Paintings

Signed Center Right by Artist Collier's Magazine Cover, December 23 1916

Initialed Lower Left

This painting is from the Matisse series created by Maurice Sullins in the late 1970s. Sullins' works, set in brilliantly imagined scenes in Tahiti, F...

Born in Philadelphia, Ben Wilson was a New York abstract expressionist painter. His work was exhibited frequently from the mid-thirties through sixties, and less frequently but consi...

Date: 1932 Medium: Oil on Canvas Dimensions: 18.00" x 20.00" Signature: Signed Lower Right A New Year's themed cover painting by Leslie Thrasher for the January 9, 1932 edition of L...

Striking mid century modern abstract with black, brown and orange by an unknown artist (American, 20th Century). Signed "Kimball" lower right. Unframed. Image size: 36"H x 36"W.

A painting by Gregory Sumida. “Tree Study, Whittier, CA” is a landscape painting, watercolor on watercolor board in an earth-tone palette by American artist...

The Staring Figures by Max Weber (1881-1961) Ink, pencil, and watercolor on paper 10 ½ x 7 ½ inches unframed (26.67 x 19.05 cm) 16 ½ x 11 ½ inches framed (41.91 x 29.21 cm) Descript...

Signed & Dated Lower Right

Painting for a Woodstock film's poster.

Medium: Oil on Canvas Dimensions: 20.00" x 29.00" Signature: Signed Lower Right

Complex and masterfully thought out the composition of rifle, gun shells, target shapes, and buck shots. Most likely done for a ad or men's magazine. Signed lower right Atherton. Housed in a rustic House of Heydenryk frame...

Grosset & Dunlap, Illustration, Art Seiden was a top children's book illustrator in the 1950' - 1060's Work comes in two parts that are butted together by the artist

Date: 1944 Medium: Oil on Board Dimensions: 19.00" x 13.00" Signature: Signed Upper Left Advertisement for Gulf Oil, 1944.

Satyr and Pan Life Magazine Cover, April 26, 1923 Benjamin Sayre Cory Kilvert was the son of the mayor of his birthplace: Hamilton, Ontario, in Canada. Kilvert migrated to New ...

Boys' Life, The Boy Scouts' Magazine Cover, February 1922 Harold Anderson studied at the Fenway Art School in his native Boston. Among his instructors were Chase Emerson, Harold Brett, and Arthur...

Medium: Oil on Canvas Signature: Signed Lower Right Revere F. Wistehuff was one of the central group of cover artists in the New Rochelle Art Colony in the 1920's, '30s, '40s which ...

Medium: Oil on Canvas Signature: Signed Lower Center August 8, 1931 Saturday Evening Post Cover

Original vintage watercolor painting by twentieth century San Francisco woman artist, Hildegarde Haas (1926-2002). "Bach - English Suite No.2 in A Minor...

"Amazing New Discovery" is written in the background. Signed Lower Right. Robert Patterson was born in Chicago and attended the Chicago Art Institute. Among his teachers there and later were Harvey Dunn, Walt Louderback, Ralph Barton...

Medium: Oil on Canvas Signature: Signed Lower Right This illustration dates circa 1950.

Medium: Oil on Canvas Signature: Signed Lower Right

Date: 1956 Medium: Oil and Pencil on Paperboard Dimensions: 18.00" x 15.00" Signature: Signed with the Artist's Initials 'N/R' Lower Right Pan American World Airways advertising campaign Exhibitions West Stockbridge, Massachusetts, Norman Rockwell Museum...

Date: 1970 Medium: Oil on Canvas Dimensions: 25.00" x 22.00" Signature: Signed Lower Right Fawcett book cover. Robert Berran has been a prolific romance and historical book cover il...

Medium: Oil on Canvas Dimensions: 16.00" x 24.00" Signature: Unsigned

Jim’s of Lambertville is proud to offer this artwork by: Rex Ashlock (1918 – 1999) Born in Spokane, Washington in 1918 Rex Ashlock was known for his abstract, figurative expression...

Signature: Signed Lower Right Medium: Gouache on Board

Date: 1927 Medium: Oil on Canvas Dimensions: 20.00" x 16.00" Signature: Signed Lower Right Liberty Magazine Cover, November 12, 1927 "The Cave Man or the Cave Max?"

GEORGES ANATOLOVITCH DE POGEDAIEFF 1897-1971 Pogedaievska 1897 - 1971 Ménerbes (Russian/ French) Title: Five Hollyhocks and Two Peaches / Cinque Roses Tremières et Deux Pêche...

Medium: Oil on Canvas Dimensions: 21.00" x 28.00" Signature: Signed Lower Left Book cover, The Old Couple.

