Panel Abstract Paintings

This abstract diptych painting by Roger Mudre features a charcoal grey palette, with light circles loosely overlapping one another across each panel. ...

Oil, casein & ink on panel Paul Lorenz is an American artist born in 1961 who lives & works in Buckeye, AZ, USA. With an education in Bauhaus architecture, fine art, and music compo...

Maria Poroy (American, born 1952) "Dark Woods" 2025 Acrylic Paint, Wood Panel The artist signed the bottom right of the painting. "Dark Woods" by Maria Poroy is a captivating 24" x ...

Autumn Scene by Rosie Shorrock [2022] original and hand signed by the artist Acrylic on panel Image size: H:18 cm x W:24 cm Complete Size of Unframed Wo...

Painted on a wooden panel with acrylic paint, this artwork delves into themes of paradise, utopia, and escapism, central to the artist's ongoing exploration. Through delicate strokes...

"The Red is a Distraction" - Abstract Composition in Oil on Cradled Wood Panel Richly textured abstract composition by California artist Devon Brockopp-Hammer (American, b. 1986). Layers of paint are built up to create a textured composition with layers of depth. The piece is mostly shades of blue, with two small patches of green and yellow. There is one dot of red, providing a counterpoint and contrast to the other colors. Panel size: 8"H x 8"W Titled, initialed, and dated on verso "The Red is a Distraction" DJBH 2023 Unframed. Devon Brockopp-Hammer (American, b. 1986) is an artist from Sacramento...

By developing a geometry between line and the spaces in between in their work, the abstract paintings of Tayo Heuser create a point of departure for the mind into a spiritual consci...

Sandra Cohen’s “I’m not here (2)” is a 10 x 10 x 1 inch acrylic painting on cradled wood, in green, blue, and yellow. An experiment in abstraction based o...

This abstract painting by Roger Mudre features a light, silvery palette. Loose, transparent circular shapes are layered and patterned overtop of one another in different shades of gr...

Mixed composition on panel Time and Space are conceptually interconnected works. The relationship between the two is the driving force of our universe. Both pieces were created du...

Pink and white abstract contemporary concentric ombre shaped painting by Houston, TX artist David Hardaker. Signed, titled, and dated by the artist on the reverse. Artist Statement:...

From Celtic Sea by Josephine Clouting [2021] original and hand signed by the artist Acrylic paint on plywood with aluminium sides Image size: H:90 cm x W:90 cm Complete Size of U...

