Pop Art Paintings

Reut Harel is a Pop Art artist who works in Tel Aviv and creates colorful, optimistic, vibrant art that combines detailed elements and emotions. Her works a...

Oil Gas Fuel Pump Cartoon Pop Art on Abstract Background by British Urban Graffiti Artist, Chris Pegg. Chris Pegg is a self-taught Street Artist producing artw...

One-of-a-kind Pop Art Original Painting on Canvas by Gardani, hand signed by the Artist front and back, comes with official Gardani Certificate of Authenticity with a unique dollar b...

Contemporary mauve-toned circular portrait in acrylic on wood exploring queer migration, self-reclamation, and identity through figurative painting and handwritten text. Currency #2...

Artist: Pietro Bulloni, Italian (1947 - ) Title: Picnic Year: 2010 Medium: Oil on Canvas, signed, dated, and titled verso Size: 23.5 in. x 23.5 in. (59.69 cm x 59.69 cm)

Michael Knigin, American (1942 - 2011) - Patch of Gold, Medium: Chromgenic print and acrylic on canvas, signed and titled on verso, Size: 44 x 41 in. (111.76 x 104.14 cm), Frame Size...

This painting, one of ten, belonging to a series of works exhibited in 2017 for the " DECADES " exhibition, that tell the atmosphere of 70's Dimension: 150 cm x 200 cm. Mixed media...

Reut Harel is a Pop Art artist who works in Tel Aviv and creates colorful, optimistic, vibrant art that combines detailed elements and emotions. Her works a...

'Fractured Mind' - Abstract Painting on Board by British Urban Graffiti Artist, Chris Pegg, using red, black & golden yellow. Chris Pegg is a self-taught Street Artist producing artw...

This painting, one of ten, belonging to a series of works exhibited in 2017 for the " DECADES " exhibition, that tell the atmosphere of 60's Specifically, the works reproduce the cov...

Bolero" animalism is an oil painting by Lilia Volskaya. Cherries are like precious stones, and next to them is an elegant and very imposing cockerel. In many peoples, these two symbo...

Artist: Michael Knigin, American (1942 - 2011) Title: Sign of Power Year: 1990 Medium: Acrylic and enamel on canvas, signed and dated in pencil Size: 75...

"Jeni Stallings creates work that often draws from her dreams and personal experiences. She tends to render those moments in a muted, femininity-infused surrealism far from the hard-...

"Jeni Stallings creates work that often draws from her dreams and personal experiences. She tends to render those moments in a muted, femininity-infused surrealism far from the hard-...

Welcome to the world of Ed Heck! Fresh. Bold and Engaging are just a few words that come to mind upon viewing the artwork of the internationally Celebrated Pop Artist Ed Heck. ...

This vivid, textured oil painting was painted live at a music event here in Los Angeles. The inspiration for the piece comes from a talented independent artist (singer and break danc...

This artwork titled "Hold On" 2012 is an acrylic paint on paper by artist Maxime Maurice Grossman, b.1989. It is hand signed at the lower left corner in pencil by the artist. The artwork size is 11.15 x 15 inches, framed size is 14.75 x 18.5 inches. Custom framed in wood and black color frame. It is in excellent condition, the frame has some minor restorations, barely visible. About the artist: Maxime Grossman was born in San Francisco, California, to Chinese and French parents. His parents were highly involved in the local art scene, so he was constantly immersed in different ideas and cultures. Maxime studied economics and industrial design and is influenced by geometry, typography, graffiti...

Evocative pop art/fauvist treatment of the return of Ayatollah Khomeini to Iran by Monterey, California aritst Dick Crispo (American, b.1945). Presented in a mat. Signed and dated "D. Crispo 79" upper left corner. Image size, 29"H x 23"W. “I am an abstract journalist of the landscape and a choreographer of the dance of the mind, eye and hand. The plastic, the decorative, the horrible and the serene that pepper the visual landscape of the present time challenges the artists who address the age of information. I consider myself a global artist, not an American artist. This galactical view is the true basis of my work–Nature is my teacher–the Master. I’m the apprentice.” –Dick Crispo Dick Crispo, born in New York City on January 13, 1945, has resided on the Monterey Peninsula since 1955. An award winning artist, Crispo has studied at the Carmel Art Institute under John Cunningham and Sam Colburn...

