Realist Paintings

Traditional Interior Still Life Oil Painting with Fruit & Candle by 20th Century British Artist, Howard Shingler. This original has a lovely w...

This lovely British portrait oil painting is by noted artist Lionel Ellis. Painted circa 1940, the picture is a half-length seated portrait of a smiling woman wrapped in a red shawl,...

Painted circa 1930 this Modern British oil portrait of Philip Joubert has superb colouring and detail. Painted by Charles Cundall RA RWS, it came from the artist’s daughter and is fr...

This lovely British still life floral oil painting is by noted artist Alice Mary Burton. Painted circa 1935 it is floral arrangement of red roses in a vase. A lovely Art Deco floral ...

This absolutely charming Edwardian portrait oil painting is by noted artist Edward Francis Wells. Painted in 1908, the sitter is Brian de Lolme Bullock as a six year old boy. (See hi...

This beautiful Edwardian Scottish floral oil painting is by noted Scottish female artist Louise Ellen Perman. Perman exhibited 28 floral oil paintings at the Royal Scottish Academy f...

This lovely floral landscape oil painting is by artist Elsie Bye- Rawson. Painted circa 1960 the view is looking down from Newlyn and along the coast to Penzance in Cornwall. St Mary...

Signed with monogrammed initials and has his name written on verso. Realistic portrait of an older rabbi. CHARLES E. HANNAFORD, English; 1863-1955, Hannaford was a British waterco...

This impressive large portrait realist oil painting is by noted Scottish artist David Cowan Dobson. One of a pair, the sitter is Mr R H Sinclair and dates to 1914. He is beautifully ...

This lovely British 20th century river landscape oil painting is by noted female artist Margaret Maitland Howard. The location may be Bath but needs more research. The composition is a tranquil river landscape with a man fishing from a boat in the foreground, a bridge and buildings beyond. A neo classical building stands on the right bank...

This captivating British portrait oil painting is by noted exhibited and listed female artist Alice Mary Burton. Painted circa 1955, the painting is a portrait of a woman gazing out ...

A beautiful, colourful British 1920's exhibited oil on canvas portrait painting by Francis Dodd RA and with extensive provenance. The work depicts the Feminist and famous artist Susa...

This charming British portrait oil painting is by noted artist Allan Douglas Davidson. Painted circa 1920, the painting is an endearing bedtime scene of a mother and young son embracing as she gets his pyjamas on ready for bed. Stood on the bed he is the ideal height to kiss his mother, whilst teddy is already tucked in bed, waiting to be joined. The blond hair of the child and auburn hair of his mother both gleam in the light as they embrace. A really sweet painting and an excellent example of Davidson's skill as an artist. Signed lower left. Provenance. Essex estate. Condition. Oil on canvas 32 inches by 26 inches unframed and in good condition. Frame. Housed in a complementary frame, 40 inches by 34 inches framed and in good condition. Allan Douglas Davidson, R.B.A., R.O.I., R.M.S. (1873-1932) was an English painter who predominantly worked in oils and specialized in portraits, interiors and female nudes. Allan Davidson was born in London on 14 May 1873. His father was the historical painter Thomas Davidson. Allan studied art at the Royal Academy Schools in London, where he won a medal and the Armitage Prize, he also studied at the Académie Julian in Paris. He was elected to the Royal Institute of Oil Painters in 1921 and was also a member of the Langham...

This superb Scottish Impressionist townscape oil painting is by noted Slade School trained artist Sir Harry Jefferson Barnes. Originally from Sheffield Barnes was very involved with ...

This stunning French Victorian portrait oil painting is by noted exhibited female artist Jeanne Rongier. This delicately detailed portrait is of the head and shoulders of a beautiful young woman, gazing to her right. Painted from a low vantage point looking up, the background is a superb canopy of illuminated green and yellow leaves with the light shining through them and all around her. Her dark glossy hair against the light drenched leaves is beautiful in a very Victorian Pre Raphaelite tone. A thoroughly charming portrait oil painting by a noted French Victorian female artist depicting a female sitter...

This lovely Scottish Victorian portrait oil painting is by noted Scottish female artist Annie Rosie Laing. Laing grew up and studied art in Glasgow around the time of the Glasgow Girls...

This lovely British portrait oil painting is by noted artist Lionel Ellis. Painted in 1929 it is a half length standing portrait of a young woman in a blue dress with a white lace sh...

