Pop Art Paintings

"Leta and the Hill Myna" is a painting by American Pop artist Mel Ramos. The work is signed verso "Mel Ramos". Mel Ramos is a California based Pop artist best known for his paintings of superheroes and female nudes, including Marilyn Monroe and Scarlet Johansson, with pop culture imagery. Many of his subjects emerge from Chiquita bananas...

"Jeni Stallings creates work that often draws from her dreams and personal experiences. She tends to render those moments in a muted, femininity-infused surrealism far from the hard-...

Playing with the interaction between positive and negative space, strong colors on neutral backgrounds, Canadian artist Virginie Schroeder creates pop art portraits and iconic pop cu...

Playing with the interaction between positive and negative space, strong colors on neutral backgrounds, Canadian artist Virginie Schroeder creates pop art portraits and iconic pop cu...

Bad date, 59x42cm, tempera/paper

Swiss artist Marion Duschletta transforms luxury objects and urban landscapes from around the world into unique layered artworks. She combines an intriguing mixture of urban photographs and American pop icons opposite brand names and advertising references, adding bold colors and compelling patterns. She transfers them onto archival paper which is mounted on canvas. The pop art imagery is often distressed in an attempt to emphasize a bygone era. She further enhances the artworks with acrylic paint and texture, adding depth to her paintings. This vibrant one-of-a-kind 12-inch post-pop square artwork is created with mixed media on canvas. The sides of the artwork are finished with a textured white paint, and it does not require framing. Convenient local Los Angeles area shipping. Affordable U.S. and global shipping also available. A certificate of authenticity issued by the art gallery is included with this unique artwork. Marion Duschletta was born in 1972 in Graubünden, Switzerland. She has been a full time professional artist since 2004. For over ten years, she was the owner of Galerie Mauerblümchen in Zürich, Switzerland. Due to her increasing international success as a fine artist she now focuses exclusively on creating unique artworks. Her popular series of artworks include cities such as New York, Miami, Las Vegas, Los Angeles, London as well as American Pop Icons such as Marilyn Monroe, Audrey Hepburn, and Chanel. Notable collectors include Ariel Winter, Los Angeles, CA. REPRESENTATION Artspace Warehouse, Los Angeles, California EXHIBITIONS 2022-23 Artspace Warehouse, Los Angeles, CA 2021 Artspace Warehouse, Los Angeles, CA Galerie Kunsthaus Rapp Will Galerie VivaArte.online Galerie Kunstwarenhaus, Zürich Galerie Victor Contemporary Art Zermatt Gallery Art Space Warehouse, Los Angeles, USA Gestaltung Bilder Revier-Hotel, Dubai JMG Interiors, Augustingergasse, 8001 Zürich Raumgestaltung Ammann, St. Gallen Home Sweet Home Interior, Arosa Galerie Willen Luzern Anno Interior Wädenswil Wehrli Raum Flims Dorf Jasmin & Co. Interior Vogelsang bei Turgi Kunst-Reproduktionsverkauf bei Swisskyline 2020 Galerie Kunstwarenhaus, Zürich Galerie Victor Contemporary Art Zermatt Gallery Art Space Warehouse, Los Angeles, USA Gestaltung Bilder für das Revier-Hotel in Dubai JMG Interiors, Augustingergasse, 8001 Zürich Raumgestaltung Ammann, St. Gallen Home Sweet Home Interior Arosa Palatso pop up + art, Zürich Galerie Willen Luzern Anno Interior Wädenswil Wehrli Raum Flims Dorf Jasmin & Co. Interior Vogelsang bei Turgi Art for Children (Charity Versteigerung), Zürich Kunst-Reproduktionsverkauf bei Swisskyline 2019 Galerie Victor Contemporary Art, Zermatt Vielfach, Zürich Seefeld Galerie Robin-Art, Rheinfelden Artspace Warehouse, Los Angeles, CA 2018 Galerie Victor Contemporary Art, Zermatt Galerie Kunstwarenhaus, Zurich Kunst-Supermarkt, Solothurn Kunst-Supermarkt Pop-up Store, Bahnhofstrasse, Zurich Firmen-Team Art Event, Baumann Springs Ltd., Ermenswill Collagen-Workshop Arte Via, Lotzwill Gallery Artspace Warehouse, Los Angeles, CA The Artbox Projects Zurich 1.0, Zurich Vielfach, Zurich Seefeld Galerie Willen, Luzern Galerie Anno, Wadenswill Art for Children (Charity Versteigerung), Zurich Wehrli Raum, Films Dorf 2017 Artspace Warehouse Los Angeles, CA Kunstwarenhaus Zurich, Switzerland Galerie Willen, Luzern, Switzerland Galerie Anno, Wadenswil, Switzerland The Artbox Project Miami 1.0, Miami, FL Gallery Saba10, Lenzerhaide, Switzerland Galerie Immaginazione, Brugg, Switzerland Art for Children Charity, Zurich, Switzerland Wehrli Raum, Films Dorf, Switzerland Vielfach, Zurich Seefeld, Switzerland 2016 Globus Bahnhofstrasse, Zurich, Switzerland The Artbox Project Miami 1.0, Miami, FL Artspace Warehouse Los Angeles, CA Kunstwarenhaus Zurich, Switzerland Galerie Willen, Luzern, Switzerland Galerie Art 333, Wadenswil, Switzerland Galerie Anno, Wadenswil, Switzerland Art for Children Charity, Zurich, Switzerland Galerie Immaginazione, Brugg, Switzerland Wehrli Raum, Films Dorf, Switzerland 2015 Affordable Art Fair, New York, NY Galleria d’Arte Mentana, Firenze, Italy Artspace Warehouse Los Angeles, CA Kunstwarenhaus Zurich, Switzerland Art 5+, Effingen, Switzerland Ameisenhaus, Frick, Switzerland Kunstsalon, Zurich, Switzerland Galerie Kunst im West, Zurich, Switzerland Art for Children Charity, Zurich, Switzerland Galerie Helvetia, Zurich, Switzerland Galerie Anno, Wadenswil, Switzerland Galerie Art 333, Wadenswil, Switzerland Galerie Willen, Luzern, Switzerland Alpenschon, Slivaplana, Switzerland Wehrli Raum, Films Dorf, Switzerland 2014 Kunstwarenhaus Zurich, Switzerland Galerie Art 333, Waedenswil, Switzerland Galerie Kunst im West, Zurich, Switzerland Schweizer Heimatwerk Urania, Zurich, Switzerland Galerie 20x20, Winterthur, Switzerland Galerie Helvetica, Zurich, Switzerland Artspace Warehouse, Los Angeles, CA Kunst Supermarkt Solothurn, Switzerland Galerie Willen, Lucerne, Switzerland Galerie Anno, Waedenswil, Switzerland 2013 Globus Bahnhofstrasse, Zurich, Switzerland Spruengli Chocolates, Cover Image, Zurich, Switzerland Sigg Bottles, Cover Image, Zurich, Switzerland Starbucks Mugs...