Reut Harel is a Pop Art artist who works in Tel Aviv and creates colorful, optimistic, vibrant art that combines detailed elements and emotions. Her works a...

Denied Warhol Flowers, (Violet/Purple) Silkscreen Painting by Charles Lutz Silkscreen and acrylic on canvas with Denied stamp of the Andy Warhol Art Authentication Board. 24 x 24" in...

Robin Winters (b. 1950) hand signed; 1986. Acrylic, rhoplex and powdered pigment on screenprint Dimensions: 36”h, 32”w Title: "Home" Provenance: Brooke Alexander Gallery, New York, New York. Gallery label verso. Robin Winters is known for his conceptual works in a wide variety of two- and three-dimensional media and performance/durational art. The reliquary and other recurring themes that appear in his works can be seen in the collection of sculptures and paintings offered in this sale (lots 170, 171, 173, 393, 396). Gallery label to reverse: Brooke Alexander Gallery, New York, New York. Provenance: Brooke Alexander Gallery, New York, New York. Robin Winters (born 1950 in Benicia, California) is an American conceptual, multi-disciplinary, artist and teacher based in New York. Winters is known for creating solo exhibitions containing an interactive durational performance component to his installations, sometimes lasting up to two months. Winters first emerged in the burgeoning Soho NYC art scene of the 1970s. An early practitioner of the Relational Aesthetics (social interaction as an art medium) Winters also created in works through sculpture, installation, performance, painting, drawing and prints. His art maintains a whimsical spirit, and he often returns to ongoing themes involving faces, boats, cars, bottles, hats and jesters or fools. Winters has incorporated such devices as blind dates, double dates, dinners, fortune telling, and free consultation in his performances. Throughout his career he has engaged in a wide variety of media, such as performance art, film, video, writing prose and poetry, photography, installation art, printmaking, drawing, painting, ceramic sculpture, bronze sculpture, and glassblowing. Winters was born in Benicia, California in 1950 to lawyer parents. As a child his hobby was collecting glass bottles found on the beach and under old buildings, which would later influence him as an artist. In 1968, Winters had his first durational performance, entitled Norman Thomas Travelling Museum. The artist drove a Volkswagen bus decorated in collage, many of the images relating to current events and politics. Inside was what the artist described as a “reliquary” containing many objects, including a bottle collection. Winters took the van to shopping centers and even as far as Mexico. That same year, Winters opted not to register for the military draft. Although he was deemed fit to serve, Winters refused. In 1975 the resulting legal proceedings finally came to a close after it was proven that the artist had been harassed by the local draft board. In his teens and early twenties, Winters became acquainted with several local artists who helped shape his aesthetic, most notably Manuel Neri and Robert Arneson. By the early 1970s, Winters was studying at the San Francisco Art Institute (SFAI) and had relocated to San Francisco. At this time Winters became friends with the Bay Area conceptual artists Terry Fox and Howard Fried, and participated in several of Fried's performance works. In 1972 Winters was accepted into the Whitney Independent Study Program in New York City. After coming to New York City, Winters helped support himself by working for various artists, among them the performance artist Joan Jonas and sculptor Donald Judd. In 1974, Winters performed The Secret Life of Bob-E or Bob-E Behind the Veil eight hours a day, five days a week for a month in his studio apartment. Behind a one-way mirror the audience could watch Winters play the character of Bob-E, whose goal was to make a monument for everyone in the world in the form of blue and yellow rubber top hats. By the end of the month the artist had constructed 262 hats. The following year, Winters was invited to take part in the Whitney Museum's 1975 Biennial Exhibition. Entitled W.B. Bearman Bags a Job or Diary of a Dreamer. These meetings led to the formation of the Group Collaborative Projects, or Colab, of which Winters is a founding member. Also in 1976, Winters formed the partnership “X&Y” with fellow artist Coleen Fitzgibbon that would last two years. Together they performed a series of shows in the Netherlands, most notably a show entitled Take the Money and Run. Performed at De Appel in Amsterdam, the show involved the artists robbing their audience. The following day the audience was given an apology, as well as the opportunity to retrieve any valuables and participate in a lottery to win the artists’ services. They also made a Super 8 film in NY called Rich-Poor, in which they asked people on the streets their thoughts on the rich and poor. In 1980 Winters participated in The Real Estate Show and in Absurdities at ABC No Rio. That