Black and White Photography

Arch by Monica Denevan Photography, Silver Gelatin Print, Burma 2008 Monica Denevan studied photography at San Francisco State University. She has travelled extensively in Burma a...

Galleon by Monica Denevan Photography, Silver Gelatin Print, Burma 2013 Monica Denevan studied photography at San Francisco State University. She has travelled extensively in Bu...

Tee Off (1939) Silver Gelatin Fibre Print - Oversized (Photo by H. Armstrong Roberts/Alamy) 6th April 1939. A man playing golf teeing-off golf ball from tee with driver outdoor. ...

Galleon by Monica Denevan - Photography, Silver Gelatin Print with Wooden Frame Monica Denevan studied photography at San Francisco State University. She has travelled extensively ...

Fallen Tree by Monica Denevan - Silver Gelatin Print with Wooden Frame Monica Denevan studied photography at San Francisco State University. She has travelled extensively in Burma...

Bracing Against by Monica Denevan - Photography, Silver Gelatin Print, 2006 Monica Denevan studied photography at San Francisco State University. She has travelled extensively in B...

Fallen Tree by Monica Denevan Photography, Silver Gelatin Print, 2006 Monica Denevan studied photography at San Francisco State University. She has travelled extensively in Burm...

Expedition by Monica Denevan - Photography, Silver Gelatin Print, 2011 Monica Denevan studied photography at San Francisco State University. She has travelled extensively in Burma...

Lotus Photography by Monica Denevan - Silver Gelatin Print with Wooden Frame Monica Denevan studied photography at San Francisco State University. She has travelled extensively in ...

Bracing Against by Monica Denevan - Silver Gelatin Print, Wooden Frame Monica Denevan studied photography at San Francisco State University. She has travelled extensively in Burma ...

Broken Boat by Monica Denevan - Photography, Silver Gelatin Print, 2005 Monica Denevan studied photography at San Francisco State University. She has travelled extensively in Burma...

Printed onto direct positive Printing Out Paper and then gold-toned. Linda Connor's imagery of ancient and sacred places explores the relationship between nature, civilization and s...

This depicts a chair in the manner of Mexican surrealist modernist Pedro Friedeberg with a dried flowers. It is a hand signed, titled and dated vintage silver gelatin print photograph. and bears the artists studio stamp verso. Naomi Siegler Savage (1927 – 2005) was an American woman photographer. A native of Princeton, New Jersey, Naomi Savage was the niece of artist Man Ray. She first studied photography under Berenice Abbott at the New School for Social Research in 1943, following this with studies in art, photography, and music at Bennington College from 1944 until 1947. The next year she spent in California with her uncle, studying his techniques. When she returned to New York in 1948, she combined her love of music with her skill in photography by taking portraits of the best known composers of day: Aaron Copland, John Cage, Virgil Thomson, etc. (over 30 in all). In 1950 she married the architect and sculptor David Savage, with whom she moved to Paris, living there for some years. During her career Savage received an award from the Cassandra Foundation in 1970, and a photography fellowship from the National Endowment for the Arts in 1971. In 1976 she received the silver award from the Art Directors Club. Later in life, Savage returned to live in Princeton, where she died. Savage was heavily influenced by her uncle, the avant garde artist Man Ray, prompting her to experiment with the medium of photography, combining traditional techniques with more unusual processes, including some of her own design. She worked extensively with photogravure and photoengraving, transforming these mechanical printing techniques to be used for aesthetic effects rather than duplication. Unlike many photographers, Savage considered the metal plate that photographs are etched on to be a work of art in its own right. She pioneered the use of using the photographic metal plate to produce a three dimensional form with a metallic surface. Savage explored variations in color and texture in her work often by using inked and intaglio relief prints. Many of her works were created by combining media such as collage, negative images, texture screening, multiple exposure, photograms, solarization, toning, laser printing on metallic foils. Her works focus on a variety of subject matter and imagery, which has included portraits, landscapes, human figures, mannequins, masks, toys, kitchen utensils, dental and ophthalmological equipment. Her approach represents an involvement with "process as medium," and an interest in art as image manipulation, a pursuit shared by contemporaries like Robert Heinecken, Betty Hahn, and Bea Nettles. She has experimented extensively with photogravure and photoengraving, employing these mechanical printing techniques for aesthetic effects rather than duplication. Savage uses inked and intaglio relief prints to explore variations in color and texture, and considers the metal plate on which the photograph has been etched to be a work of art in its own right. She has also combined media--collage, negative images, texture screening, multiple exposure, photograms, solarization, toning, printing on metallic foils--and made laser color prints. Several of her pieces are owned by the Museum of Modern Art, and she is represented as well in the collections of the Art Institute of Chicago, the International Center for Photography, the Fogg Art Museum, the Museum of Fine Arts, Houston, and the Madison Art Center. A photo engraved mural depicting the life of Lyndon Baines Johnson is a centerpiece of the Lyndon Baines Johnson Library and Museum. A collection of her papers relating to the life of Man Ray is held by the Archives of American Art at the Smithsonian Institution. She was included in the show Making Space at MoMA in 2017. It shone a spotlight on the stunning achievements of women artists between the end of World War II (1945) and by Lee Krasner, Helen Frankenthaler, and Joan Mitchell; the radical geometries by Lygia Clark, Lygia Pape, and Gego; and the reductive abstractions of Agnes Martin, Anne Truitt, and Jo Baer; the fiber weavings of Magdalena Abakanowicz, Sheila Hicks, and Lenore Tawney; and the process-oriented sculptures of Lee Bontecou, Louise Bourgeois, and Eva Hesse. The exhibition also featured treasures such as collages by Anne Ryan, photographs by Gertrudes Altschul, Naomi Savage, Ruth Asawa, Carol Rama...

