Late 19th Century Landscape Paintings

This evocative antique oil painting on canvas captures a tranquil rural scene bathed in the soft glow of a setting sun. A group of wind-swept trees stands along a peaceful pond, with...

A superb example of a Barbizon inspired landscape painted by the "Catford Corot" from the late 19th Century. This very striking image shows the artist at the absolute peak of his abi...

19th century French Barbizon school oil on canvas river view, possibly the Seine near Paris, by François Maury. The painting is signed top right, dated and there is a location which ...

This small oil painting on board (21.5 x 33 cm) is a rare early work by Swedish landscape painter Carl Johansson (1863–1944). Painted during the artist’s 1894 travels to the Canary I...

This evocative evening view of Visby by Axel Lindman captures Visby in the warm, fading light of the setting sun. Rendered with atmospheric sensitivity, the silhouette of Visby’s med...

"Basilica di Santa Maria della Salute, Venice" Raymond Allègre (France, 1857-1933) Circa 1900 Oil on wood panel Signed lower left 13 1/2 x 9 (22 1/2 x 17 frame) inches The saturate...

An enchanting scene of a river running through a woodland landscape, an iconic poplar occupying the centre of this idyllic scene. The scene is on the River Sauldre which runs for 53 ...

The Highland Family by Clarence Roe (1850-1920) signed oil painting on canvas with board backing, framed framed: 28 x 40 inches canvas: 24 x 36 inches condition: very good provenanc...

A really charming study of a ewe standing proudly in the foreground of an English rural landscape with a country church off in the distance. Painted in a naive yet very appealing sty...

French late 19th century Impressionist oil on board landscape. To the other side of the board is a further river landscape (see separate listing) A charming depiction of a cottage b...

An impressive Victorian landscape painting by the listed British artist, Clarence Roe (1870-1909). A mountainous highland scene with winding path leading the eye towards a serene loc...

This 13.5" x 28.5" oil on canvas painting is a seascape, painted in an Impressionistic style. The orientation of the painting is horizontal, the length being more than double the hei...

English painter (19th century) - King Charles Cavalier Spaniel dog. 50 x 65 cm without frame, 61 x 77 cm with frame. Antique oil painting on canvas, in a gilded wooden frame. Cond...

Sunrise in the Scottish Highlands by Clarence Roe (1850-1920) signed & dated 1880's oil painting on canvas, framed framed: 28 x 40 inches canvas: 24 x 36 inches condition: very good ...

"Mist Rising in the Highlands" Scottish Loch scene with deer by Frank Hider (c. 1861–1933) signed, titled verso oil painting on canvas, framed framed: 16 x 24 inches canvas: 12 x 20 ...

The English Rural Landscape by Charles Collins (British, circa 1870's) signed & dated oil on canvas, framed framed: 17 x 24 inches canvas: 12 x 18 inches Provenance: private collecti...

Flowers & Birds Nest by Oliver Clare (English, 1853-1927) signed lower right oil on canvas, framed framed: 15.5 x 13.5 inches canvas: 8 x 5.5 inches Provenance: private collection, S...

The Woodland Path circle of George Turner (English 1841-1910) oil painting on canvas, framed framed: 19 x 25.5 inches canvas: 14 x 21.5 inches condition: very good provenance: privat...

Carl Flodman (1863-1888) Swede A Harbor Scene from 1884 oil on wood panel signed and dated C.Flodman 84 unframed: 13 x 21 cm (5 1/8 x 8 1/4 in) framed: 29 x 37.5 cm (11 3/8 x 14 3/...

➡️The River from Rousseau⬅️ "Il est tombé par terre, C'est la faute à Voltaire, Le nez dans le ruisseau, C'est la faute à Rousseau" - He fell to the ground, It's Voltaire's fault, H...

Antique tonalist river landscape painting. Oil on canvas. In excellent original condition. Handsomely framed in a gold giltwood molding. Excellent condition, ready to hang and en...

This antique painting on board depicts a tranquil and atmospheric landscape, bathed in the soft glow of dawn or dusk. The composition is rich in depth, with towering trees framing a ...

A beautiful late 19th century English impressionist oil on board depicting an extensive landscape at sunset. Excellent quality work by an accomplished artist. Indistinctly signed lo...

Winter Woodland by S. William (British, late 19th century) signed oil on panel, framed Framed: 18 x 26.5 inches panel: 13 x 21 inches Inscribed verso with old Christies provenance Pr...

