Portrait Photography

C-print on Fuji Paper 7 + 3AP, 8 left "CAMOUFLAGED BEAUTY COLLECTION Van Zeijl's love for nature and metamorphosis is also identifiable in the rebellious way she reshapes the dresse...

NICK BRANDT (*1966, England) Lioness with Cub in Mouth, Amboseli 2012 Platinum print Sheet 71,12 x 88,9 cm (28 x 35 in.) Edition of 15, plus AP's; Ed. no. 2/15 print only Nick Brandt is a contemporary English photographer. His work focuses on the disappearing natural world. Since 2001, he has photographed the changing African continent and established a style of portrait photography of animals in the wild. – Photography, Documentary Photography, Animal, Africa, Wildlife, Nature, Lion Baby...

Soul Flower Evolution Collection 44.5 x 40.5 in 8 + 2 Artist Proofs, 10 left 62.2 x 56.7 in 3 + 2 Artist Proofs, 5 left C-print on Fuji Paper 2021 Cecilia studied Social Studies and Literature at Universidad Catolica del Peru, Drawing with Cristina Galvez, and Watercolors with Juan Pastorelli. She then worked with Leslie Lee, present Director of the Escuela de Bellas Artes del Peru, and Miguel Nieri...

"THE MOONSHOT COLLECTION Emerging from a long evolution stretching back nearly 50 million years comes the horse, a wild beauty, grazing peacefully on the plains, and then suddenly br...

Soil Flower Evolution Collection 44.5 x 40.5 in, 8 + 2 Artist Proofs, 10 left 62.2 x 56.7 in, 3 + 2 Artist Proofs, 5 left C-print on Fuji Paper 2021 Cecilia studied Social Studies and Literature at Universidad Catolica del Peru, Drawing with Cristina Galvez, and Watercolors with Juan Pastorelli. She then worked with Leslie Lee, present Director of the Escuela de Bellas Artes del Peru, and Miguel Nieri...

Rebirth C-print on Fuji Paper Collection: THE REBIRTH OF THE DUTCH FLOWER One size: 62.2 x 56.7 Edition of 8 + 2 Artist Proofs THE REBIRTH OF THE DUTCH FLOWER COLLECTION Isabelle va...

Revive C-print on Fuji Paper Collection: THE REBIRTH OF THE DUTCH FLOWER One size: 62.2 x 56.7 Edition of 8 + 2 Artist Proofs THE REBIRTH OF THE DUTCH FLOWER COLLECTION Isabelle van...

The Princess Kiss (The Princess and her Lover), 2009, Edition of 2/5, 100x98cm analog C-Print based, printed by the artist, on a Polaroid, not mounted, Signature label and Certi...

You have read about the extraordinary donut portraits by Candice CMC on social media world-wide and we are excited and proud to represent her work. I have included in this listing an image from some of the world-wide Social Media Buzz on Candice CMC and an image of her working in the studio. This large one of a kind photo arrangement titled "Large Cruella Donuts" by Candice CMC features a unique one of a kind donut created Approx. 60x48" image inspired by the 2021 Disney film "Cruella" staring Emma...

Large-scale photograph from the Equine Beauty series. The legendary and complex relationship between humans and horses is an enduring one. The horse’s distinctive blend of grace and...

In this series, Zilberberg creates animal montages as an expression of self-therapy, drawing attention to mindfulness and nature conservation. As an urbanite, functioning day-to-day ...

Bruno Bisang Haute Couture Karen Mulder with Gianfranco Ferré at Dior 16 x 20 inches 40 x 50 cm Edition of 7 23 x 31 inches 60 x 80 cm Edition of 5 3...

Divine Nude No.6 is a limited-edition photograph by French contemporary artist Ronald Martinez. This photograph is sold unframed as a print only. It ...

Slim Aarons Skiing at Sugarbush, 1960. C print estate edition of 150 Skiing at Sugarbush, a mountain resort in Vermont, April 1960. Estate stamped and hand numbered edition of 150...

