Paint Interior Paintings

Painting: Acrylic The dance of colors generates a scene of great beauty. The strength of the movement and the shapes created with its colors convey a dream towards realities that to...

This artwork titled "Table Elegance" c.2010, is an oil painting on panel by noted American impressionist artist Douglas Paul Morgan, 1948-2021. It is signed at the lower right corner...

P Deltour (?) French school of the 19th century The artist with his model and friend in his workshop Oil on canvas Signed "P Deltour" (?) and dated 1879 on the lower, an indistinct i...

Dear art lover, This vibrant expressive artwork inspired by nature is called " Peace 0.2". This artwork is done with acrylic paints on a stretched canvas. It was vanished to be pro...

Stunning in its simplicity and vibrancy, 'YES' is a contemporary still life oil painting by Elizabeth Barlow, who meticulously creates oil portraits and still life compositions that feature objects, rather than a face, to represent the essence of her subject. Barlow's humor, joy, and ability to see far beyond the surface, comes into play in her work. She skews traditional portraiture to capture individuals and ideas, with her unique, contemporary Pop Realism style. The painting from Barlow's children...

Shipping Procedure FREE Shipping Worldwide Ships in a well-protected tube from Nigeria This work is unique, not a print or other type of copy. Accompanied by a Certificate of Authent...

Sunny Summer Vibes invites you into a world of color, energy, and joyful movement. This large-scale artwork on 100% linen canvas (155x155 cm / 61x61 inches, on the stretcher 145x145 ...

"Dawn on Kukul" is a canvas that embodies the amazing beauty of the Carpathian Mountains, which inspired the artist to create this painting. In 2021, during a trip to western Ukraine...

Electric Jazz. 2018, canvas, oil, 90x110 cm Abstract composition in red, blue, yellow colors Igor Leontiev (1957) - one of the leading independent paint...

The impressionist winter painting is a beautiful wall decor, the painting is full of different colours, combinations of warm and cold shades are professionally captured by the artist...

ABOUT THE ARTWORK In "Archive of Happiness: Unlived Chronicles," I craft a visual counter-narrative to my family's untold joy. This painting, "Posing in the Garden," is a heartfelt ...

This vibrant abstract artwork captures a dynamic interplay of color and form. Bold strokes of blue, red, and green interlace across the canvas, creating a sense of motion and depth. ...

Nicely painted mid century abstract oil painting by Ken Munowitz. Oil on canvas. Framed.

Thomas Bossard was born in 1971 in Poitiers, France, to a large and creative family. His mother fostered his interest in art since an early age, bringing Thomas to various museums wh...

A summer landscape with purple wildflowers and the beautiful sky is a remarkable wall decor. The artist is always inspired by nature. The lively painting is a wonderful purchase for ...

A Tavern Interior - 18th Century Old Master, Figurative Oil Painting by Schaak Little is known about the artist J.S.C. Schaak. He was active in England as a portraitist between 1760-1770. His name indicates his German or Dutch origin. Especially portraits of generals...

French Interior Table signed by Y. Blanchon, French 1950's Impressionist oil on board, unframed painting: 13 x 16.5 inches provenance: from a large private collection of this artist...

This work symbolizes our wonderful, beautiful and fragile, like a crystal world. The magic field of solar dandelions from which it is impossible to take your eyes off. A short moment...

READY TO HANG - GALLERY QUALITY A beautiful modern seascape, abstract, made with professional varnished acrylics and Amsterdam acrylic sprays on stretched heavy canvas. I ship this...

"In this oil painting, I've infused the canvas with the tranquil yet invigorating spirit of the sea. The sailboat, a focal point, carries within it a sense of adventure and freedom. ...