Provenance: Babcock Galleries (bears their label verso. signed verso with artists monogram signature. Marylyn Dintenfass (born 1943) is an American painter, printmaker, and sculptor. She is primarily known for her oil paintings, which use a dynamic color palette and lexicon of gestural imagery to explore dualities in the human experience and everyday sensual pleasures. Marylyn Dintenfass was born in 1943 in Brooklyn, New York and spent most of her early years in Brooklyn and then Long Island. She attended Queens College, and graduated in 1965 with a bachelor's degree in Fine Arts. During this time, the artist worked with Abstract Expressionist painter John Ferren and muralist Barse Miller. Marilyn Dintenfass explored new media and developed her own reaction to abstract expressionism with color, line, and gesture. Dintenfass acquired an appreciation for a broad range of materials that led to major sculpture installations composed of ceramic materials, steel, lead, wood, wax and a variety of pigments and epoxies. Following a tour of museums in Amsterdam, Paris and Rome, the artist made her way to Jerusalem in 1966. During this journey, the artist worked with painter Ruth Bamberger, studied etching and mingled with the artists and intellectuals of the city. The result was Dintenfass's first architectural commission, to design the “Pop Op Disco,” Jerusalem's first disco. This commission allowed her to work with an array of materials to employ shapes, surfaces, textures, colors, and lights, all of which coalesced in her consciousness that would become important components of her mature personal visual vocabulary. Dintenfass also married and started her family during these years. Art critic Meredith Mendelsohn writes, “Dintenfass uses luscious colors, repetitive forms, and a gestural intensity that combines Abstract Expressionism and Pop Art.” Dintenfass often works with oil paint on wooden panels fragmented into parts of a grid. "After completing a painting," writes curator and critic Lilly Wei in a study of Dintenfass' work, "Dintenfass literally takes it apart, treating each panel as a discrete entity, exchanging panels between works in an aesthetic mix and match as she searches for interactions and relationships of color and form that satisfy her sense of visual excitement, sparked by the frisson of the dissonant." In an interview with critic Irving Sandler, Dintenfass speaks of the grid as a necessary, formal restraint for the passion of the gestural marks it contains. Joyce Robinson illuminates; “Dintenfass is at heart, though, a painter, and the grid, with its reference to and notion of modular parts, has remained central to her artistic enterprise, functioning as a kind of Apollonian matrix holding in check the exuberant, vividly colored abstractions of this essentially Dionysian artist.” Lilly Wei adds, "Ultimately, however, Dintenfass is more sensualist than theorist, and her paintings owe much of their allure to their materiality and the dazzle of color. Her array of ripe, radiant, saturated hues—a palette of gorgeous diversity—can be silkily smooth and nuanced; boldly exuberant; or edgily, feverishly discordant." The artist's abstract imagery usually appears in her work as various forms of stripes or circles arranged across translucent layers of alternating matte and high gloss textures. In a conversation with gallery owner, John Driscoll, Dintenfass likens these symbols to language that predates the written word, saying her "work relates to communication through the visceral channel." Rooted in autobiography, the artist's paintings also examine the contrast between what she calls the “micro” and the “macro.” At times the shapes simultaneously resemble cells under a microscope and visions of the cosmos. Dintenfass' themes explore the dualities of everyday pleasures; depending on the focus of a series, her symbols might conjure characters, candies, car wheels, or paint itself. Although known for her paintings, Dintenfass was first recognized for her sculptural installations. Her innovative use of mixed media (ceramics, epoxies, wax, pigments, steel, lead, wood, etc.) transformed understanding of what a “ceramic” work of art could be and firmly fixed her position and influence among a generation of mixed media artists expanding the traditional definitions and boundaries of object and materials to create modern art. The results came as architectural reliefs and installation sculpture unique to her organic but structural personal style. Similar to her paintings, Dintenfass developed a modular language of symbols, amalgams of line and curve, which she would combine to create detailed pictographic languages all her own, what she has called “organic alphabets.” As Ted Castle relates, “Ideas are furtive elements, stolen from the matrix, so as to be reformed by human genius into something unforeseen—a poem, a painting, a game of dominoes, a television set, a brick, a tile, a cup. Marylyn Dintenfass is a master of the transformation of ideas into palpable form.” Dintenfass has also been commissioned to create many large-scale installations, including works for the State of Connecticut Superior Courthouse; the Port Authority of NY 42nd Street Bus Terminal; IBM in Atlanta, Charlotte, and San Jose; The Baltimore Federal...

This is a one of a kind acrylic and mixed media painting on wood panel by San Diego artist, Peter Geise. It is unframed. Its dimensions are 9"x12" A certificate of authenticity will ...

Vibrant mint green and sky blue encaustic (pigmented beeswax) painting accented with subtle gold details on birch panel. Signed, dated and titled on verso. Joanne Mattera’s painting...