Radha doing her Nails by the Pool (29 Palms, CA) - 1999 126x125cm, Edition of 5, analog C-Print, hand-printed by the artist, based on a Polaroid, Certificate and Signature label,...

Valerie Cates in Marbella, Spain, 1976 Estate stamped and hand numbered edition of 150 with certificate of authenticity from the estate. Slim Aarons (1916-2006) worked mainly for...

Alina • 2009 • Edition of 18 prints in 3 different sizes. All prints are numbered and signed. Printed on Hahnemühle Archival Paper. Three different sizes are available, the series ...

Edition 3 of 3, 2 APs Large Size: 36 x 26 inches STATEMENT: e2, a collaboration between New Orleans artists Elizabeth Kleinveld and Epaul Julien, re-imagines iconic images from the ...

Bert stern Marilyn looking at you in the Vogue dress The last sitting (1962) superb and large photo of Marilyn Monroe in Christian Dior's mythical black dress for Vogue magazine phot...

Ed Caaraeff Nico, 1967 Silver gelatin print 40 x 30 inches Singed and numbered edition of 50 Nico at the Monterey Pop Festival in Monterey, California, 18 June, 1967. ED CARAEFF is a name recognized by anybody who is anybody in the music industry. A photographer, illustrator and graphic designer, he has directed art for, photographed, and designed hundreds of record album covers from 1967 to 1982 for numerous artists, including The Stooges, Elton John, Steely Dan...

Braccio Nuovo, Musei Vaticani I, 2011 100X120, 120X150, 180X225 39.40x47.28 47.28x59.10 70.92x88.65 edition of 5 each The photographer is based in Florence, and is fascinated how...

This print forms part of Frank Herrmann's 2021 "Icons of the 1960's" publication of the best of his work from the decade that keeps on giving. Contact sheet Paper size 44 x 35” Ima...

a strip of negatives. The long roll of negatives was then cut into strips of six, usually with five or six frames on each strip. These strips were then laid carefully onto a sheet of...

Albert WATSON (*1942, Scotland) Christy Turlington, Luxor, Egypt, 1987 1987 Archival pigment print Image 142 x 107 cm (55 7/8 x 42 1/8 in.) Edition of 10 Print only Albert Watson...

James Dean Behind Fence in Giant 1955 by Frank Worth James Dean in thought seated behind a barbed wire fence for his role in the film 'Giant', 1955. James Byron Dean was an Ameri...

Large-scale photograph from the Equine Beauty series. The legendary and complex relationship between humans and horses is an enduring one. The horse’s distinctive blend of grace and...

James Dean At A Car Rally 1955 by Frank Worth paper size 40 x 60 inches / 101 x 152 cm Limited edition of 6 only in this size Archival pigment print unframed Certificate of authe...

Edition 15, framed Chromaluxe Michael Jackson doing his smooth criminal dance move. A man with x-ray vision, NICK VEASEY creates art that shows what it is really like inside. Nick...

Skiers (bottom) on a slope in St Moritz, Switzerland, March 1963. Slim Aarons Estate Edition, Certificate of Authenticity included Numbered and stamped by the Slim Aarons Estate Co...

Skiers on a slope in St Moritz, Switzerland, March 1978. Slim Aarons Estate Edition, Certificate of Authenticity included Numbered and stamped by the Slim Aarons Estate Collector w...

Edition of 3 Also available in 54 x 80 cm / 21 x 31.5 in, Edition of 7, price on request A beautiful naked woman with brown hair is lying in a very lascivious pose in a yellow bath tube...

Untitled (Beachshoot) - 2005 128x125cm, Edition 4/5. Analog C-Print, hand-Printed by the artist on Fuji Crystal Archive Paper, based on the Polaroid. Signature label and Certifi...

Meg O'Neill, a writer for Town and Country magazine, relaxing by the infinity pool at Colin Tennant's home on the West Indies island of Musti...