"Remembering Frida Kahlo" 26"x21"inch Ed 1/3 by VLADIMIR CLAVIJO-TELEPNEV Eglomise (bromoil gelatin silver print, gold and silver leaf, and hand painted mirror) Vladimir Clavijo-Telepnev was born in 1962 in Moscow, in the family of creative people. His father, Pedro Clavijo, was a Columbian journalist and a radio reporter. His grandfather by his father's side, Edmundo Clavijo Cubilios, was a famous Columbia's photograph and artist. His grandfather and grandmother by his mother's side, Vladimir and Margarita Telepnevs, were painters. In 1986 Vladimir graduated from the Moscow Polygraphic Academy, faculty of graphic art, specializing in painting, graphics, and polygraphic design. PRIVATE COLLECTIONS: ELTON JOHN PRINCESS MICHAEL of KENT MARIE CHRISTINE PETER GREENAWAY DMITRY MEDVEDEV NURSULTAN NAZARBAEV Vladimir's work of arts were put up for auction at PHILLIPS de Pury in 2003 in New York, in 2008 in London and New York, in 2010 in New York; at GENE SHAPIRO in 2008, 2009, 2010, 2011 in New York and at HERITAGE AUCTIONS in 2011 in New York. EXHIBITIONS: 2013 Group exhibition at the Gulbenkian Foundation, Lisbon, Portugal; Solo exhibition at the AZOR ROZA Gallery, Moscow, Russia. ​ 2012 Group exhibition of the best iconography for Lewis Carroll's "Alice", "A Mad Tea-Party", The Story Museum, Oxford, UK; Group exhibition "Museum's Centenary: a Photographer's View" at the Pushkin Fine Arts Museum; Solo exhibition at the ZEPPELIN Gallery, Moscow, Russia. 2011 Group exhibition at the ART MOSCOW FAIR. 2010 Pushkin Fine Arts Museum opened a section of photography with the participation of Vladimir Clavijo-Telepnev, the only Russian exhibitor. 2009 "Wayfaring Territory" group exhibition, St. Petersburg, Peter-and-Paul Fortress, Russia. 2008 "Joyance Territory" group exhibition in the Rumyantsev villa, St. Petersburg, Pskov, Belostok, Voronezh, Mikhailovskoye (all in Russia), and also in Berlin, Germany; Solo exhibition at the VINZAVOD Exhibition Center. 2007 Solo exhibition at the MILLIONAIRE FAIR, Moscow, Russia; Participation at the Moscow Fine Art Fair, MANEZH Exhibition Center. 2006 Art London, "Russian Asia", a joint project of Inna Khegai and the Artek Gallery, London, UK; Solo exhibition at the ESPECRTO Gallery in Krasnodar. 2005 Personal exhibition within the framework of the Russian Movie Week in Paris, Paris-Art-Moscow, Espace Cardin, Paris; personal exhibition at the MILLIONAIRE FAIR, Moscow; exhibition at the Grossman Gallery, Williams Visual Arts Buildings, Easton, Penn; personal exhibition at the Grand Hayat Hotel gallery, Dubai, Arab Emirates; exhibition at the STUDIO Gallery, Moscow Russia; exhibition of the Cherry Orchard project jointly with his student, Yulia Bochkova at the JAMES Gallery, Moscow; the Moscow Romanticism exhibition at the Wisconsin University Art Gallery, U.S; exhibition at the Tomsk House of Artists, Russia.2005: exhibition at the Benshaeb art gallery, Paris, France; 2004 Exhibition at the STUDIO Gallery, Moscow, Russia; Exhibition at the LEAGUE Art Gallery, Kolomna, Russia; Exhibition at the Krasnoyarsk Museum Center, Russia.2004: exhibition at Art-Service Gallery Center, Moscow, Russia; Exhibition at the Novosibirsk Art Museum, Russia; Exhibition at the Benshaeb art gallery, Paris, France; Exhibition at the HAY HILL gallery, London, U.K.2004: exhibition within the framework of the Russian Nights festival at the Art Hall of the Pacific Design Center, Los Angeles, California. 2003 Russian Post Modernism Nostalgia exhibition, New York, U.S; Exhibition at the LUMIERE, Moscow, Russia; Exhibition at the Russian Modern History State Central Museum; A participant at the 40 Views as to the Image of Comme de Garcon art...

