Portrait Paintings

Exquisite antique portrait painting of a young fashionable woman. Framed. Oil on canvas. Signed. Image size, 31H by 24L.

This mid-17th-century bust-length Flemish school portrait depicts the Dutch Catholic bishop Cornelius Janssen (1585-1638). Painted when into his later years, this intriguing historic...

Serge Marshennikov's "Sleeping Beauty," is an original, handmade hyper realistic oil painting on stretched canvas that depicts a feminine model in a...

Conditions : Good overall Conditions. Old varnish and minor retouching on the nose. Orignal frame in excellent condition. Medal plate Henner. Jean-Jacques Henner was born on March 5...

Huile sur toile Dim 55/72 cm Ecole hollandaise XVIIe Ancien rentoilage. Non signé Charmant portrait d’époque XVIIe, typique de l’école hollandaise. La jeune femme est représentée à m...

Portrait of William Wellesley-Pole, 3rd Earl Of Mornington, circa 1800 Circle of Sir Thomas LAWRENCE (1769-1830) Large circa 1800 English Regency portrait traditionally identified ...

Portrait Of Richard Jones, 1st Earl Of Ranelagh, 17th Century School Of Sir Peter Lely (1618-1680) Large 17th Century Portrait of Rochard Jones, 1st Earl of Ranelagh, oil on canvas...

'The Bather', oil on fine art paper, by Louis Robert Arthur Latapie (1924). A captivating example from the long tradition of depicting the bather, this early work by celebrated Frenc...

This contemporary abstract expressive portrait, Graceful Spirit, was created in 2025 by French artist Natalya Mougenot in her studio in Lyon, France. It is a powerful homage to the q...

This contemporary abstract expressionist portrait of a woman was created by French artist Natalya Mougenot. Bold, vivid, and emotionally charged, the piece—titled "True Self"—explore...

"Erlin" is an original artwork by Eustace Mamba and measures 10"h x 8"w x .75"d. The artists cuts, arranges, sews, and collages fabric and paints to create layers of texture and colo...

Portrait of Catherine Parr (1512-1548) English School, 20th century after the earlier painting oil painting on canvas, framed framed: 37.5 x 31.5 inches canvas: 30 x 24 inches condit...

"Florentine Expressions: A Portrait Series V", oil on canvas, mounted on board, Florentine School (circa 1980s-90s). This gallery has acquired a number of paintings through an interm...

This contemporary abstract faceless portrait of Frida Kahlo, with a touch of impressionism and expressionism, was created by French artist Natalya Mougenot. Titled "Frida in Blosso...

This compelling full-length figure study depicts a girl dressed in traditional Russian folk attire sitting on a chair. Likely painted by a Russian artist in the second half of the 19...

Red-haired beauty portrait oil painting on canvas by René Avigdor 19Th Century Rene Avigdor was born in Nice and spent his career in France. He specialized in portraits, especiall...

This exceedingly charming early 19th-century half-length portrait by a follower of Thomas Gainsborough RA FRSA (1727-1788) depicts a lady traditionally identified as ‘Miss Sparrow’. ...

This exceedingly charming mid-18th-century English oil painting depicts a girl wearing a red gown with a train over a white petticoat. She’s holding a posy or nosegay. Evidently once commissioned for an English country house, the identity of this young lady remains a mystery. Her gown appears to be inspired by the popular ‘robe à la française...

"Absolutely Ready" (2022) by Clyde Steadman (United States) is an original painting depicting a female in her dressing room putting on heels.

"Florentine Expressions: A Portrait Series IX", oil on canvas, mounted on board, Florentine School (circa 1980s-90s). This gallery has acquired a number of paintings through an inter...

A woman sits in a sunlit room with soft geometric lines and a peaceful color palette of green, beige, and blue. A black cat rests on her lap, staring out the window at a calm, bl...

"Florentine Expressions: A Portrait Series XVII", oil on canvas, mounted on board, Florentine School (circa 1980s-90s). This gallery has acquired a number of paintings through an int...

The Barrister (the sitter is James Guy Baker, the artists brother). by Gladys Marguerite Baker (British, 1889-1959) signed oil painting on canvas, framed framed: 146cm x 101cm canva...

Konstantin Razumov (Born 1974) Russian Elegant Lady in her Dressing Room, wearing Lingerie and Red Shoes Oil on canvas: 10 x 13 inches. Frame: 18x21 inches. Konstantin Razumov's ...