Meg O'Neill, a writer for Town and Country magazine, relaxing by the infinity pool at Colin Tennant's home on the West Indies island of Mustique, February 1989. Slim Aarons Estate E...

March 1973: Linda Ashland relaxes in a beach hammock on the island of Mustique in the Grenadines. Slim Aarons Estate Edition, Certificate of Authenticity included Numbered and stam...

"Wrapped Series Untitled #1B" Photography Edition 1/10 42x28 in by Robert Mack 2008 Photograph, archival exhibition paper Aluminum mount, UV mat protecti...

Palazzo Ajutamicristo a Palermo, 1998 C print Edition of 5 cm 100X120 120X150 180X225 inches 39.40x47.28 47.28x59.10 70.92x88.65 Massimo Listri is a Florence-based photographer w...

Large-scale photograph from the Equine Beauty series. The legendary and complex relationship between humans and horses is an enduring one. The horse’s distinctive blend of grace and...

"The Beatles" framed black and white photograph by Lynn Goldsmith. Image size: 14 x 18 1/2inches. This photograph was previously displayed in a guest room of the original Hard Rock Hotel and Casino in Las Vegas, Nevada, and comes with a certificate of authenticity and commemorative plaque to that effect. Lynn Goldsmith wrote about this image: "The Beatles were coming to Miami to the Deauville Hotel to perform live on the Ed Sullivan Show. It was February 13, 1964. I had turned 16 two days before. My stepfather was in the hotel business and arranged for me to be in the lobby for their arrival. Little did he know I thought the Beatles were too 'goodie-goodie.' I was a Rolling Stones fan. I didn’t want to disappoint him since he thought this would be momentous for me. Besides, I decided it might be worthwhile as I’d never seen the lobby carpet...

"Kate Moss Nr. 15" Photography 58 × 53 1/2 in Edition 1/1 by Kate Garner Signed on the back. High Quality Print on Hahnemuhle paper using archival ink with blue and pink tint, stre...

Swan Dive (1956) Silver Gelatin Fibre Print - Oversized (Photo by H. Armstrong Roberts/Alamy) 1st March 1956. A man swan diving from the high diving boar...

Laura Harring and Naomi Watts Mulholland Drive Signed Limited Edition Cannes, 2001 by Kevin Westenberg Signed Limited Edition Kevin Westenberg is famed for his creation of provoc...

Edition 10 Also available in 40 x 50 cm / 16 x 20 inch, Edition 25 Portrait of famous singer Iggy Pop in Painter's pants. From personality portraits and advertising campaigns to m...

Leandro Franco Diamonds are forever, 2020 48 x 40 inches 120 x 100 cm Archival Pigment Print Edition of 10 Framed Fashion Photography - Portrait...

"Marvin Gaye at the Recording Session for 'Let's Get It On'" black and white framed photograph hand signed by Jim Britt. This image is in the collection of the Smithsonian Portrait G...

African Pot III is a limited-edition photograph (Digital Print on Baryta Fine Art paper) by contemporary artist Tamary Kudita. This photograph is sold unf...

"Wrapped Series Untitled #25" Photography 1/10 34" x 23" inch by Robert Mack 2013 Photograph, archival exhibition paper Aluminum mount, UV mat protecti...

You have read about the extraordinary donut portraits by Candice CMC on social media world-wide and we are excited and proud to represent her work. I have included in this listing a...

The Rolling Stones "Mick Feeding Goat" - Outtake from the famous photo shoot of The Rolling Stones for their Beggars Banquet album at Sarum Chase mansion, Hampstead, London, 1968, si...

Raphael Macek Domino, 2020 Afresco series 60 x 40 inches Archival Pigment Print Edition of 10 Framed Large-scale photograph from the Equine Beauty series. The legendary and comple...

You have read about the extraordinary donut portraits by Candice CMC on social media world-wide and we are excited and proud to represent her work. I have included in this listing a...

