Prints and Multiples

Silkscreen Edition of 100 Signed and numbered on the front Mint, as issued Sold in the original KaiKai KiKi packaging

Original vintage travel poster - Fly BEA to the Sun Gibraltar Malta Tangier Tripoli Majorca Portugal Italy Spain French Riviera - featuring a colourful graphic design by the notable poster artist, mosaicist and illustrator Hans Unger...

Reclining Woman is a beautiful and original lithograph from the portfolio "Erotica" by Egon Schiele. It is a reproduction of the homonym charcoal drawing realized by the Austrian ma...

Original vintage World War Two poster by the notable British cartoonist and illustrator Fougasse (Cyril Kenneth Bird; 1887-1965), from the popular iconic Careless Talk...

**ANNUAL SUPER SALE UNTIL APRIL 15TH ONLY** *This Price Won't Be Repeated Again This Year - Take Advantage Of It* Simply put, "OREO HAPPY HOUR...

A colorful OP Art silkscreen by Poland-born American OP Artist, Julian Stanczak. Artist: Julian Stanczak, American (1928 - 2017) Title: Yellow Filtration Year: 1981 Medium: Screen...

ABOUT THIS PIECE: Colour, form, space and time are the main elements in the work of Johan Van Oeckel. In search for new compositions he always starts ...

In a symphony of colour and form, Alice Teichert created more than 40 black ink and acrylic drawings on mylar which she transferred to silk screens. ‘The Text is Still Unwritten’ is ...

I See I don't See it is an Linocut Print realized by Mino Maccari in 1951. Very Good condition. No Signature. Mino Maccari (1898-1989) was an Italian writer, painter, engraver and...

Miguel Castro Leñero (Mexico, 1956) 'Fuera del Radar II', 2020 engraving on paper Intaglio 300 g. 63.6 x 39 in. (161.5 x 99 cm.) Edition of 30 Unframed ID: CAM-105 Hand-signed by author

The Drugs Don’t Work By BATIK Archival pigment pop art print of the 1960s supermodel Twiggy signed & limited edition. BATIK is a London based fine artist and image maker. Produce...

Harold Cohen Richard I, 1967 Screenprint, edition of 40 27 x 30 1/2 inches

Original G.M.E. Sanitaire vintage French poster. Linen backed in very good condition and ready to frame. GME Sanitaire c'est la Cuisine is a French vintage poster that has been linen backed for preservation. The poster advertises the GME tile and cladding company, which specializes in kitchen tiles...

Hand signed rf Lichtenstein and dated '81 in pencil lower right margin. Blindstamp lower left Washington University Printmaking Workshop chop. N...

Original poster realized by A. Clenisson to promote the national bread week. Indeed, as every year in mid-May, France celebrates its baguette, known all over the world by highlightin...

Artist: (after) Karl Schmidt-Rottluff (German, 1884-1976) Title: "Kunsthandel Wolfgang Werner KG (Nudes)" Year: 1984 Medium: Original Offset-Lithograph, Exhibition Poster on yellow wove paper Limited edition: Unknown Printer: Unknown Publisher: Kunsthandel Wolfgang Werner KG, Bremen, Germany Framing: Recently framed in a contemporary black moulding with frame space Framed size: 29.25" x 19.5" Sheet size: 27.25" x 17.75" Image size: 9.5" x 12" Condition: In excellent condition Extremely rare Notes: Poster produced for a special posthumous exhibition of Rottluff's early watercolors and printmaking "Schmidt Rottluff" at Kunsthandel Wolfgang Werner KG, Bremen, Germany from March 8 - May 12, 1984, in tribute to the artist's, would have been, 100th birthday. GIA Gallery Poster Disclaimer: Not to be confused with thousands of contemporary inkjet/giclée/digital reproductions ignorantly or deliberately passed off as originals on the market today. The examples we offer here are the original period vintage (exhibition) posters, created and designed by, or under the supervision and authorization of the artist or their respective estate (posthumously), for various exhibitions and events in which they participated. If applicable, this poster is also fully documented within its respective artists' official catalogue raisonné of authentic graphic works, prints, and or posters. Biography: Karl Schmidt-Rottluff (born December 1, 1884, Rottluff, near Chemnitz, Germany—died August 9, 1976, West Berlin [now Berlin]), German painter and printmaker who was noted for his Expressionist landscapes and nudes. In 1905 Schmidt-Rottluff began to study architecture in Dresden, Germany, where he and his friend Erich Heckel met Ernst Ludwig Kirchner and Fritz Bleyl, two other architecture students who shared their passion for painting. Together they formed the organization of Expressionist artists known as Die Brücke...