Marilyn On The Roof (1955) - Silver Gelatin Fibre Print (Photo by Ed Feingersh/Michael Ochs Archives/Getty Images) American actress Marilyn Monroe (1926 - 1962) leans over the bal...

These were from a show of her work. Influenced by Surrealism and Dada Photographs these are images of old children's dolls in various states of decay. These bear the influence of Hans Bellmer, Dora Maar and Man Ray. Jo Ann Krivin born in Reasnor, Iowa in 1933, daughter to Earl Guthrie and Lillie Cramer. She graduated from Simpson College in Indianola, Iowa, with a bachelor of music degree in voice. She became a copywriter for the CBS Television affiliate in Des Moines, and then a public relations writer for Columbia Records in New York. She later owned and directed The Cramer Gallery in Glen Rock, N.J. Krivin photographed many jazz musicians during the 1980s and 1990s, and published two books of her jazz photos, "25 Years of the Jazz Room at William Paterson University" and "Jazz Studies." Her jazz and doll portraits have been exhibited in group and solo shows, museums, university galleries, and jazz festivals. She was married for over 50 years to painter, musician, and educator Martin Krivin. One of the few women in the field of jazz photography, JoAnn Krivin documented the professional jazz scene from the late 1970's until the late 1990's photographing close to 700 musicians. Her works have been exhibited frequently in solo shows at festivals, museums and galleries across the country. She has served as a still photographer for New Jersey Public Television and has contributed to a variety of national jazz publications. Her book, Twenty Five Years of the Jazz Room at William Paterson University, was published in 2003. Woman artist with a feminist tinge to these photographs. Her work was exhibited at the Ben Shahn Galleries. The exhibit featured photographs of some of the jazz world’s most well-known musicians, including Sonny Rollins, Joe Williams, Art Farmer, Benny Golson, Milt Hinton...