Bert stern Looking at you The last sitting (1962) superb and large photo of Marilyn Monroe in the mythical black dress of Christian Dior photographic paper format 61 X91 cms image ...

David Bailey Rolling Stones [Avebury Hill], 1968 Archival Inkjet on paper Signed by the artist, on verso Image: 50.8 x 74.92 cm Sheet: 58.4 x 82.53 cm Edition of 10

"Jimi Hendrix" framed black and white photograph by Michael Putland of Jimi Hendrix at the July 6, 1968, Woburn Music Festival in England. Image size: 19 1/2 x 15 1/4 inches. This p...

In Kings Road (2022) Mona Kuhn lyrically reconsiders the realms of time and space within the midcentury architectural elements of the iconic Schindler House in Los Angeles. Built by Austrian architect Rudolph M. Schindler in 1922, the house was both a social and design experiment and an avant-garde hub for intellectuals and artists in the 1920s and ’30s. The body of works incorporates chromogenic color prints, reflecting vignettes and materials of the building's emotional architecture, juxtaposition with unique solarized gelatin silver prints capturing traces of an ethereal human presence. Brave (2022) Kings Road: A Rudolph Schindler House 30" x 40" / 76cm x 102cm /edition of 12 15" x 20" / 38cm x 56cm / edition of 12 limited edition solarization photograph printed by the artist + accompanied by signed artist certificate: artist signature label (8x10") signed/editioned/dated/titled by the artist + stamped for authenticity label is placed centered on verso of the mounted print __________________ About the artist Acclaimed for her contemporary depictions, Kuhn is considered a leading artist in the world of figurative discourse. Throughout a career spanning more than twenty years, the underlying theme of her work is her reflection on humanity’s longing for spiritual connection and solidarity. As she solidified her photographic style, Kuhn created a notable approach to the nude by developing friendships with her subjects, and employing a range of playful visual strategies that use natural light and minimalist settings to evoke a sublime sense of comfort between the human figure and its environment. Her work is natural, restful, and a reinterpretation of the nude in the canon of contemporary art. For the past two decades, the Los-Angeles based artist's works have been shown steadily, revealing an astonishing consistency in technique, of subject and of purpose. In 2001, Kuhn’s photographs were first seen by an influential audience during the exhibition at Charles Cowles Gallery in Chelsea, New York. Kuhn’s distinct aesthetic has propelled her as one of the most collectible contemporary art photographers—her work is in private and public collections worldwide and she is represented by galleries across the United States, Europe and Asia. Kuhn was born in São Paulo, Brazil, in 1969, of German descent. In 1989, Kuhn moved to the US and earned her BA from The Ohio State University, before furthering her studies at the San Francisco Art Institute. She is currently an independent scholar at The Getty Research Institute in Los Angeles. Occasionally, Mona teaches at UCLA and the Art Center College of Design in Pasadena. Kuhn’s first monograph, Photographs, was debuted by Steidl in 2004; followed by Evidence (2007), Native (2010), Bordeaux Series (2011), Private (2014), and She Disappeared into Complete Silence (2018/19). In addition, Stanley/Barker Editions published Kuhn's Bushes & Succulents in 2018. In 2021, Thames & Hudson published a career retrospective titled Works. Kuhn's most recent publication Kings Road (2022) with Steidl accompanies a multi-dimensional museum traveling exhibition shown in Europe and the US. Mona Kuhn’s work is in private and public collections worldwide, including The J. Paul Getty Museum, Los Angeles County Museum of Art, The Hammer Museum, Perez Art Museum Miami, Museum of Fine Arts, Houston, and the Kiyosato Museum in Japan. Kuhn's work has been exhibited at The Louvre Museum and Le Bal in Paris; The Whitechapel Gallery and Royal Academy of Arts in London; Musée de l’Elysée in Switzerland; Leopold Museum in Vienna Austria, The Polygon Gallery in Vancouver Canada, Taipei Fine Arts Museum in Taiwan and Australian Centre for Photography. Mona Kuhn lives and works in Los Angeles. __________________ Solo Exhibitions 2025 Mona Kuhn: Y Tu Desnudo será Un Gran Poema, Museum of Contemporary Art, Malaga, Spain Mona Kuhn: Kings Road, Lianzhou Museum of Photography, China 2024 Mona Kuhn: The Schindler House, A Love Affair, Galerie XII...

