Prints and Multiples

Alexander Calder 'La Grenouille et Cie' Vintage original 1971 poster for the exhibition Pace Columbus (Ohio) featuring a printed Calder signature. Medium: Offset lithograph Dimensions: 25 x 32 inches An original 1st printing in very good vintage condition. Plate signed on the lower right from an edition of unknown. This is an original 1970s poster and not a recent reproduction of any kind. Related Categories Calder prints. Calder Mid Century Modern. 60s. Alexander Calder and Contemporary Art. Calder figurative. Vintage Calder.

The Kingdom 02, by Angelica Tcherassi From the series "Making Sense" Photo Rag Hannemuhle 308grs Sheet size 39.3 H x 27.5 W inches. Image size 33 H x 22.8 W inches. Edition of 22 Un...

Original movie poster: Barbra Streisand and James Caan in Funny Lady. Linen backed one sheet. Orginal theater issue fold marks were touched up during linen backing allowing thi...

Keith Haring New Music Distribution Service 1986: 1980s music distribution catalog featuring original cover art by Keith Haring. Features Haring pri...

Original “Gulflex Lubrication for your car” vintage poster. Linen backed in very fine condition, ready to frame. No tears, no folds, no paper loss. This series of posters for Gulf Oil and Gulflex were designed to be displayed for 2 weeks and then removed. This series of posters for Gulflex Lubrication has a different image at the top. This is one of the most interesting designs with the woman grooming her cocker spaniel and reads “Best Care Pays”. Looking for an original vintage poster to add to your collection? We have a wide selection of original vintage posters for sale, including this striking Gultlex lubrication poster from the mid-20th century. These posters were once used for promoting everything from movies and advertisers to political campaigns...

Subject : Ancient Greek vase-painting from depicting a woman and a bust of Athena from a white glazed lekythos, now in the British Museum. Technique : Copper-line engraving with ori...

Original vintage poster - South Wales Docks For Quick Despatch - featuring a busy scene at the docks with cranes hauling crates and boxes from a ship named the Cymric Enterprise moored alongside, dock workers...

Composition is an original lithograph realized by Antoni Tapies for the Art Magazine "Derrière Le Mioir" no.175 in 1968. Printed by Ateliers de Maeght, Paris, 1968. Good conditions...

1964 Lithograph in black ink 23 ¼ x 16 ½ in. (59 x 42 cm), unframed From the open edition as issued (Published by the Albertina Museum, Vienna, Austria) Available for local pick up...

TECHNICAL INFORMATION: Julian Stanczak Emerging Orange 1970 Screenprint 28 3/4 x 28 3/4 in. Edition of 165 Pencil signed and numbered Accompanied with COA by Gregg Shienbaum Fine Art

Lithograph, 1984 Handsigned by the artist in pencil and numbered 39/90

"Look at me deeply, can you the ocean?" Serena is a mermaid, adorned with pearls and stars, she guards the blue ocean in her eyes. Illustration on paper (giclée print) realized by the Italian artist Sara Franzese...

Carborundum etching on paper Published by the Metropolitan Museum of Art Exhibition History: 'Graphics Drawings and Small Works', Bernard Jacobson Gallery...