Ski Jump (1956) Silver Gelatin Fibre Print - Oversized (Photo by H. Armstrong Roberts/Alamy) 1st October 1956. A skier jumping into the air. Additional I...

Bodybuilder (and future film star and Governor of California) Arnold Schwarzenegger, photographed at the top of his form for After Dark magazine on October 5, 1976. Vintage silver gelatin photograph, signed by Jack Mitchell. Photograph size is 11 x 14”. Framed and matted to Jack Mitchell’s specifications for exhibition, framed size is 19 ½ inches by 16 inches. Comes directly from the Jack Mitchell Archives with a signed individual certificate of authenticity. This framed Jack Mitchell vintage...

Printed onto direct positive Printing Out Paper and then gold-toned. Contact print from a 5x7" negative from the Lick Observatory Archive. Linda Connor's imagery of ancient and sacr...

Elvis Adoration (1956) (Photo By Phillip Harrington) May 27, 1956 Fans Reacting to Elvis Presley Performing at the University of Dayton Fieldhouse. Additional Infomation: Unframed Paper Size: 20 x 16'' Printed Later Paper: Silver Gelatin Fibre Print Limited edition to 25 only About the Image: Elvis Aaron Presley, also known simply as Elvis, was an American singer, musician and actor. He is regarded as one of the most significant cultural icons of the 20th century and is often referred to as the "King of Rock and Roll" or simply "the King". NOTE OTHER SIZES OF THIS IMAGE AVAILABLE 10 x 12'' 12 x 16'' FRAMING AVAILABLE ON REQUEST About the Artist: Phillip A. Harrington was born in 1920 and grew up in Holland, Michigan. He developed an interest in photography at an early age, joining the high school camera club at 16. At the age of 19, Harrington moved to New York City to study at the Clarence. H. White school of photography, a prestigious institution with graduates such as Margaret Bourke-White, Dorothea Lange, Laura Gilpin, and Ralph Steiner. Harrington studied under Clarence White, Jr., who described Harrington as being among the school’s best students. Elvis, Elvis Presley, Elvis Presley, LEADING MEN, Phillip Harrington Retro Vintage Black and white Photography...

Palmas de Cera, Pijao, 2021 by Miguel Winograd From the Series "Bosques" Selenium- Toned Gelatin Silver Prints Image Size: 14 in H x 11 in W Edition of 7 + 2AP Black and white Edi...

Hiroshi SUGIMOTO (Japanese, Born in 1948) TOKYO INTERNATIONAL FORUM Executed in 1999 Edition 42/75. Signed stamp Bromoil Gelatin Silver Print 60.3 x 49.4 cm. (23 3/4 x 19 7/16 in.) ...

Blackpool Railings (1951) - Silver Gelatin Fibre Print (Photo by Bert Hardy / Getty Images Archive London) Two women chatting on the railings in B...

Printed onto direct positive Printing Out Paper and then gold-toned. Linda Connor's imagery of ancient and sacred places explores the relationship between nature, civilization and s...

Princess Audrey (1953) (Photo By Phillip Harrington) Audrey Hepburn preparing for a scene in the 1953 film “Roman Holiday” dir. William Wyler, in which Hepburn plays Ann, the crown princess of a European nation, whose state visit to Rome, Italy, turns into the adventure she'd hoped for when she meets American journalist, Joe (Gregory Peck). Assisting Hepburn is dresser Sally Gordon, and in the background is the costume designer Edith Head. Additional Information: Unframed Paper Size: 16x20'' Note image size may vary from paper size - please contact us directly for exact image dimensions Printed Later Limited Edition Silver Gelatin Fibre Print NOTE OTHER SIZES OF THIS IMAGE AVAILABLE 10 x 12'' 12 x 16'' 16 x 20'' 20 x 24'' 20 x 30'' FRAMING AVAILABLE ON REQUEST About the Artist: Phillip A. Harrington was born in 1920 and grew up in Holland, Michigan. He developed an interest in photography at an early age, joining the high school camera club at 16. At the age of 19, Harrington moved to New York City to study at the Clarence. H. White school of photography, a prestigious institution with graduates such as Margaret Bourke-White, Dorothea Lange, Laura Gilpin...

