Pop Art Paintings

*New Year Inventory Renewal Sale - 90 Days Until April 30th* *This Price Won't Be Repeated Again This Year* 'Money Talks' is the new series of artist Mauro Oliveira. Highly...

Persian Rose, Hot Pink and Manganese Blue Excess combo is a trio of thick and vibrant impasto paintings on wood. The elegant texture is spontaneously built up and creates the dynamic...

Italian artist Fabio Coruzzi merges painting and photography into one imaginative image that offers a new outlook on an otherwise ordinary urban scene. His artworks represent an auth...

*New Year Inventory Renewal Sale - 90 Days Until April 30th* *This Price Won't Be Repeated Again This Year* Money Talks is the new series of artist Mauro Oliveira. Highly l...

James Wolanin’s paintings transport the viewer to an effervescent, candy coated world inspired by vintage advertisements, photographs, and the artist’s own personal history. The Russ...

These are the detectives of the Belgian comic book Tintin created by Herge. FER SUCRE is a Venezuelan-born artist now in Wynwood Miami, Florida. He studied graphic design and paintin...

As one of the world’s most collected, significant pop artists today, Nelson De La Nuez is a born iconoclast. Using his unique juxtaposition of pop culture and surrealism, blended with America’s rich culture and history, De La Nuez has created works of art that are considered timeless. Listed on the “Who’s Who List of the Most Collected Artists of Our Time,” his works are original, bold and outspoken. De La Nuez is known for his distinctive, trademarked style called “Art on the Edge,” which is creating art on all sides of the canvas and wood. This one-of-a-kind pop art painting measures 40 inches high by 50 inches wide. De la Nuez used Mixed Media, Acrylic Paint, and Oil Pastel on Canvas to create this colorful original artwork. It is signed on the front and the back by the artist. The sides of this artwork are created as a continuation of the front and it does not require framing. It is wired and ready to hang. Free local Los Angeles area delivery. Affordable U.S. and global shipping are available. A certificate of authenticity issued by the art gallery is included. De La Nuez’s artwork is hanging in some of the most prominent, private collections of movie stars, directors, producers, comedians, corporations and art connoisseurs, as well as purchased recently for future auctions by Sotheby’s. His art has been featured on countless television shows, including: VH1: Fabulous Life of: “The Latest in Billionaire Home Décor,” “Inside Edition,” MTV “Cribs,” HGTV “Designer’s Challenge,” E! “Celebrity Favorites,” “America’s Next Top Model”, HGTV’s “Extreme Homes,” countless Bravo TV shows and “TMZ: Michael Jackson’s Final Art Purchase.” His works have been in high demand at international art shows and galleries. His works are represented by Artplex Gallery, Los Angeles. Nelson De La Nuez was born in 1959 in Havana, Cuba and came to the US at age seven. He was raised in Glendale, CA. De La Nuez studied art history at Boston University. He sees life as a “backwards ride on a Ferris wheel while sitting in an enlightening philosophy course.” His images become performances – his characters the source of laughter and enjoyment. Nelson tries to create a new generation of art lovers, drawing upon icons and art history to entice younger minds, in turn provoking the interest of the generation above them. De La Nuez is an innovative artist who captivates people with his outlandish juxtaposed art. He is constantly creating new, thought-provoking images, which have been collected worldwide. The L.A. Times called De La Nuez “the comedic da Vinci of our times.” His ability to use these non-related images to achieve a whole new and stimulating outlook on life has brought him many awards and published features. The artist continues to challenge himself to incorporate new and exciting ideas into his art and his style. He believes he is a success if his art inspires people to think beyond the norm. Artplex Gallery has been representing and exhibiting Nelson de la Nuez's original artworks since 2018. The gallery has been a 1stdibs partner since 2014 with consistently excellent reviews from clients worldwide. The gallery exhibits a well-curated selection of original artworks beyond the ordinary from established and emerging international artists with diverse backgrounds at high standards. Artplex Gallery is known to provide accurate descriptions, images, reliable services, communication, and delivery. The gallery's commitment to customer satisfaction means that clients can invest in art with confidence, knowing they have a reputable and established art gallery backing their acquisition. Artplex Gallery prioritizes our clients' peace of mind by ensuring a seamless and worry-free art-buying experience. REPRESENTATION Artplex Gallery, Los Angeles, California, USA EXHIBITIONS 2023 "Perspectives on Street Art", Artplex Gallery, Los Angeles, CA 2022 "Freestyle Iconography", Artplex Gallery, Los Angeles, CA 2021 Hamptons Market Art & Design. The Bridgehampton Museum 2021 Beach Life, DTR Modern Gallery, Nantucket 2021 “Live It Up” De La Nuez, Jennifer Balcos Gallery, Buckhead, ATL 2021 “Winter Wonderland”, DTR Modern Gallery, Washington DC 2020 DTR Modern Gallery, New York 2020 White Room Gallery, Bridgehampton, NY 2020 A Style Gallery, Solo Show, Hong Kong 2020 DTR Modern Gallery, Boston 2019 Pop Art Then & Now, DTR Modern Gallery, Boston, MA 2019 Melbourne Art Fair, Royal Exhibition Building, Australia 2019 Hamptons Market Art & Design, the Bridgehampton Museum 2019 Art Fair Hong Kong 2018 Art Fair, New York, NY 2018 Baselworld, Basel, Switzerland 2018 Art Market San Francisco, CA 2018 LA Modern & Contemporary Art Show, CA 2018 Pop, Bang; De La Nuez, DTR Modern Palm Beach, FL 2017 Hong Kong, HK 2017 Corum Bubble Watch; Miami Art Basel, FL 2017 Miami Beach Art Basel, FL 2017 “Made in America Solo Show”, Ceasar’s Palace, SKYE Art Gallery, Las Vegas 2017 “Pop Masters” DTR Gallery...