Konstantin Razumov (Born 1974) Russian Elegant Nude in Pink Peignoir, standing before a Mirror Oil on canvas: 11 x 16 inches. Frame: 18 x 23 inches. Konstantin Razumov's work has...

Portrait of a Young Lady by André Félix ROBERTY (1877-1963) oil on canvas, framed Stamped signature with the artists atelier mark framed: 35 x 31 inches canvas: 26 x 21 inches Proven...

Figurative Portraits French School, illegibly signed and dated 47' circle of Fernand Leger (French 1881-1955) oil on canvas, unframed canvas: 38 x 58.5 inches Provenance: private col...

In this painting, we see a minimalist room with a huge window, beyond which stretches a sky filled with fluffy white clouds. Muted colors dominate—the blue of the sky contrasts beaut...

Luigi Morgari (Italian, 1857–1935) The Nun Oil on canvas mounted on board Signed lower right 14 x 12 inches 21.5 x 19.5 inches, framed Luigi Morgari was an Italian painter, primaril...

This splendid early 18th-century French oil painting represents an ‘ex-voto’ with Emilian Jacobin and a depiction of the Virgin Mary with Christ and angels. Ex votos are votive offe...

This early 19th-century half-length portrait attributed to British artist George Clint ARA (1770-1854) depicts a young lady wearing a beautiful brown dress, bonnet decorated with small flowers, gold earrings and coral necklace. Clint was a distinguished painter and mezzotint engraver predominantly known for portraiture and dramatic scenes. Set before an evocative classically-inspired backdrop, she looks out from across the centuries with a composed demeanour. Adorned in the latest fashions, oversized ‘gigot’ sleeves, a delicately-poised bonnet, and a coral necklace for good luck. It’s a charming portrayal by a masterful hand. Born at Drury Lane, in the heart of London’s West End, George Clint was destined to lead an exuberant life amid the spectacle of theatreland. His father, Michael Clint, was a hairdresser during a time of “hair pomatum, whalebone, wire, lace gauze, and feathers” - so young George would have encountered a variety of ‘characters’ during his childhood. But despite these elevated surroundings, he soon discovered the darker side of London when thrust into the world of employment. Apprenticed initially as a fishmonger, he trained under a ferocious master who was known to beat him. The hours were unsocial, the conditions rank, and the work was brutal. He soon quit but subsequently found himself toiling for a corrupt attorney who demanded he undertake unscrupulous acts on his behalf. Seeking a less volatile role, he turned next to house painting, at which he excelled. Commissioned, among other projects, to paint the stones of the arches in the nave of Westminster Abbey. Aside from an incident whereby he almost fell from the second story of a building, all was going well. Following his marriage in 1792 to Sarah Coxhead, a farmer’s daughter, he began work in earnest as a painter of miniatures, determined to forge a career. Robert William Buss’ memoir celebrates Clint’s success as a miniaturist, stating that “great manual excellence was united with that chaste, delicate feeling for female beauty which characterised all Mr. Clint's portraits of ladies.” Until this point, it appears he was predominantly self-taught, presumably constrained by a lack of finances. But from hereon in, his industrious nature coupled with several fortunate encounters, led to him developing an enviable talent for both painting and engraving. During the early 19th-century, the acquaintances one kept could make or break your fortunes and perhaps acutely aware of this, Clint’s ‘society’ was an ever-evolving circle of influential personalities. He was “initiated into the mysteries of engraving” by Edward Bell (act.1794-1819) and produced numerous works after the foremost artists, such as George Stubbs, John Hoppner, and Thomas Lawrence. Following a commission from Lawrence, he struck up a long-term friendship. Admired for his skill as a mezzotint engraver, he sought next to hone his technique in oils and, as with many aspiring portraitists, his first work in this respect was a depiction of his beloved wife. The pair were both delighted with it, yet over time Clint began to doubt himself and sought the validation of a superior hand - that of Sir William Beechey (1753-1839). However, paralysed with insecurity, he couldn’t face the potential criticism, so his wife took it instead - “with a child under one arm and the portrait in the other”. The result was immeasurably more positive than he’d envisaged and he became closely associated with Beechey until his death in 1839. Numerous commissions followed from the landed gentry including Lord Egremont, Lord Spencer, and Lord Essex. But also from the theatrical community who would fill his studio at 83 Gower Street, Bloomsbury. His connections within the world of acting led to notable works such as ‘Malvolio and Sir Toby’ (from William Shakespeare's 'Twelfth Night', Act II, Scene iii)’ and ‘Harriet Smithson as Miss Dorillon, in Wives as They Were, and Maids as They Are’. While his efforts in mezzotint included several contributions to JMW Turner’s Liber Studiorum. As a measure of his success, Clint was elected an Associate of the Royal Academy in 1821 - a position he later relinquished for personal reasons. Today, he’s represented in numerous public collections including at The British Museum, Harvard Art Museums, The Met, V&A, Yale Center for British Art, and the National Portrait Gallery. “The respect in which he was held, not only by his brother artists, but by an immense number of eminent men in various professions, and others of the highest rank, was the result of a rare combination of talent, candour, suavity of manner, and integrity of purpose”. [Obituary, 1854]. Housed in a period gilt frame, which is probably original. Learn more about George Clint ARA in our directory. Labels & Inscriptions: Supplier’s stencil from Rowney & Forster. The National Portrait Gallery holds a database of supplier’s stencils over the decades. The one here is also presented on two other works by George Clint. ‘Falstaff’s Assignation with Mrs Ford...

