Abstract Paintings

Steven is now one of the top emerging artists in the U.S. His works are ground breaking, bold and imbued with unflinching disregard to painting conventions. ...

This miniature, hand-painted original, packs a beautiful punch! Hang this small but mighty piece in a quiet corner to bring it to life, or pair it with several beautiful black and ...

Jordi Molla's Ground breaking "Savage Garden" series painted onto a plastic camo tarp stretched over canvas showing the contrast between the beauty of the flower and the savagery of ...

In the compositions, the gaze is attracted by an interplay of harmonious balances between full and empty spaces, which compel the regarding to an observation dynamic approach in orde...

Wendy Westlake was born in Washington state. She earned an Associated degree in Applied Art from Pima College in Tuscon AZ, where she studied a wide r...

Marta Crespo is an Argentinian artist born in 1960. She studied arts in Buenos Aires. Marta participated in workshops with various renowned artists, such as Santa Maria, Eckell, a...

Marta Crespo is an Argentinian artist born in 1960. She studied arts in Buenos Aires. Marta participated in workshops with various renowned artists, such as Santa Maria, Eckell, a...

Keeping with my passion of nature, this collection focusses on the movement and structure of nature. Primarily that from trees. I am fascinated by trees and their amazing beauty. Co...

Marta Crespo is an Argentinian artist born in 1960. She studied arts in Buenos Aires. Marta participated in workshops with various renowned artists, such as Santa Maria, Eckell, a...

Richard Saba Birthplace: Minneapolis, Minnesota, 1946 Education: Minneapolis College of Art & Design, B.F.A. 1968 Skowhegan School of Painting & Sculpture, 1967 University of Wash...

Jim’s of Lambertville is proud to offer this artwork by: James Lechay (1907 – 2001) Born in the Bronx in 1907, James Lechay spent most of his childhood in Brooklyn before moving to Joilet, Illinois at age 13 to live with his uncle after his mother passed away. In 1928, he received his B.A. in psychology from the University of Illinois. The next year, he attended one week of graduate school before leaving to study under his brother, the painter Myron Lechay, in New York. At his brother’s studio, James began to associate with other artists of the time such as Milton Avery, Mark Rothko, Arshile Gorky, William Zorach, and Raphael and Moses Soyer. From Myron, James Lechay learned to train his eye to observe natural forms and developed a philosophy dependent upon the relationship built between the artist and the subject. Lechay became engaged in the social and political issues of Depression-era New York and even joined the social realism movement for a brief time in the 1930s. He operated as the leader of the Artists Union while employed by the Works Progress Administration (WPA). With the WPA, Lechay traveled to Las Vegas, New Mexico, where he established a gallery and exhibited the works of Milton Avery, Max Weber, and other WPA artists. Despite his association with many artists and artistic communities in New York in the 1930s and 40s, Lechay opposed adopting a style due to its popularity and commercial success. His use, however, of large brushstrokes from Abstract Expressionism, the flattened plane of Modernism, and the simple compositions of early Abstraction created a combination of styles completely his own. A painter of a vast range of subjects, including still lifes, portraits, and landscapes, Lechay was known to reduce these forms to their visual essentials. Lechay often did not date his paintings as he frequently reworked them, even after they were exhibited, calling his pieces, “finished at all stages and never finished”. In 1945, Lechay was hired by the University of Iowa’s art department, where he worked alongside Mauricio Lasansky, Humbert Albrizio, Carl Fracassini, and Byron Burford...

Painting: Acrylic on Canvas. I have used acrylic paints in to make the composition and generate relief and shapes. If you sit down, in front of this painting, your feelings calm down...

Floating landscapes (interdimensional maps) I use the word landscape in a broad sense that encompasses internal and external perceptions, but not necessarily what is visible. The lan...

Floating landscapes (interdimensional maps) I use the word landscape in a broad sense that encompasses internal and external perceptions, but not necessarily what is visible. The lan...

Acrylic on canvas 43.30 x 47.20 in unstretched

CARLOS MERCADO ABSTRACT Inspired in the work of Franz and Ives Klein This body of work was produced during the initial months of the lock down due to the pandemic. This tragedy crea...