Artist: Ben Frost Title: Happy Helmet Size: 43 x 43" Original Australian contemporary artist Ben Frost is best known for his bold, irreverent Pop Art. His instantly recognizable ta...

"Triple Elvis" (Denied) Silkscreen Painting by Charles Lutz Silkscreen and silver enamel paint on canvas with Artist's Denied stamp of the Andy Warhol Art Authentication Board. 82 x 72" inches 2010 This important example was shown alongside works by Warhol in a two-person show "Warhol Revisited (Charles Lutz / Andy Warhol)" at UAB Abroms-Engel Institute for the Visual Arts in 2024. Lutz's 2007 ''Warhol Denied'' series gained international attention by calling into question the importance of originality or lack thereof in the work of Andy Warhol. The authentication/denial process of the [[Andy Warhol Art Authentication Board]] was used to create value by submitting recreations of Warhol works for judgment with the full intention for the works to be formally marked "DENIED". The final product of the conceptual project being "officially denied" "Warhol" paintings authored by Lutz. Based on the full-length Elvis Presley paintings by Pop Artist Andy Warhol in 1964, this is likely one of his most iconic images, next to Campbell's Soup Cans and portraits of Jackie Kennedy, Marilyn Monroe, Liz Taylor, and Marlon Brando. This is the rarest of the Elvis works from the series, as Lutz sourced a vintage roll of 1960's primed artist linen which was used for this one Elvis. The silkscreen, like Warhol's embraced imperfections, like the slight double image printing of the Elvis image. Lutz received his BFA in Painting and Art History from Pratt Institute and studied Human Dissection and Anatomy at Columbia University, New York. Lutz's work deals with perceptions and value structures, specifically the idea of the transference of values. Lutz's most recently presented an installation of new sculptures dealing with consumerism at Frank Lloyd Wright's Fallingwater House in 2022. Lutz's 2007 Warhol Denied series received international attention calling into question the importance of originality in a work of art. The valuation process (authentication or denial) of the Andy Warhol Art Authentication Board was used by the artist to create value by submitting recreations of Warhol works for judgment, with the full intention for the works to be formally marked "DENIED" of their authenticity. The final product of this conceptual project is "Officially DENIED" "Warhol" paintings authored by Lutz. Later in 2013, Lutz went on to do one of his largest public installations to date. At the 100th Anniversary of Marcel Duchamp's groundbreaking and controversial Armory Show, Lutz was asked by the curator of Armory Focus: USA and former Director of The Andy Warhol Museum, Eric Shiner to create a site-specific installation representing the US. The installation "Babel" (based on Pieter Bruegel's famous painting) consisted of 1500 cardboard replicas of Warhol's Brillo Box (Stockholm Type) stacked 20 ft tall. All 1500 boxes were then given to the public freely, debasing the Brillo Box as an art commodity by removing its value, in addition to debasing its willing consumers. Elvis was "the greatest cultural force in the Twentieth Century. He introduced the beat to everything, and he changed everything - music, language, clothes, it's a whole new social revolution." Leonard Bernstein in: Exh. Cat., Boston, The Institute of Contemporary Art and traveling, Elvis + Marilyn 2 x Immortal, 1994-97, p. 9. Andy Warhol "quite simply changed how we all see the world around us." Kynaston McShine in: Exh. Cat., New York, Museum of Modern Art (and traveling), Andy Warhol: Retrospective, 1996, p. 13. In the summer of 1963 Elvis Presley was just twenty-eight years old but already a legend of his time. During the preceding seven years - since Heartbreak Hotel became the biggest-selling record of 1956 - he had recorded seventeen number-one singles and seven number-one albums; starred in eleven films, countless national TV appearances, tours, and live performances; earned tens of millions of dollars; and was instantly recognized across the globe. The undisputed King of Rock and Roll, Elvis was the biggest star alive: a cultural phenomenon of mythic proportions apparently no longer confined to the man alone. As the eminent composer Leonard Bernstein put it, Elvis was "the greatest cultural force in the Twentieth Century. He introduced the beat to everything, and he changed everything - music, language, clothes, it's a whole new social revolution." (Exh. Cat., Boston, The Institute of Contemporary Art (and traveling), Elvis + Marilyn 2 x Immortal, 1994, p. 9). In the summer of 1963 Andy Warhol was thirty-four years old and transforming the parameters of visual culture in America. The focus of his signature silkscreen was leveled at subjects he brilliantly perceived as the most important concerns of day to day contemporary life. By appropriating the visual vernacular of consumer culture and multiplying readymade images gleaned from newspapers, magazines and advertising, he turned a mirror onto the contradictions behind quotidian existence. Above all else he was obsessed with themes of celebrity and death, executing intensely multifaceted and complex works in series that continue to resound with universal relevance. His unprecedented practice re-presented how society viewed itself, simultaneously reinforcing and radically undermining the collective psychology of popular culture. He epitomized the tide of change that swept through the 1960s and, as Kynaston McShine has concisely stated, "He quite simply changed how we all see the world around