, the Prince of Knaves tired of his Girl Jester and jettisoned her off on a rocket. Famed Warner Bros. Batman Producer, Paul Dini, created Harley Quinn.

MEDIUM: ​Original Production Cel on Original Background IMAGE SIZE: 12 Field PRODUCTION: Batman The Animated Series, Joker's Wild SKU: IFA6139 ABOUT THE IMAGE: Batman: The Animated...

MEDIUM: Limited Edition Cel IMAGE SIZE: 12 Field EDITION SIZE: 200 SKU: CCV2726 ABOUT THE IMAGE: This cel is hand-signed by Chuck Jones and is numbered 196/200.

MEDIUM: ​Original Production Drawing IMAGE SIZE: 16.5" x 11.5" PRODUCTION: Space Jam SKU: IFA2934 ABOUT THE FILM: Featured alongside the NBA legend in Space Jam are Daffy Duck, Bugs Bunny, Tweety Bird, Lola Bunny, Sylvester and the Tasmanian Devil. Space Jam was a highly successful box office smash in 1996. It told the story of the Looney Tunes gang as they pull Michael Jordan out of his retirement from basketball to help them win a basketball game to save them from slavery at an alien theme park. A unique premise to say the least, Space Jam had mass appeal for basketball and Looney Tunes fans alike. There is even a highly anticipated sequel to be released in 2021. It is also worth noting that Michael Jordan has been recently brought back to the limelight in the new Netflix documentary series The Last Dance, which recounts his last season with the Chicago Bulls...

MEDIUM: ​Original Production Cel on Original Background IMAGE SIZE: 14" x 10" PRODUCTION: Pinky and the Brain, Brain Storm SKU: IFA8259 ABOUT THE IMAGE: Pinky and the Brain is a car...

Damien Hirst Skull album art: Damien Hirst for The Hours, 2009. Features 2 picture sleeves, plus front and back album covers, and record labels all illustrated and designed by Damien...

MEDIUM: ​Original Production Drawing IMAGE SIZE: 12" x 10" PRODUCTION: Snow White and the Seven Dwarfs, 1937 SKU: CCV3021 ABOUT THE FILM: Snow White and the Seven Dwarfs is a 1937 A...

Winnie the Pooh was created by English author A.A. Milne and English illustrator E.H Shepard. The first collection of stories about the character was the book Winnie-the-Pooh and th...

Red still life , 70x70cm, print on canvas Edition 20 pcs.

MEDIUM: ​Original Production Cel on Printed Background IMAGE SIZE: 12 Field PRODUCTION: Looney Tunes SKU: IFA7773 ABOUT THE IMAGE: Looney Tunes is a series of animated short films b...

MEDIUM: ​Original Production Cel on Original Background IMAGE SIZE: 10.5" x 9" PRODUCTION: Batman The Animated Series, Bane SKU: IFA7349 ABOUT THE IMAGE: Batman: The Animated Series...

MEDIUM: Original Production Cel on Printed Background IMAGE SIZE: 12 Field PRODUCTION: Superman the Animated Series, World's Finest SKU: ...

Fonfria's work explores human behavior and social rules with a critical eye and humor, touching on personal themes such as dreams, fears, and memories. The images come from old magaz...

Seascape , 70x70cm, print on canvas Edition 20 pcs.

Limited edition canvas and Sustainable Limited edition Sustainable merpauh wood deckchair deckchair. Collectible hand signed edition of 50 Adjustable wooden deck chair...

MEDIUM: Limited Edition Cel SIZE: 10.5 x 12.5 EDITION SIZE: 500 SKU: WB1117 ABOUT THE IMAGE: “Awww, Aint I Tweet?” In Classic Tweety, everyone’s favorite little yellow bird stand...

Komar and Melamid combine various photographs of Tolstoy with their own renderings, cropping and overprinting the 19th-century moralist's portrait in a heady two-headed mix of art an...

MEDIUM: ​Original Production Cel on Printed Background IMAGE SIZE: 12 Field PRODUCTION: Looney Tunes, Box Office Bunny SKU: IFA8867 ABOUT THE IMAGE: Looney Tunes is a series of an...

WILE E COYOTE ROAD RUNNER MODEL SHEET MEDIUM: Model Sheet SIZE: 16.5" x 13.5" EDITION SIZE: 750 SKU: CP1207 ABOUT THE MEDIUM: This cel began with a ...