The painting titled "Desires 1" is a beautiful work of art that depicts two women sitting across from each other, engaged in what seems to be a deep and meaningful conversation. The painting, created by Esinulo Chiamaka Praise, features an older woman and a younger woman, each holding a white flower, which adds a sense of purity and serenity to the scene. The older woman, who appears to be in his 50s, and the younger woman, who looks to be in his 20s, are both dressed in a more simple dress. Both women are seated on chairs, with their faces turned towards each other in a relaxed yet focused manner. The title of the painting, "Desires 1," adds an element of intrigue and mystery to the scene, as it hints at the possibility of underlying desires and motivations between the two women. However, the painting does not provide any clear answers or indications of what those desires might be, leaving the interpretation up to the viewer. Wisdom is gathered from lessons learned from experiences. Time and age guide a man through life as regards choices or wants... One possible interpretation of the painting is that it represents the passing of knowledge and wisdom from one generation to the next. The older woman appears to be sharing something with the younger woman, who listens intently and respectfully. The white flowers that both women are holding could be seen as symbols of purity and innocence, representing the purity of the knowledge and wisdom being shared. What you want today may not be what you would want tomorrow, wants change with time. Experiences and age have an influence on choices. Responsibilities are given with time. What is your desire now? Another interpretation of the painting is that it represents a deep and meaningful conversation between two people who share a close and intimate relationship. The fact that both women are holding white flowers suggests a sense of purity and love between them, while their relaxed and focused expressions indicate a sense of comfort and ease in each other's presence. In terms of technique, the painting is expertly executed, with rich colors and intricate details that bring the scene to life. Keating's use of light and shadow creates a sense of depth and dimensionality, while the placement of the two men in the center of the painting draws the viewer's attention to their faces and the emotions that are portrayed in them. Overall, "Desires 3" is a beautiful and thought-provoking painting that captures the essence of a deep and meaningful conversation between two people. It is a testament to the power of art to evoke emotion and inspire reflection, leaving the viewer with a sense of curiosity and wonder about the motivations and desires of the two women in the painting. Shipping Procedure Ships in a well-protected tube from Nigeria This work is unique, not a print or other type of copy. Accompanied by a Certificate of Authenticity (Issued by the Gallery) About Artist Esinulo Chiamaka Praise is a comtemporary Nigerian painter.She hails from Mbaitoli, Imo state. A graduate of Fine and applied arts (painting), Imo State University, Owerri. Her painting “power tussle” was featured on the cover page of Mbari issue VI Magazine 2020. Another of her painting “black kink” was featured in Polemicalzine (an online magazine) for Black history...

"Chornohora" is one of the outstanding works by Helen Mount, created after her trip to the Chornohora range in the Ukrainian Carpathians in 2021. This painting depicts the breathtaki...

Abstract textured acrylic painting on canvas, measuring 100x100x2 cm (39.4 x 39.4 x 0.8 inches). This mixed-media piece on a gallery-wrapped canvas is ready to hang, with no framing required. The sides of the artwork are meticulously painted. The piece is signed, dated, and titled, accompanied by a signed Certificate of Authenticity. Drawing inspiration from years of studying spiritual teachings by Eckhart Tolle, this artwork, titled "It's Still Summer" invites you into a world of serene impasto colors, rich with meditative floral enchantment. Influenced by abstract expressionism and modern art, my technique involves using undiluted acrylic paint, ink, gel medium, and structure paste, applied with spatulas, tubes, and fruit knives to create three-dimensional flowers and surfaces. The lapis lazuli background hosts a captivating arrangement of roses. Eckhart Tolle's philosophy, often conveyed through flower metaphors, echoes in this artwork. Flowers symbolize living in the present moment, free from the burdens of the past or the anxieties of the future. They remind us of our interconnectedness with the world, urging empathy and compassion. I invite you to explore this vibrant and tranquil piece, where the essence of summer persists in a timeless, floral dance. Style: Abstract impressionism with a touch of modern art, using impasto techniques to craft three-dimensional floral elements on a lapis lazuli background. International Exhibitions: 2024, January - International Art Fair, Paris Art Salon, Paris, France 2023, December - "Woman: Balancing Our World" at the Mora Museum, New York, USA 2023, October - International Art Exhibition “Rebirth”, Contemporary Art Gallery, Starnberg, Germany 2023, October - International Art Fair “Art Innsbruck”, Austria 2023, August - International Art Fair, "Art Monaco", Monte-Carlo, Monaco 2023, Mai - EOS Laboratorio delle Arti, "Emozioni in Mostra", La Galleria Sant'Andrea, Parma, Italy 2023, Mai - Collins Avenue in Miami, "Just Summer On My Mind", Miami, USA 2023, March - VERNICE Art Fair, BIANCOSCURO Art Exhibition, Forli, Italy  2023, January - International Art Fair, Paris Art Salon, Paris, France
2022, Dezember - "Golden Duck" Gallery, Budapest, Hungary 2022, November - EOS Laboratorio delle Arti, Parma, Italy 2022, November -ARTBOX.PROJECT Miami 3.0 , Miami, USA 2022, October - ARTBOX.PROJECT Palma 1.0, Palma de Mallorca, Spain - Semi-Finalist 2022, August - ARTBOX.PROJECT Zürich 4.0, Zug, Switzerland 2022, May - The State Darwin Museum, "Why does Android need nature?" Moscow, Russia 2022, May - BIENNALE ART EXPO / ARTBOX.PROJECT World 1.0, Venice, Italy 2022, February - ARTBOX.PROJECT World 2.0, URBANSIDE Gallery Zurich, Switzerland 2021, December - The largest project in the history of NFT art, Nikas Safronov...