This atmospheric British Edwardian oil painting is by noted Welsh artist Alan Stepney Gulston. Painted circa 1910 it is a sunny Pembrokeshire coastal view from the high vantage point...

This charming floral oil painting is by Cornish born artist Marion Grace Hocken. Painted circa 1950 it is a floral arrangement of pink and purple fuchsia with sprays of blue flowers ...

Bobert Brown (British, b.1936). Perugia, Italy. Oil on canvas measures 14.5 x 22 inches; 19.5 x 27 inches framed. Signed lower left. One faint area of scratching on paint surface in ...

Technical Illustration of a Ford Lehman Diesel Engine in Gouache on Heavy Cardstock Highly detailed and precise illustration of an engine by Joseph Yeager (American, 20th Century). ...

This is an original antique Still Life oil painting on canvas depicting a glass of red wine and various fruits on the table. Presented in a nice period golden frame Frame in good...

This beautiful British exhibited portrait oil painting is by noted female artist Alice Mary Burton. Painted circa 1935, the sitter is noted verso to be Mrs Willis. The painting was e...

Vintage American realist still life oil painting. Oil on canvas. Framed. Signed.

This superb British 1950's landscape oil painting is by noted artist Laurence Henry Irving. Painted in 1952 it is entitled verso as Elegy to a Dead Tree. In the foreground, towering ...

Original Oil Painting of a River Landscape in County Tyrone, Ireland, by Irish Artist, Manson Blair. Presented in the original ornate frame. Art measure...

Frame size 52x44 Is born in Madrid on the 21st july 1951. After attending primary school, he starts to grow an enormous tendency for drawing. At the age of 14 he begins to work in ...

This stunning, large British Edwardian Newlyn School interior portrait oil painting is by much noted and exhibited artist Walter Langley. Originally from Birmingham, Langley and his ...

This vibrant still life oil painting is by Scottish artist Doris Zinkeisen. Painted circa 1950 the composition is a glass, lemon and two fondant fancies. They stand on a pink and whi...

This interesting figurative landscape oil painting is by British artist Norman Toll. He liked to paint well populated scenes with an event or activity as the focus. Painted circa 195...

Lev Pavlovich Khodchenko (Shimanovka, 1912 - 1998) - Still life of fish and vase. 60 x 80 cm without frame, 72 x 92 cm with frame. Oil on canvas, in wooden frame. - Work signed on...

A large oil on canvas of a stunning floral arrangement by female artist Margaret Evangeline Wilson. Wilson exhibited at the Paris Salon and won the Medaille d'Or at the Paris Salon i...

Artist: Jack Wisby– American (1869 - 1940) Title: Hidden Valley, San Anselmo, Marin, California Year: 1909 Medium: Oil on Canvas Size: 20 x 28 inches. Fram...

A stunning portrait of Mr John Gilbert. This original oil on canvas was painted by James Peter Quinn in 1929 and was exhibited at The Paris Salon of that year. A fine portrait, it is in excellent condition and framed in the original period frame. This is a fine painting by a noted Australian listed artist. Signed right. Provenance. Exhibited at the Paris salon 1929. Condition. Oil on canvas in very good condition, image size 40 inches by 30 inches. Housed in its original gallery frame, 47 by 37 inches framed. Excellent condition. James Peter Quinn (1869-1951) was born on 4 December 1869 at 60 Bourke Street, Melbourne. He was the third son of John Quinn, restaurant-keeper born in Antigua, West Indies, and his English wife Ann, née Long. Little is known of Quinn's childhood and early education; both parents died when he was young. His guardians apprenticed him to an engraver, but he undertook part-time studies at the school of design, National Gallery of Victoria, under Frederick McCubbin in 1887-89, and at the school of painting under George Folingsby and Bernard Hall in 1890-93. Awarded several student prizes, he won the gallery's travelling scholarship in 1893. Quinn went to London in 1894 but quickly left for Paris where he studied at the Académie Julian, at the Académie des Beaux-Arts under Jean Paul Laurens, and with Colarossi and Delécluse. He returned to London about 1902 and married fellow art-student Blanche Louise Guernier there on 29 September. By 1904 he had exhibited with the Royal Academy of Arts and went on to establish a reputation as a highly successful portrait painter. His finest and most sensitive work was produced before 1910. His family were the subjects of many paintings, including 'Mère et Fils', awarded an honourable mention at the Old Salon, Paris, in 1912. He also painted many self-portraits. His many commissioned works included portraits of Joseph Chamberlain, the Duchess of York and, later, the Duke of Windsor. In 1918-19 he was an official war artist with the Australian Imperial Force in France, and exhibited war paintings at the Grafton Galleries, London. In 1919, with George Coates he was an official artist to the Canadian War Records. He was a council-member of the London Portrait Society, and a member of the Royal Society of Portrait Painters and the Royal Institute of Oil Painters, exhibiting regularly with them and the Royal Academy, and in Paris with the Old and New salons. Quinn's sudden return to Australia in December 1935, alone, followed the death of his gifted artist-son René. He held exhibitions at the Fine Art Society's Gallery, Melbourne, in 1936 and the Royal South Australian Society of Arts Gallery next year. Quinn ostensibly returned as an acclaimed artist, was invited to rejoin the Victorian Artists' Society he had joined first in 1888, and was its president (but for one year) in 1937-50. Yet a coolness existed. Though he had little in common with the modernist painters of the period, his commitment to a tolerant brotherhood of artists found no allies among the aggressively conservative old guard. In 1937 he clashed publicly with (Sir) Robert Menzies who in opening a V.A.S. exhibition denigrated modern art. In spite of the affection felt for him by many artists and students, Quinn was somewhat isolated. He continued to exhibit, winning the Crouch prize, Ballarat Fine Art Gallery, in 1941. In the mid-1940s he taught briefly at the National Gallery school. A lover of good food, wine and conversation, Quinn delighted in mixing with all classes. Frequenting the haunts of journalists, writers and the more Bohemian fringe, he was easily recognizable with his bow tie, grey curly hair and cigarette dangling from the corner of his mouth. Survived by one son, he died of cancer on 18 February 1951 at Prahran and was buried in St Kilda cemetery. His war portraits are held by the Australian War...