us." (Exh. Cat., New York, Museum of Modern Art (and traveling), Andy Warhol: Retrospective, 1996, p. 13). Thus in the summer of 1963 there could not have been a more perfect alignment of artist and subject than Warhol and Elvis. Perhaps the most famous depiction of the biggest superstar by the original superstar artist, Double Elvis is a historic paradigm of Pop Art from a breath-taking moment in Art History. With devastating immediacy and efficiency, Warhol's canvas seduces our view with a stunning aesthetic and confronts our experience with a sophisticated array of thematic content. Not only is there all of Elvis, man and legend, but we are also presented with the specter of death, staring at us down the barrel of a gun; and the lone cowboy, confronting the great frontier and the American dream. The spray painted silver screen denotes the glamour and glory of cinema, the artificiality of fantasy, and the idea of a mirror that reveals our own reality back to us. At the same time, Warhol's replication of Elvis' image as a double stands as metaphor for the means and effects of mass-media and its inherent potential to manipulate and condition. These thematic strata function in simultaneous concert to deliver a work of phenomenal conceptual brilliance. The portrait of a man, the portrait of a country, and the portrait of a time, Double Elvis is an indisputable icon for our age. The source image was a publicity still for the movie Flaming Star, starring Presley as the character Pacer Burton and directed by Don Siegel in 1960. The film was originally intended as a vehicle for Marlon Brando and produced by David Weisbart, who had made James Dean's Rebel Without a Cause in 1955. It was the first of two Twentieth Century Fox productions Presley was contracted to by his manager Colonel Tom Parker, determined to make the singer a movie star. For the compulsive movie-fan Warhol, the sheer power of Elvis wielding a revolver as the reluctant gunslinger presented the zenith of subject matter: ultimate celebrity invested with the ultimate power to issue death. Warhol's Elvis is physically larger than life and wears the expression that catapulted him into a million hearts: inexplicably and all at once fearful and resolute; vulnerable and predatory; innocent and explicit. It is the look of David Halberstam's observation that "Elvis Presley was an American original, the rebel as mother's boy, alternately sweet and sullen, ready on demand to be either respectable or rebellious." (Exh. Cat., Boston, Op. Cit.). Indeed, amidst Warhol's art there is only one other subject whose character so ethereally defies categorization and who so acutely conflated total fame with the inevitability of mortality. In Warhol's work, only Elvis and Marilyn harness a pictorial magnetism of mythic proportions. With Marilyn Monroe, whom Warhol depicted immediately after her premature death in August 1962, he discovered a memento mori to unite the obsessions driving his career: glamour, beauty, fame, and death. As a star of the silver screen and the definitive international sex symbol, Marilyn epitomized the unattainable essence of superstardom that Warhol craved. Just as there was no question in 1963, there remains still none today that the male equivalent to Marilyn is Elvis. However, despite his famous 1968 adage, "If you want to know all about Andy Warhol, just look at the surface of my paintings" Warhol's fascination held purpose far beyond mere idolization. As Rainer Crone explained in 1970, Warhol was interested in movie stars above all else because they were "people who could justifiably be seen as the nearest thing to representatives of mass culture." (Rainer Crone, Andy Warhol, New York, 1970, p. 22). Warhol was singularly drawn to the idols of Elvis and Marilyn, as he was to Marlon Brando and Liz Taylor, because he implicitly understood the concurrence between the projection of their image and the projection of their brand. Some years after the present work he wrote, "In the early days of film, fans used to idolize a whole star - they would take one star and love everything about that star...So you should always have a product that's not just 'you.' An actress should count up her plays and movies and a model should count up her photographs and a writer should count up his words and an artist should count up his pictures so you always know exactly what you're worth, and you don't get stuck thinking your product is you and your fame, and your aura." (Andy Warhol, The Philosophy of Andy Warhol (From A to B and Back Again), San Diego, New York and London, 1977, p. 86). The film stars of the late 1950s and early 1960s that most obsessed Warhol embodied tectonic shifts in wider cultural and societal values. In 1971 John Coplans argued that Warhol was transfixed by the subject of Elvis, and to a lesser degree by Marlon Brando and James Dean, because they were "authentically creative, and not merely products of Hollywood's fantasy or commercialism. All three had originative lives, and therefore are strong personalities; all three raised - at one level or another - important questions as to the quality of life in America and the nature of its freedoms. Implicit in their attitude is a condemnation of society and its ways; they project an image of the necessity for the individual to search for his own future, not passively, but aggressively, with commitment and passion." (John Coplans, "Andy Warhol and Elvis Presley," Studio International, vol. 181, no. 930, February 1971, pp. 51-52). However, while Warhol unquestionably adored these idols as transformative heralds, the suggestion that his paintings of Elvis...

