18th Century and Earlier Art
to
1,051
4,131
1,485
645
512
708
Overall Width
to
Overall Height
to
7,493
20,722
156,333
236,668
1,886
2,281
4,834
6,403
5,915
13,277
20,293
24,993
17,335
13,307
5,300
3,063
1,242
49
21
16
11
4
2
1
1
1
1
3,644
3,153
388
4,696
2,354
1,533
1,478
1,349
866
682
654
505
430
421
401
328
288
210
192
186
180
177
168
3,587
2,289
1,903
1,102
895
160
127
91
82
79
2,285
3,423
4,924
1,371
Period: 18th Century and Earlier
Portrait Of Lady Mary Villiers, later Duchess of Richmond as Saint Agnes
Located in Blackwater, GB
Portrait Of Lady Mary Villiers, later Duchess of Richmond and Lennox (1622-1685), As Saint Agnes, 17th Century
after Anthony VAN DTCK (1599-1641)
Portrait Of Lady Mary Villiers, later Duchess of Richmond and Lennox, As Saint Agnes, oil on canvas. Excellent quality and condition three quarter length seated portrait of the Duchess as Saint Agnes holding a palm leaf, accompanied by the lamb and wearing a white satin dress...
Category
18th Century and Earlier Art
Materials
Canvas, Oil
$16,603 Sale Price
20% Off
"Pond landscape with angler and resting farmer couple"
By Antonio Diziani
Located in Edinburgh, GB
Antonio Diziani (1737–1797)
"Pond Landscape with Angler and Resting Farmer Couple"
This atmospheric oil painting by Antonio Diziani, an 18th-century Venetian artist, captures a sere...
Category
Realist 18th Century and Earlier Art
Materials
Canvas, Oil
18th Century by Nicola Viso The adoration of the magi Oil on canvas
Located in Milano, Lombardia
Nicola Viso, (active 1724 – 1742)
Title: The adoration of the magi
Medium: Oil on canvas
Dimensions: without frame 63 x 100 cm – with frame 76.5 x 114.7 x 4.5 cm
Signed “N. Viso. f” ...
Category
Old Masters 18th Century and Earlier Art
Materials
Canvas, Oil
Salvador Dalí, Galería Louis Moufflet (Hommage à Albrecht Dürer), 1971 .
Located in Sant Celoni, ES
SALVADOR DALÍ I DOMÉNECH, (Figueras, Gerona, 1904 – 1989).
"Hommage a Albrecht Dürer"., 1971.
Litografía papel. Ejemplar 236/300.
Firmada y numerada a lápiz.
Medidas: 77 x 56 cm.
Ca...
Category
Abstract 18th Century and Earlier Art
Materials
Lithograph
Painting with Mythological Scene Love and Psyche 18th century
Located in Milan, IT
Oil on Canvas. School north -Italy 17th century.
The scene is based, with some variations but very close in size, on a part of the large fresco entitled "Banquet of the Gods" in th...
Category
Other Art Style 18th Century and Earlier Art
Materials
Oil
The Adoration -Painting by Giuseppe Assereto - 1630
Located in Roma, IT
The Adoration is an original modern artwork realized by Giuseppe Assereto (died in Genoa in 1650) in the first half of the 17th Century.
Original Oil Painting on Canvas.
A 19th Century style gilded wood frame is included.
The Autograph of the work was confirmed by Camillo Manzitti.
Very good conditions. The frame is in excellent conditions too.
Reference:
C. Marcenaro, Pittori genovesi a Genova nel '600 e nel '700, Genova 1969, pp. 134 ; 135, n. 55.
Z. Wazbinski, Un Quadro Caravaggesco Di Gioacchino Assereto, in Prospettiva, n. 26, 1981, pp. 60 ; 63.
F. R. Pesenti, La Pittura in Liguria. Artisti del primo Seicento, Genova 1986, p. 397, nota 23.
A. Gesino, Tracce di Matthias Stom nel collezionismo tra la Sicilia e Genova, in Caravaggio e i genovesi, catalogo della Mostra a cura di A. Orlando, Genova 2019, pp. 182 ; 195.
The Adoration is an excellent example of the XVII Century Italian Painting. The style of the work denotes the suggestive influence of Assereto father's mature production, when influenced by Mathias Stom (Amersfoort, about 1600 - Sicily, after 1650) expresses dark sensibilities in a southern Italian style. In his works, however, there is an accentuated naturalism and interesting similarities with the production of Giovanni Benedetto Castiglione. Gioacchino Assereto died in 1650, while, according to Soprani, he was intent on painting a Last Supper for the oratory...
Category
Old Masters 18th Century and Earlier Art
Materials
Oil
Antique Italian painter - 18th century figure painting - The fruit seller
Located in Varmo, IT
Italian painter (18th century) - The fruit seller.