Printed onto direct positive Printing Out Paper and then gold-toned. Linda Connor's imagery of ancient and sacred places explores the relationship between nature, civilization and s...

Berry Berenson and her sister Marisa, are shown in a “Vogue’s Own Boutique” session published April 1, 1970. “Berry, Marisa, and Squashy the dog find Th...

Printed onto direct positive Printing Out Paper and then gold-toned. Linda Connor's imagery of ancient and sacred places explores the relationship between nature, civilization and s...

Printed onto direct positive Printing Out Paper and then gold-toned. Linda Connor's imagery of ancient and sacred places explores the relationship between nature, civilization and s...

Dirk Bogarde had, by the time Jack Robinson photographed him on January 17, 1968, survived a long period as the pin-up idol of postwar British cinema to b...

Printed onto direct positive Printing Out Paper and then gold-toned. Linda Connor's imagery of ancient and sacred places explores the relationship between nature, civilization and s...

Printed onto direct positive Printing Out Paper and then gold-toned. Linda Connor's imagery of ancient and sacred places explores the relationship between nature, civilization and s...

Berry Berenson was related on her mother’s side to the great couturier Schiaparelli and through her father to the distinguished art historian Bernard Be...

Printed onto direct positive Printing Out Paper and then gold-toned. Linda Connor's imagery of ancient and sacred places explores the relationship between nature, civilization and s...

Printed onto direct positive Printing Out Paper and then gold-toned. Linda Connor's imagery of ancient and sacred places explores the relationship between nature, civilization and s...

Glenda Jackson studied acting at the Royal Academy of Dramatic Art and was with the Royal Shakespeare Company for four years. Jack Robinson photographed Jackson on January 16, 1971 for a “People Are Talking About …” feature of Vogue and soon after, she would win her first Academy Award as Best Actress for her performance in Ken Russell...

Ravishing Rampling (1966) (Photo By Phillip Harrington) '60s icon Charlotte Rampling at The Pair of Shoes, a casino in London, 7th September 1966. Additional Information: Unframed Paper Size: 16x20'' Printed Later from Archive Source Limited Edition Silver Gelatin Fibre Print Edition of 100 NOTE OTHER SIZES OF THIS IMAGE AVAILABLE 10 x 12'' 12 x 16'' 16 x 20'' 20 x 24'' 20 x 30'' FRAMING AVAILABLE ON REQUEST About the Artist: Phillip A. Harrington was born in 1920 and grew up in Holland, Michigan. He developed an interest in photography at an early age, joining the high school camera club at 16. At the age of 19, Harrington moved to New York City to study at the Clarence. H. White school of photography, a prestigious institution with graduates such as Margaret Bourke-White, Dorothea Lange, Laura Gilpin...

Printed onto direct positive Printing Out Paper and then gold-toned. Linda Connor's imagery of ancient and sacred places explores the relationship between nature, civilization and s...

Salk Institute (1966) (Photo By Phillip Harrington) Detail of the architecture at the Salk Institute for Biological Studies, San Diego, California. The campus was designed by award-winning American architect, Louis Kahn. Additional Information: Unframed Paper Size: 10x12'' Printed Later from Archive Source Limited Edition Silver Gelatin Fibre Print NOTE OTHER SIZES OF THIS IMAGE AVAILABLE 10 x 12'' 12 x 16'' 16 x 20'' FRAMING AVAILABLE ON REQUEST About the Artist: Phillip A. Harrington was born in 1920 and grew up in Holland, Michigan. He developed an interest in photography at an early age, joining the high school camera club at 16. At the age of 19, Harrington moved to New York City to study at the Clarence. H. White school of photography, a prestigious institution with graduates such as Margaret Bourke-White, Dorothea Lange, Laura Gilpin...