Alfred Stevens Brussels 1823 – 1906 Paris Belgian Painter 'Moonlight on the Sea' Signature: signed lower right and dated 1892 ‘A Stevens 92' Medium: oil on canvas Dimensions: image size 81 x 65 cm, frame size 97,5 x 81,5 cm Biography: Alfred Stevens was born in Brussels, into a family deeply connected with the visual arts. His older brother Joseph (1816–1892) and his son Léopold (1866–1935) were both painters, while his other brother Arthur (1825–1899) was an art dealer and critic. His father, a veteran of the Napoleonic wars under the army of William I of the Netherlands, was an art collector with a notable collection of watercolors by Eugène Delacroix and other esteemed artists. Stevens’s upbringing was influenced by the environment of Café de l’Amitié, run by his maternal grandparents in Brussels, which served as a meeting place for prominent figures from the political, literary, and artistic spheres. Following the death of his father in 1837, Stevens left middle school to enroll at the Académie Royale des Beaux-Arts in Brussels. There, he came under the tutelage of François Navez, a Neo-Classical painter and former student of Jacques-Louis David, who was both the director of the academy and an old acquaintance of Stevens’s grandfather. Following a traditional curriculum, he initially drew from casts of classical sculptures and later transitioned to drawing from live models. In 1843, Stevens journeyed to Paris to join his already established brother, Joseph. He gained admission to the École des Beaux-Arts, the preeminent art school in Paris, although claims of him being a student of the director, Jean Auguste Dominique Ingres, are likely unfounded. One of his early works, The Pardon or Absolution (Hermitage, St. Petersburg), signed and dated 1849, showcased his mastery of a conventional naturalistic style influenced by 17th-century Dutch genre painting. Stevens’s work was first publicly exhibited in 1851, when three of his paintings were featured at the Brussels Salon. He received a third-class medal at the Paris Salon in 1853, followed by a second-class medal at the Universal Exposition in Paris in 1855. His painting Ce qu’on appelle le vagabondage (Musée d’Orsay, Paris) garnered attention from Napoleon III, leading to a change in policy regarding the use of soldiers to remove the poor from the streets. Two other paintings displayed at the Salon in Antwerp in the same year, Chez soi or At Home and The Painter and his Model, introduced subjects from “la vie moderne” that became characteristic of his oeuvre: elegant young women dressed in contemporary fashion and artists in their studios. In 1857, Stevens made his first significant sale to a private collector when Consolation was purchased for a rumored 6,000 francs by the Berlin collector and dealer Ravéné. He and his brother also became part of the artistic milieu in Paris, frequenting salons hosted by Princess Mathilde and popular cafes, where they mingled with the likes of the Goncourt brothers, Théophile Gautier, and Alexandre Dumas. Stevens married Fanny Juliette Albertine Marie Hortense Blanc (1836-1891), a member of a wealthy Belgian family and a long-time acquaintance of the Stevens family, in 1858. The wedding was witnessed by the renowned painter Eugène Delacroix. The couple had four children: Leopold, Jean, Catherine, and Pierre. Stevens depicted his wife in numerous portraits, including Regrets and Memories. After her passing, he expressed enduring grief at her loss. During the 1860s, Stevens rose...

A superb example of a Barbizon inspired landscape painted by the "Catford Corot" from the late 19th Century. This very striking image shows the artist at the absolute peak of his abi...

Title: Highland Cattle Drive Artist: Henry Garland (British, 1834-1919) Medium: Oil on Canvas Dimensions: Canvas: 30 x 50 inches With Frame: 36 x 56 inches Date: Signed ...

19th Century oil on canvas painting of sheep in a manger in it's original frame by French artist Hyacinthe Florentin Lepesqueu. This painting is signed in the bottom left corner. I...

Charles Morris (British, active mid-19th century) Rustic Landscape with Herdsman and Cottage, ca. 1860–1870 Oil on canvas In this tranquil rural view, Charles Morris presents an idy...

Charming Countryside Cottage Scottish School, late 19th/ early 20th century oil on canvas, framed Framed: 24 x 33.5 inches Canvas : 20 x 30.5 inches Provenance: private collection, E...

This superb Scottish Impressionist Victorian expansive landscape oil painting is by noted Scottish artist David Farquharson. Painted in 1887 it is entitled verso Mayday on the Annan....

Antique oil painting on stretched canvas by French artist Jean Charles Georget (1833-1895). An atmospheric French Barbizon old piece of a woman taking her cows to the river to drink...

"The Farmers Daughter" by Charles Martin Hardie RSA (1858-1916) *see notes below signed with initials and dated '84, oil on canvas: 20 x 16 inches framd: 26 x 22 inches Provenance: ...

Born in Baltimore in 1844, Franklin D. Briscoe moved with his family to Philadelphia where he studied with Thomas Moran in 1860 before traveling to Europe. During his time in Europe,...

Late 19th century French Impressionist Barbizon school oil on board river landscape. The painting is not signed but is of very fine quality. Presented in a gilt wood frame. There has...

