Mid-19th Century Art

William Huggins (1820 - 1884) A lion and a lioness in a landscape Oil on panel  Signed and dated, lower right: 'Huggins 1847' With gallery and exhibition labels, verso Provenance: ...

Oil painting“hunting scene with dogs and horse” attr. to Alfred De Dreux 19th Oil on canvas, restored and cleaned in good condition. Very nice painting for hunting scene art...

This is a 19th century hand-colored folio-sized lithograph entitled "Dendrortyx Leucophrys" (White Eye-browed Partridges) by John Gould, published in his monograph 'A Monograph of the Odontophorinae, or Partridges of America' in London between 1844-1850. Reportedly only 250 copies were printed. The print depicts two partridges, one standing and the other lying apparently on sand, surrounded by high grass. A landscape of plants and possibly water is seen in the background. This beautiful hand-colored lithograph is presented in a double cream-colored mat. There is one tiny spot in the left lower corner, faint spots in the right upper print and mild toning about the periphery which is covered by the mat. It is otherwise in excellent condition. It is accompanied by the original text page. John Gould (1841-1881) was an English contemporary of the American John James Audubon. Gould published his first illustrated book on birds in 1831 entitled "A Century of Birds from the Himalaya Mountains", followed by "Ramphastidae" and "Birds of Europe". He then extended the scope of his travels and research to include Australia, New Zealand and New Guinea, drawing birds in their natural habitat. Artists, such as his wife Elizabeth Gould, Henry Richter and Edward Lear, transferred his drawings to hand printed and hand colored stone lithographs, which are known for their beauty, detail and accuracy. As well as an exceptional and prolific artist, Gould was an outstanding scientific naturalist. In approximately 50 years he created approximately 3,000 lithographs of birds...

Work on canvas

Customs -Balok Dancers is a Hand-colored lithograph on paper realized in 1862. Titled on the lower. The artwork belongs to the Suite Uses and customs of all the peoples of the univ...

This is a hand-colored antique engraving depicting the natural history of the Admirable Butterfly and the Small Magpie Moth, which is plate 6 from Moses Harris' publication "The Aure...

Di que sirvé una taza? is an original artwork realized by the great Spanish artist Francisco Goya in 1810. Original Etching on paper. The artwork belongs to the famous series "Lo...

"Moorish Soldier Holding a Rifle" Manuel Garcia Hispaleto (Spanish, 1836-1898) Watercolor on paper Signed lower left "MGHispaleto" Original wood frame with gilded stucco 18 3/4 x 12 1/2 (33 1/2 x 26 frame) inches Manuel García Hispaleto, originally Manuel García y Martínez (22 November 1836, Seville -26 December 1898, Madrid) was a Spanish painter known for portraits and costumbrista (genre) scenes. His brother, Rafael García...

Courtiers Party in the Park in 18th Century In the Taste of Nicolas Lancret (1690-1743) Oil on canvas Frame gilded with leaves Dim canvas : 73 X 59 cm Dim frame : 100 X 87 cm

Ichimura Uzaemon XIII - actor as Okaji of Gion, 1862 "The Six Poetry Immortals" A Japanese Ukiyo-e woodcut print created circa 1862 by artist Utagawa Kunisada (Japanese, 1786-1864). ...

Auguste Adolphe CHAUVIN (Liege, 1810 – Liege 1884) Portrait of Coraline Oil on canvas Signed and dated lower right 91 x 68cm 1868 Auguste Adolphe Chauvin, born in Liège on October 2...

Firmado en la parte trasera, parece poner Sevilla Urtado (desconozco el artista) y también va titulada "Castillo de Cardona) Se presenta enmarcada la pintura con un marco del siglo ...

Lithograph realized by Daumier in 1845, belonging to the Series "Les Gens de Justice" Table no. 13 of the Series. Hand monogrammed in the plate. Very good condition. Ref. Delteil...

Kabuki - Scene in the snow is an original artwork realized in 1864 by Utagawa Kunisada II (1823 – 20 July 1880). Oban from a triptych. Scene in a snowy ...

Etching and aquatint realized by Thomas Rowlandson in 1817. Plate from "The Dance of Life" by William Combe. Very good condition. Thomas Rowlandson (1757-1827) was an english artis...

Etching and aquatint realized by Thomas Rowlandson in 1817. Plate from "The Dance of Life" by William Combe. Very good condition. Thomas Rowlandson (1757-1827) was an english artis...

Etching and aquatint realized by Thomas Rowlandson in 1817. Plate from "The Dance of Life" by William Combe. Very good condition. Thomas Rowlandson (1757-1827) was an english artis...

Marc Chagall (French/Russian, 1887-1985) "Dédicace" 1968 Color lithograph signed and numbered ##/50 in pencil Image: 17 7/8 x 15 1/4 inches. Framed: 38 x 34 1/4 x 2 1/4 inches. ...