Elvis, Metallic Silver and Black Full Length Silkscreen Painting by Charles Lutz Silkscreen and silver enamel painted on vintage 1960's era linen with Artist's Denied stamp of the Andy Warhol Art Authentication Board. 82" x 40" inches 2010 Lutz's 2007 ''Warhol Denied'' series gained international attention by calling into question the importance of originality or lack thereof in the work of Andy Warhol. The authentication/denial process of the [[Andy Warhol Art Authentication Board]] was used to create value by submitting recreations of Warhol works for judgment with the full intention for the works to be formally marked "DENIED". The final product of the conceptual project being "officially denied" "Warhol" paintings authored by Lutz. Based on the full-length Elvis Presley paintings by Pop Artist Andy Warhol in 1964, this is likely one of his most iconic images, next to Campbell's Soup Cans and portraits of Jackie Kennedy, Marilyn Monroe, Liz Taylor, and Marlon Brando. This is the rarest of the Elvis works from the series, as Lutz sourced a vintage roll of 1960's primed artist linen which was used for this one Elvis. The silkscreen, like Warhol's embraced imperfections, like the slight double image printing of the Elvis image. Lutz received his BFA in Painting and Art History from Pratt Institute and studied Human Dissection and Anatomy at Columbia University, New York. Lutz's work deals with perceptions and value structures, specifically the idea of the transference of values. Lutz's most recently presented an installation of new sculptures dealing with consumerism at Frank Lloyd Wright's Fallingwater House in 2022. Lutz's 2007 Warhol Denied series received international attention calling into question the importance of originality in a work of art. The valuation process (authentication or denial) of the Andy Warhol Art Authentication Board was used by the artist to create value by submitting recreations of Warhol works for judgment, with the full intention for the works to be formally marked "DENIED" of their authenticity. The final product of this conceptual project is "Officially DENIED" "Warhol" paintings authored by Lutz. Later in 2013, Lutz went on to do one of his largest public installations to date. At the 100th Anniversary of Marcel Duchamp's groundbreaking and controversial Armory Show, Lutz was asked by the curator of Armory Focus: USA and former Director of The Andy Warhol Museum, Eric Shiner to create a site-specific installation representing the US. The installation "Babel" (based on Pieter Bruegel's famous painting) consisted of 1500 cardboard replicas of Warhol's Brillo Box (Stockholm Type) stacked 20 ft tall. All 1500 boxes were then given to the public freely, debasing the Brillo Box as an art commodity by removing its value, in addition to debasing its willing consumers. Elvis was "the greatest cultural force in the Twentieth Century. He introduced the beat to everything, and he changed everything - music, language, clothes, it's a whole new social revolution." Leonard Bernstein in: Exh. Cat., Boston, The Institute of Contemporary Art and traveling, Elvis + Marilyn 2 x Immortal, 1994-97, p. 9. Andy Warhol "quite simply changed how we all see the world around us." Kynaston McShine in: Exh. Cat., New York, Museum of Modern Art (and traveling), Andy Warhol: Retrospective, 1996, p. 13. In the summer of 1963 Elvis Presley was just twenty-eight years old but already a legend of his time. During the preceding seven years - since Heartbreak Hotel became the biggest-selling record of 1956 - he had recorded seventeen number-one singles and seven number-one albums; starred in eleven films, countless national TV appearances, tours, and live performances; earned tens of millions of dollars; and was instantly recognized across the globe. The undisputed King of Rock and Roll, Elvis was the biggest star alive: a cultural phenomenon of mythic proportions apparently no longer confined to the man alone. As the eminent composer Leonard Bernstein put it, Elvis was "the greatest cultural force in the Twentieth Century. He introduced the beat to everything, and he changed everything - music, language, clothes, it's a whole new social revolution." (Exh. Cat., Boston, The Institute of Contemporary Art (and traveling), Elvis + Marilyn 2 x Immortal, 1994, p. 9). In the summer of 1963 Andy Warhol was thirty-four years old and transforming the parameters of visual culture in America. The focus of his signature silkscreen was leveled at subjects he brilliantly perceived as the most important concerns of day to day contemporary life. By appropriating the visual vernacular of consumer culture and multiplying readymade images gleaned from newspapers, magazines and advertising, he turned a mirror onto the contradictions behind quotidian existence. Above all else he was obsessed with themes of celebrity and death, executing intensely multifaceted and complex works in series that continue to resound with universal relevance. His unprecedented practice re-presented how society viewed itself, simultaneously reinforcing and radically undermining the collective psychology of popular culture. He epitomized the tide of change that swept through the 1960s and, as Kynaston McShine has concisely stated, "He quite simply changed how we all see the world around us." (Exh. Cat., New York, Museum of Modern Art (and traveling), Andy Warhol: Retrospective, 1996, p. 13). Thus in the summer of 1963 there could not have been a more perfect alignment of artist and subject than Warhol and Elvis. Perhaps the most famous depiction of the biggest superstar by the original superstar artist, Double Elvis is a historic paradigm of Pop Art from a breath-taking moment in Art History. With devastating immediacy and efficiency, Warhol's canvas seduces our view with a stunning aesthetic and confronts our experience with a sophisticated array of thematic content. Not only is there all of Elvis, man and legend, but we are also presented with the specter of death, staring at us down the barrel of a gun; and the lone cowboy, confronting the great frontier and the American dream. The spray painted silver screen denotes the glamour and glory of cinema, the artificiality of fantasy, and the idea of a mirror that reveals our own reality back to us. At the same time, Warhol's replication of Elvis' image as a double stands as metaphor for the means and effects of mass-media and its inherent potential to manipulate and condition. These thematic strata function in simultaneous concert to deliver a work of phenomenal conceptual brilliance. The portrait of a man, the portrait of a country, and the portrait of a time, Double Elvis is an indisputable icon for our age. The source image was a publicity still for the movie Flaming Star, starring Presley as the character Pacer Burton and directed by Don Siegel in 1960. The film was originally intended as a vehicle for Marlon Brando and produced by David Weisbart, who had made James Dean's Rebel Without a Cause in 1955. It was the first of two Twentieth Century Fox productions Presley was contracted to by his manager Colonel Tom Parker, determined to make the singer a movie star. For the compulsive movie-fan Warhol, the sheer power of Elvis wielding a revolver as the reluctant gunslinger presented the zenith of subject matter: ultimate celebrity invested with the ultimate power to issue death. Warhol's Elvis is physically larger than life and wears the expression that catapulted him into a million hearts: inexplicably and all at once fearful and resolute; vulnerable and predatory; innocent and explicit. It is the look of David Halberstam's observation that "Elvis Presley was an American original, the rebel as mother's boy, alternately sweet and sullen, ready on demand to be either respectable or rebellious." (Exh. Cat., Boston, Op. Cit.). Indeed, amidst Warhol's art there is only one other subject whose character so ethereally defies categorization and who so acutely conflated total fame with the inevitability of mortality. In Warhol's work, only Elvis and Marilyn harness a pictorial magnetism of mythic proportions. With Marilyn Monroe, whom Warhol depicted immediately after her premature death in August 1962, he discovered a memento mori to unite the obsessions driving his career: glamour, beauty, fame, and death. As a star of the silver screen and the definitive international sex symbol, Marilyn epitomized the unattainable essence of superstardom that Warhol craved. Just as there was no question in 1963, there remains still none today that the male equivalent to Marilyn is Elvis. However, despite his famous 1968 adage, "If you want to know all about Andy Warhol, just look at the surface of my paintings" Warhol's fascination held purpose far beyond mere idolization. As Rainer Crone explained in 1970, Warhol was interested in movie stars above all else because they were "people who could justifiably be seen as the nearest thing to representatives of mass culture." (Rainer Crone, Andy Warhol, New York, 1970, p. 22). Warhol was singularly drawn to the idols of Elvis and Marilyn, as he was to Marlon Brando and Liz Taylor, because he implicitly understood the concurrence between the projection of their image and the projection of their brand. Some years after the present work he wrote, "In the early days of film, fans used to idolize a whole star - they would take one star and love everything about that star...So you should always have a product that's not just 'you.' An actress should count up her plays and movies and a model should count up her photographs and a writer should count up his words and an artist should count up his pictures so you always know exactly what you're worth, and you don't get stuck thinking your product is you and your fame, and your aura." (Andy Warhol, The Philosophy of Andy Warhol (From A to B and Back Again), San Diego, New York and London, 1977, p. 86). The film stars of the late 1950s and early 1960s that most obsessed Warhol embodied tectonic shifts in wider cultural and societal values. In 1971 John Coplans argued that Warhol was transfixed by the subject of Elvis, and to a lesser degree by Marlon Brando and James Dean, because they were "authentically creative, and not merely products of Hollywood's fantasy or commercialism. All three had originative lives, and therefore are strong personalities; all three raised - at one level or another - important questions as to the quality of life in America and the nature of its freedoms. Implicit in their attitude is a condemnation of society and its ways; they project an image of the necessity for the individual to search for his own future, not passively, but aggressively, with commitment and passion." (John Coplans, "Andy Warhol and Elvis Presley," Studio