Untitled 020, 2020 Oil on canvas 78 37/50 H x 58 33/50 W in. 200 H x 149 W cm The new series of large-sized paintings, signed by Zsolt Berszán, created in the time frame of 2020-202...

Psychedelic Abstract Interior in Oil on Paper Moody abstract by Jennie T. Rafton (American, b. 1925). There is a figure in the upper left corner of this piece, looking out over the scene. There appear to be architectural elements such as windows, doors, and stairs, but the composition is highly abstracted, bordering on psychedelic. Of particular note are the symbols inscribed into the yellow shape in the lower left corner. Inscribed in the lower right corner and acquired with a collection of the artist's work. Presented in a new white mat. Mat size: 20"H x 16"W Jennie T. Rafton (American, b. 1925) is a well-known California artist, primarily for her abstract compositions. She and her husband Michael were ardent supporters of the arts, especially the Oakland Symphony Guild. Exh: 1982 - Magnin Gallery (solo), Walnut Creek...

The Other Red Phone Call, 2019 Oil on canvas (Signed on reverse) 35 7/16 H x 23 5/8 W in. 90 H x 60 W cm In his paintings, Radu Rodideal speaks about t...

This oil painting called The Old Stone Stairway by Ferdinand Fagerlin offers an intimate glimpse into a quiet interior space, where the stillness of...

by Louise Alix (French, 1888-1980) *see notes below provenance stamp to the back oil painting on board, unframed measures: 15 high by 18 inches wide condition: overall very good an...

"Bakota" is a remarkable work by Helen Mount in which she recreates the unsurpassed beauty of Ukrainian nature. Created after a trip to western Ukraine in 2021, the painting reflect...

Work on wood Brown wooden frame 49 x 58 x 4 cm

Donald Vogel’s paintings reflect his interest in seeking beauty in life and in sharing pleasure with his viewers. Vogel entreats us to "rejoice and celebrate each new day, knowing it...

Signed lower right, 'Sandra Grassi Nelipovich' (American, born 1938) and dated 1981. Artist business card on original frame backing with title, 'Can Can'. A complex, multi-figural ...

Ffiona Lewis was born in London but grew up in Devon, now dividing her time between her studios near the River Debden in Suffolk and London. She studied at the Polytechnic of Central...

"(Sold with white frame! But if the frame is not needed, I will send it without a frame!) This vibrant artwork is a symphony on canvas, where each stroke sings with the passion of ex...