Acrylic on cotton duck cloth canvas. Canvas size: 12 x 6 inches. Inscription: Hand signed, as issued. Notes: Registered #326764, in the Peter Max Archive, New York, 2012. PETER MAX ...

Hand signed, dated and numbered by the artist. Sheet size: 30.125 x 29.875 in. Edition of 60. Published by Gemini, G.E.L., Los Angeles. Artwork is in excellent condition. Certifica...

'If you don't have anything nice to say, come sit next to me' Acrylic on Canvas 100 H x 76 W x 5 D cm (39.37 x 29.92 x 1.97 in) Sold unframed Image size: Height: 100cm (39.37 in) W...

Original and unique artwork by Russell Young. Acrylic paint, enamel and diamond dust screen print on linen, unframed dimensions 48 x 62 inches, 2011, from the series "Guns". Hand sig...

Original Artwork, Oil on Canvas. Bright blue beautifully painted canvas with the cute penguin and the tongue in cheek slogan that James McQueen is famous for. This incredible paint...

Vermillion Excess from Chloe Hedden’s Excess series embodies the interplay between material abundance and emotional intensity through thick, sculpt...

In this vibrant portrayal, I've merged multiple art styles to capture an explosion of emotions. By layering acrylics, watercolors, and colored pencils, I've created a textured harmon...

Original Fashion Design Illustration by Roz Jennings, British watercolor and ink on card, unframed size: 12 x 8.25 inches condition: very good A beautifully colorful and characterfu...