70.5 x 58.5 cm without frame, 88.5 x 75.5 cm with frame.
Antique oil painting on canvas, in a carved wooden frame (not signed).
...
Category
Rococo 18th Century and Earlier Art
Materials
Canvas, Oil
$2,978 Sale Price
28% Off
Middleham Castle, Yorkshire. Paul Sandby C18th English landscape engraving
By Paul Sandby
Located in Melbourne, Victoria
'Part of Middleham Castle, NW Riding, Yorkshire'
Engraving by T Woodyer after Paul Sandby (1731-1809).
From Paul Sandby's 'The Virtuosi's Museum, Containing Select Views in England...
Category
Naturalistic 18th Century and Earlier Art
Materials
Engraving
Soldanella Alpina Alpine Soldanella /// English Botanical Flower Engraving Print
Located in Saint Augustine, FL
Artist: William Curtis (English, 1746-1799)
Title: "Soldanella Alpina Alpine Soldanella" (Vol. 2, Plate 49)
Portfolio: The Botanical Magazine; or, Flower-Garden Displayed
Year: 1788 ...
Category
Victorian 18th Century and Earlier Art
Materials
Watercolor, Laid Paper, Engraving, Intaglio
The Serving - British Old Master 18th century oil painting historical interior
By (Circle of) William Hogarth
Located in London, GB
A superb British Old Master oil painting which is attributed to circle of William Hogarth and was painted circa 1760. This fine oil painting is in ...
Category
Old Masters 18th Century and Earlier Art
Materials
Oil
Rugen Island, Germany: An Early 17th Century Map by Mercator and Hondius
Located in Alamo, CA
This is an early 17th century map entitled "Nova Famigerabilis Insulae Ac Ducatus Rugiae Desciptio" (Map of Rugen Island, Germany) by Gerard Mercator and Henricus and Joducus Hondiu...
Category
Old Masters 18th Century and Earlier Art
Materials
Engraving
Italianate Landscape, mezzotint by Richard Earlom after Claude le Lorrain
Located in Melbourne, Victoria
Sepia mezzotint by Richard Earlom (1743-1822) After Claude Gellee ('Claude Lorrain') (1600-82).
From 'Liber Veritatis; or A Collection of Prints after the original designs of Claude le Lorrain...
Category
Italian School 18th Century and Earlier Art
Materials
Engraving, Mezzotint, Etching
"Lilium Persicum" Ehret 18th Century Hand Colored Botanical Engraving
By Georg Dionysius Ehret
Located in Alamo, CA
A beautiful and important 18th century hand colored copperplate engraving of lillies which was most likely designed by Georg Dionysius Ehret (1708-1770) and engraved by Johann Michae...
Category
Naturalistic 18th Century and Earlier Art
Materials
Engraving
Ancient Roman Architecture: Framed Original 18th C. Etching by G. Piranesi
Located in Alamo, CA
"A sua Eccellenza il Signor Henry Hope Cav. Scozzese Amatore delle Belle Arti from "Vasi, Candelabri, Cippi, Sarcofagi, Tripodi, Lucerne, Ed Ornamenti Antichi", (Vases, candelabra, grave stones, sarcophagi, tripods, lamps, and ancient ornaments) is an etching by Giovanni Battista Piranesi, published in 1778. It depicts stone caryatids...
Category
Old Masters 18th Century and Earlier Art
Materials
Etching
Landscape - Etching by Pierre-François Laurent - 1755
Located in Roma, IT
Landscape is an etching realized by Pierre-François Laurent in 1755.
Good condition.
Signed on Plate.
The artwork is depicted through confident strokes.
The etching was realized ...
Category
Modern 18th Century and Earlier Art
Materials
Etching
18th century portrait painting of a boy with a spinning top on a garden terrace
Located in Bath, Somerset
Portrait of a young boy, full-length in a blue velvet coat and breeches, standing on a stone terrace in a garden landscape, playing with a spinning top. Signed and dated ' Phil. Merc...
Category
Old Masters 18th Century and Earlier Art
Materials
Canvas, Oil
Still Life Adriaenssen Paint 17th Century Oil on canvas Old master Flemish
Located in Riva del Garda, IT
Alexander (Van) Adriaenssen (Antwerp, 1587 - 1661)
Still life with oysters, fish and lobsters
Oil on canvas (67 x 110 cm - In frame 87 x 131 cm)
Expertise by Prof Massimo Pir...
Category
Old Masters 18th Century and Earlier Art
Materials
Oil
$16,729 Sale Price
20% Off
Portrait of a man during French Revolution
Located in BELEYMAS, FR
Antoine VESTIER, attributed to
(Avallon, 1740 - Paris, 1824)
Portrait of a man under the Revolution
Oil on canvas
H. 46 cm; L. 37 cm
Circa 1793-95
This beautiful unsigned portrait i...
