19th Century Art

A late 19th Century impressionist oil painting of the creek near Glen Annie Meadows, Santa Barbara by a student of and in the style of Henry Chapman Ford...

'Temple Official', pencil and watercolour on paper by Robert Taylor Pritchett (1882). This is the artist's portrait of a financial official in a Cantonese temple in Guangzhou, China in the latter half of the 19th century. His garment is typical of that of a senior civil servant of the Chinese government. Clothes were designed to indicate rank and status, becoming so distinct that the wearer’s position could be ascertained at a glance. During his second career as an artist, Pritchett traveled widely in the Pacific region in the 1880s. This artwork has been professionally restored and cleaned to preserve it for decades to come and therefore in good overall condition. It has also been newly framed and glazed. The artist has written 'The Treasurer & Temple' and '5 Geni Temple, Canton Jan. 22 1882' on the lower left and right hands of the artwork. Upon request a video of the work may be provided. About the Artist: Robert Taylor Pritchett (1823 - 1907), a gun maker and artist, was the son of Richard Ellis...

The Favorite Pet Portrait of a Victorian English Child with her Dog English artist, mid 19th century oil on canvas, unframed canvas: 28.5 x 20 inches Provenance: private collection,...

This charming German miniature painting, created of oil on copper, depicts a young woman wearing a large and lavish hat. With dark, braided hair and blue eyes, the sitter's cheerful ...

René Menard Fall Original lithograph Printed signature in the plate 1897/98 Printed on paper Vélin Size 40 x 31 cm (c. 16 x 12") INFORMATION : Publishe...

The Harvest Workers French School, 19th century indistinctly signed and dated oil on board, framed framed: 15.75 x 18.75 inches board: 9 x 12 inches provenance: private collection co...

19th century English forest landscape with figures by a fireside, mid-afternoon. A very well painted classic Victorian English landscape with figures. Wonderful observation by the p...

Dark Bay Hunter IN A Landscape, 19th Century Daniel CLOWES (1774-1829) Large 19th Century English dark bay hunter in a landscape, oil on canvas. Excellent quality and condition sid...

HENRY H. PARKER A wonderful statement piece ideal for any prominent position that you have. The colours and the quality are superb and the piece is titled and signed on the reverse ...

"First Horse Day, 1896" - Chiyoda Palace - Japanese Woodblock by Chikanobu Yoshu Colorful and expressive court scne by Toyohara Chikanobu,"Yoshu" (Japanese, 1838-1912). This is the r...

Georges MEUNIER Goddess of Music, 1895 Lithograph Printed signature in the plate On vellum Size 39 x 29 cm (c. 15.3 x 11.4") INFORMATION : Plate 40...

This artwork might be one of two versions, the other one being in the Museum in les Invalides Paris. Note. This version has a more accomplished academic style. Dimensions with ori...

This painting by Gustaf Brandelius, a 19th-century Swedish artist, evokes the pastoral tranquility and rural life of the era. Brandelius was not only a painter but also served in the...

Bronze bust with brown patina on marble socle base. Red patina detail on head scarf. In beautiful condition, expertly cast and modeled. Perfect for an art collector looking for European work that depicts Black and African people...

Two kabuki actors posing a samurai's. The print is printed on rice paper and is not framed. It is stamped by the artist with details about the actors in ...

This artwork titled "Les Courses (The Horse Race) c.1970 is an original colors lithograph on paper by noted French artist Camille Hilaire, 1916-2004. It is hand signed and inscribed ...

Charming Still Life Simone Forge 1930's French Impressionist oil on board unframed board: 10.75 x 8.75 inches Provenance: private collection Condition: great condition For more an...

Description: "Day Dreams" is a captivating painting by the English artist Richard Willes Maddox. The artwork depicts a young woman seated thoughtfully on a blue wooden bench, set aga...

Set of twelve antique Chinese painted bird studies on pith paper Chinese, 19th Century Panel: Height 20cm, width 32cm Frame: Height 35.5cm, width 47cm, dept...

Indonesian shadow puppet/Wayang kulit, 19th century Wayang kulit, or Indonesian shadow puppets are typically carved out of water buffalo hide and wood. T...