Jean-Michel Basquiat - Untitled Head (Skull 2), 1982 Date of creation: 2024 Medium: Digital print on Canadian maple wood Edition: Open Size: 80 x 20 cm (each skate) Condition: In mint conditions and never displayed This triptych is formed by three skate decks made of 7 ply grade A Canadian maple wood. © Estate of Jean-Michel Basquiat. Licensed by Artestar, New York Untitled Head (Skull 2), 1982, is one of Jean-Michel Basquiat’s most iconic and enigmatic works, reflecting the artist’s complex relationship with life, death, and identity. Created during an early but intense phase of his career, this piece is characterized by its raw, expressive style, but also by its ability to convey a deep and multifaceted message. The painting depicts a large skull, both grotesque and vibrant. The outlines of the skull are simple yet powerful, with angular strokes and dramatic lines. Basquiat uses a contrasting color palette, dominated by warm, earthy tones such as red, orange, and yellow, along with touches of blue and white. The skull seems to overflow with energy, full of marks and textures that evoke a sense of violence and chaos. The skull is not only a symbol of death, but also carries connotations of internal struggle and personal suffering. Basquiat, known for his personal history marked by adversity, uses the figure of the skull to explore themes such as the fragility of life and the dehumanization of people, especially in African American communities. In his work, death is not presented merely as an abstract concept, but as something very real and close, connected to the everyday experience of those facing violence, racism, and poverty. Through this piece, Basquiat also addresses identity and alienation, as the skull, with its exaggerated and distorted features, can be seen as a representation of an individual stripped of their humanity or cultural identity, particularly in the context of the experiences of Black communities in the United States. Basquiat often incorporates words, phrases, and symbols in his works that reflect his interest in cryptic messages and the deconstruction of meaning, and Untitled Head (Skull 2), is no exception. The skull, often associated with mortality, in Basquiat’s context may also suggest the relentless presence of social oppression and how, in many cases, people’s lives are shaped by circumstances beyond their control. This approach to death is Basquiat’s way of engaging with the collective and personal traumas that defined his life, as well as the racial and social tensions of his time. Untitled Head (Skull 2) is a work full of energy, with a strong symbolic charge, that breaks away from convention and offers a raw, direct view of life, death, and existential struggle. It is an example of how Basquiat used art to express his deepest emotions, challenging traditional representation and creating a piece that remains relevant today, both for its message and its unique style. ABOUT THE ARTIST Jean-Michel Basquiat (1960-1988) was one of the most influential artists of the 20th century, famous for his ability to fuse urban culture, social criticism and art history into a unique style. Born in Brooklyn, New York, to a Haitian father and Puerto Rican mother, his life and work were shaped by his multicultural heritage, the New York art scene and the social tensions of his time. Although his career was brief, his impact on contemporary art has been lasting and significant. Basquiat showed an interest in art from an early age. His mother, Matilde Andrades, took him to museums and encouraged him to draw. At the age of seven, a car accident left him hospitalized for a time, and it was then that his mother gave him a copy of the anatomy book Gray's Anatomy, which influenced his fascination with the human body and its visual representation. Despite his early talent, Basquiat's family life was turbulent. His mother was hospitalized for psychiatric problems and his relationship with his father, Gerard Basquiat, was troubled. This instability contributed to Basquiat dropping out of school at age 17 to pursue his artistic career on the streets of New York. As a teenager, Basquiat joined the New York graffiti scene under the pseudonym SAMO (an acronym for "Same Old Shit"), which he used to sign his cryptic and poetic messages on the streets of Manhattan with his friend Al Diaz. SAMO's graffiti were a mixture of philosophical and social commentary on popular culture, capitalism and religion, and soon attracted the attention of the underground art scene. In 1980, SAMO "died" when Basquiat and Diaz decided to end their collaboration, marking the beginning of Basquiat's transition from street graffiti to art galleries. Basquiat emerged as a talent to watch in 1980, when he participated in the group exhibition The Times Square Show, which included other emerging artists from New York's Lower East Side scene. That same year, he attracted the attention of critics and collectors who saw in his work an electrifying blend of street art and neo-expressionism, the predominant movement of the time. In 1981, art critic René Ricard published the influential essay The Radiant Child in Artforum magazine, which positioned Basquiat as one of the most promising artists of his generation. Shortly thereafter, he met renowned artist Andy Warhol, with whom he formed a close friendship and significant artistic collaboration. This association was instrumental in catapulting his career into the world of high art. The collaboration with Warhol was a pivotal point in Basquiat's career. The two artists, although coming from very different worlds, shared a fascination with fame and popular culture. Together, they produced a series of works that combined Warhol's pop art icons with Basquiat's raw, spontaneous style. However, this collaboration was also a source of controversy. Many critics accused Warhol of "exploiting" Basquiat, while others saw the collaboration as a creative dialogue between two genius minds. Although the criticism was mixed, there is no doubt that the relationship between the two artists helped cement Basquiat's reputation in the art world. Basquiat's style is a unique amalgam of influences. His work is characterized by the use of dismembered human figures, skeletons and internal organs, evoking the fragility of the body and mortality. Basquiat also used symbols that alluded to African-American and African history, such as crowns, masks and references to historical figures such as Toussaint Louverture. The use of text is another crucial aspect of his work. Words, phrases and numbers appeared in his paintings, often crossed out or overlapped, creating a sense of controlled chaos. These fragmented words provoked a non-linear reading of his works and conveyed multiple layers of meaning. His art also reflected his concerns about racial issues, especially the place of people of African descent in Western art history and in society at large. The crowns that Basquiat often drew on his figures were a symbol of power and resistance, a way of proclaiming himself "king" in a world that had historically excluded black artists from the upper echelons of art. In works such as The Death of Michael...