"Child Star" Mid Century Portrait of a Boy with Brown Eyes Oil on Canvas Stately portrait of a boy by William Robert Shulgold (Russian-American, 1897-1989). The subject is looking o...

Suzy Smith's "Let Them Eat Cake" is an original, handmade oil painting that depicts a portrait of a female nude with a crown set against a backdrop inspired by a Wayne Thiebaud cake...

Portrait of a Woman in Traditional Headpiece French/ Swiss, dated 1855 signed oil on canvas, framed dated 1855 framed: 34 x 27 inches canvas: 32 x 25 inches Provenance: private coll...

Amy Devlin portrays people, animals, or nature in her works. But what really matters to her is light and water, which she wants to capture in the form of a physical memory. By follow...

Antique Dog Painting of a Terrier Jules Chardigny (1849-1892) Circa 1870 Oil on wood panel. 8 1/8 x 5 5/8 (13 1/4 x 10 3/4 frame) inches This is one of several examples of dogs bein...

This contemporary abstract expressive portrait, On My Own Path, was created in 2025 by French artist Natalya Mougenot in her studio in Lyon, France. It presents a faceless woman with...

Head Portrait of a Dog English School, 19th century oleograph on paper on board, framed glass covered framed: 13 x 11.5 inches board: 9.5 x 8 inches Provenance: private collection, E...

Dog Portrait of a Grand Vendéen Hunting Dog Jules Chardigny (1849-1892) Circa 1870 Oil on wood panel Housed within its beautiful and original ornate original gilt frame. 9 1/4 x 7 ...

The painting titled Portrait of a Boy in Profile, likely by Friedrich Wasmann (1805–1886), exemplifies the refined portraiture characteristic of the Biedermeier period. Executed in o...

The Renaissance Lady Roman School, circa 1890-1900 period oil on board, framed in original Italian ornate frame framed: 17.5 x 16.5 inches board: 11 x...

"Pink Hair Lady" is an original artwork by Eustace Mamba and measures 14"h x 11"w x 1.25"d. The artists cuts, arranges, sews, and collages fabric and paints to create layers of textu...

Head Portrait of Jack Russell Terrier Dog English School, 19th century signed oil on canvas, framed dated 1895 framed: 16.25 x 14.25 inches canvas: 12 x 10 inches Provenance: privat...

Portrait of a Collie Dog English School, 20th century signed oil on board, framed framed: 19 x 15 inches board: 16 x 12 inches Provenance: private collection, England Condition: very...

Suzy Smith's "Meringues" is an original, handmade oil painting that depicts a portrait of a female nude set against a backdrop inspired by a Wayne Thiebaud pie painting...

Very fine Dutch 17th century old master portrait of a lady, ca. 1655 This bust-length portrait captures an enigmatic woman with gentle eyes and a soft, loving smile. Her expression ...

Very finely painted late 19th or early 20th century portrait painting. Oil on canvas. In excellent original condition. Handsomely framed in a giltwood molding. Excellent conditio...