Exotic Pheasants in Landscape Beautifully rich and warm colors, ideal interior design French School, 19th century oil painting on canvas, unframed painting: 9 x 10.5 inches prov...

English 19th century set of four oils on card, two horse racing scenes, and two-point to point scenes all in extensive landscapes. Edward Algernon Stuart Douglas...

Artist: George Clarkson Stanfield, English (1828 - 1878) Title: View of the Campo di Marte, Venice Year: circa 1864 Medium: Oil on Canvas, signed l.r. Size: 14.5 in. x 23.5 in. (36.8...

This early 19th-century half-length portrait attributed to British artist George Clint ARA (1770-1854) depicts a young lady wearing a beautiful brown dress, bonnet decorated with small flowers, gold earrings and coral necklace. Clint was a distinguished painter and mezzotint engraver predominantly known for portraiture and dramatic scenes. Set before an evocative classically-inspired backdrop, she looks out from across the centuries with a composed demeanour. Adorned in the latest fashions, oversized ‘gigot’ sleeves, a delicately-poised bonnet, and a coral necklace for good luck. It’s a charming portrayal by a masterful hand. Born at Drury Lane, in the heart of London’s West End, George Clint was destined to lead an exuberant life amid the spectacle of theatreland. His father, Michael Clint, was a hairdresser during a time of “hair pomatum, whalebone, wire, lace gauze, and feathers” - so young George would have encountered a variety of ‘characters’ during his childhood. But despite these elevated surroundings, he soon discovered the darker side of London when thrust into the world of employment. Apprenticed initially as a fishmonger, he trained under a ferocious master who was known to beat him. The hours were unsocial, the conditions rank, and the work was brutal. He soon quit but subsequently found himself toiling for a corrupt attorney who demanded he undertake unscrupulous acts on his behalf. Seeking a less volatile role, he turned next to house painting, at which he excelled. Commissioned, among other projects, to paint the stones of the arches in the nave of Westminster Abbey. Aside from an incident whereby he almost fell from the second story of a building, all was going well. Following his marriage in 1792 to Sarah Coxhead, a farmer’s daughter, he began work in earnest as a painter of miniatures, determined to forge a career. Robert William Buss’ memoir celebrates Clint’s success as a miniaturist, stating that “great manual excellence was united with that chaste, delicate feeling for female beauty which characterised all Mr. Clint's portraits of ladies.” Until this point, it appears he was predominantly self-taught, presumably constrained by a lack of finances. But from hereon in, his industrious nature coupled with several fortunate encounters, led to him developing an enviable talent for both painting and engraving. During the early 19th-century, the acquaintances one kept could make or break your fortunes and perhaps acutely aware of this, Clint’s ‘society’ was an ever-evolving circle of influential personalities. He was “initiated into the mysteries of engraving” by Edward Bell (act.1794-1819) and produced numerous works after the foremost artists, such as George Stubbs, John Hoppner, and Thomas Lawrence. Following a commission from Lawrence, he struck up a long-term friendship. Admired for his skill as a mezzotint engraver, he sought next to hone his technique in oils and, as with many aspiring portraitists, his first work in this respect was a depiction of his beloved wife. The pair were both delighted with it, yet over time Clint began to doubt himself and sought the validation of a superior hand - that of Sir William Beechey (1753-1839). However, paralysed with insecurity, he couldn’t face the potential criticism, so his wife took it instead - “with a child under one arm and the portrait in the other”. The result was immeasurably more positive than he’d envisaged and he became closely associated with Beechey until his death in 1839. Numerous commissions followed from the landed gentry including Lord Egremont, Lord Spencer, and Lord Essex. But also from the theatrical community who would fill his studio at 83 Gower Street, Bloomsbury. His connections within the world of acting led to notable works such as ‘Malvolio and Sir Toby’ (from William Shakespeare's 'Twelfth Night', Act II, Scene iii)’ and ‘Harriet Smithson as Miss Dorillon, in Wives as They Were, and Maids as They Are’. While his efforts in mezzotint included several contributions to JMW Turner’s Liber Studiorum. As a measure of his success, Clint was elected an Associate of the Royal Academy in 1821 - a position he later relinquished for personal reasons. Today, he’s represented in numerous public collections including at The British Museum, Harvard Art Museums, The Met, V&A, Yale Center for British Art, and the National Portrait Gallery. “The respect in which he was held, not only by his brother artists, but by an immense number of eminent men in various professions, and others of the highest rank, was the result of a rare combination of talent, candour, suavity of manner, and integrity of purpose”. [Obituary, 1854]. Housed in a period gilt frame, which is probably original. Learn more about George Clint ARA in our directory. Labels & Inscriptions: Supplier’s stencil from Rowney & Forster. The National Portrait Gallery holds a database of supplier’s stencils over the decades. The one here is also presented on two other works by George Clint. ‘Falstaff’s Assignation with Mrs Ford...