International, vol. 181, no. 930, February 1971, pp. 51-52). However, while Warhol unquestionably adored these idols as transformative heralds, the suggestion that his paintings of Elvis are uncritical of a generated public image issued for mass consumption fails to appreciate the acuity of his specific re-presentation of the King. As with Marilyn, Liz and Marlon, Warhol instinctively understood the Elvis brand as an industrialized construct, designed for mass consumption like a Coca-Cola bottle or Campbell's Soup Can, and radically revealed it as a precisely composed non-reality. Of course Elvis offered Warhol the biggest brand of all, and he accentuates this by choosing a manifestly contrived version of Elvis-the-film-star, rather than the raw genius of Elvis as performing Rock n' Roll pioneer. A few months prior to the present work he had silkscreened Elvis' brooding visage in a small cycle of works based on a simple headshot, including Red Elvis, but the absence of context in these works minimizes the critical potency that is so present in Double Elvis. With Double Elvis we are confronted by a figure so familiar to us, yet playing a role relating to violence and death that is entirely at odds with the associations entrenched with the singer's renowned love songs. Although we may think this version of Elvis makes sense, it is the overwhelming power of the totemic cipher of the Elvis legend that means we might not even question why he is pointing a gun rather than a guitar. Thus Warhol interrogates the limits of the popular visual vernacular, posing vital questions of collective perception and cognition in contemporary society. The notion that this self-determinedly iconic painting shows an artificial paradigm is compounded by Warhol's enlistment of a reflective metallic surface, a treatment he reserved for his most important portraits of Elvis, Marilyn, Marlon and Liz. Here the synthetic chemical silver paint becomes allegory for the manufacture of the Elvis product, and directly anticipates the artist's 1968 statement: "Everything is sort of artificial. I don't know where the artificial stops and the real starts. The artificial fascinates me, the bright and shiny..." (Artist quoted in Exh. Cat., Stockholm, Moderna Museet and traveling, Andy Warhol, 1968, n.p.). At the same time, the shiny silver paint of Double Elvis unquestionably denotes the glamour of the silver screen and the attractive fantasies of cinema. At exactly this time in the summer of 1963 Warhol bought his first movie camera and produced his first films such as Sleep, Kiss and Tarzan and Jane Regained. Although the absence of plot or narrative convention in these movies was a purposely anti-Hollywood gesture, the unattainability of classic movie stardom still held profound allure and resonance for Warhol. He remained a celebrity and film fanatic, and it was exactly this addiction that so qualifies his sensational critique of the industry machinations behind the stars he adored. Double Elvis was executed less than eighteen months after he had created 32 Campbell's Soup Cans for his immortal show at the Ferus Gallery, Los Angeles in July and August 1962, and which is famously housed in the Museum of Modern Art, New York. In the intervening period he had produced the series Dollar Bills, Coca-Cola Bottles, Suicides, Disasters, and Silver Electric Chairs, all in addition to the portrait cycles of Marilyn and Liz. This explosive outpouring of astonishing artistic invention stands as definitive testament to Warhol's aptitude to seize the most potent images of his time. He recognized that not only the product itself, but also the means of consumption - in this case society's abandoned deification of Elvis - was symptomatic of a new mode of existence. As Heiner Bastian has precisely summated: "the aura of utterly affirmative idolization already stands as a stereotype of a 'consumer-goods style' expression of an American way of life and of the mass-media culture of a nation." (Exh. Cat., Berlin, Neue Nationalgalerie (and traveling), Andy Warhol: Retrospective, 2001, p. 28). For Warhol, the act of image replication and multiplication anaesthetized the effect of the subject, and while he had undermined the potency of wealth in 200 One Dollar Bills, and cheated the terror of death by electric chair in Silver Disaster # 6, the proliferation of Elvis here emasculates a prefabricated version of character authenticity. Here the cinematic quality of variety within unity is apparent in the degrees to which Presley's arm and gun become less visible to the left of the canvas. The sense of movement is further enhanced by a sense of receding depth as the viewer is presented with the ghost like repetition of the figure in the left of the canvas, a 'jump effect' in the screening process that would be replicated in the multiple Elvis paintings. The seriality of the image heightens the sense of a moving image, displayed for us like the unwinding of a reel of film. Elvis was central to Warhol's legendary solo exhibition organized by Irving Blum at the Ferus Gallery in the Fall of 1963 - the show having been conceived around the Elvis paintings since at least May of that year. A well-known installation photograph shows the present work prominently presented among the constant reel of canvases, designed to fill the space as a filmic diorama. While the Elvis canvases...