Jean-Michel Basquiat (untitled), 'MAN MADE Sweatshirt', c. 1979: Basquiat produced this rare original hand-painted sweatshirt (among others, with only few known to have survived) for the purposes of selling these on his own and through the historic downtown fashion boutique, Patricia Field’s. Basquiat was captured wearing a similar example in the well publicized 1979 photo, 'Basquiat Dancing at The Mudd Club' by Nicholas Taylor of Gray. This double-sided work notably features Basquiat’s ‘MANMADE’ tag - Basquiat’s alias after he took to the streets to declare “SAMO is Dead”. The work is further highlighted by Basquiat’s ‘BAD’ motif - uniquely paralleling his consideration to naming his band, ‘Bad Fools’ prior to Gray. In trademark Basquiat style, we also find the vertically spaced ‘E’ on both sides of the piece, as well as dashed lines which would appear in many of the artist’s Anti-Product cards, early drawings and more. The work emanates directly from the collection of world renowned author Lucy Sante (formerly Luc Sante). As it is well publicized, Basquiat worked with Sante in 1979/80 on the downtown-art scene publication, ‘Stranded’ (New York, 1980). Medium: Acrylic on cotton sweatshirt (double-sided artwork). Executed circa 1979/1980. Dimensions: 16.5 x 22 inches (outstretched cuff to cuff: 50 inches & sleeve length: 18 inches). Condition: In good overall vintage condition. Bright well-preserved colors; some minor discoloration in several areas due to normal age related wear and use; scattered stains located on the hem, inner arm area(s) and cuffs; scattered minor pilling; loose thread on the reverse of hem. Basquiat's artwork throughout remains fully intact. Unique. One of a kind. Signed ‘MANMADE’ and numbered 5/100 on the reverse. Provenance: Gifted by Basquiat to Lucy Sante; obtained directly from the former. Sante's relationship to Basquiat is well documented in three publications (see below literature/references for more). Accompanied by a letter of provenance from Sante. Literature/References: -'Boom for Real: The Late Teenage Years of Jean-Michel Basquiat,' by Sarah Driver - this 2018 documentary features an in-depth section devoted to Basquiat's 'Man Made' clothing, featuring an interview with designer Patricia Field & artist Kenny Scharf. - 'Basquiat Before Basquiat' (MCA Denver; see Sante, p.40-43 ). - 'Stranded' issue four index (Spring 1980). Basquiat's identity is confirmed as 'Man-Made' midway on page. - 'Zeitgeist: The Art Scene of Teenage Basquiat' (Howl Arts 2018; essay: 'Stranded' by Lucy Sante). - 'An Intimate Look at Jean-Michel Basquiat's Early Days' by Lucy Sante (Village Voice 2/8/17). -'Man Made by Basquiat' (MinnieMuse) May 2019. -'Exploring Jean-Michel Basquiat's 1970's Clothing Collection, 'Man Made.'' Vice Magazine, May 2019. - ‘The Jean-Michel Basquiat Reader’ (Moore pg. 334) discusses Basquiat’s Man Made painted clothing. - 'Basquiat Dancing at The Mudd Club' photograph by Nicholas Taylor of Gray (Basquiat wears a similarly painted sweatshirt). Basquiat’s use of ’MAN MADE', see: - Glenn O'Brien "Graffiti '80;" High Times, June 1980 (p. 53-54); "Jean-Michel Basquiat who is known to many as SAMO, had changed his alias to Man Made". - Jean-Michel Basquiat: 1981, the Studio of the Street (Diego Cortez; 2007 p. 80). - The Last Time I Saw Basquiat (NYR Daily 9/3/16; essay by Lucy Sante). - Basquiat: Boom For Real (Barbican; Nairne, Buchhart & Johnson p.26). - Sotheby's S2 Catalog & Sale, "Man Made" (May 2013). Intertextual References: Basquiat's 'BAD' motif further appears in the following 1979 works: - "Stupid Games, Bad Ideas" (color xerox; see Basquiat: Boom For Real pg. 108). - Basquiat (untitled) "Test Pattern" (original drawing and xerox; see Basquiat: Boom For Real pg. 147). - Basquiat (untitled) "Gumby Is Bad" t-shirt (worn on camera by the artist at Canal Zone...

Amy Smith is a self-educated contemporary artist. Born in New Jersey, she moved to Los Angeles where she found inspiration, mentors, and support in the Street Art community. In her...