At first glance, "The Goddess" invites viewers into a world of grace and poise. The central figure, the young woman, serves as the focal point of the artwork. Her refined and intrica...

Victorian Barbazon School Landscape Animal Oil Painting of Cattle watering in a Meadow. A rather wonderful Barbizon School Large Oil Painting by Pablo Martinez. Victorian oil on canvas mounted on stretchers showing Hereford Cow and 2 others with sheep in background. Beautiful and tranquil landscape housed in its original restored gilt frame. He was born in Paris in 1838 and exhibited at the Paris Salon from 1868... French Barbizon School oil on canvas painting of cattle in a landscape by Pablo Martinez, second half of the 19th century. This French plein air painting features an exquisite depiction of Cattle, painted in the Romantic tradition of The Barbizon School, lead by the charismatic Camille Corot. The artists of the movement explored the vast possibilities of plein-air painting, in the mesmerizing forest of Fontainebleau, in the south or Paris. Thanks to the invention of paint in tubes, the Barbizon artists...

Pieter Caspar Christ (Dutch, 1822 - 1888) This Romantic painter of cityscapes and landscapes received his artistic education from his ...

Vanity Fair color chromolithograph caricature of Rev. Edgar Sheppard "A Great Marrier" by Spy (Leslie Ward) March 14, 1904 from the "Clergymen" series....

We are delighted to present an exquisite painting by the Swedish artist Ferdinand Hernlund, depicting a serene sunset over a lush, flower-dotted meadow. This captivating work is a qu...

Beauty Otami - Kabuki Note: Kabuki actor Nakamura Matsue is in the role of courtesan otami. She is standing in front of a small tea shop in a garden. Color woodblock, c. 1800-1810 Si...

Medium: etching (after the painting). Etched by Charles Courtry after Constant Troyon. This impression on laid paper was printed by A. Salmon and published in Paris for "L'Art" in 18...

"Twilight Landscape with Windmill and Church" is a captivating work by Swedish artist Albert Larsson, painted in 1891 when Larsson was 22 years old. The painting captures a landscape steeped in the quietude of dusk, with a sky ablaze in hues of red and orange, signalling the end of the day. The silhouettes of trees are rendered with astonishing detail against the twilight sky, showcasing Larsson's early mastery of light and shadow. Dominating the pastoral scene is a traditional windmill, its blades stilled against the sky, alongside the spire of a church that pierces the horizon. These structures, together with the meticulously painted trees, are testaments to the human presence within the natural world, suggesting a harmony between the two. A notable feature is the small water-filled furrow in the field, which catches the fading light of the sky, creating a pathway of reflection leading the eye through the composition. This detail highlights Larsson's skill in using light to draw attention to elements within his paintings. Albert Larsson, born on November 4, 1869, in Malmö and passing on August 31, 1952, in Lund, was an artist deeply influenced by his education in Copenhagen at the Art Academy and later at Peder Severin Krøyer...

Bijinga (New year festivities) is an original modern artwork realized by Utagawa Toyohiro in the Early 19th Century. Woodcut Print Oban Format New year festivities, two elegant la...

Actor in onnagata role accompanied by a kamuro is an original artwork realized in the 1850s by Utagawa Kuniyoshi (January 1, 1798– April 14, 1861). Woodcut Print. Sign.: Ichiyusai ...

Ernest Crofts British, (1847-1911) The Search Party Oil on canvas, signed & dated 1889 Image size: 17.5 inches x 13.5 inches Size including frame: 27 inches x 23 inches An excellen...