Framed 21.2 X 25.5 Unframed 17 X 21 Signed and dated 1920. Nina Karasek (Joële) born 1883 Kuttenberg, Czech Lands, Austro-Hungarian Empire, died in 1952 (I have also seen the date recorded as 1933) Vienna, Austria. Nina Karasek was an Austrian Impressionist & Modern artist who was born in 1883. Her work was featured in exhibitions at the Es Baluard, Museum of Modern & Contemporary Art and the Bildraum Bodensee. Little is known of Nina Karasek's life. She was born in 1883 in Kuttenberg (Kutná Hora) in Bohemia, studied art at the Kunstschule für Frauen und Mädchen (Art School for Women and Girls) in Vienna, Austria, under Adalbert Seligmann and Tina Blau. She studied at the Frauenakademie in Vienna and Munich. In the 1920's she worked first as a landscape painter and an illustrator, later turning toward symbolism, painting mystical subjects after her interest in spiritualism. Her conventional works were shown at various exhibitions. At the age of 44, while she was copying a work by Rembrandt in an Italian museum, she fell into an altered state of consciousness. Rembrandt appeared to her, took possession of her arm, and immediately her hand started to draw something quite different from what she had intended. From then on, for the rest of her life Nina Karasek was in “supernatural” contact with a series of great masters like Rembrandt, Albrecht Dürer, Goya, Raphael, Leonardo da Vinci, Gustav Klimt and others. Under their guidance and inspiration, she drew and painted works "in the style" of the masters. But very soon her works became stylistically more and more unrestricted and Symbolist, showing an enormous range of creative expression, ranging from symbolic and allegorical motifs to bewildering images with a fantastic arsenal of figures and private characters, signs, and symbols, and to frantic, gestural sketches and abstract compositions. From then on, she often signed her works with her esoteric “primordial name” Joële. (Nina Karasik-Joel) Almost everything we know about her life was from what she noted on the reverse of her drawings: sometimes diary-like notes of her horrible living conditions during World War II, but often strangely impenetrable explanations of the depicted motifs – often as fascinating and mysterious as the drawings themselves. In her works and notes, an exciting private cosmology and mythology unfolds, a drama of hidden powers and principles that flow through macrocosm as well as microcosm. Shortly after their discovery, Nina Karasek's Spiritualist, mediumistic works have found their way into galleries and major international collections. SELECT EXHIBITIONS 2019 The Medium’s Medium: Spiritualist Art Practices From the Turn of the Century and Beyond. The Gallery of Everything, London, (she showed with Madge Gill, Augustin Lesage, Fleury-Joseph Crépin...

Louis Recchia's (US based) "Urban Zoo" is an oil painting that depicts a lama, giraffes, and a whale in a surreal urban environment Louis Recchia has been producing contemporary ar...

Some of Kreminsky's works give the impression of a designer, while others seem to have been painted by a theater artist, and sometimes they are purely decorative compositions, delibe...

FREDERICK CAYLEY ROBINSON, ARA, RWS (1862-1927) A Summer Evening Signed l.r.: CAYLEY-ROBINSON; inscribed on the reverse: A Summer Evening/Exhibited at Leicester Galleries Oil on paper 16.5 by 18.5 cm., 6 ½ by 7 ¼ in. (frame size 38.5 by 40 cm., 15 ¼ by 15 ¾ in.) Exhibited: London, Leicester Galleries, Small Paintings and Sketches by the Late F. Cayley Robinson, ARA, RWS, December 1929 Born in Brentford-on-Thames, the son of a stockbroker, Robinson began his artistic training at the St John’s Wood...

A painting in abstract acrylic is an explosion of shapes, textures, and colors that invite personal interpretation. Across the canvas, dynamic and free brushstrokes intertwine, creat...

Oil painting with green of nature, bright flowers, sunny day look amazing in home interior. This place is one of the most favorite places of the artist. When the sunny summer comes, ...

Artist/ School: inscribed/ signed on front and back Title: 'Le Noir le va si bien' translates to 'Black suits it so well' Medium: oil on canvas, framed F...

In this painting, I poured my soul into capturing the warmth and introspective comfort of a quiet winter's eve. I chose acrylics and delicate gilding to breathe life into the minimal...