Marc BRUYAS Lyon, 1821 - 1896 Oil on canvas 32 x 23 cm (42 x 33 cm with frame) Signed and dated lower left “Bruyas / December 1863” Beautiful carved and gilded wooden frame from the...

Outstanding oil on canvas portrait depicting a child, Toribio de Velasco y Viguri, whose name appears written in gold letters in the upper right corner against the dark background of...

Lithograph realized by Daumier in 1845, belonging to the Series "Les Gens de Justice" Hand monogrammed in plate. Very good condition. Ref. Delteil 1371

Pozzolo Battle is a lithograph print on paper realized After Louis Martinet in the 1850s. Titled, signed on the plate. The artwork is in good conditions with aged margins and diffu...

The Propositions is an original lithographs by J.J. Grandville from "Scènes de la vie privée et publique des animaux, 1852. Published by Manesq & Harva...

For sale is the great looking large male nude bronze sculpture of Orpheus by German Artist Professor George Mattes (1874-1945). Orpheus is seen along ...

Kabukie is an original artwork realized in the 1850s by Utagawa Kunisada (1786-1865). Oban from a triptych. An actor in the role of Otokodate Abe no Homei stands ready at night in...

George Henry Durrie's painting "Gathering Wood for Winter, New Haven, CT" captures the essence of 19th-century rural America with its picturesque depiction of a serene winter landsca...

Vandendaele Casimir Deinze 1818 – 1880 Ghent Belgian Painter Portrait of a Gentleman Signature: Signed bottom left and dated 1843 Medium: Oil on panel Dimensions: Image size 23 x 19...

An original rare and extremely collectible first edition John James Audubon hand colored royal octavo lithograph entitled "Trumpeter Swan, Young", No. 7...

Roberto Bompiani (Italy, 1821-1908) "The Confirmation" Museum Quality Oil Painting circa 1871 Extraordinary oil painting by listed Italian artist. T...

Customs - Persian Deities is a lithograph on paper realized in 1862. Titled on the lower. The artwork belongs to the Suite Uses and customs of all the peoples of the universe: " Hi...

Kabukie - The Province of Rokuoku is an original artwork realized in 1862 by Utagawa Kunikazu (1830 - 1919) Chuban. From the series "Dai Nippon rokuju of Rikuoku" (60 provinces of Glorious Japan), The Province of Rokuoku. Meeting of the two rivals in the forest at night, Tanigoro with sumo apron and fan with the national colours. Signed: Kunikazu. Good impression, backed, glued at corners, oxidation, centrefold, a little bit rubbed. Utagawa Kunikazu (1830 - 1919) was a printmaker from Osaka. He had a famous teacher, the ukiyo-e artist Kunisada Utagawa...

This is an original 19th century 1st octavo edition John James Audubon hand-colored lithograph entitled "American Bittern, 1. Male 2. Female", No. 73, Plate 365 from Audubon's "Birds of America, lithographed, printed and colored by J. T. Bowen and published in Philadelphia between 1840-1844. It depicts male and female American Bittern birds standing on the ground, each looking in opposite directions. There is high grass in the background. This original 1st octavo edition hand-colored Audubon American Bittern lithograph is in excellent condition, other than a few tiny spots, which appear most likely inclusions related to the paper manufacture. The sheet measures 6.5" high by 10.25" wide. The original text pages, 94-98, from Audubon's 19th century publication are included with the lithograph. John James Audubon (1785-1851) was a naturalist and artist. He was initially unsuccessful financially prior to the publication of his famous work “The Birds of America”, spending time in debtor’s prison, once stabbing a disgruntled investor in self-defense. However, his obsession with birds and art motivated him to persist in his goal of documenting every bird in America via his watercolor paintings and publishing his works for all to enjoy. Audubon's first illustrations were published in a large elephant folio...

GEORGE (SMITH) ARMFIELD This is a classic example of George Armfield's paintings with terriers. Picture Size: 10 x 14" (25 x 35cm) Outside Frame Size: 16 x 20" (40 x 50cm) Exhibitio...

