Paint Portrait Paintings

Oil Painting Pair circle of by George Romney "Portraits of a Lady and Gentleman" 1734 - 1802 Romney was a leadway society portrait painter of the Georgian ear...

"Frida without fear" is a contemporary, faceless abstract portrait of Frida Kahlo by French artist Natalya Mougenot. Blending elements of impressionism and expressionism, the work re...

This lovely British Edwardian portrait oil painting is by noted artist William Henry Margetson. He was known for his aesthetic full-length portraits of women, often in hats, in an in...

This fine late 17th-century Flemish portrait depicts a distinguished gentleman wearing a justaucorps, black cloak, white shirt, vest, leather gloves, and breeches. He’s carrying a wi...

Shipping Procedure Ships in a well-protected tube from Nigeria This work is unique, not a print or other type of copy. Accompanied by a Certificate of Authenticity (issued by The Gal...

John Pairman (Scottish, 1788 - 1843) Signed: J Pairman 1820 (Lower, Right) " Portrait of a Gentleman ", 1820 Oil on Canvas 22 1/4" x 18 5/8" Housed in a 2 3/4" Husar Frame Ove...

Ignacio Gil Sala, was a painter, bohemian character, adventurous and intrepid traveler who knew how to capture his eyes to that world with his painting. A...

In his work, Tetteh condenses the internal sentiments and tensions of his characters and focuses them, using the eyes as the outlet for expression. In this way his subjects become in...

Rare pair of Italian paintings from the second half of the 17th century. Oil on canvas artworks depicting two splendid female figures recognizable thanks to the inscriptions at the b...

Jusepe de Ribera (Xàtiva 1591 - Naples 1652) circle of - San Giuseppe. 108 x 80 cm without frame, 123 x 95 cm with frame. Antique oil painting on canvas, in a carved and gilded woo...

Here is an almost two hundred year old painting which is so irresistibly charming that it's crazy! You may have seen painted landscapes, portraits, genre scenes - but how many pretty...

Dutch Female Artist Liseth Visser is no stranger to the world of portraiture. In the past she was nominated for the 'BP portrait award' from 'Th National...

Antique Dog Painting of a Terrier: “The Shah” George Earl (England, 1824-1908) Circa 1870 Oil on canvas. 12 ¾ x 12 ¾ (21 x 21 frame) inches. Orig...

Work on wood Molded frame in plaster and gilded wood 65 x 57 x 8 cm

Pair of French Character Portraits French school, Mid 20th Century Gouache on unframed paper Both stamped and named on the backs, with the artists initials written on both right hand...

Morteza Pourhosseini (Iran, born 1985) "The Circus 15" oil and acrylic on canvas, 2013 . Depicting a muscular male nude with "The Persian Iranian Lion" tattooed on his stomach and a...

Portrait of an Elegant Lady under Parasol, the beach in the distance English School, Impressionist signed oil on board, framed framed: 32 x 27 inches board: 24 x 20 inches provenance...

Dave Seeley's (US based) "Gabrellia #3 S~Curve" is an original, handmade oil painting that depicts a nude female model standing in a contrapposto stance. About the artist: My sub...

MANE-KATZ RABBIS, c. 1935 Oil on canvas 18 H. x 14 W. 1/2 in. (45.5 x 35.8 cm.) Signed PROVENANCE Dominion Gallery, Montreal Christies, New York, November 04, 1982. Lot 177: $11,000 Private Collection, New Jersey, 1982-2021 Estate of the above, 2021. Raised in an orthodox Jewish family in Russia, Mane-Katz was born in the Ukraine and became an early 20th-century artist, known especially for portraits and paintings with Jewish themes. From childhood, he had been influenced by stories of Jewish mysticism, which was reflected in his paintings. He had a peripatetic life between Russia, France, Israel, and America. He first studied art in Kiev at the Beaux Arts Academy, and in 1913, went to Paris where he associated with Chaim Soutine and Marc Chagall and continued his art studies there at the Beaux Arts Academy. During World War I, he tried to join the Foreign Legion but was rejected because he was too short. He went back in Russia again, this time joining the Soviet Revolution but rejected the cause because he was so horrified by Josef Stalin. He worked briefly for the Russian ballets, and in 1921, he returned to Paris where in 1927 he took French citizenship. For the next twelve years, he traveled widely, showing his art work and doing many paintings. In 1939, as World War II was breaking out, he was drafted by the French and then was taken prisoner by the Germans. He escaped and went to the United States and remained there until 1945, exhibiting his paintings at Katia Granoff Gallery and Wildenstein Gallery. After the war, he returned to Paris where he had exhibited in the Salons. In Paris to the end of his career, he worked happily, painting hundreds of portraits of rabbis...