Edition 5 JAY-C – the pseudonym of this innovative young artist known for his subversive use of familiar figures and symbols. Using a distinct and fine British sense of humour, 
he addresses stereotypes of modern society and his work, both playful and profound, stimulates us to question conventional social conceptions. JAY-C is a barometer responding to the world around us. Having had his first solo exhibition in 2018, in the same year he did a collaboration with BoConcept on their iconic Imola chair...

Watercolor and silkscreen on Fabriano vélin paper. Paper size: 15 x 15 inches. Inscription: Hand signed in ink, as issued. Notes: Published, printed, and painted by Peter Max, New Yo...

Unique and original painting, ready to hang. Campbell La Pun’s unique spray can paintings merge street art sensibilities with vibrant pop culture influences, transforming ordinary s...

One-of-a-kind Pop Art Original Painting on Canvas by Gardani available for you. Hand signed by the Artist front and back, comes with official Gardani Certificate of Authenticity with...

Swiss artist Marion Duschletta transforms luxury objects and urban landscapes from around the world into unique layered artworks. She combines an intriguing mixture of urban photographs and American pop icons opposite brand names and advertising references, adding bold colors and compelling patterns. She transfers them onto archival paper which is mounted on canvas. The pop art imagery is often distressed in an attempt to emphasize a bygone era. She further enhances the artworks with acrylic paint and texture, adding depth to her paintings. This vibrant one-of-a-kind 15.75-inch tall by 11.75-inch wide post-pop artwork is created with mixed media on canvas. The sides of the artwork are finished with a textured white paint, and it does not require framing. Convenient local Los Angeles area shipping. Affordable U.S. and global shipping also available. A certificate of authenticity issued by the art gallery is included with this unique artwork. Marion Duschletta was born in 1972 in Graubünden, Switzerland. She has been a full time professional artist since 2004. For over ten years, she was the owner of Galerie Mauerblümchen in Zürich, Switzerland. Due to her increasing international success as a fine artist she now focuses exclusively on creating unique artworks. Her popular series of artworks include cities such as New York, Miami, Las Vegas, Los Angeles, London as well as American Pop Icons such as Marilyn Monroe, Audrey Hepburn, and Chanel. Notable collectors include Ariel Winter, Los Angeles, CA. Artspace Warehouse has been representing and exhibiting Marion Duschletta's original artworks since 2010. The gallery has been a 1stdibs partner since 2014 with consistently excellent reviews from clients worldwide. The gallery exhibits a large selection of affordable original artworks from established and emerging international artists with diverse backgrounds at high standards. Artspace Warehouse is known to provide accurate descriptions, images, reliable services, communication, and delivery. The gallery's commitment to customer satisfaction means that clients can invest in art with confidence, knowing they have a reputable and established art gallery backing their acquisition. Artspace Warehouse prioritizes our clients' peace of mind by ensuring a seamless and worry-free art-buying experience. REPRESENTATION Artspace Warehouse, Los Angeles, California EXHIBITIONS 2022-23 Artspace Warehouse, Los Angeles, CA 2021 Artspace Warehouse, Los Angeles, CA Galerie Kunsthaus Rapp Will Galerie VivaArte.online Galerie Kunstwarenhaus, Zürich Galerie Victor Contemporary Art Zermatt Gallery Art Space Warehouse, Los Angeles, USA Gestaltung Bilder Revier-Hotel, Dubai JMG Interiors, Augustingergasse, 8001 Zürich Raumgestaltung Ammann, St. Gallen Home Sweet Home Interior, Arosa Galerie Willen Luzern Anno Interior Wädenswil Wehrli Raum Flims Dorf Jasmin & Co. Interior Vogelsang bei Turgi Kunst-Reproduktionsverkauf bei Swisskyline 2020 Galerie Kunstwarenhaus, Zürich Galerie Victor Contemporary Art Zermatt Gallery Art Space Warehouse, Los Angeles, USA Gestaltung Bilder für das Revier-Hotel in Dubai JMG Interiors, Augustingergasse, 8001 Zürich Raumgestaltung Ammann, St. Gallen Home Sweet Home Interior Arosa Palatso pop up...