same year he and artists Peter Fend, Coleen Fitzgibbon, Peter Nadin, Jenny Holzer, and Richard Prince also formed The Offices of Fend, Fitzgibbon, Holzer, Nadin, Prince & Winters. This short-lived collective was based out of an office on lower Broadway and offered “Practical Esthetic Services Adaptable to Client Situation”, as stated on their business card. Their goal was to offer their art as “socially helpful work for hire”. In June of that year Winters participated in The Times Square Show, Colab's most well-known exhibition. The month-long show took place in a four floor building on West 41st Street and was densely packed with art. To cap off a busy year, Winters also became one of the first artists to join the Mary Boone Gallery, showing a successful solo exhibition in 1981. His work was shown in the New York/New Wave show in 1981 at MoMA PS1 along with Jean-Michel Basquiat, Roberta Bayley, William S. Burroughs, David Byrne, Sarah Charlesworth, Larry Clark, Crash (John Matos), Ronnie Cutrone, Brian Eno, Peter Fend, Nan Goldin, Keith Haring, Ray Johnson, Joseph Kosuth, Marcus Leatherdale, Christopher Makos, Robert Mapplethorpe, Elaine Mayes, Frank Moore, Kenny Scharf and others. In 1982, Winters had his first solo exhibition in Los Angeles at the Richard Kuhlenschmidt Gallery. At the Mo David Gallery in 1984, Winters created an installation piece that consisted of a floor of plaster tiles. Underneath each tile, hidden from view, was a drawing. He designed the stage sets for the musician Nico, and assisted French artist Orlan, American artist Stuart Sherman, and American poet Gregory Corso. Two years later Winters was invited to take part in Chambres d’Amis (In Ghent there is Always a Free Room for Albrecht Durer) in Ghent, Belgium. In it, 51 artists created installations in 50 different sites, mostly private homes. Winters chose the home of a local art historian. The artist made 90 drawings based on images found in the large collection of art books in the home's library. He made two copies of each drawing and placed the originals in the books themselves. One set of copies was exhibited in the sponsoring museum, Museum van Hedendaagse, as "The Ghent Drawings". The drawings were also on display at Winters’ solo exhibition at Luhring Augustine & Hodes Gallery in New York City in 1987. In 1986, Winters had a solo exhibition at Maurice Keitelman Gallery in Brussels, Belgium, and the following year a solo exhibition at the Centre Régional d'Art Contemporain Midi-Pyrénées in Toulouse, France. Also in 1986, Winters' Playroom was held at the Institute for Contemporary Art in Boston, Massachusetts. The exhibition was part of Think Tank, a retrospective of Winters' work which traveled to the Stedelijk Museum in the Netherlands, the Centre Regional d’Art Contemporain in France, and the Contemporary Arts Center in Ohio. Winters spent a month in 1989 working with students at the San Francisco Art Institute. Never having worked with ceramics, he spent the month making numerous ceramic pieces, which were then shown in the aptly named One Month in San Francisco. Other components of the piece included Winters’ childhood bottle collection and a video showing each piece in the show filmed briefly next to a ruler.[ Also that year, Robin served as a visiting artist at the Pilchuck Glass School, where he met artist John Drury, who was then working as the school's artist liaison. In the summer of 1990, Winters interviewed fellow artist Kiki Smith for her eponymous book, which was published later that year. That same year (1990), Winters was invited by the Val Saint Lambert glass factory in Belgium to create glassworks in their facility. Winters, artists John Drury and Tracy Glover traveled to Liege from the US, and the three in combination with two of the factories master glassblowers, realized Mr. Winters' work over six weeks time. A portion of the works, a group of glass heads and hats that the artist had produced at the factory, were exhibited in 1990 at the Centre d’Art Contemporain Geneve in Geneva, Switzerland. Later in the year they were included in his solo exhibition at Brooke Alexander Gallery in New York City. They were also shown at Facts and Rumours, an exhibition at the Witte de With Center for Contemporary Art in Rotterdam, the Netherlands in 1991. Winters had a solo exhibition at Van Esch Galerie in Eindhoven, the Netherlands called I am not Indifferent in 1991. The show consisted of paintings, glass heads, and bronze sculpture. Two years later he had another solo exhibition at the Renaissance Society at the University of Chicago, entitled Human Nature. Several hundred heads, made of glass and ceramic, lined the walls and were arranged in rings on the floor. Also on display were various paintings and bronzes. In 1994 Winters had a show at the Michael Klein Gallery in New York City entitled Notes from the Finishing Room, a solo exhibition of paintings. The artist also collaborated with fellow Benicia natives and glass artists Leroy Champagne and Michael Nourot...

