Mid-20th Century Abstract Paintings

“Desert Landscape” is a captivating 1960s abstract painting by acclaimed New Mexico and Colorado artist Ann Sink, celebrated for her evocative interpretations of the Southwestern env...

"L 'arbre Mort" French School, circa 1960's signed lower corner, titled verso oil painting on canvas, framed canvas: 23.5 x 29 inches framed: 26 x 31 Wonderful fusion of colors blur...

This stunning post-cubist and colorist still life oil on board painting is by A. Rigollot (France, 20th Century). Colorist painting is characterized by intense color use, which becom...

His first name sounds like a concerto. Vivacious, its name is reminiscent of an aperitif or a cyclist. The addition of the two evokes the Italianate. Indomitable and unavoidable. Mor...

Modernist mixed media abstract portrait. Framed. Mixed media original collage. Signed. In excellent original condition. Handsomely framed in a wood molding. Excellent condition, r...

This outstanding post-cubist and multicolor geometric composition, gouache, and watercolor painting was designed by French artist André Morin (20th Century). Geometric art is the use...

Title: Oil Painting of Vibrant Still Life of Sunflowers and Orange Blooms in a Jug Artist: Roland Pichard Medium: Oil on oil paper, mounted on card Size: 10.75 (height) x 9.75 (wi...

Cubist Portrait of a Musician Marcel Seignobos (1892-1972) signed oil on canvas, unframed Canvas : 22 x 15 inches Provenance: private collection, Cote d'Azur, France Condition: very...

George Dannatt (1915-2009) Aigues - Mortes 1961 Gouache on paper Image: 11.4 x 22.8 cm Frame: 38.7 x 48.9 cm Exhibition 1981 May. Newlyn Gallery: Retrospective Exhibition Pr...

Ron Stonier (1933-2001) was a dedicated Vancouver artist celebrated for his exploration of abstract painting, influenced by his mentors Gordon Smith and Jack Shadbolt, as well as by ...

Mid-century Abstract Painting by Chamlin Oil Paint on Canvas

5-2738a Acrylic on artist board Displayed in a vintage gilt wood frame Image size 11x15"

Vintage modernist abstract expressionist painting. Oil on board. Housed in a period frame. Image size, 16L x 20H. Signed.

The Body is an original artwork realized by Maurice Rouzée in the 1940s. Hand-signed by the artist on the upper left margin. Good conditions. The artw...

This captivating work is a dazzling demonstration of contemporary abstract art. Created with impressive technical mastery, it is distinguished by its bold use of concentric circles, ...

Masaaki Yamada (1929-2010) Work C.87 Executed in 1961 Oil on canvas 65.2 x 45.6 cm. (25 5/8 x 17 6/8 in.) Signed, dated and artist’s seal in Japanese (on the reverse)

"Landscape" by Carlos Carnero (Uruguay/ French 1922-1980) Pen on paper, unframed paper: 2.25 x 3 inches provenance: the artists estate, Paris Fine original French drawing by the i...

Title: Original Oil Painting of Serene Landscape with Cypress Tree and Rolling Hills Artist: Roland Pichard Signed: Verso Medium: Oil on oil paper, mounted on card Size: 8.5 (hei...

By Forrest Moses (American, b. 1934) Carmel California, 1967 Medium: Oil on Canvas Size: 18" x 24" Framed Size: 22.5" x 28.5" About the Artist: Fo...

Vintage abstract beach scene oil painting. Oil on canvas. Framed. Signed. In excellent original condition. Handsomely framed in a wood molding. Excellent condition, ready to han...

This lithograph is part of my private collection. It is limited in edition artist pencil signed lower right and is in very good condition. Roger Bezombes a print maker born in Paris ...

Helen Malta (b.1912). Tattoo Parlor, ca. 1935. Oil on canvas, 20 x 33 inches. Signed lower right. Metropolitan Museum of Art reproduction rights stamp on r...