Swiss artist Marion Duschletta transforms luxury objects and urban landscapes from around the world into unique layered artworks. She combines an intriguing mixture of urban photogra...

The root of Guedes's work is located in the MADÍ movement, of Argentine origin and little repercussion in Spain, which attaches great importance to the tensions that are established ...

Surrealist acrylic painting on paper featuring two figures walking through a vast, nocturnal landscape beneath a moonlit sky. Created by Gozo Collective, this original composition ca...

Edition 5 Portrait oof a black bull with Basquiat crown JAY-C – the pseudonym of this innovative young artist known for his subversive use of familiar figures and symbols. Using a d...

One-of-a-kind Pop Art Original Painting on Canvas by Gardani available for you. Hand signed by the Artist front and back, comes with official Gardani Certificate of Authenticity with...

Original acrylic painting on canvas. Hand signed and dated lower left by Peter Max. Artwork size: 48.25 x 58 inches. Canvas is stretched. Artwork is in excellent condition with...

Vibrant, large-scale multimedia artworks incorporate reflective mediums and thick textures in Kate Tova's recent work. Colors splash across the page melding into flourishes of sequins, rhinestones, and glitter. The natural beauty of her subjects is juxtaposed against the "engine of technology" inspiring personal and innovative compositions. Surreal and vibrant, Tova's work thematically and stylistically layers her life experiences. This unique 48 inch square artwork...

Playing with the interaction between positive and negative space, strong colors on neutral backgrounds, Canadian artist Virginie Schroeder creates pop art portraits and iconic pop cu...