Original vintage Soviet circus poster - Дрессированные Медведи Цирк / Trained Bears - featuring three bears as a family on top of three colourful ...

Enrique Cattaneo (Mexico, 1946) 'Emulando a Allen Jones', 2010 silkscreen on paper Velin Arches 300 g. 15 x 15 in. (38 x 38 cm.) Edition of 40 ID: CAT-311 Unfr...

Orit Fuchs lives and works in Tel Aviv‭, ‬a storyteller with a deep‭, ‬pure, and unquenchable appetite for artistic self-expression‭. ‬Her medium spans the gamut‭ - ‬sculptures‭, ‬pa...

This is from a limited edition portfolio of original lithographs print Fernand Mourlot in Paris in 1958 from work done in collaboration with Bonnard which began in 1928. This is from the rare first edition, No. VII of 20 unbound sets, specially printed for Hans P. Kraus, with Henry de Montherlant inscription to him signed and dated March 3, 1960 These are not individually hand signed or numbered. On BFK Rives French velin art paper Pierre Bonnard (1867 – 1947) was a French painter, illustrator and printmaker, known especially for the stylized decorative qualities of his paintings and his bold use of color. A founding member of the Post-Impressionist group of avant-garde painters Les Nabis, (the Naive artists) his early work was strongly influenced by the work of Paul Gauguin, as well as the prints of Hokusai and other Japanese artists. Bonnard was a leading figure in the transition from Impressionism to Modernism. He painted landscapes, urban scenes, portraits and intimate domestic scenes, where the backgrounds, colors and painting style usually took precedence over the subject. Pierre Bonnard was born in Fontenay-aux-Roses, Hauts-de-Seine on 3 October 1867. His mother, Élisabeth Metzdorff, was from Alsace. His father, Eugène Bonnard, was from the Dauphiné, and was a senior official in the French Ministry of War. He had a brother, Charles, and a sister, Andrée, who in 1890 married the composer Claude Terrasse. He received his education in the Lycée Louis-le-Grand and Lycée Charlemagne in Vanves. He showed a talent for drawing and water colors, as well as caricatures. He painted frequently in the gardens of his parent's country home at Grand-Lemps near the Cote Saint-André in the Dauphiné. He also showed a strong interest in literature. He received his baccalaureate in the classics, and, to satisfy his father, between 1886 and 1887 earned his license in law, and began practicing as a lawyer beginning in 1888. While he was studying law, he also attended art classes at the Académie Julian in Paris. At the Académie Julien he met his future friends and fellow artists, Paul Sérusier, Maurice Denis, Gabriel Ibels and Paul Ranson. In 1888 Bonnard was accepted by the École des Beaux-Arts, where he met Édouard Vuillard and Ker Xavier Roussel. He also sold his first commercial work of art, a design for poster for France-Champagne, which helped him convince his family that he could make a living as an artist. He set up his first studio at on rue Lechapelais and began his career as an artist. From 1893 until her death, Bonnard lived with Marthe de Méligny (1869–1942), and she was the model for many of his paintings, including many nude works. Her birth name was Maria Boursin, but she had changed it before she met Bonnard. They married in 1925. In the years before their marriage, Bonnard had love affairs with two other women, who also served as models for some of his paintings, Renée Monchaty (the partner of the American painter Harry Lachmann) and Lucienne Dupuy de Frenelle, the wife of a doctor; it has been suggested that Bonnard may have been the father of Lucienne's second son. Renée Monchaty committed suicide shortly after Bonnard and de Méligny married. In 1891 he met Toulouse-Lautrec and in December 1891 showed his work at the annual exhibition of the Société des Artistes Indépendants. In the same year Bonnard also began an association with La Revue Blanche, for which he and Edouard Vuillard designed frontispiece In March 1891, his work was displayed with the work of the other Nabis at the Le Barc de Boutteville. The style of Japanese graphic arts became an important influence on Bonnard. In 1893 a major exposition of works of Utamaro and Hiroshige was held at the Durand-Rouel Gallery, and the Japanese influence, particularly the use of multiple points of view, and the use of bold geometric patterns in clothing, such as checkered blouses, began to appear in his work. Because of his passion for Japanese art, his nickname among the Nabis became Le Nabi le trés japonard. He devoted an increasing amount of attention to decorative art, designing furniture, fabrics, fans and other objects. He continued to design posters for France-Champagne, which gained him an audience outside the art world. In 1892 he began to produce lithographs, and painted two of his early notable works, Le Corsage a carreaux and La Partie de croquet. He also made a series of illustrations for the music books of his brother-in-law, Claude Terrasse. In 1895 he became an early participant of the movement of Art Nouveau, designing a stained glass window, called Maternity, for Tiffany. In 1895 he had his first individual exposition of paintings, posters and lithographs at the Durand-Ruel Gallery. He also illustrated a novel, Marie, by Peter Nansen, published in series by in La Revue Blanche. The following year he participated in a group exposition of Nabis at the Ambroise Vollard Gallery. In 1899, he took part in another major exposition of works of the Nabis. Throughout the early 20th century, as artistic styles appeared and disappeared with almost dizzying speed, Bonnard kept refining and revising his personal style, and exploring new subjects and media, but keeping the distinct characteristics of his work. Working in his studio at 65 rue de Douai in Paris, he presented paintings at the Salon des Independents in 1900, and also made 109 lithographs for Parallèment, a book of poems by Verlaine. He also took part in an exhibition with the other Nabis at the Bernheim Jeune gallery. He presented nine paintings at the Salon des Independents in 1901. In 1905 he produced a series of nudes and of portraits, and in 1906 had a personal exposition at the Bernheim-Jeune Gallery. In 1908 he illustrated a book of poetry by Octave Mirbeau, and made his first long stay in the South of France, at the home of the painter Manguin in Saint-Tropez. in 1909, and in 1911 began a series of decorative panels, called Méditerranée, for the Russian art patron Ivan Morozov. During the years of the First World War, Bonnard concentrated on nudes and portraits, and in 1916 completed a series of large compositions, including La Pastorale, Méditterranée, La Paradis Terreste and Paysage de Ville. His reputation in the French art establishment was secure; in 1918 he was selected, along with Renoir, as an honorary President of the Association of Young French Artists. In the 1920s, he produced illustrations for a book by Andre Gide (1924) and another by Claude Anet (1923). He showed works at the Autumn Salon in 1923, and in 1924 was honored with a retrospective of sixty-eight of his works at the Galerie Druet. In 1925 he purchased a villa in Cannes. In 1938 his works and Vuillard were featured at an exposition at the Art Institute of Chicago. The outbreak of World War II in September 1939, forced Bonnard to depart Paris for the south of France, where he remained until the end of the war. Under the German occupation, he refused to paint an official portrait of the French collaborationist leader, Marechal Petain, but accepted a commission to paint a religious painting of Saint Francis de Sales...