Provenance: Babcock Galleries (bears their label verso.) signed verso with artists monogram signature. Marylyn Dintenfass (born 1943) is an American painter, printmaker, and sculptor. She is primarily known for her oil paintings, which use a dynamic color palette and lexicon of gestural imagery to explore dualities in the human experience and everyday sensual pleasures. Marylyn Dintenfass was born in 1943 in Brooklyn, New York and spent most of her early years in Brooklyn and then Long Island. She attended Queens College, and graduated in 1965 with a bachelor's degree in Fine Arts. During this time, the artist worked with Abstract Expressionist painter John Ferren and muralist Barse Miller. Marilyn Dintenfass explored new media and developed her own reaction to abstract expressionism with color, line, and gesture. Dintenfass acquired an appreciation for a broad range of materials that led to major sculpture installations composed of ceramic materials, steel, lead, wood, wax and a variety of pigments and epoxies. Following a tour of museums in Amsterdam, Paris and Rome, the artist made her way to Jerusalem in 1966. During this journey, the artist worked with painter Ruth Bamberger, studied etching and mingled with the artists and intellectuals of the city. The result was Dintenfass's first architectural commission, to design the “Pop Op Disco,” Jerusalem's first disco. This commission allowed her to work with an array of materials to employ shapes, surfaces, textures, colors, and lights, all of which coalesced in her consciousness that would become important components of her mature personal visual vocabulary. Dintenfass also married and started her family during these years. Art critic Meredith Mendelsohn writes, “Dintenfass uses luscious colors, repetitive forms, and a gestural intensity that combines Abstract Expressionism and Pop Art.” Dintenfass often works with oil paint on wooden panels fragmented into parts of a grid. "After completing a painting," writes curator and critic Lilly Wei in a study of Dintenfass' work, "Dintenfass literally takes it apart, treating each panel as a discrete entity, exchanging panels between works in an aesthetic mix and match as she searches for interactions and relationships of color and form that satisfy her sense of visual excitement, sparked by the frisson of the dissonant." In an interview with critic Irving Sandler, Dintenfass speaks of the grid as a necessary, formal restraint for the passion of the gestural marks it contains. Joyce Robinson illuminates; “Dintenfass is at heart, though, a painter, and the grid, with its reference to and notion of modular parts, has remained central to her artistic enterprise, functioning as a kind of Apollonian matrix holding in check the exuberant, vividly colored abstractions of this essentially Dionysian artist.” Lilly Wei adds, "Ultimately, however, Dintenfass is more sensualist than theorist, and her paintings owe much of their allure to their materiality and the dazzle of color. Her array of ripe, radiant, saturated hues—a palette of gorgeous diversity—can be silkily smooth and nuanced; boldly exuberant; or edgily, feverishly discordant." The artist's abstract imagery usually appears in her work as various forms of stripes or circles arranged across translucent layers of alternating matte and high gloss textures. In a conversation with gallery owner, John Driscoll, Dintenfass likens these symbols to language that predates the written word, saying her "work relates to communication through the visceral channel." Rooted in autobiography, the artist's paintings also examine the contrast between what she calls the “micro” and the “macro.” At times the shapes simultaneously resemble cells under a microscope and visions of the cosmos. Dintenfass' themes explore the dualities of everyday pleasures; depending on the focus of a series, her symbols might conjure characters, candies, car wheels, or paint itself. Although known for her paintings, Dintenfass was first recognized for her sculptural installations. Her innovative use of mixed media (ceramics, epoxies, wax, pigments, steel, lead, wood, etc.) transformed understanding of what a “ceramic” work of art could be and firmly fixed her position and influence among a generation of mixed media artists expanding the traditional definitions and boundaries of object and materials to create modern art. The results came as architectural reliefs and installation sculpture unique to her organic but structural personal style. Similar to her paintings, Dintenfass developed a modular language of symbols, amalgams of line and curve, which she would combine to create detailed pictographic languages all her own, what she has called “organic alphabets.” As Ted Castle relates, “Ideas are furtive elements, stolen from the matrix, so as to be reformed by human genius into something unforeseen—a poem, a painting, a game of dominoes, a television set, a brick, a tile, a cup. Marylyn Dintenfass is a master of the transformation of ideas into palpable form.” Dintenfass has also been commissioned to create many large-scale installations, including works for the State of Connecticut Superior Courthouse; the Port Authority of NY 42nd Street Bus Terminal; IBM in Atlanta, Charlotte, and San Jose; The Baltimore Federal...

Throughout her career as a painter Patty Fabricant has pivoted back and forth between figurative and abstract work. Each time she makes the switch it feels abrupt, and yet increasing...

encaustic on panel b. 1954, Reno Nevada Michael David is best known for his use of encaustic on large abstract paintings. A practitioner of Abstract Expressionism, David layers bees...