As an Antique sculpture, Dario Moschetta creates strength and movement in this artwork. Moreover, experimental technique brings an unique texture to the figure. Hair are waving alon...

This charming oil painting features a rabbit and continues my Wild Nature series. It is inspired by animals that coexist with humans and can often be pets. I love the silver backgrou...

JJ Galloway is an internationally collected artist known for her whimsical paintings and sculptures that combine people, animals, and food. Using oils, watercolors, and mixed media, ...

Original artwork by Russell Young. Acrylic paint screen print on somerset paper 44 1/2 x 35 inches Framed 45.5 Inches x 36,5 Inches white wooden frame with glass, custom made as seen...

Amy Smith is a self-educated contemporary artist. Born in New Jersey, she moved to Los Angeles where she found inspiration, mentors, and support in the Street Art community. In her Collage Portrait Series, Amy Smith uses photography, and layers of hand cut stencils, and torn recycled fashion magazine pieces to simultaneously represent her love of fashion and her contempt for excessive consumerism. In addition, she showcases female portraits to empower and unify, creating a space to feel connected to oneself and to each other. Smith’s mixed media collages have been shown at Wallspace, Saatchi’s The Other Art Fair, La Art Fair to name a few and been part of auctions such as revered Julien’s Auctions...

Playing with the interaction between positive and negative space, strong colors on neutral backgrounds, Canadian artist Virginie Schroeder creates pop art portraits and iconic pop cu...

Original acrylic painting on canvas. Hand-signed in acrylic on front by Peter Max. Canvas size 71.75 x 35.75 inches. Custom framed with hand painted filet. Frame size approx 86 x 50 inches. Max studio catalog number and year on verso. Artwork is in excellent condition. All reasonable offers will be considered. About the Artist: Peter Max (American, born 1937) is a German artist known for his unique brand of rainbow-hued prints and paintings, which he has created since the early 1960s. Employing painterly strokes, his illustrations incorporate a wide spectrum of colors and patterns as seen in his Umbrella Man series. “I'm just wowed by the universe. I'm just glad to do something I love to do. I love color, I love painting, I love shapes...

Original Artwork, Oil on Canvas. Beautifully painted canvas. This incredible painting would make a wonderful statement piece for a feature wall. and it would also be a great invest...

In this vibrant painting, I've blended pop art whimsy with impressionistic textures to craft a scene that buzzes with affectionate energy. These two charming felines, rendered in acr...

Mint Excess 2 by Chloe Hedden is a refreshing exploration of color and texture, evoking a sense of tranquility and renewal. The cool, vibrant mint hue is both soothing and invigorati...