Category
French School 18th Century and Earlier Art
Materials
Canvas, Oil
Portrait of a Young Man
Located in London, GB
Pupil of Rembrandt
Portrait of a Young Man
17th Century
Oil on oak panel
Image size: 4 1/4 x 5 inches (11 x 13 cm)
Dutch ebonised frame
This small portrait is of a young man, staring inquisitively out towards the viewer. The realism of his appearance is striking, with great care taken in the depiction of the man’s features - for example, his full lips and the slight bump in the bridge of his nose. The man wears a rich burgundy doublet and a black cap and is adorned with gold accessories, indicating a degree of wealth - it is likely that this is a miniature portrait for a wealthy patron. The warm flesh tones of this painting and the intricate rendering of the man’s curly brown hair demonstrate the artistry of the painter, who has successfully captured the image of youth within his brushstrokes.
Rembrandt’s Pupils
Upon completing his artistic education, Rembrandt opened a studio and began to take students - the first of which were Gerrit Dou and Isaac Jouderville. The studio functioned as an art school, in which materials and guidance were provided - contrary to the studios of his peers, Rembrandt did not offer lodging to his pupils. The families of prospective pupils had to pay Rembrandt 100 guilders (enough for a house at the time) for this artistic education, and the profits from any works produced by pupils under Rembrandt would be paid to the master rather than kept by the student-artist - this contributed substantially to the master’s income.When taking on pupils, Rembrandt looked for those who could already paint, and guided their styles to reflect his. By choosing pupils who were somewhat experienced artists, Rembrandt had an array of painters that could be involved at any stage of assisting with the creation of his works - in this way, Rembrandt’s pupils often functioned as studio assistants as well. In order to perfect Rembrandt’s style, pupils would paint copies of their teacher’s works, sometimes adding their own distinct variations. They would use the same subjects and models as Rembrandt himself, and would accompany him on outdoor trips to paint nature and landscapes. The extensive copying and utilisation of same source materials has rendered Rembrandt’s work and the work of his pupils difficult to differentiate, even in the modern era.At least 50 pupils were taught by Rembrandt, with many continuing on to become his studio assistants. A few graduated into successful artists in their own right - for example, Govaert Flinck...
Category
18th Century and Earlier Art
Materials
Oak, Oil, Panel
$14,043
Ancient Roman Fresco - Original Etching by Carlo Nolli - 18th Century
Located in Roma, IT
Ancient Roman Fresco, from the series "Antiquities of Herculaneum", is an original etching on paper realized by Carlo Nolli in the 18th Century.
Signed on the plate on the lower ...
Category
Old Masters 18th Century and Earlier Art
Materials
Etching
Fever Nut Plant "Ban Caretti": A 17th Century Engraving by Hendrik van Rheede
Located in Alamo, CA
This is a 17th century engraving of a fever or bonduc nut plant entitled "Ban Caretti" by Hendrik van Rheede tot Drakenstein, plate 20 from his 'Hortus Indi...
Category
Naturalistic 18th Century and Earlier Art
Materials
Engraving
The Poor Widow's Offer - Oil Painting - 17th Century
Located in Roma, IT
The Poor Widow's Offer is an old master artwork realized by a follower of Marten de Vos (Antwerp 1532-1603) in the half of 17th Century.
Mixed colored oil on canvas.
Inscribed bottom right “Jesus Laudat Pauperculam […]”.
The painting, whose subject is taken from the Gospel episode of the Offering of the poor widow (Mk., 12, 38-44; Lk., 21, 1-4), depicts Jesus in the Temple...
Category
Modern 18th Century and Earlier Art
Materials
Paint, Oil
Hagar Angel Sacrifice Isaac 18th Century Neapolitan School Old master Paint Oil
Located in Riva del Garda, IT
18th-century Neapolitan master
Pair of paintings ‘Hagar and the Angel’ and ’The Sacrifice of Isaac’
Pair of oils on oval canvas
75 x 60 cm. - In frame 84 x 69 cm.
The proposed pair...
Category
Old Masters 18th Century and Earlier Art
Materials
Oil
$8,431 Sale Price
20% Off
John Speede, Map of the County of Surrey, described and divided into hundreds
By John Speed
Located in London, GB
To see our other views and maps of England - including London, Oxford and Cambridge, scroll down to "More from this Seller" and below it click on "See all from this Seller" - or send us a message if you cannot find the view you want.
John Speed/Speede (1551/2-1629)
The County of Surrey Described and Divided into Hundreds
Engraving with later hand colouring and text to the reverse.