This painting, one of ten, belonging to a series of works exhibited in 2017 for the " DECADES " exhibition, that tell the atmosphere of 70's Dimension: 200 x 100 cm. Mixed Media on ...

Borneo's pieces are deeply influenced by various creative sources, with a particular focus on the culture of the late '80s and '90s: from high-brow Memphis-inspired design to urban c...

"Claudia Cardinale" is a painting by Maestro Vlado Vesselinov. About the painting: Style and Technic: POP ART, Contemporary, Acrylic, Oil on canvas The painting is unframed. “The impressions of artist's paintings on the viewer is so mighty, mesmerizing, grand, that it paralyzes the imagination and leaves no option. His paintings bring emotion of happiness, love, energy and beauty represented by the vast creative power of his talent.” Maestro Vesselinov has track records of multiples exhibitions. His works are owned in privet collections around the word. Painting of the Bulgarian artist Vlado Vesselinov is a great example that the vintage style prevails lately and is also present in the world of contemporary art. The work of Vesselinov should be read as an expression of nostalgia and fascination with the past - fashion, design and pop culture of the 60s. A characteristic feature of these images is a clearly visible texture of the canvas, which remind us pages that someone snatched from a fashion magazine found in the attic. It's similar to the effect used by Quentin Tarantino in his recent productions, where full of dirt and defects film reels pulls the audience in a unique atmosphere of a Drive-in theater. As for the colors of Vesselinov artworks, he clearly refers to the psychedelic record covers of Jimi Hendrix or Jefferson Airplaine. Vlado Vesselinov born in 1977 Bulgaria Solo exhibitions: 1998 – solo exhibition, Kyustendil, Bulgaria 1999 – solo exhibition – Gallery Kovachev, Kyustendil, Bulgaria 2000 – solo exhibition – Art Gallery "Vladimir Dimitrov...

"Kind Soul" (FRAMED) Painting 16" x 14" inch by Tasneem El-Meshad Medium: acrylic on wood Academy of Fine Arts Cairo graduate Tasneem El Meshad describes her art, as “a reflection ...

Artist: Red Grooms Title: At the Beach Year: 1970 Medium: Oil on Conjoined Wood, signed and dated lower center Size: 5 x 12.5 inches Frame: 14 x 21.5 inches

Parrot Michael Knigin, American (1942–2011) Acrylic on Canvas Size: 39.5 x 37.25 in. (100.33 x 94.62 cm) A close-up portrait of a Rainbow Lorikeet, a species of parrot found in Aust...

John Randall Nelson’s paintings are layered with his own personal language consisting of patterns, symbols, and archetypes that may not make any literal sense but play on subconsciou...

Jeffrey Morgan (British, b.1942) Charlie Chaplin Poster paint and collage 23.3/4 x 14.5/8 in. (60.3 x 37.2 cm.) A 1960s pop art design for a tin print f...