Kathleen Keifer's original artworks represent one of the most significant expressions of New California Realism. Keifer brings a fresh perspective to her colorful scenes of everyday life in the sun along the Pacific coastline (and beyond). Her detailed paintings show us the breathtaking California scenery with its recognizable elements in a new light and with a keen eye for clever composition and layered colors. Her modern landscapes and sublime seascapes capture an impressive visceral visual. This one-of-a-kind 20-inch high by 16-inch wide and 1.5-inch deep artwork is a composition created with acrylic paint on canvas. It is stretched, wired, and ready to hang. The sides are painted blue and it does not require framing. It is signed by the artist on the front of the artwork. A certificate of authenticity issued by the gallery is included. Convenient local Los Angeles area delivery. Affordable Continental U.S. and global shipping are available. Kathleen Keifer is a California-based internationally collected artist. Her paintings invite the viewer to consider the complex relationship between time and timelessness. It is the sheer visual interaction between the elements, taken in their bare simplicity that interests her. Water, sky, and architecture change their appearance with the shifts in weather and light. Her broken brushstrokes depict light and color in luminous waves, dissolving form into a shimmering surface of vibrant light. For her, painting captures the very essence of time and its passage. While painting landscapes she became fascinated with isolating the objects in her paintings. She believes that actual sites and places have individual magic. The goal is to take objects from popular culture and paint them in a new context. She began to paint the silhouette of the Life Guard Tower more as a pop art symbol than a landscape element. With a high level of technical virtuosity, Keifer creates a new sense of reality with textures and colors that seem to add lighting effects and distinct shadows, confronting the viewer with new interpretations of familiar objects. Born and raised in Chicago, Kathleen Keifer is a second-generation artist. Her mother, also a fine artist, exposed Keifer to the world of art and supervised her training from a very early age. This legacy continues today as Keifer closely nurtures the development of the artistic leaning in each of her three daughters, inspiring a third generation of female artists. Her works are represented by Artspace Warehouse Los Angeles and have been exhibited and collected internationally, including Chicago, New York, and London. REPRESENTATION Artspace Warehouse, Los Angeles, CA EXHIBITIONS 2023 “Postcards From Nowhere”, Artspace Warehouse, Los Angeles, CA 2022 “The Comforting Familiar”, Artspace Warehouse, Los Angeles, CA 2020 “Midnight Blue”, Artspace Warehouse, Los Angeles, CA 2018 Morris Inn, Notre Dame, IN Malibu Beach House, Malibu, CA Bon Voyage, Coda Gallery, Palm Desert, CA Solo Exhibition, Jeffrey Breslow Gallery, Chicago, IL Art Palm Springs Fine Art Fair, CA Artspace Warehouse, CA 2017 Affordable Art Fair New York, NY Affordable Art Fair London, UK Art Palm Springs, CA “Pop Futurism and Abstraction”, Artspace Warehouse, Los Angeles, CA 2016 Susan Schomburg gallery, Santa Monica, CA Jazz in the Pines, Idyllwild, CA 2015 Official artist of Chitag, Chicago Toy and Game Fair, Chicago, Il Jazz! Dion Gallery, Redondo Beach, CA Art 90266, LA 25, Manhattan Beach, C Political Commentary, Linus gallery, Long Beach and Pasadena, CA 2014 RETROspective, Coast Gallery, Long Beach, CA ArtHampton, Bridgehampton, NY The Pursuit of…, Lurie Gallery, Los Angeles, CA Art 90266, LA 25, Manhattan Beach, CA 2013 Pop meets Painterly, CODA Gallery, Palm Desert, CA University of Notre Dame, Notre Dame, IN Puzzles and Games, Liss Gallery, Toronto, Ontario, Canada 2012 Art, Wine & Roses, Home Gallery, Malibu, CA Pop Meets Painterly, Oh My Godard Gallery, Atlantic City, NJ 2011 Beach Games, Riley Arts Gallery, Manhattan Beach, CA Art of The Game, Oh My Godard Gallery, Atlantic City NJ Art of The Game, Liss Gallery, Toronto, Ontario, Canada 2010 Art of The Game, Gallery 319, Santa Monica, CA One Woman Show, Canfin Gallery...

Cuban-American artist Frankie Alfonso creates interwoven paintings using lively colors and spontaneous, well balanced compositions. His work is best described as a style of automati...

The Magic forest of Harry Potter"interior landscape textured painting by Lilia Volskaya. I hope you remember how you felt about the book you read. or a watched movie. Everything secr...

Contemporary pop art inspired pixelated portrait of iconic singer David Bowie Ziggy Stardust. Similar to pointillism, the individual hand-painted blocks of color come together to for...

Robert Lebsack creates artworks using mixed media with ink, acrylic, and charcoal on archival copies of newspapers, textbooks, and sheet music. As a visionary artist, Lebsack weaves ...

Persian Rose, Hot Pink and Manganese Blue Excess combo is a trio of thick and vibrant impasto paintings on wood. The elegant texture is spontaneously built up and creates the dynamic...

"Aragosta" is a striking three-dimensional mosaic from Elizabeth Art Candy’s Fake Gum’s series, where vibrant color and texture merge to create an extraordinary sculptural compositio...

MIXED MEDIA PAINTING signed by the artist. Ask us for custom framing options for this piece. This original mixed media painting by Craig Alan belongs to his acclaimed work that blur...

When I make pop art, I try to saturate the picture with some kind of additional meaning. Sometimes I get patriarchal symbolism instead of pop art. In this case, no additional meanin...

This vibrant and dynamic artwork " Boy on his scooter " captures an essence of playful spontaneity and youthful exuberance. The piece, rendered in a vivid palette of bold primary a...

"Distant" 36" x 48" Original Mixed Media Painting 1 1/2 Deep "GALLERY WRAP" stretched canvas 2018 :: Painting :: Pop-Art :: This piece comes with an official certificate of au...

"Jeni Stallings creates work that often draws from her dreams and personal experiences. She tends to render those moments in a muted, femininity-infused surrealism far from the hard-...

The root of Guedes's work is located in the MADÍ movement, of Argentine origin and little repercussion in Spain, which attaches great importance to the tensions that are established ...

Hand made and painted by the artist - originals - From the Streets to Galleries: The Mark of a Free Artist Behind the alias Onemizer lies an artist who has made graffiti his langu...