Artist: Roy Lichtenstein (American, 1923-1997) Title: "Repeated Design" *Signed, dated, and numbered by Lichtenstein in pencil lower right Year: 1969 Medium: Original Lithograph on Arches paper Limited edition: HC, (a rare hors commerce impression aside from the standard edition of 100) Printer: Atelier Mourlot, New York, NY Publisher: The artist Lichtenstein himself, New York, NY Reference: "The Prints of Roy Lichtenstein: A Catalogue Raisonne 1948-1997" - Corlett No. 90, page 110; Bianchini (1971), Cat. No. 36; Zerner (1975), Cat No. 31 Framing: Framed in a contemporary silver metal frame with archival matting and plexiglass Frame size: 21.25" x 45.25" Sheet size: 16.82" x 40.75" Image size: 12.07" x 35.94" Condition: In mint condition Notes: Provenance: private collection - Detroit, MI, acquired from an art gallery in New York, NY; likely private collection - New York, NY, acquired from DeLind Fine Art Gallery, Milwaukee, WI retaining their original gallery label on verso. Printed in 2 colors: yellow and black. Collaboration: Michel Tabard (printing); Paul Valette (proofing). As Henri Zerner ((1975), 15) has indicated, this print is also known as "Modern Triptych...

Marc Chagall - Horsewoman- Original Lithograph 1956 Dimensions: 38 x 55 cm DLM 10 ans d'édition Edition: Foundation Maeght at Saint Paul Signed in the plate Pri...

Orit Fuchs lives and works in Tel Aviv‭, ‬a storyteller with a deep‭, ‬pure, and unquenchable appetite for artistic self-expression‭. ‬Her medium spans the gamut‭ - ‬sculptures‭, ‬pa...

Six Shaps in Space "A-fu" is an original contemporary artwork realized in 1974 by the Japanese artist Shu Takahashi. Beautiful four color silkscreen on polished metal plate. Hand s...

Very beautiful poster of A. Solon ( 1897 - 1973 ) on the airline Air France and its trips between Marseille, the Balearic Islands and Algiers in 5 hours. One of the first Air France...