Dated to c.1650
36 x 49 cm
Probably the most famous early English mapmaker, John Speed's early life is somewhat of an enigma. He is believed to have trained as a rolling-press printer, but he was at heart an historian granted a sinecure in the Customs House by Queen Elizabeth to indulge his passion, later becoming a Fellow of the Society of Antiquaries. His first maps were historical, of the Holy Land 'Canaan as it was Possessed both in Abraham and Israels Dayes' and of England and Ireland recording 'all their Civill Warres since the Conquest'.
In 1611 he published his 'Hostory of Great Britaine' which he regarded as his magnum opus, but it was the companion atlas 'Theatre of the Empire of Great Britaine' that - as the first printed atlas of Great Britain - sealed his reputation. William Rogers engraved the first map, 'the County Palatine of Chester' in about 1600, but following his untimely death the task of engraving was passed to Jodocus Hondius of Amsterdam.
By 1612 the atlas was complete, the maps famed for their decorative elements. Many have town plans - Britain's first series of such plans - and descriptive text was printed to the reverse until the 1676 edition. Later printings (up until 1770) were issued without this text. By 1627 it has become a part of a world atlas 'Prospect of the Most Famous Parts of the World'. During the 17th century the plates passed through the hands of a series of publishers, the 1676 edition of Thomas Bassett and Richard Chiswell being regarded as its high point with the inclusion for the first time of a series of important maps. For the first half of the eighteenth century they were firmly established in the hands of the Overton family.
This particular edition originally featured in The Theatre Of The Empire Of Great Britaine. It features attractive inset views of the long-since destroyed Richmond...
Category
Realist 18th Century and Earlier Art
Materials
Engraving
A sketch of children climbing a fence
Located in Maidenhead, GB
Peter de Wint OWS (1784-1849)
A sketch of children climbing a fence
Watercolour and graphite on paper
7 x 17.8 cm; (within frame) 26.7 x 36.5 cm.
Provenance:
Bequeathed by the a...
Category
English School 18th Century and Earlier Art
Materials
Watercolor
Rococò Italian painter - 18th century landscape painting - Festival party
Located in Varmo, IT
Italian painter (18th century) - Landscape with ruins and characters.
97 x 138 cm.
Antique oil painting on canvas, without frame (not signed).
Condition report: Lined canvas. Good...
Category
Rococo 18th Century and Earlier Art
Materials
Canvas, Oil
$7,149 Sale Price
25% Off
Cocoa plant, caterpillar, ..., Plate 26, Metamorphosis Insectorum Surinamensium
Located in Middletown, NY
Metamorphosis Insectorum Surinamensium, Plate No. 26; Cocoa plant, caterpillar, pupa, and butterflies. The Netherlands: 1705. En...
Category
Naturalistic 18th Century and Earlier Art
Materials
Watercolor, Engraving
16th Century by Neapolitan Maestro Vision of Saint John in Patmos Oil on Panel
Located in Milano, Lombardia
16th Century Neapolitan Maestro
Title: Vision of Saint John in Patmos
Medium: Oil on panel
Dimensions: without frame 113 x 85 cm
Painting without frame
Expertise by Prof. Antonio Va...
Category
Old Masters 18th Century and Earlier Art
Materials
Panel, Oil
Hand-Colored Houbraken Portrait of "Henry, Prince of Wales, Son of James"
Located in Alamo, CA
A hand-colored portrait of Henry Prince of Wales, Son of James, engraved and etched by the Dutch master of portraits Jacobus Houbraken (1698-1780...
Category
Naturalistic 18th Century and Earlier Art
Materials
Engraving, Etching
Portrait Lady Pulzone Paint Oil on canvas Old master 16th Century Italian Roma
Located in Riva del Garda, IT
Scipione Pulzone, called Il Gaetano (Gaeta 1544 - Rome 1598) - workshop of
Portrait of Bianca Cappello (Venice, 1548 - 1587) Grand Duchess of Tuscany, second wife of Francesco I de 'Medici
Second half of the 16th century
oil on canvas, cm. 70 x 56 cm., Framed 103 x 87 cm.
The proposed painting illustrates the portrait of Bianca Cappello (Venice, 1548 - 1587), a noblewoman of Venetian origins, second wife of the Grand Duke of Tuscany Francesco I de 'Medici, whose expressive power is wisely highlighted by the composite cut of light three quarters, with the head and gaze directed at the observer. The beam of light coming from her right brings out the volumes of her face plastically and lingers on her features, highlighted by the large white lace ruff that surrounds his neck and by the details of her precious clothing.
Bianca wears a dark red dress, perhaps a zimarra, embroidered in gold with a plunging neckline and a raised collar of the shirt curled in a ruff and also edged with precious lace, embroidered with the motif of the Florentine lily.