Carl Smith explores the area between Pop Art and Surrealism and expresses it in one-of-a-kind original works on canvas, paper or wood. With the use of found images he tells slightly ...

Mario Schifano (Homs 1934 - Rome 1998), Tree (1980 - 1981) Enamel and pastel on canvas 60 x 90 cm signed lower right. The work appears to be archived at Archivio Mario Schifano cha...

This painting is in excellent condition and has only been shown in a gallery. Federico López Córcoles was born in the Alicante region of Spain in 1970. This area is well-known for ...

One of the originators of the Western pop art movement, Billy Schenck incorporates techniques from photorealism with a pop art sensibility to both exalt and poke fun at images of the...

In this painting, the focus is on authenticity and self-confidence, emphasizing the idea of authenticity as a unique and valuable trait. The central figure, a large-profiled girl, sy...

Contemporary figurative acrylic on canvas painting by Polish artist Joanna Woyda. Painting is in minimalistic, pop art style. The artwork depicts a boy standing in the water. He is v...

Swedish artist Jonas Fisch’s imagery is vibrantly buzzing with colorful commentary on society - past and present - morphed into figures, words, and shapes. His heavily layered canvas...

"Jeni Stallings creates work that often draws from her dreams and personal experiences. She tends to render those moments in a muted, femininity-infused surrealism far from the hard-...

One-of-a-kind Pop Art Original Painting on Canvas by Gardani available for you. Hand signed by the Artist front and back, comes with official Gardani Certificate of Authenticity with...

A pop-art depiction of Marilyn Monroe done in a very urban style. The drips and fast brushwork make for a unique display of the artists more abstract technique. With bright pinks and...

Swiss artist Marion Duschletta transforms luxury objects and urban landscapes from around the world into unique layered artworks. She combines an intriguing mixture of urban photographs and American pop icons opposite brand names and advertising references, adding bold colors and compelling patterns. She transfers them onto archival paper which is mounted on canvas. The pop art imagery is often distressed in an attempt to emphasize a bygone era. She further enhances the artworks with acrylic paint and texture, adding depth to her paintings. This vibrant one-of-a-kind 24-inch tall by 19.5-inch wide post-pop artwork is created with mixed media on canvas. The sides of the artwork are finished with a textured white paint, and it does not require framing. Convenient local Los Angeles area shipping. Affordable U.S. and global shipping also available. A certificate of authenticity issued by the art gallery is included with this unique artwork. Marion Duschletta was born in 1972 in Graubünden, Switzerland. She has been a full time professional artist since 2004. For over ten years, she was the owner of Galerie Mauerblümchen in Zürich, Switzerland. Due to her increasing international success as a fine artist she now focuses exclusively on creating unique artworks. Her popular series of artworks include cities such as New York, Miami, Las Vegas, Los Angeles, London as well as American Pop Icons such as Marilyn Monroe, Audrey Hepburn, and Chanel. Notable collectors include Ariel Winter, Los Angeles, CA. Artspace Warehouse has been representing and exhibiting Marion Duschletta's original artworks since 2010. The gallery has been a 1stdibs partner since 2014 with consistently excellent reviews from clients worldwide. The gallery exhibits a large selection of affordable original artworks from established and emerging international artists with diverse backgrounds at high standards. Artspace Warehouse is known to provide accurate descriptions, images, reliable services, communication, and delivery. The gallery's commitment to customer satisfaction means that clients can invest in art with confidence, knowing they have a reputable and established art gallery backing their acquisition. Artspace Warehouse prioritizes our clients' peace of mind by ensuring a seamless and worry-free art-buying experience. REPRESENTATION Artspace Warehouse, Los Angeles, California EXHIBITIONS 2022-23 Artspace Warehouse, Los Angeles, CA 2021 Artspace Warehouse, Los Angeles, CA Galerie Kunsthaus Rapp Will Galerie VivaArte.online Galerie Kunstwarenhaus, Zürich Galerie Victor Contemporary Art Zermatt Gallery Art Space Warehouse, Los Angeles, USA Gestaltung Bilder Revier-Hotel, Dubai JMG Interiors, Augustingergasse, 8001 Zürich Raumgestaltung Ammann, St. Gallen Home Sweet Home Interior, Arosa Galerie Willen Luzern Anno Interior Wädenswil Wehrli Raum Flims Dorf Jasmin & Co. Interior Vogelsang bei Turgi Kunst-Reproduktionsverkauf bei Swisskyline 2020 Galerie Kunstwarenhaus, Zürich Galerie Victor Contemporary Art Zermatt Gallery Art Space Warehouse, Los Angeles, USA Gestaltung Bilder für das Revier-Hotel in Dubai JMG Interiors, Augustingergasse, 8001 Zürich Raumgestaltung Ammann, St. Gallen Home Sweet Home Interior Arosa Palatso pop up...