Jean-Michel Basquiat - In Italian Date of creation: 2024 Medium: Digital print on Canadian maple wood Edition: Open Size: 80 x 20 cm (each skate) Condition: In mint conditions and never displayed This triptych is formed by three skate decks made of 7 ply grade A Canadian maple wood. © Estate of Jean-Michel Basquiat. Licensed by Artestar, New York In Italian (1983) is one of Jean-Michel Basquiat’s iconic works, created during a peak period of his artistic career. The piece reflects his distinctive style, blending graffiti, expressive brushwork, text, and symbolism. Like many of his paintings, "In Italian" presents a powerful and chaotic composition where words, figures, and signs interact in a raw and energetic visual language. The title, In Italian, may suggest a reference to classical European culture—especially Italian Renaissance art—while at the same time subverting it through Basquiat’s urban, Afro-Caribbean perspective. His interest in contrasting high and low culture, refined and raw, is evident in this piece. The inclusion of text, often fragmented or cryptic, was one of Basquiat’s trademarks and serves here to provoke thought rather than deliver a clear message. In this work, Basquiat explores themes such as identity, language, cultural heritage, and the appropriation of symbols. The figure depicted—alongside the textual elements—appears almost mythological or totemic, reinforcing Basquiat’s tendency to elevate marginalized characters into powerful, almost divine figures. The brushstrokes are urgent, the colors bold, and the composition layered. It’s as if the viewer is meant to decipher a code—a mix of history, race, rebellion, and irony. Words in different languages, especially English and Italian, appear not to clarify meaning but to complicate it, suggesting the multilingual, multicultural environment Basquiat inhabited and commented on. In Italian is a prime example of how Basquiat merged influences from the streets of New York with art history, African-American identity, and global culture. It's a bold visual statement that challenges traditional canons and forces the viewer to reconsider what art is, who gets to create it, and which voices are heard. ABOUT THE ARTIST Jean-Michel Basquiat (1960-1988) was one of the most influential artists of the 20th century, famous for his ability to fuse urban culture, social criticism and art history into a unique style. Born in Brooklyn, New York, to a Haitian father and Puerto Rican mother, his life and work were shaped by his multicultural heritage, the New York art scene and the social tensions of his time. Although his career was brief, his impact on contemporary art has been lasting and significant. Basquiat showed an interest in art from an early age. His mother, Matilde Andrades, took him to museums and encouraged him to draw. At the age of seven, a car accident left him hospitalized for a time, and it was then that his mother gave him a copy of the anatomy book Gray's Anatomy, which influenced his fascination with the human body and its visual representation. Despite his early talent, Basquiat's family life was turbulent. His mother was hospitalized for psychiatric problems and his relationship with his father, Gerard Basquiat, was troubled. This instability contributed to Basquiat dropping out of school at age 17 to pursue his artistic career on the streets of New York. As a teenager, Basquiat joined the New York graffiti scene under the pseudonym SAMO (an acronym for "Same Old Shit"), which he used to sign his cryptic and poetic messages on the streets of Manhattan with his friend Al Diaz. SAMO's graffiti were a mixture of philosophical and social commentary on popular culture, capitalism and religion, and soon attracted the attention of the underground art scene. In 1980, SAMO "died" when Basquiat and Diaz decided to end their collaboration, marking the beginning of Basquiat's transition from street graffiti to art galleries. Basquiat emerged as a talent to watch in 1980, when he participated in the group exhibition The Times Square Show, which included other emerging artists from New York's Lower East Side scene. That same year, he attracted the attention of critics and collectors who saw in his work an electrifying blend of street art and neo-expressionism, the predominant movement of the time. In 1981, art critic René Ricard published the influential essay The Radiant Child in Artforum magazine, which positioned Basquiat as one of the most promising artists of his generation. Shortly thereafter, he met renowned artist Andy Warhol, with whom he formed a close friendship and significant artistic collaboration. This association was instrumental in catapulting his career into the world of high art. The collaboration with Warhol was a pivotal point in Basquiat's career. The two artists, although coming from very different worlds, shared a fascination with fame and popular culture. Together, they produced a series of works that combined Warhol's pop art icons with Basquiat's raw, spontaneous style. However, this collaboration was also a source of controversy. Many critics accused Warhol of "exploiting" Basquiat, while others saw the collaboration as a creative dialogue between two genius minds. Although the criticism was mixed, there is no doubt that the relationship between the two artists helped cement Basquiat's reputation in the art world. Basquiat's style is a unique amalgam of influences. His work is characterized by the use of dismembered human figures, skeletons and internal organs, evoking the fragility of the body and mortality. Basquiat also used symbols that alluded to African-American and African history, such as crowns, masks and references to historical figures such as Toussaint Louverture. The use of text is another crucial aspect of his work. Words, phrases and numbers appeared in his paintings, often crossed out or overlapped, creating a sense of controlled chaos. These fragmented words provoked a non-linear reading of his works and conveyed multiple layers of meaning. His art also reflected his concerns about racial issues, especially the place of people of African descent in Western art history and in society at large. The crowns that Basquiat often drew on his figures were a symbol of power and resistance, a way of proclaiming himself "king" in a world that had historically excluded black artists from the upper echelons of art. In works such as The Death of Michael Stewart...