Abstract Art, Picasso Style, Multicoloured, Original Oil Painting, Signed By French artist Beatrice Werlie, early 21st Century Signed by the artist Oil painting on canvas, unframed ...

This piece conveys the enchantment of nurturing love. Symbols intertwine in every corner of the canvas, seemingly disparate at first, but together they form a harmonious composition....

Pupil of Rembrandt Portrait of a Young Man 17th Century Oil on oak panel Image size: 4 1/4 x 5 inches (11 x 13 cm) Dutch ebonised frame This small portrait is of a young man, staring inquisitively out towards the viewer. The realism of his appearance is striking, with great care taken in the depiction of the man’s features - for example, his full lips and the slight bump in the bridge of his nose. The man wears a rich burgundy doublet and a black cap and is adorned with gold accessories, indicating a degree of wealth - it is likely that this is a miniature portrait for a wealthy patron. The warm flesh tones of this painting and the intricate rendering of the man’s curly brown hair demonstrate the artistry of the painter, who has successfully captured the image of youth within his brushstrokes. Rembrandt’s Pupils Upon completing his artistic education, Rembrandt opened a studio and began to take students - the first of which were Gerrit Dou and Isaac Jouderville. The studio functioned as an art school, in which materials and guidance were provided - contrary to the studios of his peers, Rembrandt did not offer lodging to his pupils. The families of prospective pupils had to pay Rembrandt 100 guilders (enough for a house at the time) for this artistic education, and the profits from any works produced by pupils under Rembrandt would be paid to the master rather than kept by the student-artist - this contributed substantially to  the master’s income.When taking on pupils, Rembrandt looked for those who could already paint, and guided their styles to reflect his. By choosing pupils who were somewhat experienced artists, Rembrandt had an array of painters that could be involved at any stage of assisting with the creation of his works - in this way, Rembrandt’s pupils often functioned as studio assistants as well. In order to perfect Rembrandt’s style, pupils would paint copies of their teacher’s works, sometimes adding their own distinct variations. They would use the same subjects and models as Rembrandt himself, and would accompany him on outdoor trips to paint nature and landscapes. The extensive copying and utilisation of same source materials has rendered Rembrandt’s work and the work of his pupils difficult to differentiate, even in the modern era.At least 50 pupils were taught by Rembrandt, with many continuing on to become his studio assistants. A few graduated into successful artists in their own right - for example, Govaert Flinck...

Shepard Fairey Jasper Johns Red, 2010 Silkscreen and mixed media collage on wood. Hand signed twice - on both the front and the back 23 3/4 × 17 1/2 inches Frame included Edition HPM...

"Boy with Calendula" by Anne Siems, is a captivating figurative-narrative painting featuring a young child and a rabbit, with an 18th century feel. He is floating and surrounded by s...

The painting titled “Attitude” captures the very ‘essence’ of his subjects who they are and what they represent outside of their roles experiences obligations and accomplishments. Ma...

This British artist is new to the Netherlands, her work is now a household name in the rest of the world. We understand why. A painting by Pam Hawkes is something remarkable. At th...

This large double portrait depicts the sisters Lady Catherine and Lady Jane Brydges, the daughters of John Brydges, the Marquess of Carnarvon (1703-1727). They are seated on a stone...