This fine mid-19th-century German miniature depicts a woman wearing a black dress and a beautiful white and lilac day cap. Produced around 1840, this exquisite piece on porcelain is...

Oil painting on panel portrait of a lady by Harry Humphrey MOORE Harry Humphrey Moore ( 1844, New York City - 1926, Paris) was an American painter; best known for his works depicti...

Portrait of the Artists Mother *see below by Gladys Marguerite Baker (British, 1889-1959) signed, titled verso oil on canvas, framed framed: 29 x 17 inches canvas: 24 x 12 inches Pr...

The Cornish Fisherman Signed by David W. Haddon (British, flourished end of the 19th century) Oil on board, framed framed: 13 x 11 inches board: 10 x 8 inches Provenance: Private col...

Title: "Travesti, Hairy Diva" Artist: Unknown Technique: Oil on canvas Dimensions: 24.4 x 20.5 in Period: 21st century Framing: Unframed Work Description "Travesti, Hairy Diva" is a...

This impressive British 1940's portrait oil painting is by noted artist Arthur Royce Bradbury. Painted in 1949 it is a half-length portrait of a young Scottish girl in a mountainous ...

Matt Talbert's "In Repose" (2025) is an original, handmade oil painting on panel that depicts a portrait of a brunette seated at a table in deep contemplation. Artist bio/statement...

This stunning British Victorian Pre-Raphaelite Royal Academy exhibited oil painting is by note female Suffragette artist Emily Mary Osborn. Painted in 1877 it was exhibited at the RA...

This is a reproduction of a Francis Bacon's painting Portrait of Michel Leiris, originally created in 1976. This work is a notable example of Bacon's ability to capture the psycholog...

Portrait of a Young Noble Lady Dutch Old Master, 17th century oil painting on cradled panel, framed in 17th/ 18th century frame framed: 16.5 x 14.5 inches panel: 12 x 10 inches Pro...

A superb c.1840 English School half-length portrait of a lady in an ermine stole and lace cap. The lady's face is flushed with colour as she gazes her chestnut eyes to the left. Tigh...

A Rocky Cornish Coast, early 20th Century by Kathleen Walker (1893-1966) early 20th Century study of a rocky Cornish coast by Kathleen Walker, oil on ...

The Young Officer English School, 19th century oil painting on board, framed in very fine quality antique gilt frame framed: 17 x 14.5 inches board: 12 x 9 inches condition: very goo...