Eton Vs Harrow (1955) - Silver Gelatin Fibre Print - Limited Estate Stamped (Photo by Slim Aarons/Hulton Archive/Getty Images) A view of spectators on the pitch at a cricket match ...

Chivor, 2021 by Miguel Winograd From the Series "Bosques" Selenium- Toned Gelatin Silver Prints Image Size: 14 in H x 11 in W Edition of 7 + 2AP Black and white Edition Unframed ...

Morichal, Cumaral, 2021 by Miguel Winograd From the Series "Bosques" Selenium- Toned Gelatin Silver Prints Image Size: 14 in H x 11 in W Edition of 7 + 2AP Black and white Edition...

Ponting: In the Pack (1910) - Silver Gelatin Fibre Print (Photo by Herbert Ponting/Scott Polar Research Institute, University of Cambridge/Getty Images) A penguin wanders across th...

Offered Is A Beautiful Richard Scudder Original In Black And White “Mussel Rock Beach” Hand Printed In The Darkroom From A Large Format Film Negative...

' Carry On Tea Break ' 1971 b y Larry Ellis Giant Oversize Limited Edition Silver Gelatin Print British actors Sid James and Kenneth Williams eating jellied eels from paper cups...

Need For Speed (1954) - Silver Gelatin Fibre Print (Photo by Joseph McKeown/Picture Post/Getty Images) 17th July 1954: Argentinian racer Juan Manuel Fangio (1911 - 1995) chalks up ...

Bosque de niebla Chicaque, 2021 by Miguel Winograd From the Series Sin título Selenium- Toned Gelatin Silver Prints Sheet Size: 14 in H x 11 in W Image size: 12.5 in H x 10 in W Ed...

'Private Dancer' Brigitte Bardot 1961 by Giancarlo Botti Wonderfully intimate shot of the French sex symbol and icon, Brigitte Bardot, on set of the film 'A Very Private Affair' w...

Dangerous Perch (1940) - Silver Gelatin Fibre Print (Photo by Fox Photos/Hulton Archive/Getty Images Archive London) Evacuee Barrie Peacop enjoys an ice cream as he sits on a mine ...

James Dean (1955) Silver Gelatin Fibre Print (photo via A.F. Archive/Alamy Archives) 1955 James Dean (1931 - 1955) Additional Information: Unframed Paper Size: 16x20'' Printed...