Shipping Procedure Ships in a well-protected tube from Nigeria This work is unique, not a print or other type of copy. Accompanied by a Certificate of Authenticity (issued by The Gal...

A wonderful portrait of a young woman with long red hair. The artist has wonderfully captured the sitter in a relaxed pose, she wears a high neck lilac b...

A very fine portrait of a British military officer signed and dated Thomas Beach 1774 in the lower left. This oil on canvas is presented in a period gilt frame and is ready to hang. ...

A charming 19th-century oil painting depicting a soldier in military attire, holding a musket in the direction of a window opening. The soldier sits on a carved wood chest as he watc...

The Virgin of Kataphyge with Saint John the Evangelist, after a Bulgarian Byzantine icon of the 14th Century. Egg tempera and gold leaf on gesso and wood. Author: Oliver Samsinger...

The workshop of Guido Reni (Bologna, 1575 - Bologna, 1642) The Virgin at Prayer (or Mater dolorosa) Oil on canvas 77 x 64 cm, framed 97 x 83 cm. The Madonna of our canvas is depict...

19th century English Antique oil portrait of a Terrier dog in an interior Earl was the brother of George Earl and the uncle of Maud Earl and Percy Earl. H...

A striking portrait of a handsome young man named 'Freddy' by artist Pauline Plummer (b.1933). Unsigned. Titled verso. On canvas on stretchers.

Study Of A Nude Male, 19th Century circle of HENRI DE TOULOUSE-LAUTREC (1864-1901) Large 19th Century French Academy portrait of a male nude in a studio, oil on canvas. Excellent q...

America Martin "Birds From The Wind" Oil & Acrylic on Canvas 49.5 x 49.5 in. Framed Exploring the identity of both her namesake and country, LA-based America Martin draws inspiratio...

Shipping Procedure Ships in a well-protected tube from Nigeria This work is unique, not a print or other type of copy. Accompanied by a Certificate of Authenticity. “Don’t let the n...

Dave Seeley’s "See No Evil" is a powerful large-scale oil painting on canvas mounted to panel, capturing a moment of intimate vulnerability and introspective solitude. Measuring 44.5...

Christina Major’s "Audrey - I Believe" is a mesmerizing contemporary portrait that blends realism with expressive text overlays, creating a visually and emotionally compelling artwork. This 84 x 57-inch painting captures the timeless grace of Audrey Hepburn, her luminous features emerging from a soft, ethereal palette of cool blues, warm peaches, and gentle neutrals. Layered over her serene expression are hand-painted phrases inspired by Hepburn’s wisdom and humanitarian legacy, adding depth and narrative to the composition. The interplay between the hyperrealistic portraiture and textured text invites viewers to engage with both the subject’s beauty and the empowering messages woven into the piece, making it a captivating addition for collectors of figurative art, contemporary paintings, and pop culture iconography. Christina Major is a portrait painter interested in the ways the identity of both artist and subject can coexist in a painting. Major's current creative research focuses on the traditional form of the portrait as a powerful form of representing an individual and how meaning can be expanded through scale, brushstroke, color, texture, composition, and the many variables that portraiture deals with. This one-of-a-kind oil painting is 84 inches tall and 57 inches wide. It is signed by Major on the back. The artwork is wired and ready to hang. It does not require framing. Free local Los Angeles area delivery. Affordable Continental U.S. and International shipping are also available. A certificate of authenticity issued by the art gallery is included. Major expands the traditional portrait painting...

Domenico Parodi (Genoa, 1672 - 1742) Portrait of Anne Marie d'Orléans (Château de Saint-Cloud, 27 August 1669 - Turin, 26 August 1728), first queen consort of Sardinia and maternal g...

Portrait Of Lorenzo Suarez, 5th Count Of Corona, 16th/17th Century School of Antonis Mor (1517-1577) Large Spanish School Old Master portrait of Lorenzo Suarez, Count of Corona, oi...

