1850s Art

III Line Regiment is a lithograph by Antonio Zezon. Naples 1853. Interesting colored lithograph which describes some members of the Line Regiment in different estates. In excellent...

Administrative Body of the Real Marina is a lithograph by Antonio Zezon. Naples 1855. Interesting colored lithograph which describes the administrative body of the Real Marina: on t...

First Royal Guard Shooter Battalion is an original lithograph by Antonio Zezon. Naples 1856. Interesting colored lithograph which describes the royal guard shooters: on the left, a ...

Hussars of the Royal Guard is a lithograph by Antonio Zezon. Naples 1852. Interesting colored lithograph which describes a Troop Individual of the Hussars Regiment riding his horse....

Real Guard is a lithograph by Antonio Zezon. Naples 1852. Interesting colored lithograph which describes two members of the Real Guard: Troop Individual in great condition and Troop...

Ex Libris Jarmay Zoltan is an original Contemporary Artwork realized in the 19th Century. Original Ex Libris. Original B/W woodcut print on ivory-colored paper. Titled on the centr...

Assemblée Nationale Comique is an original modern rare book illustrated by CHAM and written by Auguste Lireux (Rouen, 1814 - 1870, Bougival) in 1850. Published by Michel Lévy Frères –Paris. Original First Edition. Format: large 8°. The book includes 625 pages and 20 fully illustrated page lithographs. Mint conditions. Auguste Lireux (Rouen, 1814 - 1870, Bougival). Lireux began, out of college, by founding, in his hometown, a small newspaper, the Indiscret , whose sarcastic and biting tone made him many enemies and which earned him seven or eight duels, where he has almost always been injured. There he recounted the marital misadventures of his compatriots, a process which provided him with a great deal of copy, but which he had to put an end to when a chair-mender outraged in his reputation had not inflicted on him a correction which could have had very serious consequences if the painter Garneray had not come to his aid. Discouraged, in 1841 he went to Paris, where he founded La Patrie which was then regarded as an opposition newspaper. He entered several other newspapers, including the Revue et gazette des théâtres , which then had among its editors Édouard Thierry , the administrator of the Théâtre-Français, the Courrier français (1846), the Revue comique (1848), the Messenger from theaters...

The Pope is an original Hand-colored etching artwork realized after Italian artist Bartolomeo Pinelli in 1850. With the description of artwork on the lower i...

The Holy Father - adoration is an Hand-colored etching artwork realized after the Italian artist Bartolomeo Pinelli in 1850. With the description of artwork on the lower in Italian...

The Holy Father - delivery of French troops -is an original Hand-colored etching artwork realized after the Italian artist Bartolomeo Pinelli in 1850. With the description of artwor...

Advertising Poster is a beautiful historical woodcut on ivory-colored paper. A long explication inscription in Italian is at the center of the sheet concerning the illustration of ...

Encore un Nouveau Divertissement (Another New Pastime) is a original b/w lithographed plate (n. 7) from La Fluidomanie. This is a satiric series composed of 12 plates of caricatures...

Je viens de faire moi-même mon marché is a original b/w litographes plate (n.13), from the satirical series Les Hippophages, composed of 10 plates of caricatures “de mœurs” (of behav...

Mon Ami, si nous nous mettions au lit (…) is a original b/w lithographed plate (n. 6) from La Fluidomanie, a satiric series composed of 12 plates of caricatures “de mœurs” (of behaviors), realized by Honoré Daumier (France, 1808-1879) and published on the French Periodical, Le Charivari between May and June 1853. Printed by Charles Trinocq, and edited by the Maison Martinet, Paris. Inscriptions: Monogrammed on stone,. h.D.; 506 Second State/II Reference: H. Delteil, Catalogue Raisonné, 2402. Provenance: Ex Collection G. Cognacq (Lugt 538d). Amusing original print, full margins, demonstrating a great mastery of the graphic techniques. Representing a grotesque scene depicting a couple during esoteric rituals with a turning table...