A wonderful composition of one of Slonem's most iconic subjects, Butterflies. This piece depicts two delicate butterflies in ascension placed in a wonderful golden landscape with blue, red and yellow background. Slonem traces his famous crosshatch details throughout the piece, with thick use of paint and elegant accents. Inspired by nature and a genuine love for animals, Slonem's paintings encompass unique inspirations drawn from the world. While viewing this piece in person, it is as if we are surrounded by beauty and encased effortlessly in a golden seascape. This painting invites us to celebrate nature and the simplicity of flight from the elegant world of the butterfly. This painting is signed and dated by the artist on verso and it comes housed in a simple vintage frame...

Floating landscapes (interdimensional maps) I use the word landscape in a broad sense that encompasses internal and external perceptions, but not necessarily what is visible. The lan...

CARLOS MERCADO ABSTRACT Inspired in the work of Franz and Ives Klein This body of work was produced during the initial months of the lock down due to the pandemic. This tragedy crea...

The painting has a built up surface on Belgium linen and on an aluminum stretcher bar which makes warping impossible It’s in excellent condition. The paint surface had built up are...

Antique Italian modernist flower still life oil painting by Giorgio Celiberti (1929 - 1960). Oil on canvas, circa 1960. Signed on verso. Displayed ...

Matthew Bourne derives his work from his passion for metaphysical concepts such as sight, sound, and emotion. As a result, Bourne argues that his abstra...

UNTITLED 46, is an abstract painting, Tea on canvas, measuring 150x105 cm. Created by Chilean artist Jorge Reyes Zepeda. Jorge works with the canvas on the floor or a table, basicall...