1940s New York Interior -- An Evening Scene of Artist and His Wife Wonderful moody 1940s New York interior and figurative oil painting in Ashcan Schoo...

Artist: Detlef E. Aderhold Medium: Mixed Media on Canvas Edition: Original Abstract Painting in Turquoise, Green, Yellow, Blue, Red and Black About the Artist: Detlef E. Aderhol...

Richard Andres (American, 1927-2013) Naval Occurrence, c. 1963 oil on canvas signed and titled verso 24 x 32 inches Richard Andres was born in Buffalo, New York in 1927. A graduate of the Cleveland Institute of Art in 1950, he was immediately drafted and served for two years in the army as a mural painter. He received his Master of Arts from Kent State in 1961. A frequent exhibitor at galleries and museums and winner of multiple May Show prizes, Andres taught art in the Cleveland Public Schools for 28 years, as well as teaching the University of Buffalo, the Cleveland Institute of Art and the Western Reserve University. Very little in Richard Andres’ childhood would have predicted his love of classical music, mid-century-modern architecture and certainly not his lifelong passion for art and in particular abstract art. Richard’s father, Raymond, had no more than a third-grade education, and his mother, Clara, was one of thirteen children – only three of whom lived into adulthood and none of whom attended high school. They lived, when Richard was a boy, in a dingy area of Buffalo, NY in a walk-up apartment situated above a tavern. Raymond and Clara supplemented the income from their factory jobs in the bar downstairs with Raymond playing ragtime on the piano and Clara serving drinks. This often left Richard and his two older brothers at home alone to fend for themselves. The two older boys, Raymond and Russell, were - unlike Richard- rather rough and tumble and entertained themselves with stickball, boxing and the like. Richard, on the other hand, from a very young age liked to draw, or better yet even, to paint with the small set of watercolors he received for Christmas one year. Paper, however, at the height of the depression, was hard to come by. Luckily, Clara used paper doilies as decoration for the apartment and Richard would contentedly paint and then cut up doilies, gluing the pieces together to create collages. At eight-years-old, he discovered the Albright-Knox Museum (then known as the Albright Art Gallery) and spent several hours a week there studying the paintings. He was particularly fond of Charles Burchfield‘s landscapes, enamored with their ‘messiness’ and thinking that they somehow captured more ‘feeling’ than works he was previously familiar with. For his tenth Christmas, he asked for and received a ‘how-to’ paint book by Elliot O’Hare. Through this self-teaching, he assembled the portfolio needed for acceptance to Buffalo Technical High School where he studied Advertising Arts. In his Junior year, he was encouraged to enter a watercolor painting, “Two Barns,” in the national 1944-45 Ingersoll Art Award Contest and was one of twelve grand prize winners – each one winning one hundred dollars. More importantly the painting was exhibited at the Carnegie Institute Galleries, which resulted in his winning a national scholarship to the Cleveland School of Art (The Cleveland Art Institute). He flourished at the art school under the tutelage of faculty members such as Carl Gaertner, as well as that of visiting artists such as William Sommer and Henry George Keller. He would say in later years that Gaertner, in particular, influenced his attitude toward life as well as art. “Gaertner,” Andres said, “believed that there was no need to be a ‘tortured artist’, that an artist should rather enjoy beauty, family, and life in general.” Free to spend his days as he chose, he wandered the Cleveland Art Museum for most of the hours he was not attending classes or painting; the remaining time was spent drinking coffee at a local hangout with art school friends – which is where he met fellow Henry Keller scholarship winner, Avis Johnson. Richard was immediately smitten with Avis, but being rather shy, it took him the entire summer of 1948 to build up his courage to ask her out. Over that summer he ‘thought about Avis’ and worked in a diner to save money. He also used the hundred-dollar prize money won in High School to visit the first Max Beckmann retrospective in the United States at the City Art Museum in St. Louis. Over a half century later he spoke of that exhibit with a reverence usually reserved for spiritual matters, “I walked in and it was like nothing I had ever seen before... the color...It just glowed.” Returning to campus in the Fall, the first thing he did was go to the coffee shop in hopes of finding Avis. He did, and she, upon seeing him, realized that she was also smitten with him. They quickly became known as ‘the couple’ on campus, and a year later, with Richard being drafted for the Korean war, they were quickly married by a Justice of the Peace, celebrating after with family at Avis’s Cleveland home. As a gift, faculty member John Paul Miller designed and made the simple gold wedding ring Avis wore for their 65 years of marriage. During those 65 years neither wavered in their mutual love, nor in the respect they shared for one another’s art. The couple lived in a converted chicken coop in Missouri while Richard was in boot camp. At the camp, he would volunteer for any job offered and one of those jobs ended up being painting road signs. His commander noticed how quickly and neatly he worked and gave him more painting work to do - eventually recommending him for a position painting murals for Army offices in Panama. Until her dying day, Avis remained angry that “The army got to keep those fabulous murals and they probably didn’t even know how wonderful they were.” In Panama, their first son, Mark, was born. After Richard’s discharge in 1953, they moved back to the Cleveland area and used the GI bill to attend Kent State gaining his BA in education. The small family then moved briefly to Buffalo, where Richard taught at the Albright Art School and the University of Buffalo – and their second son, Peter, was born. Richard had exhibited work in the Cleveland May Show and the Butler Art Museum during his art school years, and during the years in Buffalo, his work was exhibited at the gallery he had so loved as a child, the Albright Art Gallery. In 1956, the family moved back to the Cleveland area and Richard began teaching art at Lincoln West High School during the day while working toward his MA in art at Kent State in the evenings. Avis and Richard, with the help of an architect, designed their first home - a saltbox style house in Hudson, Ohio, and in 1958, their third son, Max (after Max Beckmann) was born. Richard enjoyed the consistency of teaching high school as well as the time it gave him to paint on the weekends and during the summer months. In 1961, he received his MA and his daughter, Claire, was born. With a fourth child, the house was much too small, and Avis and Richard began designing their second home. An admirer of MCM architecture, Richard’s favorite example of the style was the Farnsworth house – he often spoke of how the concepts behind this architectural style, particularly that of Mies van der Rohe, influenced his painting. Andres described himself as a 1950’s...