Susan Hacker -Israel Museum, Sculpture Garden, Jerusalem, Israel, 1979 Silver Gelatin black/white photograph, printed in 1983, hand signed, titled (Jerusalem) and noted. There is no edition size stated Location (Jerusalem), shoot date (1979) and photo print date (1983) and signature in pencil on the bottom back of the photograph. This is of the sculpture Woman skipping rope by Luciano Minguzzi located in the Isamu Noguchi designed sculpture garden at the Israel Museum Image size: 22 x 33 cm Paper size: 28 x 35.5 cm Susan Hacker (1949) is an American photographer and author. She developed and expanded the photography department at Webster University in St. Louis. Her work is in the possession of at least 25 major museums and libraries around the world. There are also many books and publications about her. Has always experimented with many photographic techniques. Hacker is recognized as an innovator of the modern photography art. Susan Hacker Stang (born Susan Hacker, October 19, 1949) is an American photographer, author, and educator. Stang served on the faculty of communications at Webster University in St. Louis from 1974 through 2015 and now holds the title Professor Emeritus. She helped found and build the respected photography program there, heading it for most of her tenure at the university. Her work has been collected by more than 25 major museums and libraries around the world and appears in half a dozen books and numerous magazines. Much of her photography involves the innovative use of alternative cameras, formats, techniques, and media, as evidenced by her two books Encountering Florence (featuring subtly surreal black and white prints of the Italian city using 8 x 10 Polaroid emulsion transfers) and Kodachrome – End of the Run: Photographs from the Final Batches (which chronicles a six-month university photography project in which students and staff would shoot more than 100 roles of rare Kodachrome film for processing on the last day of operations by the world's last remaining Kodachrome processing lab.) In 2016, she published a book of photographs, reAPPEARANCES, which is a sequence of fifty-two photographs made with a digital toy camera (the JOCO VX5). The volume purports to take the viewer on a visual journey through the uncanny coherence of the look of the world, according to Stang's introductory essay. Stang majored in photography at the Rhode Island School of Design, where she earned both a BFA (1971) and MFA (1974), and studied under photographers Harry Callahan and Aaron Siskind. In 1971 she moved to London where she worked as a photographer for the British fashion magazine NOVA (published 1965–1975). She joined the faculty of Webster University in St. Louis in 1974, where she helped found and build the photographic studies program in the School of Communications. In Jerusalem in 1979 she was Artist-In-Residence at the Bezalel Academy of Arts and Design. In recent years, in addition to her work as head of the Webster University photography program and professor of communications, she has taught summer photography workshops in Florence, Italy, both at the Santa Reparata International School of Art (SRISA) and The Darkroom. She taught at Webster for 41 years and earned the Kemper Award for Excellence in Teaching. Stang's photography characteristically employs alternative cameras (such as the Olympus Pen-FT half-frame camera, the Kodak Brownie, and the Holga), or alternative formats (such as Polaroid emulsion transfers) and techniques. Her book of Polaroid emulsion transfers, Encountering Florence was published simultaneously in the U.S. and in Italy (under the title Firenze un Incontro) in 2007. Stang's use of the emulsion transfer process involves transferring the fragile, fabric-like emulsion layer of the photograph (bearing the image) to another surface, subtly transforming the original image in a variety of ways. The results were described in Photo Review as giving Stang's portraits of Florence's buildings, streets, statuary, and gardens "a delicate, draping quality ... reminiscent of the fabrics draped on the ancient statues within the images". An Italian reviewer observed that the photographic process presents "a city not previously seen and perhaps a little disquieting". The book's bi-lingual text in English and Italian was selected and edited by Stang and by Andrea Burzi and Susanna Sarti, both of Florence, to present accompanying word-portraits from authors in their own encounters with the city. A portfolio of Stang's work for the book is held by the Rare Books Collection of the Biblioteca Nazionale Centrale Firenze. In 2010–11, Stang led the Webster University photography program in a six-month-long focus on the color reproduction qualities of Kodachrome film (long revered by professional and amateur photographer for its true, lush color rendition qualities) to mark the permanent discontinuing of the film's production by Kodak. The project ultimately turned into a book documenting the final demise of the medium, and the last day of Kodachrome production anywhere in the world (at Dwayne's Photo in Parsons, Kansas, on January 18, 2011). The last days of processing were covered by The New York Times, National Geographic, and network television. Edited by Stang and fellow photographer Bill Barrett, Kodachrome: End of the Run presents a selection of four-score Kodachrome images shot on more than 100 roles of the film by Webster University students, faculty, and staff over a five-month period and processed by Dwayne's in the final hours as the last processing chemicals ran out. The book includes essays by Stang, Time Magazine worldwide pictures editor Arnold Drapkin, and Dwayne's Photo vice president Grant...