Artist: Jack Graves III (American, 1988-) Title: "Marilyn Monroe Icon XV" Series: Icon *Signed by Graves lower left. It is also signed, dated, and titled on verso Year: 2024 Medium: ...

“Flowers and Worms” (2021) is a botanical portrait painting from the Fetiches series by Moldovan-born artist Natasha Lelenco. Executed in acrylic on canvas and set within an integrat...

When I make pop art, I try to saturate the picture with some kind of additional meaning. Sometimes I get patriarchal symbolism instead of pop art. In this case, no additional meanin...

Los Angeles street artist Gary John exploded onto the international art scene during the Art Basel Miami art fair in 2013. John’s playfully bold work quickly gained attention and he ...

Ludwig van Beethoven (1770 –1827) was a German composer and pianist. He is one of the most admired composers in the history of Western music. Origin...

Edition 5 JAY-C – the pseudonym of this innovative young artist known for his subversive use of familiar figures and symbols. Using a distinct and fine British sense of humour,
he a...

Harking back to the days when Elvis Presley was king, the Chevrolet Belair was cool, by any definition! Pumping gas at the local Gulf station was an acti...

This piece is executed with hand cut butterflies, and comes displayed in an acrylic shadow box. These works conjure sensations of nostalgia, created from paper, cutting out colorful ...

Damien Hirst Spin Painting, 2009 (Damien Hirst Skull): A mesmerizing Damien Hirst Spin painting with explosions of vivid color amidst the timeless,...

Italian artist Fabio Coruzzi merges painting and photography into one imaginative image that offers a new outlook on an otherwise ordinary urban scene. His artworks represent an auth...

Tiger Portrait Pop Art with Floral Mandala in Chains by British Urban Graffiti Artist, Chris Pegg, using red, pink & turquoise. Chris Pegg is a self-taught Street Artist producing ar...

Artist: Andy Warhol Title: Fish Portfolio: The Toy Suite Medium: Original painting on canvas Date: 1983 Edition: Unique Frame Size: 20" x 23" Sheet Size: 11" x 14" Signature: Estate...

This painting is acrylic on deep-profile canvas, wired and ready to hang. :: Painting :: Pop-Art :: This piece comes with an official certificate of authenticity signed by the artist...

Denied Warhol Red Liz Painting on canvas by Charles Lutz Silkscreen and acrylic on canvas with the artist's Denied stamp of the Andy Warhol Art Authentication Board. 40 x 40" inches...

A pop piece depicting New York City's iconic Times Square in Midtown Manhattan with taxis, cars and people in a bursting street scene filled with color and impasto paint, with quick ...

Alexander Girard designs belong in a museum. :: Painting :: Pop-Art :: This piece comes with an official certificate of authenticity signed by the artist :: Ready to Hang: Yes :: Sig...

Swiss artist Marion Duschletta transforms luxury objects and urban landscapes from around the world into unique layered artworks. She combines an intriguing mixture of urban photogra...

Gary John's pop-street artworks have a whimsical, yet exciting and bold quality inspired by classic cartoon and comic book characters. Blending pop sensibilities with a roughened fau...

Italian artist Fabio Coruzzi merges painting and photography into one imaginative image that offers a new outlook on an otherwise ordinary urban scene. His artworks represent an auth...

Original Fashion Design Illustration by Roz Jennings, British watercolor and ink on card, unframed size: 12 x 8.25 inches condition: very good A beautifu...

Spray paint on paper Hand signed Unique piece

Robert Lebsack creates artworks using mixed media with ink, acrylic, and charcoal on archival copies of newspapers, textbooks, and sheet music. As a visionary artist, Lebsack weaves ...

Chloe Hedden’s Forget Me Not Blue Excess from her Excess series continues her exploration of Excessivism, using thick, sculptural paint to express themes of overindulgence and emotio...