Acrylic/neon/objects on iron. Signed by the artist in the lower right. Free shipment worldwide. Acquired directly from the artist. Artist Peter Klasen is a master of contrasts. Of...

Los Angeles street artist Gary John exploded onto the international art scene during the Art Basel Miami art fair in 2013. John’s playfully bold work quickly gained attention and he ...

One-of-a-kind Pop Art Original Painting on Canvas by Gardani available for you. Hand signed by the Artist front and back, comes with official Gardani Certificate of Authenticity with a unique dollar bill sequence as a registration matching number of that Artwork/sale. Details Medium: Mix media, silk screening, hand finished with Oil, Acrylic, stencils, spray paint, Collage and text on canvas. Size: 39x39 in. Artwork: Stretched ready to hang, not framed. Stretched: Wrapped around Wood Bars 1.5 in. depth. Movement & Style: Pop Art, Contemporary Art Condition: Excellent. Made in USA...

Fun and vivid fashion painting of a bright purple and green handbag with abstract geometric and linear accents by Michael William Eggleston (American, 2...

This painting, one of ten, belonging to a series of works exhibited in 2017 for the " DECADES " exhibition, that tell the atmosphere of 70's Dimension: 200 x 100 cm Mixed media on C...

One-of-a-kind Pop Art Original Painting on canvas by Gardani available for you. Hand signed by the Artist front and back, comes with official Gardani Certificate of Authenticity with...

"The Trap" 1995 by Mason Rader A graduate of the L. Jeffrey Selznick School of Film Preservation at the George Eastman House in Rochester NY with a Bachel...

This painting, one of ten, belonging to a series of works exhibited in 2017 for the " DECADES " exhibition, that tell the atmosphere of 70'sDiamond - La scelta - 150 cm x 150 cm. Mi...

Coulombe-Bégin's dynamic acrylic on canvas works seek to produce a metamorphic interpretation of the artist's inner identity. Her paintings make ample use of contrasting colors to cr...

Modern pop art diptych with an Egyptian theme by Gary Ermoloff (American, b. 1949). Unsigned, but was acquired with a collection of other Ermoloff pieces. Presented in new grey mats with foamcore backing. Each mat measures 20"H x 16"W, and each piece measures 19.5"H x 15"W. No frames. Gary Ermoloff (American b. 1949) attended the Academy of Art University in San Francisco, where he received his BA in Fashion Illustration. He is a former member of AIGA and a former Board Member...

Robert Lebsack creates artworks using mixed media with ink, acrylic, and charcoal on archival copies of newspapers, textbooks, and sheet music. As a visionary artist, Lebsack weaves ...

Reut Harel is a Pop Art artist who works in Tel Aviv and creates colorful, optimistic, vibrant art that combines detailed elements and emotions. Her works are characterized by a tend...

Reut Harel is a Pop Art artist who works in Tel Aviv and creates colorful, optimistic, vibrant art that combines detailed elements and emotions. Her works are characterized by a tend...

This painting, one of ten, belonging to a series of works exhibited in 2017 for the " DECADES " exhibition, that tell the atmosphere of 70's Dimension: 150 cm x 150 cm. Acrylic on C...

Contemporary street art Diptych aerosol on canvas by French artist Harold Maka. "Les Trois Chanteurs Bucoliques" (The Three Pastoral Singers). Signed bottom left. The painting is in ...

This painting, one of ten, belonging to a series of works exhibited in 2017 for the " DECADES " exhibition, that tell the atmosphere of 70's Dimension: 150 cm x 200 cm. Mixed media ...

This painting, one of ten, belonging to a series of works exhibited in 2017 for the " DECADES " exhibition, that tells the atmosphere of 60s Specifically, the works reproduce the cov...

This painting, one of ten, belonging to a series of works exhibited in 2017 for the " DECADES " exhibition, that tell the atmosphere of 70s Diptych, total dimensions: 100 cm x 100 c...

African Woman Essence is a commanding and graceful portrait that captures both the strength and softness of Black womanhood. Painted by Nigerian contemporary artist Bukola Orioye, th...