"Ab-scrap" - Abstract Geometric Composition in Acrylic on Wood Panel Dynamic abstract composition by Sam Dantone (American, b. 1971). This piece was created as a part of the "Ab-scrap" series, where Dantone uses excess paint from his sign painting business to create new compositions. Whenever there is a little extra paint on a brush, Dantone would add it to a panel, slowly creating a new composition out of the leftovers from his other work. Thus, each piece contains a wide variety of colors and brushstrokes, and the echoes of other compositions. Signed "Sam Dantone" on verso. No frame. Board size: 20.75"H x 8.75"W Sam Dantone (American, b. 1971) is an artist from Oregon who works as a sign painter, designer, and sculptor. Artist’s Statement: “Not once in my life do I know a time when I have not been an artist. My father tells that I once copied the Kleenex logo from the side of the box, at age three. I tribute my abilities to naïve confidence and other’s positive attention. As a kid, drawing was magical . . . Though my art stylings vary widely, one thread stitches all of my work together, (my art) is my critique on man’s apparent love for life and his constant destruction of it.” Exhibitions: 2015 - FoundSpace, Jackson, WY 2013 - Pacific Park Gallery, Coos Bay...

Seeking the Sound of Cobalt Blue is a series of larger paintings on 8 ply museum board and large sheets of rag paper and clayboard panels that have been created since the winter of 2...

"Maize" is an original oil painting on panel done by a member of the school of, or in the style of David Alfaro Siqueiros. The abstract image depicts a figure holding an ear of corn ...

Seeking the Sound of Cobalt Blue is a series of larger paintings on 8 ply museum board and large sheets of rag paper and clayboard panels that have been created since the winter of 2...

Jane Sangerman lives and works in New York City. She received her BFA from the University of New Mexico and her MFA from the State University of New York at Buffalo. She has had one ...

David Fredrik Moussallem’s mixed-media abstract paintings tell different “stories from the streets” and respond to urban landscape. Extensive travels all around the world have triggered a fascination for global subcultures and urban street life...

Now Acrylic on wood panel 53.5 x 32 cm Now by Grégoire Mathias is a cubist depiction of a marathon runner in motion. Layered with jazz motifs and time cues, this dynamic acrylic on...

"I am drawn to the aesthetic qualities of jewelry. This interest stems from the color, texture, variety and the association with the female body that jewelry contains. I experiment...

Hyperreal oil painting by Anthony Adcock titled "Untitled (After)"- Oil on mounted linen. **There is no steel or rust in this piece. It is hand-painted oil on linen canvas and mount...

This is a one-of-a-kind original textural abstract artwork by San Diego artist, Alexander Arshansky. Its dimensions are 12"x12"x1.5". It is unframed. A Certificate of Authenticity wi...

Growing up on the beaches of South Florida and in the mountains of Colorado, Renee became enamored by the natural world at a very young age. Exploring life’s natural cycles at variou...

Lush Minimalism Silk Road is chromatically juicy and compositionally reductive. Each painting in this ongoing series is a small, luminous color field composed with layers of translu...

Emily Berger’s paintings are based on a structure of repetitive and deliberate gesture that is intuitive but carefully considered. She brushes, wipes, rubs, and scrapes, incorporatin...

Jim Richter Untitled, c. mid-20th Century Oil on wood panel 10 x 14 in. Framed: 11 x 15 x 1 in. Signed lower right Inscribed verso: To Mrs. Mines from Freda & Jim Richter This charm...

BOOM! mixed oils on panel 40 x 70 inches (unframed, raw wood sides) $14,500 Joe Ostraff is a professor of art at Brigham Young University. He received a BFA from Brigham Young Univ...

These paintings and drawings are based on a structure of repetitive and deliberate gesture that is intuitive but carefully considered. Emily Berger brushes, wipes, rubs, and scrapes...

In this work by Laurie Barmore, the artist's hand is exceedingly present. Using strong strokes of black creates its own essences of form atop washes of whites, yellow and rust. Spill...

These paintings and drawings are based on a structure of repetitive and deliberate gesture that is intuitive but carefully considered. Emily Berger brushes, wipes, rubs, and scrapes...

Photography has been a huge passion since my youth, however the evolution of digital photography created a void in regards to the precision and tactility of film photography. In 2002...

Sarah Helen More is a Seattle-based west coast artist with an eclectic history that spans from her birthplace of Hartford, Connecticut to her hometowns of Portland, Oregon and Houston, Texas. She was raised with an appreciation for her parents’ passions, including her father’s rock and mineral collection...