Original Painting on Canvas. One-of-a-kind Pop Art Original Painting on Canvas by Gardani available for you. Hand signed by the Artist front and back, comes with official Gardani ...

Sunny Rose". realism is an oil painting of the Volsky Lily. I am in love with summer, sunshine and warmth. And my sunny flower is written for you as a hymn to summer. He's in love wi...

Carl Smith is an American artist who has been living in Berlin, Germany, since 2001. He works with a combination of silkscreen printing, collage, and painting to create his urban ins...

This piece is Vacuum formed with metal cards, painted and fabricated to be physically 3-D. All Yuki's works represent the 2-D while tricking our eyes in the 3-D physical world.

This painting is from Karen Lynn’s architectural series of paintings. “My intention was to paint a pale pink building, a masculine building but with feminine colour. The blocks of bl...

Oil painting by Lowell Nesbitt (1933 - 1993). Titled "Rose Iris" and dated 1982. Wonderful vibrant painting in excellent condition. In 1958...

"Sam the Cat" is a notable piece from Andy Warhol's early explorations in art, representing his fascination with everyday subjects and his distinctive appr...

The painting "Everyday Warrior" depicts a woman whose strength and resilience are manifested in the most important part of the battlefield - in the rear. Inspired by the real image o...

Better World Version I Peter Max (German, b. 1937) Acrylic on Canvas 24 x 9.75 inches 36 x 21.5 inches with frame Signed lower right Known throughout the world and a household name in America, Max is known for his new age style cosmic imagery and multi-colored blends. During the late 60's and early 70's his colorful art reached millions of people and he won numerous major awards for his work. His paintings, drawings and limited edition graphics have been exhibited in major museums throughout the world. He works in multiple media, including oil, acrylics, water colors, fingerpaints, dyes, pastels, charcoal, pen, multi-colored pencils, etchings, engravings, animation cels, lithographs, serigraphs, ceramics, sculpture, collage, video, xerox, fax, and computer graphics. He also includes mass media as a "canvas" for his creative expression. Peter Max was born in Berlin, Germany, and spent his childhood in Shanghai. From China, the family went to Tibet for a year, and then on to Israel. His family's odyssey continued to Paris, and finally, at the age of 16, Max arrived in the United States. He began his art studies in New York at the Art Student's League and continued at the Pratt Institute and School of Visual Arts. Max often uses American symbols in his artwork and has done paintings and projects for presidents Ford...

Carl Smith is an American artist who has been living in Berlin, Germany, since 2001. He works with a combination of silkscreen printing, collage, and painting to create his urban ins...

Italian artist Fabio Coruzzi merges painting and photography into one imaginative image that offers a new outlook on an otherwise ordinary urban scene. His artworks represent an auth...

The acrylic colours and spray paint of orange, yellow, pink, grey, and black express the emotions of this painting. Through pop art, street art, graffiti, and expressive abstraction ...

Coulombe-Bégin's dynamic acrylic on canvas works seek to produce a metamorphic interpretation of the artist's inner identity. Her paintings make ample use of contrasting colors to create exuberance and energy in her images. Inspired by street art, Coulombe Bégin 's paintings range from the abstract to the surreal and employ a variety of techniques and materials. Her contemporary artworks draw inspiration from body image, the universally recognizable symbol of hearts, and the experience of humankind. She brings a sensitivity to her work that stems from her exploration of identity and the joy and happiness of existence. Coulombe-Bégin draws us into her internal world: exploring the soul and matter, conscience, and the modern universe. This original painting depicting one heart painted...

Emilio Rama's captivating pop art-inspired paintings featuring origami animal figures are a distinctive and original contribution to the realm of contempor...

Original artwork, oil on canvas. This incredible painting would make a wonderful statement piece for a feature wall. and it would also be a great investment piece, as his visibility...

"Woman-Warrior of the modern world" series. "Si vis pacem, para bellum" ("If you want peace, prepare for war") invites the viewer to remember that peace is a fragile and precious rea...

ANJA VAN HERLE "Blinking Butterfly" Acrylic & Swarovski Crystal on Panel 12 x 12 inches. Born in Belgium in 1969, Anja Van Herle combines a European sense of high fashion in her art...

Itzhaq Mevorah was born in 1971 in Tel Aviv, Israel to a family of artists, who started their way in the beginning of the century in Bulgaria. From a very young age Mevorah has decid...

Melinda has studied life and its movements, developing a remarkably keen artistic technique with her flowing expressionistic style. Growing up in the Midwest she was enamored with n...