The favorite jewels of the noblewoman were pearls: we see them on a choker that adorns the neckline, in the earrings and again in the hairstyle, which sees the hair gathered at the nape of the neck and adorned with a string of small black pearls and embellished with a clasp.
It is a high-quality painting that can be confined to the workshop of the painter Scipione Pulzone called Gaetano, representing at best a pictorial genre, that of portraiture, in which the master excelled. This attribution would be confirmed by comparisons with the numerous portraits that Pulzone dedicated to the Medici family.
Our painting, in particular, could represent one of the versions that the workshop has replicated, at the request of the numerous art collectors who wish to have a portrait of one of the most influential personalities of the Florentine scene.
The characters drawn by Pulzone were icons of incomparable elegance: noblewomen, knights and religious lent their faces to the eye of the artist who was able to grasp every meticulous detail with his superb technique. A photographic wealth and surprising material attention that trace the pictorial prototypes of Flemish inspiration, in particular of Antonis Mor...
Category
Old Masters 18th Century and Earlier Art
Materials
Oil
$9,216 Sale Price
30% Off
English 17th century portrait of a lady
Located in Bath, Somerset
A 17th century English portrait of a lady by Sir Peter Lely (1618-1680), half-length in a painted feigned oval, wearing a green silk gown with chestnut coloured cloak over one shoulder, her fair hair curled in the fashionable ringlet style of the period. Oil on canvas in an English giltwood 'Lely' frame.
We are grateful to Diana Dethloff and Catharine MacLeod (who are currently working on a Lely catalogue raisonné) for their confirmation of Lely as the artist from photograph analysis of this previously unidentified early work.
Provenance:
Private collection Nottingham until 2021
Mellors and Kirk sale December 2000, lot 1173
The sitter is likely to have been from an upper class or aristocratic family in court circles, who were the main source of Lely`s patronage. The simple composition serves to highlight the beauty of the sitter through portraying her pale decolletage and complexion, set against the gentle gaze of her blue eyes, the soft blush of her cheeks and her full red lips.
Peter Lely (1618-1680) was originally of dutch origin and became Principle Painter to the King in 1661, following in the footsteps of Van Dyck who had died in 1641. He dominated the portrait painting scene in England for over 20 years, creating a distinctive 'court look' in his work which had a strong influence on many other artists. He had an extremely successful and popular portrait practice which meant that he soon had to develop production methods that could accommodate the high demand for portraits, and also for copies and versions of them which were given as gifts to family and courtiers. The use of studio assistants was a common practice for busy artists and as with Van Dyck, Lely is known to have used specialist assistants to execute particular parts of his paintings. Artists who worked in Lely`s studio included John Baptist Gaspars who specialised in drapery painting, William Wissing, John Greenhill...
Category
Baroque 18th Century and Earlier Art
Materials
Canvas, Oil
$24,352 Sale Price
20% Off
17th Century By Paulus Bor Heraclitus and Democritus Oil on Panel
Located in Milano, Lombardia
Paulus Bor (Amersfoort, Netherlands, 1605 - 1669)
Title: Heraclitus and Democritus
Medium: Oil on panel
Dimensions: without frame 56 x 46 cm - with frame 77 x 67 cm
"Cassetta" frame ...
Category
Old Masters 18th Century and Earlier Art
Materials
Oil, Wood Panel
$71,968 Sale Price
20% Off
Rococo design for a gate, German mid 18th century etching
Located in Melbourne, Victoria
Rococo design for a gate, etching, by Joseph Baumann (active 1740-1760), circa 1750.
Published by Martin Engelbrecht (1684–1756).
Similar works ar...
Category
Rococo 18th Century and Earlier Art
Materials
Engraving, Etching
17thDutch painting by Tengnagel Jan 1584-1635 - The meeting of David and Abigail
Located in PARIS, FR
Free shipping all Continental US, and all other countries, Europe, Asia etc...
Enhance your space with this captivating vintage painting by Tengnagel Jan (1584-depicting The meeting...
Category
Old Masters 18th Century and Earlier Art
Materials
Oil
Oil on Board 'Rape of Europa' Pseudo Giampietrino B, 1930s-40s, 16th cent
Located in Milan, IT
In the panel depicting the mythological episode of the Rape of Europa, the foreground is occupied by the two main characters: Zeus in the guise of a bull, his neck and horns adorned ...
Category
Other Art Style 18th Century and Earlier Art
Materials
Oil
Antiche urne cinerarie e lampade
Located in Roma, IT
From the Piranesi's series “Vasi, candelabri, cippi, sarcofagi, tripodi, lucerne, ed ornamenti antichi disegnati ed incisi dal cav. Gio. Batt. Piranesi pubblicati l’anno MDCCLXXIIX” (1778). Antiche urne cinerarie e lampade" is an artist proof, printed on contemporary laid paper, large margins, representing antique marble cinerary urns - “found into antique graves...