This is from a limited edition portfolio of original lithographs print Fernand Mourlot in Paris in 1958 from work done in collaboration with Bonnard which began in 1928. This is from the rare first edition, No. VII of 20 unbound sets, specially printed for Hans P. Kraus, with Henry de Montherlant inscription to him signed and dated March 3, 1960 These are not individually hand signed or numbered. On BFK Rives French velin art paper Pierre Bonnard (1867 – 1947) was a French painter, illustrator and printmaker, known especially for the stylized decorative qualities of his paintings and his bold use of color. A founding member of the Post-Impressionist group of avant-garde painters Les Nabis, (the Naive artists) his early work was strongly influenced by the work of Paul Gauguin, as well as the prints of Hokusai and other Japanese artists. Bonnard was a leading figure in the transition from Impressionism to Modernism. He painted landscapes, urban scenes, portraits and intimate domestic scenes, where the backgrounds, colors and painting style usually took precedence over the subject. Pierre Bonnard was born in Fontenay-aux-Roses, Hauts-de-Seine on 3 October 1867. His mother, Élisabeth Metzdorff, was from Alsace. His father, Eugène Bonnard, was from the Dauphiné, and was a senior official in the French Ministry of War. He had a brother, Charles, and a sister, Andrée, who in 1890 married the composer Claude Terrasse. He received his education in the Lycée Louis-le-Grand and Lycée Charlemagne in Vanves. He showed a talent for drawing and water colors, as well as caricatures. He painted frequently in the gardens of his parent's country home at Grand-Lemps near the Cote Saint-André in the Dauphiné. He also showed a strong interest in literature. He received his baccalaureate in the classics, and, to satisfy his father, between 1886 and 1887 earned his license in law, and began practicing as a lawyer beginning in 1888. While he was studying law, he also attended art classes at the Académie Julian in Paris. At the Académie Julien he met his future friends and fellow artists, Paul Sérusier, Maurice Denis, Gabriel Ibels and Paul Ranson. In 1888 Bonnard was accepted by the École des Beaux-Arts, where he met Édouard Vuillard and Ker Xavier Roussel. He also sold his first commercial work of art, a design for poster for France-Champagne, which helped him convince his family that he could make a living as an artist. He set up his first studio at on rue Lechapelais and began his career as an artist. From 1893 until her death, Bonnard lived with Marthe de Méligny (1869–1942), and she was the model for many of his paintings, including many nude works. Her birth name was Maria Boursin, but she had changed it before she met Bonnard. They married in 1925. In the years before their marriage, Bonnard had love affairs with two other women, who also served as models for some of his paintings, Renée Monchaty (the partner of the American painter Harry Lachmann) and Lucienne Dupuy de Frenelle, the wife of a doctor; it has been suggested that Bonnard may have been the father of Lucienne's second son. Renée Monchaty committed suicide shortly after Bonnard and de Méligny married. In 1891 he met Toulouse-Lautrec and in December 1891 showed his work at the annual exhibition of the Société des Artistes Indépendants. In the same year Bonnard also began an association with La Revue Blanche, for which he and Edouard Vuillard designed frontispiece In March 1891, his work was displayed with the work of the other Nabis at the Le Barc de Boutteville. The style of Japanese graphic arts became an important influence on Bonnard. In 1893 a major exposition of works of Utamaro and Hiroshige was held at the Durand-Rouel Gallery, and the Japanese influence, particularly the use of multiple points of view, and the use of bold geometric patterns in clothing, such as checkered blouses, began to appear in his work. Because of his passion for Japanese art, his nickname among the Nabis became Le Nabi le trés japonard. He devoted an increasing amount of attention to decorative art, designing furniture, fabrics, fans and other objects. He continued to design posters for France-Champagne, which gained him an audience outside the art world. In 1892 he began to produce lithographs, and painted two of his early notable works, Le Corsage a carreaux and La Partie de croquet. He also made a series of illustrations for the music books of his brother-in-law, Claude Terrasse. In 1895 he became an early participant of the movement of Art Nouveau, designing a stained glass window, called Maternity, for Tiffany. In 1895 he had his first individual exposition of paintings, posters and lithographs at the Durand-Ruel Gallery. He also illustrated a novel, Marie, by Peter Nansen, published in series by in La Revue Blanche. The following year he participated in a group exposition of Nabis at the Ambroise Vollard Gallery. In 1899, he took part in another major exposition of works of the Nabis. Throughout the early 20th century, as artistic styles appeared and disappeared with almost dizzying speed, Bonnard kept refining and revising his personal style, and exploring new subjects and media, but keeping the distinct characteristics of his work. Working in his studio at 65 rue de Douai in Paris, he presented paintings at the Salon des Independents in 1900, and also made 109 lithographs for Parallèment, a book of poems by Verlaine. He also took part in an exhibition with the other Nabis at the Bernheim Jeune gallery. He presented nine paintings at the Salon des Independents in 1901. In 1905 he produced a series of nudes and of portraits, and in 1906 had a personal exposition at the Bernheim-Jeune Gallery. In 1908 he illustrated a book of poetry by Octave Mirbeau, and made his first long stay in the South of France, at the home of the painter Manguin in Saint-Tropez. in 1909, and in 1911 began a series of decorative panels, called Méditerranée, for the Russian art patron Ivan Morozov. During the years of the First World War, Bonnard concentrated on nudes and portraits, and in 1916 completed a series of large compositions, including La Pastorale, Méditterranée, La Paradis Terreste and Paysage de Ville. His reputation in the French art establishment was secure; in 1918 he was selected, along with Renoir, as an honorary President of the Association of Young French Artists. In the 1920s, he produced illustrations for a book by Andre Gide (1924) and another by Claude Anet (1923). He showed works at the Autumn Salon in 1923, and in 1924 was honored with a retrospective of sixty-eight of his works at the Galerie Druet. In 1925 he purchased a villa in Cannes. In 1938 his works and Vuillard were featured at an exposition at the Art Institute of Chicago. The outbreak of World War II in September 1939, forced Bonnard to depart Paris for the south of France, where he remained until the end of the war. Under the German occupation, he refused to paint an official portrait of the French collaborationist leader, Marechal Petain, but accepted a commission to paint a religious painting of Saint Francis de Sales, with the face of his friend Vuillard, who had died two years earlier. He finished his last painting, The Almond Tree in Blossom, a week before his death in his cottage on La Route de Serra Capoue near Le Cannet, on the French Riviera, in 1947. The Museum of Modern Art in New York City organized a posthumous retrospective of Bonnard's work in 1948, although originally it was meant to be a celebration of the artist's 80th birthday. Bonnard particularly used the model of Japanese art in a series...