Windmill under an Evening Sky Norfolk School artist from the 19th century the artist clearly inspired by John Constable's free approach to clouds oil on wood panel, framed in antique...

Resting by the River English artist, 19th century oil on canvas, framed framed: 12.5 x 14.5 inches canvas: 10 x 12.5 inches provenance: private collection, England condition: very go...

Provenance Grand Central Art Galleries, New York; Samuel B. and Marion W. Lawrence Collection; Christie's, Important American Paintings, Drawings, and Sculpture, November 29, 2007, l...

French School, late 19th century Post Impressionist painter, circa 1880-1890 period oil on canvas, framed framed: 12.5 x 15 inches canvas: 7.75 x 10 inches provenance: private collec...

English 19th century Victorian Sailing scene, with fishing vessels off of a landscape. Outstanding Victorian marine scene of a yacht at sail possible in the English Channel. Knell w...

Victorian Unsigned Watercolour a Naive Ship Portrait of a Chiliean Packet in traditional Maple Frame. Watercolour painted on paper laid on board, mounted and Framed. Although this ...

Gold Country, a rustic figurative landscape of early California pioneers by an unknown artist (American, 20th Century). Excellent workmanship and ...

A charming late 19th century oil depicting a lady in red with a horse and cart. Behind sits a quaint country cottage nestled amongst lush green trees. Unsigned. Well presented in a g...

This is an original John James Audubon hand-colored royal first octavo edition lithograph entitled "Red-cockaded Woodpecker, 1. 2. Male, 3. Female", No. 5...

The Wrath of Elihu. 'I Am Young, And Ye Are Very Old, Wherefore I Was Afraid'. 1823-25. Engraving. .Binyon catalog 117 state ii, Bindman catalog 632. Image 7 7/8 x 5 15/16; plate 8 ...

Oil on canvas Canvas size: 29 x 38.5 inches Framed size: 36.5 x 46.25 inches Signed lower right

Oreste Cortazzo 1836-1910 Italian The Unveiling of the Masterpiece Signed "Cortazzo" (lower right) Oil on panel Among the most accomplished genre paintings of the 19th century, T...

Roman Girl At Fountain After Leon Bonnat by L. Luige c.1876 Original oil on canvas This is a period copy of the painting by Leon Bonnat (the original wa...

François-Marius GRANET (Circle of) Aix-en-Provence, 1775 – Aix-en-Provence, 1849 Convent interior with nuns Oil on canvas 35 x 27.5 cm (39.5 x 31 cm with frame) Beautiful black and g...

Condition: The paintings are in overall very good and sound condition, with age related craquelure running throughout. Framed in period frames.

"Venetian Scene with Gondoliers" is an evocative portrayal of Venice, capturing the essence of the city’s romantic allure and bustling waterways. Created during Allan Österlind’s stu...

James MacDougal Hart (American, 1828-1901) Untitled (After Troyon), 19th century Oil on canvas 18 1/16 x 30 1/16 in. Framed: 31 1/2 x 40 1/2 in. Signed lower right: James M Hart...

Jules VALADON (Paris 1826 - Paris 1900) Noli me tangere (?) Oil on mahogany panel H. 19 cm; L. 35 cm Signed lower left Provenance: Private collection, Paris Student of Michel Martin Drolling, Lehmann or even Cogniet in 1846, the young son of a Parisian architect will begin his exhibitions at the Salon des Artistes Français in 1857. Jules Valadon will obtain there several medals and will see his reputation embellished by his portraits and expression heads. We see in this mystical-looking landscape, a representation of a passage from the Gospel of saint John, during the resurrection of Christ, himself addressing Mary Magdalene. The saint is on her knees beside Christ and addresses him not believing in his presence among the living. After some exchanges, at 20.17: Dicit ei Jesus: "Noli me tangere, nondum enim ascendi ad Patrem meum: vade autem ad fratres meos, and dic eis: Ascendo ad Patrem meum, and Patrem vestrum, Deum meum, and Deum vestrum . "Christ said to Mary Magdalene" Do not touch me, I have not yet ascended to the father ". In the history of art, this passage from the Gospel is known by the famous paintings of Boticelli, Giotto, Fra Angelico, il Corregio, Poussin, Véronèse and more recently by Maurice Denis and some painters replacing the subject at the end. from the 19th century. These late representations are not always perfectly readable by compositions inked in landscapes that are sometimes more important than the subject. This is also what we assume for our panel, with the desert mountains that can represent the location of the Holy Sepulcher...