In bold, acrylic line paintings, US artist Hilary Bond depicts the heads and torsos of women, often repeating the image in overlapping compositions. Her contemporary groups of pop c...

Monopoly and Bitcoin inspired, great colors, acrylic and spray on canvas, great art work, exhibitions in the best Art Galleries in France, USA and Mexico. :: Painting :: Pop-Art :: T...

Counterpunch 2024 acrylic on archival paper 29.5"h x 41"50w Keith Carrington’s experiences have led him to express his talents through the fluid & exacting mediums of watercolor and...

In bold, acrylic line paintings, US artist Hilary Bond depicts the heads and torsos of women, often repeating the image in overlapping compositions. Her contemporary groups of pop c...

In bold, acrylic line paintings, US artist Hilary Bond depicts the heads and torsos of women, often repeating the image in overlapping compositions. Her contemporary groups of pop c...

This painting by Linda St. Clair is a playful depiction of a rooster ironically named "Music in the Morning". This piece is executed on acrylic on canvas and would make a pleasant ad...

"Tiger" is a painting by Maestro Pancho Malezanov. About the painting: TECHNIQUE: Acrylic, painting on canvas STYLE: POP ART, Contemporary Edition : Unique, signed Weight: Approximately 2 kg. The painting is unframed. Frame: Optional Snow Pearl gallery offers the possibility to increase the value of this artwork by adding a gorgeous wooden Italian contemporary frame of your choice. We can also offer a very special ancient restored frame. The frame can be hand-carved with composition ornamentation and hand-applied, with water gilded with 22 Kt. genuine gold leaf over rouge burnishing bole and then patinated to the appropriate patina. This will slightly increase the price, the shipping cost and the delivery time. His paintings bring emotion of happiness, love, energy and beauty represented by the vast creative power of his talent.” Dear art lovers, if you like the art of maestro Malezanov, please click the link to follow this artist and art gallery Snow Pearl to discover all our artists and beautiful artworks. Thank you so much! we appreciate your interest to our work. Snow Pearl art gallery provides certificates of authenticity for all artworks of the artist. . Maestro Malezanov has track records of multiples exhibitions. His works are owned in multiples collections around the word. Maestro Pancho Malezanov Was born in Sofia in 1964. Graduated from Secondary Art School in Sofia in 1984. Participated in general exhibitions in major galleries in Sofia in 1988-1989. SOLO EXHIBITIONS 2019 – Arsenal of Arts Gallery, Plovdiv - European Capital of Culture 2017 – Art Moore House, London U.K. 2017 - Bulgarian Cultural Institute, London, United Kingdom 2016 – The Art Fondation, Sofia, Bulgaria 2016 – Pentimento Gallery, Sofia, Bulgaria 2015 – Nataly Gallery, Sofia, Bulgaria 2014 – Artamoncev Gallery Sofia Bulgaria 2011- Anima Art Gallery Hilton Sofia Bulgaria 2011- Bulgarian Cultural Institute, London, United Kingdom 2008- Gallery Ikar Sofia Bulgaria 2007- Bulgarian Cultural Institute-Berlin Germany 2004 - Avant-garde Gallery, Plovdiv 2004 - Apollo and Mercury Gallery, Sofia 2003 - Iridium Gallery, Sofia 2003 - Draca Gallery, Sofia 2001 - Monitor Daily Gallery, Sofia 2000 - Municipality Gallery, Varna 2000 - Art 36 Gallery, Sofia 2000 - Draca Gallery, Sofia 2000 - Romfeya Gallery, Plovdiv 1998 - Art Club Gallery, Sofia 1998 - Gallery of the Bulgarian National Assembly 1997 - Ata-Ray Gallery Sheraton Hotel, Sofia 1997 - Macta Gallery, Sofia 1996 - Ata-Ray Gallery, Sofia 1995 - Macta Gallery, Sofia 1994 - Macta Gallery, Sofia 1993 - Ata-Ray Gallery, Sofia 1992 – Mericas Gallery, Athens, Greece SELECTED GROUP EXHIBITIONS 2018 - Art fair Lausanne 2018 – Nuance Art Gallery, Sofia, Bulgaria 2017, Antwerp Art Fair, Antwerp, Belgium 2016 - Hay Hill Gallery London U.K. 2016 - Autumn arts Salon, Wadenoijen, Netherlands 2015 - Hay Hill Gallery London U.K. 2015 - Slater Memorial Museum Norwich CT 2014 – Hay Hill Gallery London U.K. 2013 – Hay Hill Gallery London U.K. 2013 – Wimbledon Fine Art, London, U.K. 2013 Makta Art Gallery Kempinski Hotel Sofia Bulgaria 2005 – Apolonia Arts Festival, Bulgaria 2003 – Delight Hamilton Gallery, Seattle, WA (US) 2002 – Gettysburg, PA (US) 2001 – Washington, D.C. 2001 – Aleksey von Schlippe Gallery, Univ. of Connecticut, New London, CT (US) Pancho Malezanov’s wild cars have broken into the Art moorhouse gallery- London! I have read that designers strive to give character to cars, often inspired by nature - sometimes their headlights look like the eyes of an owl or an eagle, grills snarling predatorily like shark’s teeth, the body curved like a purring kitten orsleek like a hungry tiger ... not to mention the many horses under the bonnet ... It is this nature of cars, including some of the most expensive and vintage brands, that artist Pancho Malezanov unveils his new series "(Auto) portraits". First of all, because he has experience with painting animals and knows their desires well. Secondly, because he sees their characters embodied in metal, leather and glass. The result is futuristic – a car, yet behind the windows, the character of a powerful untamed beast is revealed. Not always, of course. How can you not trust a brand whose radiator grill is colored like a rainbow, whose multicolored lights wink at you, all stemming from Malezanov’s imagination. He has managed to turn the car into a living creature who prowls around the urban jungle. You will stand up and pay attention after seeing such a car. And you’ll be sorry that you drive a boring black or white machine. No problem – simply listen and take inspiration on how to bring colour to your life and to your car from this exhibition. If you do not want to take a risk with an insanely expensive classic brand, at least you can hang up your own Malezanovartwork on your wall and lift your mood by how he intertwines technique with technology, combining the flamboyant cars with detailed backstories and turns them into colorful toys for a grown boy’s room. Mila Vacheva – "24 Hours" newspaper The prominent art critic Maximilian Kirov writes about the author: ..."As an artist Pancho Malezanov always prefers to interact with nature directly, but it is difficult to call him a landscape artist in the exact meaning of the term. He is not interested in particular details, but prefers to unite the entire scenery through a randomly situated point of view, which does not take into account the horizon line or the static position from which each natural object is seen. This point of view almost always has a peculiar “bird’s plan view”, which allows him to contemplate a panoramic scene. This is a “bird’s eye vision...