New York Architect Robert Nichols 11/30/1959 Photographer is Fred McDarrah Over a 50-year span, McDarrah documented the rise of the Beat Generation, the city’s postmodern art movement, its off-off-Broadway actors, troubadours, politicians, agitators and social protests. Fred captured Jack Kerouac frolicking with women at a New Year’s bash in 1958, Andy Warhol adjusting a movie-camera lens in his silver-covered factory, and Bob Dylan offering a salute of recognition outside Sheridan Square near the Voice’s old office. Not just a social chronicler, McDarrah was a great photo-journalist. For years, McDarrah was the Voice's only photographer and, for decades, he ran the Voice’s photo department, where he helped train dozens of young photographers, including James Hamilton, Sylvia Plachy, Robin Holland and Marc Asnin. His mailbox was simply marked "McPhoto." An exhibit of McDarrah’s vintage photos of artists presented by the Steven Kasher Gallery in Chelsea was hailed by The New York Times as “a visual encyclopedia of the era’s cultural scene.” artists in their studios, (Alice Neel, Philip Guston, Stuart Davis, Robert Smithson, Jasper Johns, Franz Kline), actors (Dustin Hoffman, Robert De Niro on the set of “Taxi Driver”), musicians (Janis Joplin, Alice Cooper, Bob Dylan) and documentary images of early happenings and performances (Yayoi Kusama, Charlotte Moorman, Al Hansen, Jim Dine, Nam June Paik). The many images of Andy Warhol include the well-known one with his Brillo boxes at the Stable Gallery in 1964. Woody Allen, Diane Arbus, W. H. Auden, Francis Bacon, Joan Baez, Louise Bourgeois, David Bowie, Jimmy Breslin, William Burroughs, John Cage, Leo Castelli, Christo, Leonard Cohen, Merce Cunningham, William de Kooning, Jim Dine, Mark di Suvero, Marcel Duchamp, Bob Dylan, Federico Fellini, Allen Ginsberg, Robert Indiana, Mick Jagger, Jasper Johns, Kusama, John Lennon, Sol Lewitt, Roy Lichtenstein, Nam June Paik, Elvis Presley, Claes Oldenburg, Yoko Ono, Robert Rauschenberg, Lou Reed, James Rosenquist, Mark Rothko, Ed Ruscha, Robert Smithson, Susan Sontag, Andy Warhol, and others. McDarrah’s prints have been collected in depth by the J. Paul Getty Museum and the National Portrait Gallery, Washington. His work is in numerous public and private collections. Robert Nichols (1919–2010) worked as a landscape architect and was involved in a nonprofit construction project for the teenagers of New York's Lower East Side. He was active in the antiwar movement and in the antinuclear movement. Nichols left home at an early age, and some of his travel experiences are recounted in his first book of poems, Slow Newsreel of Man Riding Train (1962). Among his many other works are a four-part series of novels set in Nghsi-Altai, a fictional utopia, the short story collection In the Air (1991), and a number of plays, some of which have been performed by the New York Public Theatre, for the New City, and the Bread and Puppet Theatre. Robert Brayton Nichols (1919-October 14, 2010) was an American poet, novelist, playwright, and landscape architect. Nichols was born in Worcester, Massachusetts. He served as an officer in the United States Navy in World War II and graduated from Harvard University. His poetry includes the volumes Slow Newsreel of Man Riding Train (1962), number 15 in the City Lights Pocket Poets Series, and Red Shift (1977). His wrote the novels From the Steam Room...

Offered Is A Thought Provoking Retro Styled Circuit 1960’s Miami Beach Modern Day Black And White Richard Scudder Original. “Birds” Is Artistically Textured Grainy Large Forma...

Dinner Jazz (1949) - Silver Gelatin Fibre Print - Limited Estate Stamped (Photo by Slim Aarons/Getty Images) Premium Rates Apply. 1949: American Jazz trumpeter and singer Louis Arm...

We acquired a series of photographs from Rosemary Ellis's studio. To find more from this series scroll down to "More from this Seller" and below it click on "See all from this Seller...

Tatacoa II, 2017 by Miguel Winograd From the Series "Matas" Selenium- Toned Gelatin Silver Prints Sheet Size: 11 in H x 14 in W Image Size: 10 in H x 12.5 in W Edition of 7 + 2AP B...

Offered Is A Beautiful Richard Scudder Original In Black And White “Rainforest Mushroom” This Macro Photograph Was Created Deep In The Olympic National Forest By Richard At A Ext...

Offered Is A Beautiful Richard Scudder Original In Black And White “Monterey Cypress “ (Aka, Pebble Beach Cypress) Hand Printed In The Darkroom From A Large Format Film Negative...