Decorative Motifs - Etruscan Styles is a print on ivory-colored paper realized by Andrea Alessio in the early 20th Century. Signed on the plate on the lower. Vintage Chromolithogr...

Sergio Hernández (Mexico, 1957) 'Untitled', 2016 woodcut on paper 46.9 x 82.7 in. (119 x 210 cm.) Edition of 30 Unframed

Decorative Motifs - Greek-Italic Styles is a print on ivory-colored paper realized by Andrea Alessio in the early 20th Century. Signed on the plate on the lower. Vintage Chromolith...

This artwork titled "Intrepid Caribou" 2002 is an original color stone cut on Japan paper by noted Canadian/Inuit artist Kananginak Pootoogook, 1935-2010. It is hand signed, dated, titled, located, described and numbered 22/50 in pencil by the artist. The image size is 18.5 x 12.5 inches, sheet size is 23 x 16 inches, framed size is 24.85 x 29.65 inches. Custom framed in a black metal frame, with black matting. It is in excellent condition. About the artist: Kananginak Pootoogook was an Inuit sculptor and printmaker who lived in Cape Dorset, Nunavut, in Canada. He died as a result of complications related to surgery for lung cancer. Pootoogook was born at a traditional Inuit camp called Ikerasak, near Cape Dorset, Nunavut (then in the Northwest Territories) to Josephie Pootoogook, leader of the camp, and Sarah Ningeokuluk. The family lived a traditional lifestyle hunting and trapping while living in an iglu in the winter and a sod house in the summer and did not move into their first southern style house until 1942. In 1957 Pootoogook married Shooyoo, moved to Cape Dorset and began work for James Houston. Originally, Pootoogook did some carving, made prints and lithographs for other artists. At the same time he was a leader in setting up the West Baffin Eskimo Co-operative, the first Inuit owned co-op, now part of the Arctic Co-operatives Limited and served from 1959 until 1964 as the president. Although Kananginak had worked with his father, Josephie, in 1959, it was not until the 1970s that Kananginak began work as a full-time artist producing drawings, carvings and prints. According to Terry Ryan, former Co-op manager, Pootoogook was both influenced by and an admirer of the works of his uncle, photographer and historian Peter Pitseolak. The World Wildlife Commission released a limited edition set in 1977 that included four of Pootoogook's images and in 1980 he was elected to the Royal Canadian Academy of Arts. In 1997 Pootoogook built a 6 ft (1.8 m) inukshuk in Cape Dorset for former Governor General of Canada, Roméo LeBlanc. The inukshuk was dismantled and shipped to Ottawa and with the assistance of his son, Johnny, it was rebuilt at Rideau Hall and unveiled on 21 June, National Aboriginal Day. Pootoogook had several exhibitions and showings of his work. In 2010, he went to Vancouver for the 2010 Winter Olympics and to open a showing of his work at the Marion Scott Gallery. He also had a showing of his work, his first solo exhibition at a public institution, at the Museum of Inuit Art in Toronto from February to May 2010. He also received a 2010 National Aboriginal Achievement Award in the arts category from the National Aboriginal Achievement Foundation. While working on his final, and unfinished, drawing of a Peterhead owned by his father, he was struck by coughing spells, which he declared was cancer. Along with his wife, Shooyoo, he flew to Ottawa, staying at the Larga Baffin home, and was diagnosed with lung cancer. In October 2010, he underwent surgery and did not recover. He died 23 November 2010 in Ottawa. The work of Kananginak Pootoogook is held in numerous collections and museums, includingThe McCord Museum, the Dallas Museum of Art, Musee National des Baux Arts...