Category
Old Masters 18th Century and Earlier Art
Materials
Etching
"Arcian fantasy landscape"
Located in Edinburgh, GB
Baroque "Arcadian Fantasy Landscape" – Oil on Canvas (circa 1700)
A mesmerizing early 18th-century Baroque landscape, capturing an idealized Arcadian vision of nature, architecture, ...
Category
Baroque 18th Century and Earlier Art
Materials
Canvas, Oil
Piazza Navona in Rome: A Framed Original 18th Century Etching by Barbault
Located in Alamo, CA
This early 19th century etching entitled "Veduta di Piazza Navona sopra le rovine del Circo" was created by Jean Barbault (1718-1762) after a painting by...
Category
Old Masters 18th Century and Earlier Art
Materials
Etching
Abstract Yellow & Green (Mid-Century Modern Abstract, Table Still-Life Painting)
Located in Hudson, NY
Abstract Yellow and Green (Yellow, Green and Black Tablescape Oil Painting) by New York School Painter and WPA artist, Lionel Gilbert
Signed, lower left
This horizontal painting was...
Category
Abstract Geometric 18th Century and Earlier Art
Materials
Canvas, Oil
17th century portrait of a lady
Located in Bath, Somerset
Portrait of a lady by Dutch Golden Age painter Nicolaes Maes (1634-1693). Half-length, within a feigned oval, the lady wears a pearl necklace and earrings, an ivory silk gown adorned...
Category
Old Masters 18th Century and Earlier Art
Materials
Canvas, Oil
Viliers Costret, French chateau, architectural plan, mid 17th century engraving
Located in Melbourne, Victoria
'Viliers Costret'
Copper-line engraving by Matthaeus Merian.
From 'Topographia Galliae', a fine series of engravings of 17th-century French landscapes, gardens, buildings and citi...
Category
Rococo 18th Century and Earlier Art
Materials
Engraving
Portrait Sibyl Lady Zanotti Paint Oil on canvas Old master 18th Century Italian
Located in Riva del Garda, IT
Portrait of an Eritrean Sibyl who writes the prophecy
Circle of Lorenzo Pasinelli (Bologna 1629 - 1700) - Attributable to Giampietro Cavazzoni Zanotti ...
Category
Old Masters 18th Century and Earlier Art
Materials
Oil
$5,576 Sale Price
20% Off
Antique Italian Engraving - Goddess Bellona
Located in Houston, TX
Over 350 year old antique copper engraving of the female Roman goddess Bellona, the goddess of war, circa 1650.
Original artwork on paper displayed on a white mat with a gold border...
Category
18th Century and Earlier Art
Materials
Ink, Paper
$300 Sale Price
25% Off
Antique Map - Gallia - Etching by Johannes Janssonius - 1650s
Located in Roma, IT
Antique Map - Gallia is an antique map realized in 1650 by Johannes Janssonius (1588-1664).
The Map is Hand-colored etching, with coeval watercoloring.
Good conditions with slight ...
Category
Modern 18th Century and Earlier Art
Materials
Etching
Madonna Holy family Tisi 16/17th Century Paint Oil on canvas Old master Italy
Located in Riva del Garda, IT
Benvenuto Tisi, il Garofalo (Garofalo, Rovigo 1476 - Ferrara 1559) workshop/follower
Madonna with Child and Saint Joseph
Oil on canvas 125 x 90 cm - In frame 143 x 109 cm.
I...
Category
Old Masters 18th Century and Earlier Art
Materials
Oil
Parmigiani Amica: An 18th Century Engraving and Etching by Strange After Mazzola
Located in Alamo, CA
This is an 18th century engraving and etching entitled "Parmigiani Amica" by Robert Strange after a painting by Girolamo Francesco Maria Mazzola, better known as Parmigianino, who lived during the Renaissance period. It was published in London in 1774. As the inscription states, the painting was in the collection of the King of Naples at the time the engraving was made. The engraving depicts a half-length portrait of a young woman, known as Parmigiani's Amica (meaning "female friend" in Italian). She is depicted wearing a simple but elegant dress with a low-cut neckline, which reveals her delicate features and graceful neck. Her hair is arranged in a simple yet stylish manner. She is turning to the right to look lovingly at her infant, which she is holding with her right arm. She is touching the baby's mouth with her left hand. The background of the engraving is plain and unadorned, allowing the viewer to focus entirely on the subject of the portrait. The result is a beautiful and timeless image that captures the essence of Renaissance portraiture.