Life Magazine Story Illustration Dec 31,1910s signed lower left He moved from Chicago to New York in 1893. Known for the richness of his work in pen and ink, he drew, in 1898, ...

Date: 1928 Medium: Oil on Canvas Dimensions: 16.00" x 22.00" Signature: Signed Lower Right Interior setting with people standing around.

Date: 1930 Medium: Oil on Canvasboard Dimensions: 27.00" x 21.00" Signature: Signed Lower Right Cover for Turf and Sport Digest, probably late 1930s

Medium: Watercolor, Gouache and Ink on Paper Signature: Signed Lower Right Magazine Advertisement Young woman in blue and black lace dress holding and looking at flowers.

Medium: Oil on Canvas Signature: Signed Lower Right Collier's Magazine Cover, March 24, 1923

Medium: Oil on Board Signature: Signed Lower Right Maclean's Magazine Cover, September 15th, 1930

Medium: Oil on Canvas Sight Size 12.00" x 10.00", Framed 20.00" x 18.00" Signature: Signed Lower Left June 1933 Cappers Farmer Magazine Cover.

Date: 1976 Medium: Oil on Canvas Dimensions: 29.00" x 22.00" Signature: Faintly Signed "Marchetti" Lower Right Cover art for the companion book to the 1976 film starring Bruce Dern and Madeline Kahn.

Medium: Oil on Canvas Signature: Signed Lower Right Contact for exact dimensions.

Children's illustration of Ponies and Puppies Signed lower left Children’s Books Published by The Merrill Company

Medium: Oil on Canvas

Medium: Oil on Canvas Signature: Signed Front of Canvas and Pencilled on Back Stretcher Possibly original magazine illustration for the Saturday Evening Post.

Medium: Oil on Canvas Dimensions: 24.00" x 60.00" Signature: Signed Lower Left

Date: 1988 Medium: Gouache and Acrylic on Paper Dimensions: 9.50" x 26.00" Signature: Signed Lower Right Image of performers in front of the word "Variety." TV Guide, April 16, 1988.

This painting is bright and cheery and the jewel-tone colors are superb. "Jour d'Orage, La Garde (Var) (Stormy Day) 1921" Louis Pastour (France, 1876-1...

Simka Simkhovitch (Russian/American 1893 - 1949) This came with a small grouping from the artist's family, some were hand signed some were not. These were studies for larger paintings. This is a miniature watercolor and gouache vibrant, colorful bouquet of flowers in a vase. Simka Simkhovitch (Симха Файбусович Симхович) (aka Simka Faibusovich Simkhovich) (Novozybkov, Russia May 21, 1885 O.S./June 2, 1885 N.S.—Greenwich, Connecticut February 25, 1949) was a Ukrainian-Russian Jewish artist and immigrant to the United States. He painted theater scenery in his early career and then had several showings in galleries in New York City. Winning Works Progress Administration (WPA) commissions in the 1930s, he completed murals for the post offices in Jackson, Mississippi and Beaufort, North Carolina. His works are in the permanent collections of the Dallas Museum of Art, the National Museum of American Art and the Whitney Museum of American Art. Born outside Kyiv (Petrograd Ukraine) into a Jewish family who owned a small department store. During a severe case of measles when he was seven, Simcha Simchovitch sketched the views outside his window and decided to become an artist, over his father's objections. Beginning in 1905, he studied at the Grekov Odessa Art School and upon completion of his studies in 1911 received a recommendation to be admitted to the Imperial Academy of Arts. Though he enrolled to begin classes in architecture, painting, and sculpture at the Imperial Academy, he was dropped from the school roster in December because of the quota on the number of Jewish students and drafted into the army. Simchovitch served as a private in the 175th Infantry Regiment Baturyn [ru] until his demobilization in 1912. Re-enrolling in the Imperial Academy, he audited classes. Simka Simkhovitch exhibited paintings and sculptures in 1918 as part of an exhibition of Jewish artists and in 1919 placed 1st in the competition "The Great Russian Revolution" with a painting called "Russian Revolution" which was hung in the State Museum of Revolution. In 1922, Simkha Simkhovitch exhibited at the International Book Fair in Florence (Italian: Fiera Internazionale del Libro di Firenze). In 1924, Simkhovitch came to the United States to make illustrations for Soviet textbooks and decided to immigrate instead. Initially he supported himself by doing commercial art and a few portrait commissions. In 1927, he was hired to paint a screen for a scene in the play "The Command to Love" by Fritz Gottwald and Rudolph Lothar which was playing at the Longacre Theatre on Broadway. Art dealers began clamoring for the screen and Simkhovitch began a career as a screen painter for the theater. Catching the attention of the screenwriter, Ernest Pascal, he worked as an illustrator for Pascal, who then introduced him to gallery owner, Marie Sterner. Simkhovitch's works appeared at the Marie Sterner Gallery beginning with a 1927 exhibit and were repeated the following year. Simkhovitch had an exhibit in 1929 at Sterner's on circus paintings. In 1931, he held a showing of works at the Helen Hackett Gallery, in New York City and later that same year he was one of the featured artists of a special exhibit in San Francisco at the California Palace of the Legion of Honor in Lincoln Park. The exhibit was coordinated by Marie Sterner and included four watercolors, including one titled "Nudes". He is of the generation of Russian Soviet artists such as Isaac Pailes, Serge Charchoune, Marc Chagall, Chana Orloff, Isaac Ilyich Levitan, and Ossip Zadkine. In 1936, Simkhovitch was selected to complete the mural for the WPA Post office project in Jackson, Mississippi. The mural was hung in the post office and courthouse in 1938 depicted a plantation theme. Painted on the wall behind the judge’s bench, “Pursuits of Life in Mississippi”, a depiction of black workers engaged in manual labor amid scenes of white professionals and socialites, was eventually covered over in later years during renovations due to its stereotypical African American imagery. Simka painted what he thought was typical of Jackson. His impression of pre-civil rights Mississippi was evidently Greek Revival column houses, weeping willow trees, working class families, and the oppression of African Americans. He painted African American men picking cotton, while a white man took account of the harvest and a white judge advised a white family, calling it Pursuits of Life in Mississippi. Though clearly endorsed by the government and initially generally well-received, the mural soon raised concerns with locals as the climate toward racial segregation began to change. The main concern was whether depictions that show African Americans in subjugated societal roles should be featured in a courtroom. The following year, his painting "Holiday" won praise at an exhibition in Lincoln, Nebraska. In 1940, Simkhovitch's second WPA post office project was completed when four murals, "The Cape Lookout Lighthouse and the Orville W. Mail Boat", "The Wreck of the Crissie Wright", "Sand Ponies" and "Canada Geese" were installed in Beaufort, North Carolina. The works were commissioned in 1938 and did not generate the controversy that the Jackson mural had. The main mural is "The Wreck of the Crissie Wright" and depicts a shipwreck which had occurred in Beaufort in 1866. "The Cape Lookout Lighthouse and the Orville W. Mail Boat" depicted the lighthouse built in 1859 and the mail boat that was running mail during the time which Simkhovitch was there. The boat ran mail for the area until 1957. "Sand Ponies" shows the wild horses common to the North Carolina barrier islands and "Canada Geese" showed the importance of hunting and fishing in the area. All four murals were restored in the 1990s by Elisabeth Speight, daughter of two other WPA muralists, Francis Speight...