An original, circa 1970, oil on canvas painting by listed Northern artist Harry Rutherford. A fine example of a Modern British portrait. In fine untouched condition and framed in a p...

This stunning Edwardian portrait oil painting is attributed to Scottish Kirkcudbright School artist William Stewart MacGeorge. Painted circa 1910, The painting shows the influences o...

A fine oil on canvas which dates to circa 1920 by noted Australian artist Frederick William Leist. It is a super portrait oil painting which depicts a beautiful young woman lost in contemplation. Almost Orientalist by design, it is a super roaring twenties painting. Full of vitality and impressionistic colour and influences of 20th century portraiture, it is a very evocative image. Signed lower right. Provenance. Collection IMI PLC. Condition. Oil on canvas. Unframed size is 30 inches by 25 inches, in excellent condition. Housed in a fine Bourlet gilt gallery frame. Framed size is 40 inches by 35 inches, in excellent condition. Frederick William (Fred) Leist (1873-1945) born Sydney. He was the eighth surviving and fifteenth child of Edward Frederick Leist, builder, and his wife Harriet Eliza, née Norris, both Londoners. Leist was educated at Crown Street Public School and, while training as a furniture designer in the workshops of David Jones Ltd, studied art at Sydney Technical College before becoming a student of the Art Society of New South Wales; under Julian Ashton's tuition he learned plein air techniques. 1898 he married Ada Sarah Roberts. Leist drew for the Bulletin in the 1890s and became staff artist on the Sydney Mail; he was also local representative for the London Graphic from 1900. According to William Moore he 'was the first to portray the Australian girl as a definite type'. Leist was an original council-member of the Society of Artists, Sydney, in 1895 and, after their merger, of the Royal Art Society of New South Wales. However in 1907 he was one of the twelve who re-established the Society of Artists. The Leists moved to England and from 1910 to 1925 he exhibited regularly at the Royal Academy of Arts. His first successful picture, 'The Mirror', a portrait of his daughter, was hung on the line at the Royal Academy in 1911 and next year at the Salon de la Société des Artistes Français. At the 1914 Royal Academy exhibition his painting of two Spanish guitar players, 'The Rivals', was acclaimed. The Review critic wrote: 'it is a composition in light and a pattern of colour, given power and meaning by restraint'. Noted for his studies of handsome women, Leist was elected to the Royal Society of British Artists and to the Chelsea Arts Club in 1913 and next year to the Royal Institute of Oil Painters; later he also exhibited with the Royal Society of Portrait Painters. During World War I, Leist worked for the War Office designing recruiting posters. Then, in September 1917, he was appointed an official war artist with the Australian Imperial Force and attached to 5th Division headquarters as an honorary lieutenant. From September to December and from June to August 1918, 'dodging shells and mustard gas', he produced about 150 small sketches, drawings and watercolours, and a portrait of Lieutenant-General Sir Talbot Hobbs. He later fulfilled commissions to paint four large battle scenes including 'Battle of Polygon Wood' and 'Capture of Mont St Quentin'. The striking colours of these battle scenes are in strong contrast to the delicacy and muted tones of his watercolours such as 'The Lacemaker'. In London, Leist consolidated his reputation: he was represented in the 1918 exhibition of Australian war...