Arthur William Devis. English ( b.1762 - d.1822 ). Portrait Of Charlotte Shore, Daughter Of The Governor General Of India, The 1st Lord Teignmouth. Oil On Canvas. Oval Image size 26.2 inches x 20.5 inches ( 66.5cm x 62cm ). Frame size 34.6 inches x 28.7 inches ( 88cm x 73cm ). Available for sale; this original oil painting is by Arthur William Devis and dates from around 1792 to 1795. This painting was created when the sitter and the artist were both in India, the sitter's father being the Governor General of India from 1793 to 1798. The painting is presented and supplied in a 19th century decorative frame. The painted surfaces and the frame have benefitted from some restoration, cleaning and conservation, which was performed on our instruction, supervision and approval. The canvas is lined. This antique painting is in very good condition, commensurate with its age. It wants for nothing and is supplied ready to hang and display. Provenance: By descent in the family of the sitter. Exhibited: Preston, Harris Museum and Art Gallery, 2000, Arthur William Devis, no.52. Charlotte was the eldest child of the first Baron Teignmouth, a title that was created in 1798 for Sir John Shore. The title became extinct in 1981 on the death of the seventh Baron. This portrait was almost certainly painted by Devis in India at a time when the sitter’s father was Governor General. As such, this is a historically significant piece. John Shore was an anti-slavery campaigner, born in London but brought up in Romford. In 1769 he went to work in Bengal where he was one of the first to learn a number of local languages. In 1785 he returned to England and on 14 February 1786 he married Charlotte, the only daughter of James Cornish, a medical practitioner at Teignmouth. The couple’s first child, Charlotte, the subject of this painting, was born the following year, on January 26, 1787. The family quickly returned to India, where John Shore served as Governor from 1793 to 1798. John and his wife had three sons and six daughters over the following fifteen years. Sir John Shore left Calcutta for the final time in March 1798, sailing back to England with his wife and young family. The family settled in Clapham and Sir John became the first president of the British and Foreign Bible Society. He was involved with the Clapham Sect and their anti-slavery campaign. This adorable original oil on canvas depicts Charlotte, the eldest child and first daughter of the first Lord Teignmouth, aged around five to seven years old. (On the basis that the family returned to England in 1798 when Charlotte would have been 11 years old, this painting was almost certainly created in India, during the time when her father was the Governor General of India. We also know that the artist was painting portraits in India the decade up to 1795, when he returned to England.) Charlotte is an attractive child, with thick dark brown curly hair framing her beautiful angelic features. She has fair skin, rosy cheeks and rosebud lips. Her dark eyes are wide and engaging. She has the sweetest expression on her face and we feel that she is kind and good natured. She is wearing a simple white gown, typical of the day, with a low neckline and three- quarter length sleeves and a pale blue sash around her waist. Arthur William Devis was one of the major English artists of the early nineteenth century, noted particularly for his portraits. His life was dynamic and engaging and he produced some of the definitive images of his generation. Devis was born in London on 10 August 1763, the nineteenth child of the artist Arthur Devis and his wife Elizabeth Faulkner. There were several artists in the family and Devis showed an early genius for art. He received some artistic training from his father and then studied at the Royal Academy Schools where he received a Silver Medal, and the good opinion of Sir Joshua Reynolds. Devis became extremely well-travelled, and even circumnavigated the world; when he was about twenty, he was appointed draughtsman on the British East India Company's ship