Michael David (b. 1954) Billie's Tree Signed, Titled, and Dated 1982 Verso. Provenance: Museum of Contemporary Art, Chicago (bears label en verso) where it had been exhibited for nearly two decades. It was also Exhibited at the Museum of Modern Art (MoMA NYC) just after he won the National Guggenheim Award. The Piece Measures approximately 70" x 71" x 8" Deep. Michael David Singer; born 1954, is an American painter. Born in Reno, Nevada, David's family relocated to Brooklyn, New York, where he was raised. He attended SUNY Fredonia for one year and in 1976 received a B.F.A. from Parson's School of Design. Michael David is classified as an abstract painter, best known for his use of the encaustic technique, a was pigmentation technique which incorporates pigment with heated beeswax. He is also known for his works in mixed-media figure painting, photography and environmental sculpture. He often incorporates religious iconography and symbolism, art historical themes such as the nude, and contemporary politics into his paintings resulting in a critical dialogue between the layered abstraction of the surface and the integrated representational imagery. His work is included in the permanent public collections of the Metropolitan Museum of Art, the Guggenheim Museum, the Jewish Museum in New York, the Museum of Contemporary Art in Los Angeles, and the Los Angeles County Museum of Art, among others. In 1976 David, erotic photographer Roy Stuart and Fredonia friend Richie Stotts formed a band called The Numbers, with David on bass. The group was a fixture in New York's early punk rock music scene, playing in clubs alongside punk pioneers Television, Blondie and the Ramones. David also played bass with punk innovators Jerry Nolan of The New York Dolls, Cheetah Chrome of The Dead Boys, Marky Ramone, Peter Gordon, David Van Tieghem and the free-improvisation noise music group Borbetomagus. In 1977, The Numbers were approached by impresario Rod Swenson, who was seeking musicians to form a backing band for singer Wendy O. Williams, whose radical persona he sought to exploit as punk music and performance art. The Numbers became The Plasmatics but the attention David began to gain as an important voice in the art world caused him to leave the band to pursue his burgeoning painting career. David's first one-man show was in 1981 at the historic Sidney Janis Gallery. That year he was awarded a Guggenheim Fellowship, at the time the youngest artist ever to do so, and in 1982 was awarded an American Academy of Arts and Letters prize. He went on to exhibit at galleries worldwide and was represented by Knoedler & Co. for the next 25 years. David is best known for using the encaustic technique of painting, which uses pigment combined with heated beeswax. David built his early career on abstraction and religious iconography, which formed the bulk of his output until 1999. Since then he has also experimented with representational painting and traditional photography. In 2000, he developed the "Chortens" and "Populations" series, about which prominent art historian and critic Donald Kuspit writes: "They are enigmatic works, all the more so because of the way their innumerable details form singularly monumental, intimidating wholes. Dense yet delicate, awesome yet intimate, they convey the fragility as well as grandeur of sheer being. Layer upon layer of paint piles up like layer upon layer of coral, but the textural result is more epic, not to say startling, than any coral island, and virtually any other existing abstract expressionist painting (upon which they are stylistically founded)." In 2001, David developed bi-lateral neuropathy due to being poisoned by gases released by overheated beeswax used in the encaustic process. The disease left him with partial paralysis of his legs, slowing the production of his painting for a number of years. That year, David began painting one of his best-known series, the "fallen Toreadors", inspired by 19th century French Realist painter Édouard Manet's "The Dead Toreador" of 1864. In 1993, David experimented at the "20x24" Polaroid studio in Manhattan, which resulted in a series of portraits of playwright Edward Albee and of friend Jackie Gross, which would become the ongoing "Jackie" series of mixed-media works. When neuropathy rendered him unable to paint during 2003, he returned to the 20x24 camera and shot large-format Polaroids inspired by Caravaggio; nude men and women dressed as Toreadors, and religious imagery. In 2002, David began to develop The Greenhouse Project, an evolving "architectural construct" based on historical American Antebellum greenhouses built using the actual glass negatives sold to starving farmers in the post-American Civil War South. David has indicated that each greenhouse will, through the display of photography and use of social networking, create a forum and exhibit for ideas and artifacts related to civil and human rights; the specifications of each greenhouse particular to the community in which each is built. David's work was reviewed in Artforum and Art in America, and is considered one of the last links to the New York School of painting. David may be the most innovative master of immediate surface since the abstract expressionists. He has acknowledged his debt to Abstract Expressionism, but he has transformed it. Where the abstract expressionist paintings of the forties and fifties seem like modern cave paintings, as their crude, unfocused, often meandering, turbulent painterliness suggests, and as such to reinstate prehistory, David seems to turn the cave into a temple, as his more considered, concentrated, indeed, dense, contemplative painterliness indicates, so that his paintings have the aura of post history. SELECT GROUP EXHIBITIONS 2023 Radiate, Garvey Simon, New York, New York 2021 Selections from NYFA - Courtesy of the Martin Z. Margulies Foundation, New York, New York 2020 Bill Lowe Gallery Presents: Masterworks from the Gallery 2016 The Golem, The Jewish Museum of Berlin, Berlin, Germany In a Post-World: Post-Punk Art Now, The Invisible Dog Art Center, Brooklyn, New York 2014 Gallery Artists, Bentley Gallery, Pheonix, Arizona 2011 Post Mammalian Tension: Michael David & Scott Browning, Bill Lowe Gallery, Atlanta, Georgia 1999 Waxing Poetic: Encaustic Art in America, Montclair Art Museum, (Jasper Johns, Jackson Pollock, Robert Rauschenberg etc) Forty Years of American Drawings, Raab Galerie, Berlin, Germany Germany Summertime, Knoedler & Company, New York, New York 1997 Michael David and James Hyde...

Shipped rolled in a tube without frame This painting evokes a mysterious and captivating atmosphere with a dark background that envelops the scene in intriguing shadow. The lines, s...

This artwork has the power of simplicity and positive colors for you good mood . It is original ,modern and unique . Ready to hang ,either way .Signed by artist -front and back .Side...

this work is framed, signed and with certificate of authenticity. His work has been shown in Reina Sofía Museum of Madrid, Royal Academy of London, Arco Madrid, Pinta Art Fair, Lond...

Vintage American school signed modernist cubist still life oil painting and collage. Oil and mixed media on board. Signed. Framed. I...

Portrait. 1975, oil on plywood, 32x27,5 cm Abstract portrait Robert Elibekyan (1941) (Armenian: Ռոբերտ Էլիբեկյան; born 21 April 1941) is an Armenian pa...

My drawings and paintings are an examination of three major elements - color, surface and mark making. These nonrepresentational pieces give me the freedom to concentrate on and inve...

Art pieces of Giorgi Vepkhvadze are Abstract expressionism for modern interior designs for Residential and Commercial spaces. Well suited for New York Apartments and Houses. Artist g...