CHARLES LEVIER – UNTITLED [PONT AU-DESSUS DU CANAL] Oil on Canvas ⚜ Signed Lower Right ⚜ Custom Conservation Frame A STYLIZED MIDCENTURY CITYSCAPE WITH CUBIST RHYTHM AND MODERN ELEG...

Monumental Red Abstract Milburn Smith March 1969 Acrylic paint on canvas 65 x 64 x 1.25 Signed and dated lower right in ink Very Good Condition: Consistent with age and history. Fro...

Abstract Expressionist Composition by Jacques COULAIS (1955-2011) gouache painting on paper/ card unframed: 12.75 x 10 inches condition: excellent provenance: all the paintings we ha...

Abstract Expressionist Composition by Gilbert Pelissier (French born 1924) signed and dated on verso 74' oil painting on canvas, unframed canvas size: 24.5 x 20 inches condition: ove...

Seymour Franks No. 4, 1952 Signed upper left Dated on verso Oil on canvas American painter and designer, Seymour Franks, was born in New York City in 1916. Seymour Franks contracte...

Abstract Expressionist Composition by Jacques COULAIS (1955-2011) gouache painting on paper/ card unframed: 11 x 7.5 inches condition: excellent provenance: all the paintings we have...

Fanciful mid-century modern abstract of trapeze artists by Brooklyn artist Hilda Dora Pape Arp (b. 1909). This 1962 highly abstracted depiction of trape...

An abstract Mid-Century piece with a bright color palette, with the use of green, yellow, orange, red, burnt sienna, black, pink, white, and blue, among others. In this abstract comp...

'Portrait of Future Man', oil on board, Berlin School, (circa 1960s). A thoroughly modern portrait clearly in the style of Italian Futurist, Fortunato Depero (1892-1960). Futurism co...

Title: Figurative Nude with Floral Still Life - Abstract Contemporary Oil Painting Artist: Roland Pichard Signed: Bottom right Medium: Oil on oil paper, mounted on card Size: 13....

Very finely executed modernist ballet scene. Pastel and gouache on paper. Handsomely framed. Image size, 12H by 16L.

Impressive early American modernist urban backyard scene. Framed. Oil on board. Signed. Image size, 18H by 24L.

Very well done and interesting vintage Italian impressionist painting. Oil on canvas. Framed. Signed.

Claudine Berechel (1925-2011) Parisian Rooftops, ca. 1955-60 Oil on canvas measuring 15 x 24 inches. Framed measurement, 20 x 29 inches. Signed lower center. Janet Fleisher Ga...

Antique American modernist abstract oil painting. Oil on canvas. Framed. Signed.

A pair of original mid century acrylic on canvas paintings. Wonderful as a pair but dynamic enough to occupy two distinct spaces. The reverse shows a mystery monogram and a date of...

Murray Hantman (1904-1999). Untitled, ca. 1950-55. Oil on canvas measures 20 x 26 inches, 26 x 32 inches in silver leaf vintage frame.. Signed lower right. Excellent condition with ...

Title: Original Oil Painting of Reflective Gentleman in Tuxedo with a Martini Glass Artist: Roland Pichard Medium: Oil on oil paper, mounted on card Size: 13.75 (height) x 10.75 (...

Title: Countryside Landscape with Red Roofed Cottages and Rolling Hills Artist: Roland Pichard Medium: Oil on oil paper, mounted on card Size: 14 (height) x 10.75 (width), (Includ...

Toni LaSelle (1901–2002) was a pioneering American modernist and a key figure in shaping modern art education in the United States. Strongly influenced by European movements such as ...

"Abstraction" Mid-20th Century American Abstract 1960s Color Field Modernist James Daugherty (1887 – 1974) "Abstraction" 58 ¼ x 41 ¾ inches Signed and dated 1957 lower left Oil on...

EBULLIENT Size: 41 x 45 cm (including frame) Oil on Canvas An energetic and richly coloured abstract composition, executed in oil and dated 1972. With its vivid patches of rich co...

Vintage American school fauvist landscape oil painting. Oil on board. Framed. In excellent original condition. Handsomely framed in a giltwood molding. Excellent condition, read...