Moench Portrait Color Photography on Dibond with Perspex Front UV Resistant Billy und Hells are two photographers: Anke Linz (Nürnberg, 1965) and Andreas Oettinger (Munich, 1963). ...

"Women of the IDF" Large Exhibition color Photograph 30 x 40 inches, mounted on masonite and laminated. Edition of 4 + 2 artists proof. minor dings and bumps to edges Born in Tehran, Iran, Ashkan Sahihi moved with his family to West Germany at the age of seven. Although he began taking photographs as a teenager, Sahihi traces the beginning of his professional trajectory to New York in 1987, a thriving “pop culture metropolis” where he could do the kind of photography work that he wanted to do, exploring the underbelly of the society around him. Taking assignments from German publications such as the Süddeutsche Zeitung Magazine, Der Spiegel, Dummy and GEO, he photographed subjects like prisoners on death row, players in the hip-hop scene, and the downtown art scene of New York. Neither black nor white, an insider among outsiders, he found himself able to navigate spaces and dynamics that others might have had difficulty entering. He considered this both a privilege and an obligation – to visit these places and tell these stories. His success led to commissions from American publications as well, including the New York Times Magazine, the New Yorker, Rolling Stone, and Vogue. Put off by the limitations of photojournalism (the expectation that he would illustrate the writer’s perspective rather than author a narrative of his own), Sahihi began to embark on independent, highly compact conceptual series. His main goal in these series has been to drive forward public discourse on topics he believes have not provoked enough or the right kind of discussion: drugs, gender in the media, women in the military, etc. His portraits draw on a familiar visual language – often seated subjects before a neutral backdrop – but push the viewer to feel and think about entirely new things. Although he constantly challenges the comfort level of both the viewer and the subject, Sahihi never removes himself from the line of fire; all of his work requires the artist to immerse himself in uncomfortable situations and challenge his own emotional fortitude. Photographic Series In the “Face Series”, latex-gloved hands manipulate the subjects’ features, stretching, pushing, squeezing, pinching at the whim of external direction – from the artist? The customer? The public? The “Hypnosis Series” comprises 8 portraits of hypnotized subjects each experiencing a single emotion, e.g. helplessness, withholding/anger, or regret. In a society that rewards the suppression of such naked emotion, the purity of these depictions is arresting. In 2006, Sahihi photographed himself in the homes and with the families of six ex-girlfriends and one ex-wife, imposing himself more or less awkwardly on the constellations that emerged after he had exited their lives (“Exes Series”). For Sahihi’s most well-known work, the “Drug Series,” he convinced 11 non–drug users to consume a particular drug, then took their portraits over the course of their trips. The series was born out of Sahihi’s frustration with the hypocrisy of the political conversation about drugs in the United States. “By attempting to present an objective image of drug use, the artist addresses the cultural politics that allow our society to simultaneously glamorize the ‘drug look’ in fashion magazines and the entertainment industry and meanwhile turn a blind eye to the complicated, and vast, problem of drug abuse.” Sahihi has exhibited this series at MoMA PS1 New York in 2001, in Dresden in 2008, and alongside his installation “100 Million in Ready Cash." Sahihi’s dense explorations through small photographic series include “Women of the IDF," portraits of female Israeli soldiers...

"Wrapped Series Untitled #4" Photography 38x28in Edition 1/10 by Robert Mack 2013 Photograph, archival exhibition paper Aluminum mount, UV mat protection 38” x 28” inches 97 x 72 ...