Artist's Proof. Hand signed. Very good conditions.

Colorado-based artist Zoa Ace creates oil-on-canvas paintings, watercolors, and collage work. She employs a mix of pop culture, animals, and nostalgic imagery in her scenes, often carnival-like or theatrical. As a child growing up in Illinois, Ace loved to draw, and her favorite subject in school was Art. In the 1970s, Ace discovered Chicago’s Hairy Who artists represented by the Phyllis Kind Gallery. She viewed the recently uncovered murals of Henry Darger...

Original “The Greatest Show on Earth” vintage US 1 sheet movie poster. Cecil B DeMille’s 1951 movie. Archival linen backed in very good condition, ready to frame. Original theater-issued fold marks restored during linen backing. Over 70 years old, 1st printing. Welcome to the circus. The Greatest Show on Earth starring Betty Hutton, Cornel Wilde, Charlton Heston, James Stewart (Jimmy Stewart...

Original vintage Soviet propaganda poster featuring a dark shaded image on the left representing the West and Capitalism of a man out of work dwarfed by high rise buildings with the words Bank at the top, and a brighter image on the other side showing a young man in a worker apron displaying a hammer and sickle symbol it, holding a newspaper of the Constitution of the CCCP / USSR in front of an agricultural and industrial background depicting farms and wheat, a water dam, industrial cranes...

I Got Your Back 02, by Angelica Tcherassi From the series "Making Sense" Photo Rag Hannemuhle 308grs Sheet size 59 H x 47.2 W inches. Image size 5...

Alphonse Mucha (Czech, 1860–1939) Lily from The flowers  Les Lys : Les fleurs Original Poster,  1898  Image size: 102.2×41.6 cm Sheet size: 105.7×45.7 cm Framed Condition: laid down...

After The Duel is an etching realized by Pierre Georges Jeanniot in 1920. Good condition on a yellowed cardboard. Signed lower right.

KAWS Black Holiday Companion (KAWS Mount Fuji Japan): This sold out figurine features KAWS' signature character COMPANION in a resting position. This figurine was published by All Rights Reserved to commemorate the debut of KAWS’ 40-meters-long figure placed amidst the quaint backdrop of Mount Fuji; set up at Fujinomiya’s Camping Ground in Shizuoka. A classic KAWS Companion with a relaxing feel. New in a exclusive hard-shell KAWS designed packaging. Medium: Vinyl figure. Year: 2019. Dimensions: 9.4 inches. Unopened; excellent condition; never displayed. From a sold out edition of unknown. Acquired directly from publisher. Will look fantastic displayed as a shelf piece or hung in its original packaging. KAWS is a multi-faceted artist straddling the worlds of art and design in his prolific body of work that ranges from paintings, murals, and large-scale sculptures to product design and toy-making. His iconic “XX” signature has its roots in the beginning of his career as a street artist in the 1990s, when he began altering found advertisements by incorporating his own masterful paintings. Evoking the sensibilities of Pop artists like Andy Warhol and Claes Oldenburg, KAWS possesses a sophisticated humor and thoughtful interplay with consumer products and collaborations with global brands. He often draws inspiration and appropriates from popular culture animations to form a unique artistic vocabulary and influential cast of hybrid cartoon and human characters. Related Categories Keith Haring. Pop Art. Kaws sculpture. Kaws Passing Through. Kaws Resting...

Artist: Dan May (American, 1955-) Title: "Dancing (Orange and Blue)" *Signed by May in pencil lower left Year: 1978 Medium: Original Monoprint on unbra...