Antelope in a voyage to the East Indies, under Captain Henry Wilson. The vessel was wrecked off the Pelew Islands, on which the crew took refuge. The island was uninhabited, but the sailors formed a friendly alliance with neighboroughing islanders and took part in the wars of the natives. The crew then built themselves a small vessel and sailed for Macao. During this voyage Devis received two wounds from arrows shot from the coast, one in his body, the other in his check, which caused a permanent injury to his jaw. Devis left the rest of the crew at Macao, spent a year in China, then proceeded to Bengal. He settled in India for ten years, establishing a modestly successful practice and receiving several lucrative commissions from British colonialists, of which this painting of young Charlotte is likely to be one. In 1795 he returned to England and worked with great zeal, earning himself a reputation as a serious artist. He painted a number of important historical pieces, including “The Conspiracy of Babington in the reign of Queen Elizabeth” and “Cardinal Langton and the Barons forcing King John to sign Magna”. He soon became established as one of the most talented British artists of his day. It is known that Devis created other portraits of the Shore family between 1797 and 1817. Devis is particularly noted for being involved in the creation of the posthumous cult of Horatio Nelson. After the battle of Trafalgar, he went out to meet the Victory, and painted the acclaimed piece ‘The Death of Vice-Admiral Lord Viscount Nelson, K.B., in the cockpit of H.M.S. Victory, 21 Oct. 1805.’ For this work Devis made various sketches on board HMS Victory, including of Nelson’s body during the autopsy by Dr. Beatty, the ship’s surgeon. The completed picture has become the definitive image of Nelson’s heroic end; it was engraved by W. Bromley (1812), and presented by the Right Hon. Lord Bexley to the gallery of Greenwich Hospital in 1825. At 8 feet 7 inches by 6 feet 4 inches it is of stunning proportions. Devis’ large oil sketch for the piece was purchased by Queen Victoria, December 1852 Devis was also commissioned by Dr. Beatty to produce a half-length painting of Nelson as Vice Admiral, which was lent to Emma Hamilton, who later lost it whilst travelling. Either the original or a copy of this portrait was exhibited at the Royal Academy two years after the Battle and many copies were made of it, including one in the National Maritime Museum. Devis exhibited a total of sixty-five pictures at the Royal Academy between 1779 and 1821. His equestrian portrait of ‘Alexander Sinclair Gordon, Esq.’, was engraved by Anthony Cardon in 1805; ‘The Battle of Waterloo,’ engraved by John Burnet in 1819; ‘An Indian Interior,’ by P. W. Tomkins in 1797; ‘The Little Mountaineer,’ by E. Scriven in 1809, who also engraved Devis's illustrations to J. J. Howard's translation of the ‘Metamorphoses of Ovid,’ London, 1807. Thus images of Devis’ work have become well known through the years. Today there is a portrait of Arra Kovger by Devis in the British Museum, and a portrait of Governor Herbert (painted in Calcutta in 1791) in the National Portrait Museum. Despite his artistic talent, Devis was seemingly completely incapable of managing his financial affairs. He therefore failed to maintain the status in society that his talent deserved. Where money was concerned, he was generous beyond his means and was sadly declared bankrupt in 1800. In 1804 he was imprisoned for debt. Between 1802 and 1810 he received continual assistance from John Biddulph of Ledbury, but these well-intentioned interventions did not produce the results hoped for, and Devis continued to be hopelessly unreliable. Towards the end of his career he at last began to receive Royal patronage, but it came too late. When he died suddenly from apoplexy in 1822 he left his second wife and young children penniless. He was buried in St. Giles’s churchyard. Works by Arthur Devis are now very much in demand; his depiction of Bengali weavers made an eyecatching £130,000 in a UK auction...