Louis Auguste SECOND, known as FEREOL (Amiens, 1795 - Orleans, 1870) Still Life with Mallard and Hare Oil on paper mounted on canvas Signed and dated at the bottom Exhibition labels in the upper left corner 37 x 27 cm 1854 Louis-Auguste Second, known under the name of Fereol, had an interesting multifaceted artistic career. He was born in an acting environment: himself the son of an actor, he was the cousin of Marie Dorval (the famous romantic actress who was Alfred de Vigny's mistress) and the nephew of Mademoiselle Mars. After having done the military school of Saint-Cyr, he became a second lieutenant in the young imperial guard and took part in the campaign of France in 1814. But he quickly reconverted in the spectacle and becomes in 1817 lyric singer (tenor) at the Opéra-Comique where he officiated until 1838, before exercising his talents at the Théâtre de la Renaissance. He is also a playwright (for example he wrote "Five Years of Intermission" in 1833). A fairly famous figure at the time, his miniature portrait by Paul Gomien was exhibited at the Salon of 1835. Painting is another of his activities, and not the least. A pupil of Xavier Leprince, he exhibited at the Salon in 1824, and this very regularly until 1848. In 1834, he exhibited no less than 7 paintings! These are essentially landscapes, of a fairly classic style, representing views of the North (Douai, Boulogne, etc.), Picardy (Amiens), Paris and its surroundings, Fontainebleau, and above all of Sologne and Orleans, city where he attended high school. At the Salon, he was domiciled in Paris at various addresses in the Batignolles district until 1835, then in Orleans from 1837. Widower in 1832 of his cousin Eugénie Boutet de Monvel whom he had married in 1822, he retired to his property of "L'ormette" in Saint-Denis en Val in the Loiret, before settling definitively in Orléans itself. in 1846. He leads a fairly active social life there (he had already founded the Musical Institute there, for example). His son Félix was born there in 1825, where he was a lawyer before embarking on a career as a doctor. A staunch Bonapartist, holder of the Saint Helena medal, he was awarded the Legion of Honor in 1862. His exaggerated patriotism manifested itself one last time when he committed suicide on September 5, 1870 after learning of the surrender of Sedan. He is the great-grandfather of the brothers Jacques and Pierre Brissaud, the famous painters and illustrators. Representative of the French tradition of hunting still lifes, this painting depicts a hanging...

Lithograph realized by Daumier in 1845, belonging to the Series "Les Gens de Justice". Monogrammed in the plate. Very good condition. Ref. Delteil 1358

John James Audubon was born in Haiti in 1785. Most of his childhood was spent in France, where he first took interest in birds and drawing. He came to the U.S. at age 18, and made ma...

Francois (Frans) Van Severdonck (1809-1889) Belgian Sheep Resting in a Meadow signed Franc..? Van Severdonck and dated 1861 oil on panel panel size 16 x 23 cm frame 25.5 x 32 cm ...

A charming still life of various fruits displayed together, in it we can see a pineapple which has been viewed as a sign of wealth during these times. Although unsigned the work has ...

William Fisk 1796 -1872, was an English born portrait and history painter. Although born in 1796 he didn't start his artistic career until after 1826, after the birth of his son Will...

View of Avellino is a print realized by Tommaso Piroli in the mid-19th century. Etching Hand-watercolored on paper. Signed and titled on the plate. Good conditions with foxing

‘Fabbriche di Careggine’ by Edmund John Niemann (1813-1876). Fabbriche di Careggine is the name of a Italian ghost village that today lies beneath Vagli di Sotto, a man-made lake in Tuscany. Prior to its flooding in 1953 the village was home to a community of subsistence farmers who raised sheep and Garfagnana goats. The painting depicts one of these goatherds and a young woman riding out from the village at sunrise. It is not uncommon for paintings by one member of famous family of artists to be mistakenly attributed to a relative; a picture by “the Elder” is erroneously credited as being by “the Younger” and the work of one brother is confused with another, and so on. In 19th century British art...

This delightful winter scene shows a man carrying kindling across an icy bridge towards snow laden fields. The artist has used white gouache to depict the texture of the fresh snow a...

Alpine Bear is an original lithograph on ivory-colored paper realized by Paul Gervais (1816-1879). The artwork is from The Series of "Les Trois Règnes de la Nature" and was published...

Barbizon School, French circa 1850 Fontainebleau landscape with walkers Oil on canvas 21.5 x 31 cm Framed : 32 x 41.5 cm In good condition, some minor lacks of paintingsdue to a former frame abrasion mainly on the right border and in the lower border (see photographs please) This landscape is probably a view of the Fontainebleau forest. This type of scene was painted by the Barbizon painters and by Camille Corot. The village of Barbizon is very close to the forest of Fontainebleau and the painters who lived there, such as Camille Corot, painted the most picturesque views of the spectacular stone quarries. There were also many walkers and hikers in these places, as the artists had made them famous and fashionable. The author of this charming little painting wanted to depict the wildness of the place and, in contrast, the walkers who made it a pittoresque curiosity. Although it's difficult to identify or ascribe the work, as there's no signature or other indication, there's a great deal of sensitivity and self-confidence in a very lively touch that heralds Impressionism. The detail of the barely sketched silhouettes...

George Curtis transcended the typical Hudson River School style with this painting. While in the Hudson River School, painters often created warmer landscapes of the American country...