Original antique advertising poster for Neuberit moth and insect repellent featuring great artwork depicting a chameleon catching a bug with its tongue above the stylised text box - ...

Original antique Polish railway travel poster for Warsaw - Warszawa Chemins de Fer de l'Etat Polonais - featuring a stunning view by the Polish born artist Juliusz Stefan Norblin de ...

In this series Alice explores the graphic qualities of cakes and the romance of cake shops using a combination of printmaking techniques. Working with layered silkscreens, stencillin...

Aquatint in colours by Zao Wou-Ki No Title Sheet 2 from "Canto Pisan" (portfolio with poems by Ezra Pound), 1972 50,5 x 33 cm Copy 52/150 Edition of 254 ...

"Fluidity Nr 12" 40x30inch Original photography Edition of 10 by Lika Brutyan "Fluidity Nr 12" 40" x 30" inch Original photography by Lika Brutyan from the ""Fluidity" series Lim...

Original vintage London Underground poster - The Royal Academy of Arts nearest stations Green Park, Piccadilly Circus - featuring an abstract design of a painter holding an artist paint palette and painting the face of a lady sitting on a bench with lips and London Underground roundels on paint tubes on the floor, on the gallery walls as artwork and on his palette. Royal Academy by Anthony Green...

Very nice political poster of the month of solidarity with Korea June 25 - July 27. These two dates mark the beginning and the end of the Korean War (1950-1...

Limited Edition Serigraph published by Marco Fine Arts Contemporary Atelier and released as part of the large portfolio and book entitled ""The American Dream"". The fourth in the ""American Dream"" series, Indiana sought to convey a sense of danger...

Artist: Fernand Léger Medium: Lithograph, 1959 Dimensions: 26 x 20 in, 66 x 50.8 cm Arches Paper - Good Condition A This lithograph by Fernand Leger is from the portfolio entitl...

Color monotype. The ‘okina is the Hawaiian representation of the glottal stop. It is a separation of doubles. The monotypes in the ‘Okina series are doubles; the prints are divided...

Bullfighter is an Original Hand-watercolored lithograph on cream-colored paper realized by Mino Maccari in the 1950s. Good conditions. Mino Maccari (1898-1989) was an Italian write...

Reduction Method Screen Printing, or “old-school,” means using methods from the early 1900s, before photographic stencils were invented, when every part of the process was done by ha...

A unique hand-painted lithograph of a colorful Bouquet of Flowers by Wayne Ensrud, American (1934). Quiet Sunday (Yellow) Wayne Ensrud, American (1934) Date: 1980 Hand-Painted Lithog...

Original vintage advertising poster for Panther Motor Cycles Powered for Mastery Phelon & Moore Ltd Cleckheaton and London. Great image of a jaguar baring its teeth against a dynamic yellow and white background, the title in bold black and deep red lettering diagonally above and rest of the text below. Based in Yorkshire north England...

Milton Glaser Temple University Music Festival, 1975: Vintage original 1970s Milton Glaser poster designed by Milton Glaser on the occasion of the T...

Mitch McGee, Don't Try So Hard, Limited Edition Pop Art Print, Silkscreen, Edition of 40. Image is 20" round, paper size 24x24. Each signed and numbered. It is unframed. The influences for McGee's own artwork came from the style of Pop Art legend, Roy Lichtenstein. According to McGee, "Lichtenstein with a Red Bow was the first piece that started me down this rabbit hole. Roy Lichtenstein took comic strips and repositioned them as lithography. In an almost tongue-in-cheek fashion I wondered how I could take one of his pieces and recreate it in another medium. The easy answer for me was wood. I grew up working with it and, combined with my graphic design background, it left me with a new medium and expression that I think really works." From that start, Houston artist, McGee began to create his own style and establish his unique voice. Today, his creativity exists in that space between painting and sculpture. In his Birch series, McGee uses pieces of wood, each illustrated, hand cut and stained or painted to create dimensional pieces. Each painting is filled with thick layers and subtle shadows. There is a warmth created by the imperfection of the birch and its grain that creates an emotional connection. Each painting is a labor of love, taking 40 to 50 hours or more to complete. McGee has created original works inspired by Superhero comics, Sports icons, as well as romantic moments using thick lines and bold colors to bring these scenes to life in his own way. Each artwork is filled with humor, irony, compassion or seduction. His artwork has been exhibited throughout Texas since 2001 and in New York with Elisa Contemporary Art...