ABOUT THE ARTWORK The painting "Fruits of Our Faith" from the MADELEINE series is dedicated to the theme of trust, mutual support, and the inner maturity that grows through connectio...

ABOUT THE ARTWORK "Hail, thou that art highly favoured, the Lord is with thee: blessed art thou among women" from the "Perichoresis" series offers a radically different perspective o...

A most attractive and striking image of daffodils placed against a darker background Howard J Morgan (1949-2020) Daffodils in a china jug Signed and S...

An 8th ball is a form of the pool using two sets of seven colored or patterned balls, together with one black ball and one white cue ball, the aim being to pocket all of one's own ba...

The diptych 100x100 cmz + 100x100cms presents itself as a visual explosion of energy and movement, divided into two canvases that converse with each other. Each panel, though indepen...

Two canvases that feature warm shadows and cascading light which is the focus of these sophisticated abstract oil on canvas paintings by artist Anne Subercaseaux, whose gleaming oil ...

Idle chatter, 2021, 78x54 cm

Oil on Canvas. Second half 18th century. A portion of a large ruined architectural structure fills the entire scene: a portico topped by a balustrade, overgrown with plants, surroun...

With each brushstroke, I sought to capture the essence of wild, untamed beauty. This piece, alive with color and emotion, embodies the vibrancy found in nature's own canvas. Each pop...

Leonard Dufresne Leonard was born in Fall River, Massachusetts on 26 December 1941. After serving in the U.S. Army from 1960 - 1963, he studied at the...

Artist/ School: French School, mid 20th century Title: Colorful Still Life of Flowers in Vase Medium: oil painting on board, framed. Size: framed: 31 x 26.5 inches painting:...