This stunning British Victorian Pre-Raphaelite Royal Academy exhibited oil painting is by noted historical female artist and suffragette Jessie MacGregor. She was tutored by Lord Frederick Leighton at the Royal Academy art schools in the 1870's and his influence can be seen here. Painted in 1892 and exhibited that year, the subject matter is when Dante, (1265-1321) later an Italian Florentine poet, first met Beatrice, the love of his life when he was nine. They met in a gathering at her father's palazzo in Florence. She was a few months younger than Dante and dressed in a crimson dress. They never actually spoke for another nine years although Dante often observed her. They were both married off during this time, as was the custom then and Beatrice died aged only 24. Dante remained devoted to Beatrice for the rest of his life and she was his principal inspiration for much of his well known work, such as La Vita Nuova (The New Life) and La Divina Commedia (The Divine Comedy). (see below biography for more details on Dante and Beatrice). This stunning Pre-Raphaelite oil painting depicts Beatrice kneeling on the grass, holding flowers and gazing up at Dante as he stands beside her, hands over her head, perhaps miming crowning her. Other children and their maids dance around them. Beyond them is a Florentine garden with beautiful arches and some figures to the right. To the left one can glimpse the landscape under a summer's sky. MacGregor has portrayed superb detail in the figures expressions and clothing with rich red and gold tones and the vivid blue sky echoing in the little boy's tunic. The brushwork is fantastic. MacGregor painted some fantastic paintings in her time, many of which were exhibited and now hang in art galleries. This painting is a superb example of her work, with excellent provenance and would grace any wall. Signed twice 'Jessie Macgregor/1892' lower right. Provenance. Anon. sale, Sotheby's, Belgravia, 11 December 1972, lot 195. Exhibited London, Royal Academy, 1892, no. 905 entitled In the Childhood of Dante. From this time forward love ruled my heart. Literature Royal Academy Illustrated, 1892, p. 78. Condition. Oil on canvas, 65 inches by 35 inches and in good condition. Frame. Housed in a gilt frame with ornate flower corners and reeded edge, 87 inches by 57 inches, in good condition. Jessie MacGregor (1847–1919) was a British painter. She was born in Liverpool to a Scottish father, Alexander (1820-1898) and Liverpudlian mother, Sarah (1820-1894). She had an older brother and 7 younger siblings. MacGregor first learned drawing at the drawing academy in Liverpool run by her grandfather Andrew Hunt, a landscape painter. Her mother taught her to use water colours. Her parents went to live in London and she began to study painting there, becoming a pupil at the Royal Academy Schools in 1870 for seven years where her teachers were Lord Leighton, P. H. Calderon, R.A., and John Pettie, R.A. She won a gold medal at the Royal Academy for history painting in December 1871, the prescribed subject being An Act of Mercy. She was the second woman after Louisa Starr's gold medal in 1867, and the last woman to do so until 1909. She first exhibited at the RA whilst still a student, in 1871. She continued with a historical genre when history paintings were broadening their reach towards literature and romance. Her subjects were almost always women or children. MacGregor was made an Academician for the Liverpool Academy of Art in 1874. By 1880 she was using a studio on Elm Tree Road and exhibiting regularly at the Royal Academy. in 1884 her brother Archibald also started working from this address and they both had paintings at the RA that year. In 1888 she moved studio to Hill Road St John's Wood. In 1892 MacGregor had two painting at the RA, a portrait of Miss Phyllis Eden and our painting, In the Childhood of Dante. This was described as a fresh bit of Italian Childhood and harmonious colour grouping by the Western Daily Press. Portraits rarely got a mention in the papers but narrative works were much more popular. She lectured widely for the Victorian University extension scheme at the Arts Clubs of Liverpool, the National Gallery and Leighton House museum and other regional centres. MacGregor had a studio in Chalcot Gardens Hampstead from 1900 and began to get involved with women's issues. In 1904 she was on the committee of the Lyceum Club London along side Henrietta...

The Flagellation of Christ Old Master Flemish School 17th century Medium: Oil on copper Dimensions: Image size 22 x 17 cm, frame size 39 x 31 cm

Tanvi Pathare Una Donna Sevillana (A Lady from Seville) Contemporary Florence Portrait painting 95 x 80 cm oil on linen (frame included in price) size with frame: 104 x 90 cm Tanvi...

"Lineage Without Names" Oil Painting 47.5" x 47.5" inch by Casey Baugh Medium: oil and ash on linen ABOUT THE PAINTING: I'm forever fascinated with the idea of what is passed to u...

The Jewish Bridge antique Dutch School, after the 1660's oil painting by Rembrandt (Rijksmuseum, Amsterdam) oil painting on canvas, framed in its antique gilt frame with ornate mould...

"Snowy" English School, 20th century signed oil on board, framed framed: 15.5 x 19.5 inches board: 12.5 x 16 inches Provenance: private collection, UK Condition: very good condition ...

Shipping Procedure Ships in a well-protected tube. This work is unique, not a print or other type of copy. Accompanied by a Certificate of Authenticity. About Artist Josue M Pierre...

This compelling full-length figure study depicts a young girl dressed in traditional Russian folk attire. Likely painted by a Russian artist in the second half of the 19th century, t...

The Bank Manager by Stuart Scott Somerville (1908-1983) signed oil on canvas, framed Framed: 56 x 47 inches Canvas: 50 x 40 inches Provenance: private collection, UK Condition: very ...

The Boston Terrier French artist, mid 20th century oil on on canvas, framed framed: 18 x 15 inches canvas : 16.5 x 13 inches Provenance: private collection, UK Condition: a very few ...

Van Cuyck Octave Ostend 1870 – 1956 Liége Belgian Painter 'Portrait of a Great Dane – Harlequin' This striking life-size portrait by Belgian painter Octave Van Cuyck captures the c...

Hyacinthe Rigaud (Perpignan 1659 - Paris 1743) School of Portrait of a gentleman in armour: Joseph Jean Raymond de Lasbordes, Officer of the “Régiment des Landes” (infantry regime...

Two figures stand, facing the horizon, their eyes fixed on a missile flying horizontally. Its fiery trail cuts through the calm sky, and the moment hangs between “there’s still time”...