An original large Scottish portrait oil by noted Scottish artist William Oliphant Hutchinson. The work is a portrait of a gentleman, in a suit, with a rose in his lapel. This painti...

Up for sale is a vintage original oil painting on canvas depicting Still Life Composition with fruits, and a blue vase. Overall an impressive-looking medium-sized painting that wil...

This rare original equine painting by renowned artist, Jenness Cortez, features legendary racehorse Secretariat sprinting towards the finish line at the 1973 Belmont race, winning by an incredible and historical 31 lengths. Titled, “Secretariat, Winning the Belmont at 31 Length”, this beautiful oil painting measures 16 x 24.5 and is framed in an ornate warm silver and gold frame, complete with a commemorative plaque. Secretariat is widely considered to be the greatest racehorse of all time and the most recognizable name in thoroughbred racing. Big Red, as he is most often affectionately referred, became America’s Horse after his historic Triple Crown win in 1973, winning the Belmont Stakes by an unimaginable 31 lengths (in world record time) in what stands today as the single greatest horseracing performance ever. About Jenness Cortez: Jenness Cortez is a distinguished figure in the contemporary revival of classical realist painting. She was born in Indiana and exhibited a very early talent for art. As a teenager, she took private lessons with Antonius Raemaekers...

This stunning British Edwardian Impressionist Newlyn School seascape is by noted Cornish artist Algernon Talmage. Painted in 1909 it is a beautiful coastal seascape of Newlyn harbour...

This superb British Interior Camden Town School portrait oil painting is by Slade School artist Geoffrey Hamilton Rhoades. Painted in 1932, the sitter is the artist's aunt. The composition is a seated half portrait of Rhoades aunt, sat at a table with bookshelves, paintings and ornaments behind her as she looks at a paper. It is a sympathetic portrait suggesting his fondness for his aunt and an excellent example of a Slade School portrait interior. Signed and dated RHOADES 32 lower right. Provenance. Alfred Stiles and Sons label verso. Also signed on stretcher. Condition. Oil on canvas, 18 inches by 14 inches and in good condition. Frame. Housed in a complementary frame, 25 inches by 21 inches and in good condition. Geoffrey Hamilton Rhoades (1898-1980). Rhoades attended Dulwich College where his education included drawing from classical casts. After Dulwich he spent two years at Clapham Art School under L C Nightingale. He served in the Marines from 1917 to 1919. Rhoades then studied at Slade School between 1919 and 1924 under Tonks. he socialised with fellow artists Albert Houthueson, Percy Horton, Charles Mahoney and James Laver. Rhoades then spent two years at Christopher Turnor's country house painting family portraits, some murals, landscapes and making many drawings. In 1928 Rhoades taught at the Working Man’s College in Crowndale Road, London. In 1929 Geoffrey followed Percy Horton as the art master at Bishop’s Stortford College, remaining in this post for fifteen years. He was a friend and coleague to Walter Strachan. In 1934 Rhoades married Joan Jenner and they lived in London and had a son, Peter who also became an artist. In 1935 the Tate (Britain) bought his “Winter Afternoon, Chalk Farm” landscape. After the onset of the Second World War blitz, they moved house to Stebbing in Essex. They lived near to Great Bardfield where the very prestigious artists’ group including Edward Bawden, Eric Ravilious, Michael Rothenstein and a number of other distinguished artists had collected away from London. Rhoades and his wife were intimate members of this creative community throughout the course of the war. Their final move was to Seven Stars, Cuddington on the Buckinghamshire and Oxfordshire border to be nearer to Oxford. Percy Horton was appointed Ruskin Master of Drawing at the Ruskin School, University of Oxford and Joan became his secretary. Horton employed Geoffrey as a tutor at the School and this began a very long relationship with the Ruskin, which was then housed in the Ashmolean Museum, and Oxford for both of them. Joan was a secretary to Percy Horton, then Richard Naish and in 1974 Philip Morsberger...