My drawings and paintings are an examination of three major elements - color, surface and mark making. These nonrepresentational pieces give me the freedom to concentrate on and inve...

My drawings and paintings are an examination of three major elements - color, surface and mark making. These nonrepresentational pieces give me the freedom to concentrate on and inve...

Victoria Kovalenchikova’s abstract artworks are an outlook on the transformation of the world surrounding us; a shout in the cold infinity of cosmos. Kovalenchikova expresses through...

This is acrylic on canvas , very original and unique . My abstract painting is about process and experience . My abstraction evokes certain feelings and emotions in people ,although...

This rare painting is from the early works of the renowned Danish artist Kirsten Ortwed, known for her exceptional contributions to art. Ortwed has notably represented Denmark at pre...

Large gilt framed abstract modernist landscape of Jerusalem. Framed it measures 33.25 X 41.25 inches. Canvas measures 28 x 36 inches. Bold Blue sky. Avraham Binder was born in 1906 in Vilnius (or Vilna), now part of Lithuania. He began painting at an early age and completed the prescribed studies in painting at the academy of arts in his native city. Upon graduation, at the commencement exhibition of works submitted by the graduates, he was awarded a prize in recognition of his talents. Artistic talent had deep roots in the Binder family. Avraham's father and grandfather were both artistically inclined, as was his sister Zila Binder and daughter Yael. In fact, he came from a long line of master artistic bookbinders, hence the family surname. The Binder family emigrated to Palestine in 1920. There, his father established a bookbinding workshop in Tel-Aviv while Avraham pursued painting. Binder has not identified with any particular modern school nor narrow artistic doctrine. He struggles to verbally explain his personal conception. Instead, he derives inspiration from emotions, resulting in a great variety of artistic treatments. Particularly memorable are his urban landscapes with their predominance of blues and aquamarines, composed of a profusion of squares and rectangles, crowding one another and covering nearly the entire canvas. The angular shapes are interspersed with radiant dots of red, gold and yellow, like the lights of the big city. Those squares and rectangles reflect, perhaps, impressions of a childhood spent among books which were scattered about the home and workshop of his father, the bookbinder. These shapes, no doubt, had their influence upon the artist whose first youthful impressions were – books. Traces of these shapes are discernible in Binder’s work to this day, in the angularity of splashes of color which, no longer crowded together, are now well separated to create an airy spaciousness. Not only the splashes of color – the inventing space, too – creates figurative effects in the artist’s treatment. Avraham Binder is not a “cerebral” painter. Neither identified with any particular modern school, nor preaching any narrow artistic doctrine, he is an emotional artist: his inspiration, derived from the heart, leads him on to the most varied range of treatments in his artistic work. In vain might one try to persuade him to define his personal conception of painting. He is not one to indulge in verbal explanation. But his sheer artistic skill, his virtuosity with the paint brush, did impel him to experiment widely with the artistic techniques of the modern age. And his exceptional talent stood him in good stead in all this experimentation. Binders large-scale urban landscapes are not mere constructs to represent our present-day architecture with its pervasive angularity. Made up as they are of color, Binder’s unique color composition qualifies these canvases to be ranked among the foremost artistic works in Israeli painting. They are uniquely Binder, very different from what we see in the work of his contemporaries. Here and there, Binder also introduces the human element into these paintings. He lives and breathes the atmosphere of his surroundings, deeply experiencing the sea and the shore of Tel-Aviv that confront him day after day, and which he has transferred to his canvases, as metaphors in paint, throughout the life. More recently, he has created a new series of shore-and-seascapes, in tones ranging from brown to blue. ochre, violet and pale yellow – marvelous views of the sea and of figures enlivening its shore. In yet another series, featuring nearly the same range of hues, he lets us view, through his eyes, the Carmel Market in Tel-Aviv, or the city’s coffee houses with their crowds of people, heads bunched together as if in search of human closeness, with the windows looking in upon them. He has also done large paintings of Jerusalem...

Steven Miller trained at Parsons School of Design, Miller derives inspiration from electron microscope images that reveal the invisible building blocks of natural world. His pursuit ...

Steven Miller trained at Parsons School of Design, Miller derives inspiration from electron microscope images that reveal the invisible building blocks of natural world. His pursuit ...