The engraving is printed on watermarked paper. The sheet measures 16.25" high and 12' wide. The sheet is adhered to paper in its upper corners and it has been removed from the paper in its lower corners. There is some mild discoloration and some wrinkling in the margins, including the lower inscription area, and a small dark spot in the upper margin, which may represent a drop of ink occuring at the time of printing. These issues do not involve the image, which is in very good condition. The print is held by several museums and institutions, including: The Metropolitan Museum of Art in New York, The British Museum in London, The Royal Museums of the UK, The British National Trust...
Category
18th Century and Earlier Art
Materials
Engraving, Etching
Offers to the Sun God among the Incas - by G. Pivati - 1746-1751
Located in Roma, IT
Offers to the Sun God among the Incas
Etchings, Hand-Watercoloured. Tom.VIII , Plate LXXVI
Image Dim: cm 25.5 x 18; Sheet Dim: cm 37.5 x 23.8; Passepartout Dim: cm 49 x 34
Very fi...
Category
Old Masters 18th Century and Earlier Art
Materials
Etching
ITALIAN RENAISSANCE CAPITAL WITH MYTHOLOGICAL FIGURES, 15th Century
Located in Milan, IT
ITALIAN RENAISSANCE CAPITAL WITH MYTHOLOGICAL FIGURES, 15th Century
marble
H 18 x Diam 33.5 cm
H 7 x Diam 13 1/4 in
Category
18th Century and Earlier Art
Materials
Marble
'Cherubs Playing', Angels, Amorini, Memento Mori, Naive, Baroque Religious Oil
Located in Santa Cruz, CA
An early eighteenth-century, Italian baroque figural oil showing a group of cherubs or Amorini grouped together before red velvet drapes, one reclining on a wooden cross and wearing ...
Category
Baroque 18th Century and Earlier Art
Materials
Canvas, Oil, Board
37. Branching larkspur, Peaseblossom moth
Located in Columbia, MO
Maria Sibylla Merian was born in Germany in 1647 and received early artistic training from her stepfather, an established still life painter. She was fascinated by insects and collec...
Category
Realist 18th Century and Earlier Art
Materials
Pigment
18th Century portrait oil painting of a gentleman
Located in Nr Broadway, Worcestershire
Follower of Enoch Seeman the Younger
German, (1694-1744)
Portrait of Gilbert Sympkin
Oil on canvas
Image size: 29.25 inches x 24.5 inches
Size including frame: 38 inches x 33.25 inches
A fine three quarter length portrait of a gentleman traditionally identified as Gilbert Simpkin (Sympkin), follower of Enoch Seeman the younger, C1720. The portrait is set in a feigned sculptured oval cartouche, a device used to give a sense of depth. The sitter is depicted wearing a fashionable blue jacket and matching waistcoat with a white chemise and lace jabot. He wears a powdered wig in the fashionable style of the day and is posed holding his hat under his left arm with the fingers of his right hand stretched out. At court, long fingers signified wealth, culture and intelligence. The painting has clearly been executed by an artist of great ability who has been influenced by Enoch Seeman the younger.
Gilbert Simpkin (Sympkin) was born in London on 24 August 1683, the son of John Simpkin and Susannah Butler. His grandfather was also called Gilbert Simpkin. He entered Oxford University in 1700 where he studied at St John’s College. In 1702, he became a student of Middle Temple, which at the time was one of the world’s most important centres of legal education. He later settled in Plymouth and then Bristol. He died in Bristol on 15 May, 1744 and was buried at Bristol Cathedral. He remained unmarried and the portrait may well have been commissioned to commemorate when he was first Called to the Bar or perhaps had established his own practice.
Enoch Seeman or Seemann the younger was born in Danzig, Germany now Gdansk, Poland in 1694. His father was Enoch Seeman Senior, an artist of Flemish origin and his brothers Isaac, Noah and Abraham also became artists. He came to London with his father and brothers around 1704 and established himself as a portrait artist. From 1717 he became painter to the Royal court painting...
Category
Old Masters 18th Century and Earlier Art
Materials
Canvas, Oil
Roman Ruins - Painting attr. to Francis Harding - 17th Century
Located in Roma, IT
Roman ruins is an original old master artwork realized realized by a follower of the artist Giovanni Paolo Panini and attributed to Francis Harding (1730-1766).
Mixed colored oil on canvas.
Includes frame.
The work is a replica of Panini's canvas made around 1740, made known by Ferdinando Arisi in his 1986 monograph (Cat.456) as belonging to the Galleria Taccani in Milan and recently reappeared on the London market...
Category
Modern 18th Century and Earlier Art
Materials
Paint, Oil
LARGE ITALIAN RENAISSANCE MARBLE CAPITAL, 15th/16th Century
Located in Milan, IT
LARGE ITALIAN RENAISSANCE MARBLE CAPITAL
Florence, 15th/16th Century
marble
38 x 47 x 47 cm
15 x 18 1/2 x 18 1/2 in
Category
18th Century and Earlier Art
Materials
Marble
18th Century Oil on Canvas Italian Religious Painting Virgin of Sorrows, 1770
Located in Vicoforte, IT
Antique Italian painting from the second half of the 18th century. Religious painting depicting the Virgin of Sorrows, of excellent pictorial quality. Oil on canvas framework recentl...