Eliseo Tuderte Fattorini (Italian, 1830-1887). A very fine and life-size Italian, 19th century marble Life-size Orientalist Marble Sculpture of an Assyrian Princess (Previously descr...

A Day out in the Highlands Scottish School, circa 1830's period original watercolour painting on paper unframed painting: 12.75 x 16.5 inches A lovely tranquil scene of figures enj...

Description: Fabio Fabbi: A Master of Orientalist Intrigue The painting is signed on the bottom left side. Fabio Fabbi, an esteemed Italian artist of the late 19th and early 20th centuries, emerged as a prominent figure within the Orientalist art movement. Born in Rome in 1861, Fabbi’s passion for capturing the exotic and mysterious landscapes and cultures of the East would define his artistic career and leave an indelible mark on the art world. Fabbi’s artistic journey began with formal training at the Accademia di Belle Arti in Rome, where he developed a deep appreciation for classical techniques and aesthetics. However, it was his encounters with Orientalist themes and subjects that ignited his imagination and set him on a path to becoming a renowned master of Orientalist art. One of Fabbi’s most captivating works, “Harem Girls in the Palace Courtyard,” stands as a testament to his exceptional talent for depicting scenes of intrigue and sensuality within the luxurious settings of the Ottoman Empire. This mesmerizing painting invites viewers into the opulent world of a harem, where a group of beautiful women gracefully gather in a sunlit courtyard. Fabbi’s brushwork skillfully captures the vibrant colors, exquisite textiles, and intricate architectural details that define the environment. In “Harem Girls in the Palace Courtyard,” Fabbi delves into the alluring realm of the harem, exploring the interplay between power, desire, and secrecy. With meticulous attention to detail, he captures the expressions and body language of the women, evoking a sense of mystery and sensuality. The play of light and shadow adds depth and dimension to the composition, further immersing viewers in the rich atmosphere of the scene. Fabbi’s ability to weave narratives within his artworks sets him apart. “Harem Girls in the Palace Courtyard” not only showcases his technical skill but also tells a story—a glimpse into a hidden world that fascinates and captivates. Through his artistry, Fabbi offers a nuanced portrayal of Eastern culture, emphasizing the beauty and complexity that lie beneath the surface. Throughout his career, Fabio Fabbi gained recognition and admiration for his Orientalist works. His paintings were exhibited in prominent galleries across Europe, where audiences marveled at his ability to transport them to distant lands and evoke a sense of wonder and intrigue. Fabbi’s talent for capturing the essence of Orientalist themes and his exquisite attention to detail earned him a place among the most respected artists of his time. Fabio Fabbi’s legacy lives on through his remarkable artworks. His ability to portray the mysteries and allure of the East continues to inspire and captivate art enthusiasts worldwide. “Harem Girls in the Palace Courtyard” exemplifies Fabbi’s mastery of the Orientalist genre, inviting viewers to step into a world of beauty, enchantment, and hidden desires. His paintings exhibited at prestigious venues in Turin and Milan. Knighted in the Order of the Crown of Italy in 1892. Notable works include the Sacred Heart...

A fine Biedermeier period portrait of Carl Hechner captured in profile, wearing a high-collar shirt with a tightly worn blue cravat. The accomplished portrait has been well presented...

Georg Garbe (19th Century) "Alpine River Landscape" This captivating 19th-century oil painting on canvas by Georg Garbe presents a breathtaking Alpine landscape, featuring a rushing ...

Signed lower right, 'Chas. H. Grant' for Charles Henry Grant (American, 1866-1939); titled on lower stretcher bar, 'Sand Dunes at Annisquam, Cape Ann, Mass' and dated 1894. Born in ...

Portrait Of A Young Gentleman, 19th Century by Louis DEVEDEUX (1820-1874) sales to $40,000 Huge circa 1850 French portrait of a young gentleman, oil on canvas. Excellent quality an...