This large-scale abstract work features organic and undulating shapes in black, white and green. Wall Sculpture. Colombian-born, Atlanta-based artist Esteban Patino...

Painting by Thomas Downing (1928 - 1985). "Moon", 1985 Acrylic on paper bag 35" x 15" (framed) Dedication on reverse to his wife Helen. Downing’s works are in many collections in...

Acrylic, latex, spray paint, marker, ink, oil pastel, gel stick

One -of a kind Artwork .Inspired by natural texture and colors .Abstract ,layered ,acrylic on canvas .Ready to hang .The painting is signed on the back and on the front. The painting...

Acrylic, latex, spray paint, marker, ink, oil pastel, gel stick

EMOTIONAL free intuitive spontaneous visceral intense colorful explosive sensitive abstract impetuous bold temperamental effusive energetic pure intimate passionate unique warm exube...

Abstract figurative woodblock print of a beach landscape with a boat. The print is stamped by the artist and titled and editioned in pencil. This print is editioned 47 of 86 and the print is not currently framed. Artist Biography: Born in Gastonia, North Carolina in 1924, John Biggers studied at Hampton Institute (now Hampton University) under Viktor Lowenfeld and muralist Charles White. In 1943, Biggers' mural, Dying Soldier, was included in the exhibition curated by Lowenfeld, Young Negro Art, at the Museum of Modern Art in New York. After serving in the United States Navy, Biggers transferred to Pennsylvania State University where he earned his bachelor’s and master’s degrees as well as his doctorate in art education. In 1949, Biggers accepted a faculty position at Texas State University for Negroes (now Texas Southern University) in Houston, where he founded and chaired the art department until his retirement. In the early 50s, he won prizes for his work at annual exhibitions held at the Museum of Fine Arts, Houston and the Dallas Museum of Art. In 1957, he traveled to Africa on a UNESCO fellowship to study Western African cultural traditions, becoming one of the first black artists to study the culture first-hand rather than through library research. His work was profoundly influenced by his experiences in Africa. He was known for his murals, but also for his drawings, paintings, and lithographs, and was honored by a major traveling retrospective exhibition from 1995 to 1997. He created archetypal imagery that spoke positively to the rich and varied ethnic heritage of African Americans, long before the Civil Rights era drew...

This painting evokes a mysterious and captivating atmosphere with a dark background that envelops the scene in intriguing shadow. The lines, skillfully drawn, traverse the compositio...

"Fluidity in Lines" is a modern abstract painting characterized by vertical stripes in azure, pink, and black hues, embodying a contemporary color palette. The artwork seamlessly mar...

Holly Addi is a Salt Lake City based artist whose works follow the legacy of abstract expressionism artists before her such as Helen Frankenthaler and Clyfford Still, similarly embra...

Holly Addi makes paintings to explore the art of abstraction and the philosophy of beauty in imperfection.

This painting evokes a mysterious and captivating atmosphere with a dark background that envelops the scene in intriguing shadow. The lines, skillfully drawn, traverse the compositio...

I draw my inspiration from a nature. One focus of my artwork was a texture . Enjoy the pretty colors ,because they are wonders for your mood . Layering serves as the foundation for ...

This hand-painted piece by Lucchetta is part of the op art series where he is able to catch movement with his unique technique. Lucchetta is challenging himself. His precise stable h...

A classic work by the indelible Giancarlo Impiglia. Born in Rome, Impiglia moved to New York in the 70s, where he established a signature style on the shoulders of Futurism and Cub...

Artist: Rene Portocarrero, Cuban (1912 - 1985) Title: Ciudad de la Habana, 1961 Medium: Oil on Canvas Size: 34 x 24 inches Provenance: Private Cuban Collection in South Florida....

Painting: Acrylic on Canvas. I have used acrylic paints in to make the composition and generate relief and shapes. If you sit down, in front of this painting, your feelings calm down...

"Say what you have to say" is a large abstract piece with lots of texture. The piece is mostly white, with black abstract forms and lines as well as collaged paper elements. As an ...

A very unique diamond-shaped abstract painting by Troy Smith. It was recently painted on a plywood panel in the summer of 2023. Vivid gestural strokes skate across the painting, cras...