Category
18th Century and Earlier Art
Materials
Canvas, Oil
Landscape Hunt Miel Paint 17th Century Oil on canvas Flemish Old master
Located in Riva del Garda, IT
Jan Miel (Antwerp, 1599 - Turin, 1663)
attributable
Return from the Hunt
Oil on canvas (51 x 66 cm Framed 74 x 89 cm)
Tous les détails sont disponibles sur le LIEN suivant
The wor...
Category
Old Masters 18th Century and Earlier Art
Materials
Oil
$5,827 Sale Price
20% Off
Circle of Francesco Battaglioli, Architecture with Swans
By Francesco Battaglioli
Located in Milan, IT
Workshop of Francesco Battaglioli (Modena, c. 1710 - Venice, after 1796)
Baroque palace architecture with elegant staff and swans
Oil on canvas...
Category
Other Art Style 18th Century and Earlier Art
Materials
Canvas, Oil
18th-century celestial - Hydra Crater Corvus Sextans Virgo
Located in London, GB
18th-century celestial
FLAMSTEED, John.
Hydra Crater Corvus Sextans Virgo
London, C. Nourse, 1753.
A fine star chart from the Atlas Coelestis, the largest and most accurate star a...
Category
Naturalistic 18th Century and Earlier Art
Materials
Watercolor, Engraving
Rebecca at the Well
Located in New York, NY
Provenance:
Dr. James Henry Lancashire, Manchester-by-the-Sea, Massachusetts, by 1925; probably by descent to:
Private Collection, Cumberland Foreside, Maine, until 2018
This unpublished panel is a characteristic work of the Master of the Apollo and Daphne Legend, an anonymous Florentine painter in the circle of Bartolommeo di Giovanni, Domenico Ghirlandaio, and Sandro Botticelli. The artistic personality of the Master of the Apollo and Daphne Legend was independently recognized by Everett Fahy and Federico Zeri at roughly the same moment in time. Fahy originally dubbed this artist the Master of the Ryerson Panels but later adopted Zeri’s name for the artist, which derives from his eponymous works from the Samuel H. Kress collection (Figs. 1-2). Fahy posited that the artist was most likely a pupil of Ghirlandaio active from roughly 1480 to 1510, and that he may be identifiable with one of Ghirlandaio’s documented pupils to whom no works have been securely attributed, such as Niccolò Cieco, Jacopo dell’Indaco, or Baldino Baldinetti. The present painting was first attributed to this master by Everett Fahy in 1989, who became aware of its existence only after publishing his definitive studies on the artist.
The surviving body of work by the Master of the Apollo and Daphne Legend is largely composed of series of panels treating the same theme. In addition to the works illustrating the legend of Apollo and Daphne, there are also series on the themes of Susanna and the Elders and the story of Saint Joseph, among others. The subject of the present panel is drawn from Genesis 24, the story of Isaac. It is possible that our painting relates to another work by the artist depicting the Sacrifice of Isaac formerly in the collection of E. A. McGuire in Dublin, Ireland (Fig. 3), and that these two panels were originally part of a decorative scheme based on the story of Isaac.
Although the Master’s paintings of this type have traditionally been considered painted fronts of wedding chests, known as cassoni, the scale of these paintings and the fact that they are often part of a series indicates that they are more likely spalliera panels—paintings set into furniture or the wainscoting of a room. The biblical episode depicted in this painting centers on the theme of marriage, which suggests that this work was likely commissioned for the domestic interior of a newly married couple. The Master has transcribed into paint even the minute details of this Old Testament story, in which Abraham sends a servant to travel by camel to the land of his father and seek out a wife for his son Isaac. The servant is here shown at the well...
Category
Old Masters 18th Century and Earlier Art
Materials
Oil, Tempera, Wood Panel
Ancient Roman Scene - Etching - 18th Century
Located in Roma, IT
Ancient Roman Scene from the series "Antiquities of Herculaneum", is an etching on paper realized by Niccolò Vanni in the 18th Century.
Signed on the plat...
Category
Old Masters 18th Century and Earlier Art
Materials
Etching
14. Sponge crab, Calappid, Lophozozymus octodentatus
Located in Columbia, MO
Maria Sibylla Merian was born in Germany in 1647 and received early artistic training from her stepfather, an established still life painter. She was fascinated by insects and collec...
Category
Realist 18th Century and Earlier Art
Materials
Pigment