Pausing for Refreshments by John Sanderson Wells (British 1872-1955) *see notes below signed oil on board, framed Framed: 13.5 x 18 inches Canvas : 10...

This beautiful and light filled painting testifies of a new dawn: in the 1880s the landscape and animalier artist William Baird turns to Impressionism. Our Sunny Path, with looser brushwork and lighter colours, convey the fleeting nature of the present. Our lovely oil on canvas may well be homage to Claude Monet - according to Baird's inscription on the stretcher, it was painted in Mantes, which is only about 6 miles from Vétheuil, where Monet was living and working in the 1880s! William Baptiste Baird was born in Chicago, Illinois, in 1847, but as an adult moved to Paris to perfect his painting technique. In Paris, Baird studied under Adolphe Yvon...

Tranquil Pastures by CLOVIS FRÉDÉRICK TERRAIRE (French 1858-1931) oil on canvas, framed signed and dated 1898 framed: 22 x 27 inches canvas: 17 x 22 inches provenance: private collec...

I liked the title "After the storm" for this painting, which the artist had noted on the back of the painting, although he later changed it to "Day of the storm". It's the juxtaposi...

**Technical Sheet** **Title:** "Street of the Old Quarter" **Author:** British School, 19th Century **Date:** 1892 **Technique:** Oil on canvas **Dimensions:** 14.17 x 10.63 inc...

A fine antique Impressionist painting by the celebrated French Impressionist painter William Georges Thornley (1857-1935), a view of the Mediterranean sea from Antibes, France, circa...

This atmospheric painting captures an expansive highland landscape with a stone bridge spanning a tranquil river in the foreground. The artist's skilful use of light and shadow adds ...

"The Days Bag" by ROBERT CLEMINSON (British, 1864-1903) signed oil on canvas, framed framed: 24 x 32 inches canvas: 16 x 24 inches provenance: private co...

19th Century Impressionist Original Oil Painting of Malaysian Fishermen and Schooner by Alberto Bonghi The painting is a depiction of a scene in Malaysia with a Schooner in backgro...

Wooded Sand Dune Oil on panel, 12 x 18 1/8 inches Framed dimensions: 17 1/2 x 23 1/2 inches Estate stamp lower right: RSwain Gifford Provenance The artist; By descent in the family ...

English painter (dated 1873) - Mountain landscape with lake. 51 x 77 cm. Old oil painting on canvas, without frame. - Work signed indistinctly and dated lower left: "W. C ... 1873"...

Adolphus Knell Warship at anchor, in calm seas. Adolphus Knell was a renowned British maritime artist of the 19th century, recognized for his detailed and atmospheric paintings of ...

Finely painted 19th century equestrian painting. Oil on board. Framed. Signed. Image size, 7.75"H by 15.75"L painting alone.

Pierre Emmanuel Damoye (1847–1916) French Barbizon School A desolate snow covered landscape of fishing boats and nets drying on the banks of the river ...

The Winding River Valley by George Mulready Freezor (British, 1865-1962) signed oil on canvas, framed framed: 32 x 38 inches canvas: 29 x 33 in...

Superb oil painting by the very popular English sporting artist, Philip Rideout (circa 1850-1920). signed oil on paper mounted in a frame dated 1890's framed: 14 x 17 inches paper:...

‘A Breeze after a Bathe’ by Walter Duncan ARWS (1847-1932). The painting – which depicts three young Victorian ladies and their dogs on Bournemouth beach after a swim – is signed b...

Adolphus Knell 19th-century English fishing boast at Sea. Owning in a 19th-century English fishing boat captured at sea circa 1880 by Adolphus Knell, with the sun rising or setting...

Octavius Thomas CLARK Oil on canvas Picture Size: 24 x 42" (60 x 105cm) Outside Frame Size: 32 x 50" (80 x 125cm) Signed bottom left An impressive example of O. T. Clark's work. Su...

‘Tombs of the Sultans’ by Frank Dillon R.I. R.O.I. (1823-1909). The painting – which depicts the ancient Egyptian “City of the Dead” outside the old walls of Cairo – is signed by th...

Fisherman in Highland Landscape by James Mudd (English, 1821 - 1906) signed oil on canvas, framed framed: 28.5 x 41 inches painting: 24 x 36 inches provenance: private collection, En...

Charles Leduc. French ( b.1831 – d.1911 ). Bastille Day In Port. Oil On Canvas. Signed Lower Left. Image size 15.9 inches x 27.6 inches ( 40.5cm x 70cm ). Frame size 21.5 inches x 33...

Much about this late 19th-century painting remains a mystery, including the name of the artist who only left their identity in a single-letter monogram. But the work's moody embrace ...