'Portrait of a Gentleman Reading' by George Richmond, RA. Regency Dandy, William Blake, Royal Academy, Framed Oil ----- Signed lower right, 'Richmond' for George Richmond, RA (Brit...

Artist/ School: French School, indistinctly signed, dated 1910 Title: Portrait of a man seated in a library room of books. Medium: signed oil painting on canvas, unframed canvas...

Portrait of a Young Mother and Children 17th century Dutch School oil on canvas, framed in fine carved wood period frame framed: 38 x 33 inches canvas: 29 x 25 inches Provenance: pri...

Portrait of a Noble Lady English artist, mid 18th century circle of Thomas Gainsborough (English 1727-1788) oil on canvas, unframed canvas: 30 x 25 inches provenance: private collect...

Really rare and well painted portrait by Christine Walters Martin (1895-1982). Oil on canvas. Framed in a nice modernist molding. Signed. Artist Bio: Christine Walters Martin (1895-1982) Born and raised in Brooklyn, Christine Martin majored in art at Columbia University/Teachers College. She spent summers painting at the Woodstock Art Colony under the tutelage of artists there and continued her art studies at the Art Student's League in New York City. Over the years, her teachers included John Sloan, Yasuo Kuniyoshi, Alexander Brook and John McFee. She also studied with Eugene Speicher, who recommended her for Portraits Inc, through which some of his own commissions came. Much later in life, in her 80s, Christine studied watercolor with Zoltan Szabo. Before marrying attorney George Martin in 1923, she taught art in the New York public schools for several years. During summers in the late 1920s, after having two daughters (Cynthia, 1924-2008, and Joan, 1927-2000), she went to Woodstock with her girls in tow, staying at the Hasbrook farm. In 1930, she and her husband purchased a stone house on Ohayo Mountain Road and lived there seasonally for 25 years. Among her closest artist friends in Woodstock were Emil Ganso, Florence Hardiman, Albert Heckman, Peggy Dodds, Joe Rollo, Henry Mattson, Mary Ellen Early, and Maud and Miska Petersham, along with Juliana Force (Whitney Museum). During many summers in Woodstock, Christine's daughters Cynthia and Joan kept up their serious piano studies under the tutelage of Vladimir Padwa and Inez Carroll. Known for portraits and landscapes, she was a member of the National Association of Women Artists and the National Arts Club, Gramercy Park, NY. Her work showed at the National Arts Club, Weyhe and Preston Galleries and the National Academy of Design in New York; the Pennsylvania Academy in Philadelphia; the Woodstock Art Association and Rudolf Galleries in Woodstock, Vermont's Dawson Grist Mill Gallery, and South Hampton College, among others. Her portraits, landscapes and still lives hang in hundreds of homes around the world. Information provided by Bunny McBride...

This meticulously crafted acrylic painting combines refined aesthetics with quiet emotional depth. The composition draws the viewer into a delicate narrative filled with subtle symbo...

Manuel Pardo (1952-2012). Portrait, 1989. Oil on canvas, 11 x 17.5 inches. Unframed. Signed, dated and dedicated on verso. Excellent condition. Manuel Pa...

This drawing studied of Van Gogh's self-portrait at his Solo exhibition " Poets and Lovers" in National Gallery, London, 2024. Shizico Yi learned her craft in drawings from old mast...

E. Salazar Texas Artist Image Size: 40 x 30 Frame Size: 47 x 37 Medium: Oil on Canvas "Quanah Parker"

Signed in red, u.r. Oil on canvas Listed price includes $150 additional cost for framing. This work is offered by ClampArt in New York City.

Red Terrier Possibly Dutch School Oil on wood panel, circa 1900-1910. Initialed lower left 7 1/2 x 7 (12 x 11 1/2 frame) inches A charming and thoughtfully rendered depiction of a t...

Gustave Jaquet Jacquet was born on 25th May 1846 in Paris. He was a pupil of Bouguereau and for his debut at the Paris Salon in 1865, he exhibited 'The Reverie' which was very much i...

This charming oil portrait painting is by noted British Victorian artist George Wells. Painted circa 1880 we know the elegant sitter is Chlorinda but her relationship to Wells is unk...

In the tradition of Modigliani, Maurer's depictions of women are expressive and lively. America had very few modernists who painted in this manner but Maurer is famous for exactly t...

Bernard GAILLOT (Versailles 1780 – Paris, 1847) Portraits of two sisters Pair of oil on canvas H. 92 cm; L. 73 cm One signed Student of David, he presented his first works at the Sa...

Jazzu Belle âme forte Acrylique sur papier fort 2025 Daté , titré et signé par l’artiste 42 x 29,7 cms 490 euros

original painting of "Man with an umbrella" by Sean Durkin. Sean uses very toned colours but draws attention to his bag and trousers, as well as uses white tones in his socks and shi...