Pouvez Vous me Recevoir à Diner ce Soir? is a b/w lithographed plate (n. 10), from the series containing a total of 120 prints, Croquis Parisiens. Realized by Honoré Daumier (France...

Profitons de l’occasion… is a b/w lithographed plate, from the suites of caricatures on political themes topic “Actualités”. Realized by Honoré Daumier (France, 1808-1879), printed b...

Un Animal Remplì de Modestie is a b/w lithographed plate (n. 275), from the suites of caricatures on political themes topic “Actualités”. Realized by Honoré Daumier (France, 1808-18...

Blasé sur la viande de cheval… is a original b/w lithograph (plate n.10), from the satirical series Les Hippophages, composed of 10 plates of caricatures “de mœurs” (of behaviours), ...

Qu’est-ce-que ça? (…) is an original b/w lithograph (plate n.13), from the satirical series Les Hippophages, composed of 10 plates of caricatures “de mœurs” (of behaviours), realized...

Grande révolte des Rats (…) is a original b/w lithograph (plate n.12), from the satirical series Les Hippophages, composed of 10 plates of caricatures “de mœurs” (of behaviours), rea...

L’inconvénient d’être dans un wagon is a b/w lithograph (plate n.5) from the satirical print series “Les Trains de Plaisir”, composed of caricatures “de mœurs” (of behaviours), realized by Honoré Daumier (France, 1808-1879) in 1852. This plate, published by the Maison Martinet, Paris, appeared on the French periodical, Le Charivari, in 1852. Printed by the lithographer Charles Trinocq. Reference: H. Delteil, Catalogue Raisonnée, 2329. Inscriptions: Monogrammed on stone, h.D, 433. Complete Caption: L’inconvénient d’être dans un wagon où il y a des voyageurs qui deviennent susceptibles dis qu’ils ont un peu trop bu. Superb specimen, full margins, depicting a dark train-wagon with the consequent human chaos, is in excellent condition, with imperceptible aging signs (light redness and some traces of oxydation on the margins). A copy of the same plate is preserved at the permanent collection of the National Gallery of Art, Washington, D.S. Bibliography: 1906 Delteil, Loys. Le peintre-graveur illustre. 31 vols. Paris: Published by the author, 1906-1926. Reprint. New York: Collectors Editions, Da Capo Press, 1969. Vol. 30 (Albert Besnard) is by Louis Godefroy...

Parisiens surpris par la marée (…) is a b/w lithograph (plate n.13) from the satirical series “Les Trains de Plaisir”, composed of caricatures “de mœurs” (of behaviours), realized by...

Une petite Promenade en Mer is a b/w lithograph (plate n.10) from the satirical print series “Les Trains de Plaisir”, composed of caricatures “de mœurs” (of behaviours), realized by ...

View of Algiers is an original lithograph on paper realized in 1850 ca. by Anonymous Artist of 19th Century. In very good conditions. Image Dimensions: 13.5 x 17.5 Not signed. Tit...

Political Discussion is an original Modern Artwork realized in the half of the 20th Century. Original B/ Lithograph on paper. Hand-signed on the lower left corner. Good conditi...

Portrait is an original photo of a print on cardboard realized in 1850 ca. by an Anonymous artist. Good conditions, except for some foxings of original print. The artwork represent...

The Gymnaste is an original modern artwork realized in the 19th Century in France. Original pencil on paper. Very good condition. The Gymnaste is an excellent artwork on paper tha...

Characters is an modern artwork realized inmid-20th Century in France. Original china ink on paper. On the back of the work there is a second drawing. Very good conditions. Characters is an excellent modern artwork realized in France in the half of the XIX Century and it shows us several characters in a high room. On the background there is a window with an iron grate. The work depicts also a nude figure on the back of the sheet. The second drawing is realized in pencil and shows us a female reclining nude.

Tête D'Arme, or or how the British Generals stormed the Great Redan is an original lithography artwork on paper realized in 1855 after Touchstone by Ch...

Infantry is an original hand-colored lithography artwork paper, realized by Borrani in 1850 ca. Hand-signed on the lower right. Titled on the lower center in Italian. In very good...