Here it is, real 100% pop art! This is when everything is clear. This is when the object depicted in the picture is self-sufficient and valuable in itself. This is what many call art for art. This fish does not need additional conditions to become an art. It is beautiful in itself, albeit frozen. In any case, it seems to me so. To make everything completely clear to everyone, I wrote the name of the painting right on the front of it. I have heard the opinion that art is a secret, an understatement and generally a mystical thing. I agree with all this. I just want to add that art is always different. Hallujah !!! When asked why sea bass...

"Blue Owl" Figurative Painting 48" x 48" inch by Kii Arens Medium: Matte Colour Vinyl Paint ABOUT One of the most credible and influential in Los Angeles - the award winning Kii Ar...

In this original acrylic paint on paper, Jose Palacios depicts "Rosa", a figure in a neo-cubist and pop art style. He uses vibrant yellow, blue and red shapes to compose her face whi...

Acrylic and lithograph on vélin d’Arches paper. Paper size: 12 x 14 inches. Inscription: Hand signed, as issued. Notes: Published, printed by Via Max, New York; painted by Peter Max,...

Artist: Max Epstein, Canadian (1932 - 2002) Title: O' Canada 2 Year: 1976 Medium: Acrylic on Canvas, signed and dated l.r. Size: 36 in. x 50 in. (91.44 cm x 127 cm)