Artist: Jack Brusca, American (1939 - 1993) Title: Metallurgy Year: 1968 Medium: Oil on Canvas, signed, dated and titled verso Size: 20 x 20 in. (50.8 x 50.8 cm)

An oil painting by Paul von Ringelheim. An abstract representational painting of the American flag. Artist: Paul von Ringelheim, Austrian/American (1933 - 2003) Title: American Flag...

Antique American modernist bridge landscape oil painting. Oil on canvas. Signed. Framed. Measuring: 28 by 36 inches overall, and 20 by 28 painting alone.. In excellent original cond...

A Monumental Abstract Masterpiece with a Storied Past This striking large-scale abstract expressionist painting carries with it a remarkable history. In the 1960s, a dedicated Texas ...

Artist: Claude Lagouche (French 1943-2020) Claude Lagouche was born January 2, 1943 in Naves, died January 16, 2020. He quickly gained recognition for his talent and his work, exh...

From the series Blue Balls, (1960-63). This series preoccupied Francis for a number of years, and as William C. Agee pointed out, are rooted in his threatened physical body. Again, t...

Step into the vibrant world of mid-20th-century American art with this remarkable Vintage New York School Minimalist Abstract framed oil painting, dating back to the pivotal year of ...

An abstract collage on wood by Kenneth Morrow Martin, American (1911-1983). Exhibited: 1st Knoxville Art Center National Exhibtion, 1961 White Landscape by Keith Morrow Martin...

Antique American modernist abstract oil painting. Oil on canvas. Framed.