Oil on canvas Canvas size: 20 x 24 inches Framed size: 27.5 x 31.75 inches Signed lower right

Here we have a partial male nude by admired American artist John Brock Lear, Jr. He was able to contrast the earthy reality of the flesh with vividly c...

A very fine original antique English botanical watercolour painting depicting this beautiful depiction of a flower/ plant. The work came to us from a private collection in Surrey, En...

Wonderful signed impressionist oil on panel circa 1910 by French painter Armand Francois Henrion. The work depicts a portrait of a mischievous Pierrot - a French clown - wearing white ruffles, a yellow hat and a monocle. The yellow of the hat is contrasted against the grey background. Signature: Signed lower right Dimensions: Unframed: 11"x8.5" This painting is nit currently framed but a suitable frame can be sourced if required Provenance: Private French collection Armand François Joseph Henrion...

Hand signed and dated by the artist lower right. Includes a beautiful contemporary wooden gilded frame. In excellent conditions. References: - Catalogo della mostra di Pio Semeghini...

signed lower right. size includes frame. The French artist Claude Hemeret was born on May 23, 1929. After classical studies at the lycée du Parc Imperial in Nice, he started at the l...

Brilliantly colorful mid century expressive abstracted landscape of Lake Anza in Berkeley by Bay Area artist Howard Margolis (American, 1927-2015). Signed “Margolis” in lower right c...

Watercolour on paper circa 1925 by Henri Duhem depicting a view of the sea from the promenade at Juan les Pins on the French Riviera. A flower box of pur...

Sophie is an expressive and highly individualistic Post Impressionist work reminiscent of Chaim Soutine. Cottavoz isn known and celebrated for using incredibly thick paint that is a...

A stunning oil painting scene depicting figures by the beach in a sunny day at Nice, France done in the 20th Century. The vibrant colors and impressionistic brushwork is done with bo...

Watercolour on paper circa 1920 by French Impressionist painter Henri Duhem depicting white, red, pink and yellow flowers. Signed lower right. This painting is not currently framed b...

Antique American modernist abstract painting. Oil on board, circa 1940. Signed. Image size 22L x 30H. Housed in a period modern frame.