Based in the New Haven, CT area, Barbara Marks creates sumptuous, multicolored paintings. Her canvases are small in scale, compared to the mid-century abstractionist traditions they ...

"I am drawn to the aesthetic qualities of jewelry. This interest stems from the color, texture, variety and the association with the female body that jewelry contains. I experiment...

Oil on canvas on wood panel. Unframed.

mixed media on panel My paintings explore the themes of light, atmosphere, and the emotional impact of nature. The bold, expressive brushstrokes and saturated hues in my work aim to...

This is a one of a kind original abstract oil painting on canvas by Southern California artist, Daniel Ketelhut. Its dimensions are 18" x 24" x 1". It is unframed. A certificate of a...

oil on panel b. 1985, Phoenix, AZ Jake Fischer, born and raised in Phoenix, Arizona, graduated with a Master of Fine Art from Arizona State University in Drawing and Painting. Whil...

The greys and the blues in this abstract oil painting only bring to mind off-shore oil rigging. The deep murky green perfectly encapsulates the deep depths of the ocean, and the greys and blacks look like oil rigs. This piece remains quite beautiful, even despite its slightly troubling theme, and Dintino merges the colors together seamlessly. Dintino's work has to do with the melding of title and piece. His paintings all illustrate his ideas and words through visuality and color. Creating large panoramic pieces makes his work atmospheric and immersive, allowing the viewer to literally feel the title of his painting. This is quite a synesthetic approach to making art and allows ideas and words to sing. Born in San Francisco, California in 1964, Patrick Dintino grew up in Sunnyvale, in the south bay area. He went to college in San Diego earning a BA degree in Industrial Arts from San Diego State University, and co-founded Artists in Motion art...

According to the artist, "everything in life inspires me, not quite with direct interpretation, but as I see and experience faces, words, gestures, colors and shapes – all of it – I ...

Lotte Petricone's paintings blend representational and abstract imagery. The interplay of color, value, and texture creates a sense of space and movement throughout the image, while ...

Rapid Exit by Nancy Newman Rice is an abstract oil painting that commands attention with its crisp, precise brushstrokes and bold interplay of color. The geometric shapes and sharp l...

"Turbulence 18" explores the assimilation of aerosol painting, charring and sanding techniques on wood. This ethereal and atmospheric painting solicits our visual perception by sugge...

Sandra Cohen’s “Thunderhead” is a 24 x 24 x 1 inch acrylic painting on cradled wood, loosely painted in colors of pink, brown, blue, and green. At the top, a dense and chaotic storm ...

Oil on panel Compline Series: Compline is a recent piece, a work honoring New England. It is a culmination of what I developed and experienced from those decades painting and trekki...

Nancy Newman Rice was born in New York City and was educated at Cornell University and at Washington University, where she earned a BFA with honors and an MFA. She has received award...

Hit it (Abstract painting) Oil on wood panel - Unframed. She layers paint in gestural, horizontal swaths from left to right, stacking the horizontal bands from top to bottom of the...

An original Encaustic & collage over oil on panel by American contemporary artist Mark Lavatelli from the artist's Tree Glyph series created in 2006.

Little Down Breeze by Polly Dutton [2020] Original Oil on birchwood panel Image size: H:30 cm x W:30 cm Complete Size of Unframed Work: H:30 cm x W:30 cm ...

"My work principally consists of deeply abstracted figure compositions--intuitive constructions that begin with random marks establishing larger masses of torsos, heads, and limbs in...

Artist: Voskan Galstian Work: Original Painting, Handmade Artwork, One of a Kind Medium: Acrylic Mixed Media on Panel Year: 2007 Style: Abstract Art, Title: Oringe Motion Size: 27...

Untitled 2023 (black-purple) (Abstract painting) Acrylic and oil on panel — Unframed. Jasper van der Graaf is a Dutch artist known for his large-scale murals. His art is defined by ...

Loy Luo is a Chinese artist based in New York. She received a Master's Degree from the Beijing Institute of Fashion Technology in 2010 and taught art at the Beijing Institute of Science and Technology Management from 2010 to 2012. Though Luo's main focus has been painting and sculpting, she is also a conceptual and performance artist...