This Modern Abstract Expressionist painting by Stanley Bate is made with oil paint on canvas. It features a muted, earth-toned palette with contrasting warm yellow, orange, and red accents throughout. The painting is framed in a floater frame with gold face and black sides. It is 22" x 36" and measures 24" x 38" x 2" framed. This painting is not signed by the artist, but has been authenticated by his estate. It is stamped with the estate seal on the back of the painting, and on the back of the frame. Ready to hang. Stanley Bate was born on March 26, 1903 in Nashville, Tennessee. The Bates were an established Tennessee family, in fact, Henry’s brother William Bate was the governor of Tennessee from 1883-1887 and a United States Senator from 1887-1905. Stanley studied art at the Watkins Institute in Nashville. In the 1920’s Bate moved to New York City to study at the Art Students League under Frederick Bridgman. He soon landed a job with Encyclopedia Britannica, and from 1927-1929 served as art editor. From 1929 until his death in 1972, Stanley was a self-employed artist. He taught art classes at both the Art Students League and the Albany Institute of History and Art and brought in extra income by making illustrations for magazines such as “Outdoor Life” and “Popular Science”. On January 27, 1934 Stanley married Emilie Rossel. Emilie had emigrated from Switzerland to New York in 1923. She found work as a governess to Alfred Vanderbilt and later as an executive secretary for Wall Street investment brokers Kahn, Loeb and Co. Emilie met Stanley in New York in the early 1930’s when she attended one of his art exhibitions with a friend. The couple, who had no children, lived on 34th Street in Manhattan. During this period, Bate was producing and exhibiting his art and joined several artists groups. Stanley and Emilie became part of the New York art scene, dining weekly at the Society of Illustrators Clubhouse. Stanley Bate’s time in New York was pivotal in the formation of his painting style. He lived in New York during the inception of one of the most important Modern Art movements, one that helped New York replace Paris as the center of avant-garde art. This movement, which was called the New York School of artists, was later known as Abstract Expressionism. It was comprised of a loosely associated group of vanguard artists working in New York City during the 1940s and 1950s. The New York School was not defined by a specific style, but instead reflected a fusion of European Modernism and American social relevancy that was depicted in many individual styles. Influences of Surrealism, Cubism, and Modernism can be found in their work, along with an interest in experimenting with non-traditional materials and methods. American art was in the forefront of international avant-garde for the first time. Stanley Bate was undoubtedly exposed to the varied styles and techniques that were emerging during the formative years of the New York School. Mark Rothko and Robert Motherwell were formulating their versions of color field paintings. Joseph Cornell was experimenting with assemblages, collage and the use of different types of textured paints. Jackson Pollock was adhering objects such as buttons and coins into his early works, while Louise Nevelson was using found objects. Helen Frankenthaler added sand to her early paintings. The New York School artists were undermining traditional fine art by using mixed media and non-traditional methods. Stanley Bate absorbed these varied influences and soon his early realistic landscapes and still-lifes were replaced with something entirely new. The influence of Cubism, notably the flat shallow space of the picture plane, is obvious in many of Bate’s paintings. Surrealism is evident in Bate’s use of subjects from myth, primitive art and antiquity, along with the Automatism-like line work in his more linear images. The unfettered experimentation of the New York School is everywhere in Stanley Bate’s work. We see nods to color field, collage, the mixing of textures into paint, mixed media, the inclusion of found objects and thick, luscious impasto. Bate was prolific and experimented in various media including oil, watercolor, lithography, silk screen, wood cut, drawing, collage, ceramics and sculpture. Bate is considered a true Modernist. His work is largely abstract, but sometimes figures and buildings are discernable. He frequently mixed paint, sand and glue together to achieve a textured surface, and then scraped and scratched through this layer to expose some of the underpainting below. His sculpture, which is often whimsical, also reflects the non-traditional methods of the New York School. Bate pioneered the use of enamel and copper in his work. The sculptures are not carved or modeled as was done in the past, but instead are built using mixed media and new materials. In addition to the New York School influence, many of Bate’s works exhibit a strong connection to the Spanish school, especially the work of Antonio Tapies and Modesto Cuixart. These artists were both part of an avant-garde group known as Art Informel, the Spanish equivalent of Abstract Expressionism. These artists likewise worked in mixed media and introduced objects and texture into their work. Many of Bate’s subjects and titles relate to Spanish locations and words. It is likely that Stanley spent time in Spain and found inspiration there. By the early 1940s, Stanley and Emilie had started spending weekends in a barn they purchased in Craryville, New York, a few hours north of Manhattan. The barn had no electricity or plumbing, but when the Bates eventually decided to leave New York and live full time in Craryville, they remodeled the barn, putting a gallery downstairs and a studio and living quarters upstairs. Although the Bates moved out of New York City, Stanley remained part of the New York art scene, exhibiting in New York and elsewhere throughout the 50s and 60s. During his lifetime he was represented by the New York galleries Knoedler and Company, Kennedy Galleries, Rose Fried Gallery and Key Gallery, along with Tyringham Gallery located in Tyringham, Massachusetts. Craryville was Stanley’s home until his death on August 21, 1972. Emilie died 1984...

Abram Abraham Krol was born January 22, 1919, in Pabianice (Lodz), Poland. Abram Krol went to France in 1938 to study civil engineering at the Universit...

'Characters in a Surrealist Landscape', oil on canvas, by Lucien Coutaud (1931). A couple entwine with the male character seemingly in grief, the female not returning with a comforting embrace. In the distant landscape a sole character meanders. This painting seems to be a creation of the artist's dreams, perhaps reflecting events in his personal life. It seems there is a relationship problem. In the world of Surrealists, there is a focus on the unconscious mind through Freudian methods of free association, trance-like states or dreams. Some Surrealists practiced psychic 'automatism' which was automatic writing or drawing, turning off the conscious mind and producing streams of words or images directly from the unconscious. In unlocking the unconscious in this way, Surrealism was individually expressed (Ref. 'The Short Story of Art...

Antique American modernist abstract oil painting. Oil on canvas. Signed.

Oil painting with boats and boat house. The artist uses color and line to create the illusion of texture within the painting. Placed in a dark, ...

Diana Kurz Summer Joy, circa 1960 Signed and titled on verso Oil on canvas 70 1/2 x 66 1/4 inches Diana Kurz (born 1936) is an Austrian-born feminist painter. In 1938, Diana Kurz's...