"Woman Figure" is an original pencil drawing on paper realized by Edmound De Beaumont in 1853. Hand-signed on the rear. Good conditions. The drawing represents a woman in victorian costume...

Studies of Figures is an original modern artwork realized in the 19th Century. Original pen drawing on paper. Passepartout is included (total dimen...

Oriental Crying Woman is a hand-colored lithograph on paper realized in 1856 ca. by an unknown artist of the XIX century. Titled on the lower center in Italian" Una donna che piange...

Portrait 1850's is an original drawing in pen on paper, realized by an unwkown artist named Bruant (XIX-XX). Sheet dimension: 29.4 x 22 cm. The artwork represents beautiful quick ...

The Girl is an interesting preparatory sketch in pencil realized by the French artist Michel Dumas in the mid-19th century. The state of preservation is good, except for some stains and foldings. stamped by the name of Artist...

Women is a beautiful woodcut print realized by Frédéric Florian in the mid-19th century. In very good condition. Hand signed on the right lower margin,...

Workers is an original lithograph on paper applied on cardboard realized by Denis Auguste Marie Raffet in 1854. Signed on the plate on the lower left and dated. Good conditions. T...

Battle Scene of "Chemin De Ronde" is an original lithography artwork realized by Raffet in 1859. Signed on the plate on the lower left, dated, titled on the lower center with descr...

Gene is a beautiful original lithograph realized by Eugène Flandin (1809-1889) in 1850 ca. Signed on the plate by the artist on the lower left margin, lithographed by Jules Collign...

Siege de Rome is an original lithograph on paper realized by A. Raffet. Titled San Donato Février in 1850. Signed on the plate on the lower right. Sheet dime...

Buffalo Skull is an original lithography artwork on ivory paper realized by Carlo Coleman (1807-1874) in 1850. Signed on the plate and dated. Image dime...

This splendid lithograph View of Geneve is part of the series of prints dedicated to views of the city of Geneva, engraved by the Italian artist Antonio Fontanesi. The state of pres...

Roman Statue is an original etching on paper realized by an Anonymous artist of the XIX century in 1850 ca. In very good condition. Included a white...

This splendid lithograph L'hopital is part of the series of 20 prints dedicated to views of the city of Geneva, engraved by the Italian artist Antonio Fontanesi in 1854. The lithogra...

Image dimensions: 20.5 x 15 cm. This splendid lithograph Interieur de Geneve. Rue De L'Hôtel De Ville is part of the series of 20 prints dedicated to views of the city of Geneva, en...

"Monorganorama" are five original lithograph plates, realized by Alfred Grevin in 1858. Included a frame for each of the prints. In very good conditions except some foxing on one. ...

Signed on plate, “Raffet San Donato Février 1858”. Title “Artilleurs allant prendre service des Batteries n. 1 e n.2, Siège de Rome, 5 juin 1849” was printed at the centre. “Paris,G...

Fashionable Woman is a beautiful original pencil drawing on ivory-colored paper, composed by eight preparatory studies realized by the French artist Eugéne Morin (1833-1875). Hand-s...

Lafont de Saint-Yenne is an original black and white etching realized by Léopold Flameng. This curious artwork, representing a French gentleman, art connesseur, admiring some architectural decoration; was published in "Gazette des Beaux Arts in 1859". A wonderful print, after a satirical drawing by Caylus. In excellent conditions, including a cream cardboard passepartout, cm 38.5 x 28.5. Léopold Flameng (1831, Brussels –1911, Courgent) The French engraver, illustrator and painter is known for his etchings of works by Jan van Eyck, Leonardo da Vinci, Rembrandt, Ingres and Delacroix. Flameng also illustrated several books on Paris and numerous literary works of classical and contemporary authors, including Boccaccio, Paul Scarron, Victor Hugo and François Coppée. His first artistic studies were with Luigi Calamatta and Jean Gigoux. His skill as engraver was noticed by Charles Blanc and his collaboration in the Gazette des Beaux-Arts with fellow engraver Léon Gaucherel...