Roy Lichtenstein - Varoom!, 1963 Date of creation: 2024 Medium: Digital print on Canadian maple wood Edition: Open Size: 80 x 20 cm Condition: In mint conditions and never displayed...

Roy Lichtenstein - Happy Tears, 1964 Date of creation: 2024 Medium: Digital print on Canadian maple wood Edition: Open Size: 80 x 20 cm Condition: In mint conditions and never displ...

Roy Lichtenstein - Finger Pointing Date of creation: 2024 Medium: Digital print on Canadian maple wood Edition: Open Size: 80 x 20 cm Condition: In mint conditions and never display...

Fonfria's work explores human behavior and social rules with a critical eye and humor, touching on personal themes such as dreams, fears, and memories. The images come from old magaz...

MEDIUM: Limited Edition Hand-Painted Cel EDITION SIZE: 100 SIZE: 12” x 20” SIGNED BY: Bruce Timm SKU: CC1183 ABOUT THE ART: "Batman and Beyond" charts the Dark Knight's progression from the award-winning Warner Bros. Animated series, running from 1992 through 2000. Designed by Juan Ortiz, this pan cel when viewed from left to right, portrays the three Bruce Timm art-directed versions of batman. The first Batman from the first season, in the dark and vengeful character who exists in the equally vengeful Gotham City. The second Batman (Wearing his Jet-Wing) reverts to a more classic Bob Kane style, with notably grayer tones in Batman's suit as well as his utility belt...

MEDIUM: ​Original Production Cel on Printed Background IMAGE SIZE: 12 Field PRODUCTION: Batman The Animated Series, Catwalk SKU: IFA2859 ABOUT THE IMAGE: In the episode Catwalk, ...