This dramatic snowy mountainous landscape oil painting is by British artist Francis Wynne Thomas. It was painted circa 1945 when Thomas was in Ger...

The China Tea Clipper "Shun Lee" Signed MONTAGUE DAWSON A gorgeous oil painting focusing of the "Shun Lee" ship built on the Thames in 1866 by W. Walker. The ship was a marvel, w...

A large, original portrait of Clarissa. It depicts Olive Groves as Clarissa in Lionel and Clarissa at the Lyric Theatre in Hammersmith in 1926. Given to Olive Groves in 1966 by Sir G...

This stunning exhibited nude portrait oil painting is by noted British Newlyn School artist Harold Knight. `The Maiden` was painted at Dozmary. The Belgrave Gallery catalogue 1986 suggests the sitter is in fact his wife, Laura Knight the noted artist. The sensuous understanding of the flesh tones and anatomy reveals the qualities that established Knight's reputation as a leading portrait painter after the War. This picture may be dated to c.1916. A really lovely portrait by a much sought after artist. Signed lower left. Provenance. Fifty Years Ago Exhibition, RWS Galleries, June 1965, no. 200. Miles Lamdin Gallery, London. Belgrave Gallery February 1986 which suggests in their catalogue the sitter is Laura Knight. Shades of British Impressionism...

A luminous still life that borrows themes from Dutch 17th Century Masters, we are drawn to the very details that Beirne captures effortlessly. The subdued, yet boldness of the colors represent an interesting arrangement throughout. In this painting, Beirne depicts a beautiful Quimper creamer on a wooden board with red grapes and clothe. Signed lower right comes displayed in a wonderful wood ornate antique gold frame with hanging wire on verso. Art measures 8 x 7 inches Frame measures 12 x 11 inches Bert Beirne...

This superb atmospheric British Edwardian portrait oil painting is by noted Scottish artist Howard Somerville. Painted in 1911 it is a half length portrait of Miss Blanche Stuchbury,...

A super circa 1955 British portrait oil painting in tones of red. A very evocative period portrait of a woman painted by British listed female artist Constance Anne Parker. A highly...

This rare original equine painting by renown artist, Jenness Cortez, features a stately portrait of legendary racehorse Secretariat standing in the lush verdant grass at Claiborne Farm. Bathing in the warmth of an afternoon sun, Secretariat's copper-colored beauty is captured perfectly. Titled, “Secretariat as a Stallion Claiborne Farm”, this beautiful oil painting measures 18.5 x 24.5 and is framed in an ornate gold frame, finished with a commemorative plaque. Secretariat is widely considered to be the greatest racehorse of all time and the most recognizable name in thoroughbred racing. Big Red, as he is most often affectionately referred, became America’s Horse after his historic Triple Crown win in 1973, winning the Belmont Stakes by an unimaginable 31 lengths (in world record time) in what stands today as the single greatest horseracing performance ever. About Jenness Cortez: Jenness Cortez is a distinguished figure in the contemporary revival of classical realist painting. She was born in Indiana and exhibited a very early talent for art. As a teenager, she took private lessons with Antonius Raemaekers...

Realistic portrait of an older pair of Jewish shtetl types in a warm discussion by Polish artist. Here the artist conveys a sense of quiet grandeur through the eyes of his subject an...

A super circa 1955 British portrait oil painting in tones of blue and brown. A very evocative period portrait of a woman painted by British listed female artist Constance Anne Parke...

Painting by a contemporary artist Audrey Ushenko. Audrey Ushenko works in the genre of narrative realism. Her works are rich, complex figurative and still life paintings. They are s...

This gorgeous and vibrant early twentieth century British landscape oil painting is by Margaret Maitland Howard. Painted circa 1920 the landscape is of a rocky out crop or escarpment...

Large scale mid 20th Century French, oil on board, still life, tablescape, interior view, by Claude Barthélémy. Signed bottom left, presented in fine carved wood and gilt frame, with...

This charming Edwardian Scottish full length portrait oil painting is by noted Scottish portrait artist George Fiddes Watt. Painted circa 1910, the sitter is Muriel Sutherland, daugh...

Painting by a contemporary artist Audrey Ushenko. Audrey Ushenko works in the genre of narrative realism. Her works are rich, complex figurative and still life paintings. They are s...

Italian painter (c. 1920) - Academic male nude. 26 x 23 cm without frame, 29 x 26 cm with frame. Charcoal drawing on paper, in a wooden frame. Condition report: Paper and drawing ...