Amusing original colored lithograph with pouchoir details. Beautiful satiric illustration by the French draftsman Paul Gavarni (alias Guillaume Sulpice Chevalier, 1804- 1866). Plate 2, from the series Les Étudians de Paris, Bauger, Paris, 1847, Imp. d'Aubert and Cie. Signed on plate on lower-right. With the printed capture: "Ma chère, comment peux tu sopporter un homme qui pipe toute la journee dans des horreurs de machine comme ça...

Mr. Bunny Eating A Big Carrot is an original lithograph on ivory-colored paper realized by J.J. Grandville from Scènes de la vie privée et publique des animaux, 1852. Published by Ma...

Pariesienne is an original artwork realized by Fernand Desmoulin in 1886. Etching on paper. Titled on the lower central margin; "Supplement de Paris-Noel" at the bottom; "L. Eudes ...

Edmund Coates (1816 - 1871) America, 1861 Oil on canvas 30 x 40 inches Provenance: Kennedy Galleries, New York Private Collection This 1861 painting shows deep symbolism with a sled reading "America" slipping down a hill. A versatile nineteenth-century painter, Edmund C. Coates created landscapes, seascapes, portraits, and history paintings. Born in England, Coates spent his adult life in New York City, where he was a frequent exhibitor at the National Academy of Design. Working in the style of the Hudson River School, Coates produced beautiful, idealized images of the lakes and mountains of the Hudson River Valley and the White Mountains of New Hampshire, as well as romantic visions of ancient Italian ruins. He was closer in dates to the second generation of the Hudson River school, which included Frederic Edwin...

Attributed to Pancrace BESSA (1772-1846) Fruits on a marble entablature Watercolor and graphite on paper H. 31 cm; W. 37 cm

A delightful continental scene depicting figures travelling a winding mountain path. Illegibly signed. Dated 1849. Presented in a gilt frame. On paper.

David Roberts R.A. 1796 - 1864 The Doorway, Baalbec Antique First edition lithograph Full plate 81 Presented in a acid free mount We have a full set of the 250 David Roberts prints in stock. Hand coloured lithograph printed in 1847 by F.G. Moon and Son.

The Musik-Making Society is an original artwork realized by Henry Guillaume Schlesinger in the half of 19th Century. Mixed colored oil painting on canvas. Includes a beautiful gilded ancient frame: 150x127 cm Born in Frankfurt, Henri Schlesinger studied at the Fine Arts Academy in Vienna before moving to France...

Oil on canvas, signed bottom right and dated '1840' Image size: 22 x 30 inches (56 x 76.25 cm) Albert Bierstadt Recognized as the foremost painter of the American frontier during the nineteenth-century, Albert Bierstadt was born in Solingen, Germany, in 1830. At the age of two, he and his family emigrated to the United States, settling in New Bedford, Massachusetts. Nothing is known of his early art training; however, he might possibly have been influenced by local landscape painters. By the time he was twenty, he was supporting himself by teaching "monochromatic" painting and his work was beginning to attract the attention of New Bedford collectors. In 1853, Bierstadt traveled to Düsseldorf in order to broaden his art education. It was there that he was associated with such American artists as Worthington Whittredge and Carl Wimar, all of whom frequently gathered in the studio of the German-American history painter, Emanuel Leutze...

Medium: original etching. This impression on laid paper printed in 1868 for Philip Gilbert Hamerton's very scarce "Etching and Etchers". Plate size: 3 1/2 x 6 7/8 inches (88 x 175 mm...

Louis-Camille d'Olivier, A painter of history and portraits, he returned to the Ecole des Beaux-Arts in 1850 and appeared at the Salon de Paris between ...

Realized by Filippo Palizzi between 1850 and 1860, in very good conditions. Includes a contemporary wooden gilded frame. Filippo Palizzi is an italian...

Le Comte De N is a lithograph on ivory-colored paper, realized by the French draftsman Paul Gavarni (alias Guillaume Sulpice Chevalier Gavarni, 1804-1866) in the mid-19th Century. S...

Lithograph realized by Daumier in 1845, belonging to the Series "Les Gens de Justice" Table no. 27 of the Series. Monogrammed in the plate. Very good condition. Ref. Delteil 1363

This early 19th-century watercolour by British artist Paul Sandby Munn RWS (1773-1845) depicts a riverside view at Mallevy in North Wales. Amid a hasty world where technology consumes our waking hours, few of us find the time to consider the subtle beauties of quiet watercolours. Yet, during the late 18th century, when Munn began producing his skillfully-rendered views, this style of drawing was considered an act of rebellion. Indeed, to such an extent that, together with several associates, Munn contributed to one of the most vital artistic circles in British history - the “Brothers” sketching club. Held every Saturday, the sketching club sought to raise the status of landscape watercolours from their lowly position as mere copies of nature. Fellow artists such as John Varley, Thomas Girtin and John Sell Cotman...