Une Queue is an amusing watercolored original lithograph realized by Henry Monnier (1805 - 1877). This original print represents people in line to buy ...

Apollon et les Muses are two wonderful lithographs realized in 1851 by Julien Boilly, after Prud'hon, as the typewritten inscriptions report under the images. This original print r...

Signed “Ichimosai Yoshitora ga” and “Ittosai Toshitsuna ga” and dated “Kaei 5” (1851). No Editor. Including 50+1 original illustrations, 39 of which by Yoshitora and 11 of which by Yoshitsuna. Author : Shotei Kinsui Illustrator : Utagawa Yoshitora...

This painting is listed in the W.H. Cadbury and H.F. Marsh book Arthur Fitzwilliam Tait: Artist in the Adirondacks, Newark, Delaware, 1986, no.59.36t. It is hand-signed "AF Tait...

Constant Troyon (French, 1810-1865) Vache en prairie Oil on canvas Canvas: 19 x 15 inches (48.3 x 38.1 cm) Framed: 28.75 x 24.75 x 3 Inches Artist's estate stamp lower right: Vente /...

White Bathing Costume by Becker on Austrian Beach -- Photographed by Mark Shaw for a LIFE magazine article on Austrian fashion, this model sports a beach costume designed by Bessie Becker...

Charles CHAPLIN (Les Andelys 1825 – Paris, 1891) Portraits of women Pair of oils on rectangular canvases H. 60 cm; L. 50 cm Signed Student of Michel Martin Drolling at the École des...

A beautifully painted oil on canvas of a flower vendor. Signed illegibly upper right corner. Framed in an ornate ebonized and gilded frame.

Jean-Francois Millet, French (1814 - 1875) - Portrait d'Olivier de Serres, Year: 1858, Medium: Lithograph, Image Size: 5 x 3.25 inches, Size: 9.5 x 6.25 in...

Antoine-Claude PONTHUS-CINIER (Lyon, 1812 - Lyon, 1885) The Trailer Ferry at Neuville-sur-Ain Oil on canvas H. 54 cm; W. 81 cm Sale stamp lower left. Provenance: 1885, Studio Sale, No. 18 Ponthus-Cinier belongs to what could be defined as the third (and, so to speak, last) generation of neoclassical or historical landscape artists, born in the 1810s and 1820s, such as Félix Lanoüe, Achille Bénouville, Paul Flandrin, Eugène Ferdinand Buttura, and Alfred de Curzon. More specifically, he is considered the leading and most popular representative of the Lyon School of landscape artists around the mid-19th century. A generous, honest, and pleasant companion, Ponthus-Cinier came from a family of merchants on his mother's side and magistrates on his father's. Destined for commerce by his parents, he preferred the artistic path, and after enrolling at the École des Beaux-Arts in Lyon in 1829 and training in Paris with Paul Delaroche, he exhibited his first works at the Lyon Salon of 1839, before participating in the Paris Salon in 1841. That same year, he received the second Prix de Rome for historical landscapes (won by Buttura in 1837, and Bénouville in 1845), beaten by the Versailles artist Lanoüe. To perfect his skills, Ponthus-Cinier then decided to travel to Italy, alone and at his own expense, for a single stay between 1842 and 1844; He discovered the Ligurian coast, Tuscany, Naples, and, of course, Rome and its surroundings, and executed a considerable number of studies (painted sketches or pen and ink sketches) that he used to compose views of Italy throughout his career. Ponthus-Cinier's main qualities probably lie in "the art of illuminating a canvas," as A. Jouve wrote in the 19th century, and in his sense of perspective, sometimes truly extraordinary; however, he seems, most of the time, a little less brilliant in his figures and in the transcription of details. This unsigned canvas...

Antoine-Claude PONTHUS-CINIER (Lyon, 1812 - Lyon, 1885) The Port of Banyuls Oil on paper mounted on cardboard H. 36 cm; W. 52 cm Unsigned Provenance: - B.R. Collection, Lyon Ponthu...