Original large format still life photograph from Linda Rosewall's series "Flora Italiana", an intensely beautiful body of works exploring the botanical splendor of Italian flowers with highly detailed captures Flora Italiana ( Papavero Arancio Piene ) bright orange poppy flower petals 40 x 30 inches (102 x 76cm) signed edition of 25 64 x 48 inches (162 x 122cm) signed edition of 7 archival fine art pigment print signed & numbered by artist on label custom/larger sizes are available on request ___________________ About the artist Linda Rosewall’s artistic path was cemented during her childhood. She was inspired by her farther, an accomplished musician and composer who raised his six children as a performing family act. The experience of traveling the United States and Canada in a small airplane piloted by her father provided the opportunity for Linda to capture these moments on her small Kodak Instamatic Camera. At the age of 18, she enrolled at Columbia College of Fine Arts Chicago. During her studies, Linda apprenticed under photographer Norman Bilisko and later worked with Dennis Manarchy...

In this series Alice explores the graphic qualities of cakes and the romance of cake shops using a combination of printmaking techniques. Working with layered silkscreens, stencillin...

Tom White is a New Zealand-based artist investigating artificial intelligence and machine perception. White's artwork examines the Algorithmic Gaze: how machines see, know, and artic...

Original vintage propaganda poster to encourage savings - Economy / Your job in the Battle of the Atlantic / Waste in peace time costs money Waste in war costs lives Economy can save both - featuring a dynamic design by the notable British graphic designer Abram Games (Abraham Gamse; 1914-1996) depicting a black and white arrow pointing down with the word Economy on a sea water illustration background at the top and a submarine shape diving down with the Battle of Atlantic text across it, a periscope view in the centre showing a ship being sunk with flames and smoke against a blue and white background, the rest of the text on a stylised banner below. The Battle of the Atlantic between German Nazi U-Boats and Kriegsmarine ships against the Allied navy and merchant shipping forces including the Royal Navy, Royal Canadian Navy...

Original vintage travel poster for Denver Southern Airways (1944-1979) featuring a colourful diagonal design depicting illustrations of a person skiing and a rodeo bucking bronco cowboy on a horse in front of mountains in the distance and a blue and white star shaped Columbine flower with a Rocky Mountain bighorn sheep...

Reduction Method Screen Printing, or “old-school,” means using methods from the early 1900s, before photographic stencils were invented, when every part of the process was done by ha...

Original vintage Soviet food propaganda poster - Accept the Harvest! / Принимайте урожай! - featuring a smiling lady showing the viewer a large basket full of fruit and vegetables in...

PASSING CROWD is an original hand drawn lithograph by the NY figurative expressionist painter, Lester Johnson. Printed using hand lithography techniques on archival ARCHES paper 100% acid free, full bleed image, no margins. In PASSING CROWD, a group of fashionable city women and men walking...

2000 Tony Awards Poster Signed by Celebrity Presenters Autographed Broadway Offered is the 2000 Tony Awards poster signed by the presenters, including: Matthew Broderick, Kristen Chenoweth, Kelsey Grammer, Jane Krakowski, Bernadette Peters, Ann Reinking...

Artist: Alexander Calder Medium: Lithograph Title: Cover Portfolio: Derriere le Miroir #201 Year: 1973 Edition: Unnumbered Framed Size: 21 3/4" x 17 3/4" Sheet Size: 15" x 11" Signe...

Edition of 25 44.5 x 44.5 cms (17 1/2 x 17 1/2 ins)

Original antique advertising poster for Beeston tyres The King of the Road / Pneu Beeston le Roi de la Route featuring artwork by Alfred Choubrac (1853-1902) showing a lady in fashio...

Original vintage Soviet propaganda poster - Socialist industry has become the only form of industry in the USSR - featuring black and white photos of workers in industrial factories ...

Jean-Michel Basquiat France 1992: Original Exhibition Catalog, for Jean-Michel Basquiat – A Retrospective; Musée Cantini, Marseille, France, 1992. Illustrated cover with flaps, 192 ...

Original vintage London Underground poster - Monument nearest station Monument - featuring an abstract view of the historic 17th century Monument column designed by Sir Christopher Wren...