Kneeling Male Nude in Profile is a beautiful and original colored lithograph from the portfolio "Erotica" by Egon Schiele. It is a reproduction of the homonym artwork realized in gou...

Yellow Poppies is a natural companion for Red Poppies, March 21, 2012 and is equally strong installed solo. The multi-layered cropped poppies bleed to the...

Original “Radio Point Bleu Musical!” vintage French antique poster. Archivail linen backed in very fine condition, ready to frame. Signed J.L.B. in the plate at upper right. No specific year is indicated on the poster. Point Bleu / Radio Musical! Paris: Bedos & Cie. Lithograph poster for the French radio manufacturer, showing a woman’s face in silhouette with a treble clef over her ear; red and blue lettering against a bright yellow background. Printer: Paris: Bedos & Cie. The poster does not have a date, but most of the Point Bleu radio posters...

Original Lithograph by Jean-Gabriel Domergue Title: Sublime Signed in the plate Dimensions: 40 x 31 cm 1956 Edition of 197 This artwork is part of the famous portfolio "La Parisienne...

Touched by the influence of Andy Warhol, champion of a young Jean-Michel Basquiat, Rene Ricard served as enfant terrible of the 1980s New York art scene. In this abstract painted composition, Ricard combines expressive poetry with vibrant color. A bright yellow forms the background for two rounded rectangles printed...

Agent X Marilyn as Chérie Ledoux Archival Pigment Inks on Canvas Year: 2022 Size: 58x58in Unique Signed, dated by hand COA provided Ref.: 924802-1144 -----------------------------...

The Drugs Don’t Work By BATIK Archival pigment pop art print of the 1960s supermodel Twiggy signed & limited edition. BATIK is a London based fine artist and image maker. Produce...

Original vintage poster - Aide Aux Combattants D'Indochine Aux Anciens, a leurs familles / Aid to Indochina combatants To the elderly, to their families - featuring a soldier armed w...

Artist: Fernand Leger Medium: Lithographic Poster, 1956 Dimensions: 30 x 20 in, 76.2 x 50.8 cm

Original poster for the Museum of Geneva. The Museum of Natural History of Geneva is the natural history museum of the city of Geneva, and th...

Adolph Gottlieb Signs, 1967 screenprint, ed. of 75 18 x 24 in. (45.7 x 61 cm)

Original vintage cruise travel poster - To South America with Hamburg Sud / Nach Sudamerika mit der Hamburg Sud - featuring stunning artwork by the German ...

Sonia Delaunay - Composition Original Lithograph 1972 Dimensions: 32 x 25 cm Revue XXe Siècle Cahiers d'art published under the direction of G. di San Lazzaro. Sonia Delaunay was known for her vivid use of color and her bold, abstract patterns, breaking down traditional distinctions between the fine and applied arts as an artist, designer and printmaker. Born Sarah Stern on November 14, 1885 in Gradizhsk, Ukraine, she was adopted in 1890 by her maternal uncle, Henri Terk, a lawyer in St. Petersburg, where she grew up, exposed to music and art, and learning several foreign languages. In 1903, she moved to Germany to study drawing with Ludwig Schmidt-Reutler (1863–1909) at the Karlsruhe academy of fine arts; Arnold Schoenberg (1874–1951), composer-to-be, was among her classmates there. In 1905, she traveled to Paris where she attended art classes at the Académie de la Palette, learned printmaking from Rudolf Grossman (1889–1941), and met Amédée Ozenfant (1886–1966), André Dunoyer de Segonzac (1884–1974), and Jean-Louis Boussingault (1883–1943). Sonia spent much of her time at exhibitions and galleries in Paris, which showed works by Paul Cézanne, Vincent Van Gogh, Pierre Bonnard, and Edouard Vuillard, as well as Les Fauves, Henri Matisse and André Derain. She did, however, maintain contact with Germany, exhibiting at the Galerie Der Sturm, Berlin, in 1913, 1920 and 1921. During her first year in Paris, Sonia met the German collector and art-dealer, Wilhelm Uhde (1874–1947), whom she married on December 5, 1908, and whose Montparnasse gallery, the Galerie Notre-Dame des Champs, showed her first solo exhibition. Through Uhde, Sonia encountered many painters, including Pablo Picasso, Georges Braque, Maurice de Vlaminck, and Robert Delaunay (1885–1941). In 1910, Sonia divorced Uhde by mutual agreement, married Delaunay that same year, and gave birth to their son, Charles, in January 1911. Together Sonia and Robert Delaunay pursued the study of color, influenced by theories of Michel-Eugène Chevreul (1786–1889). Sonia’s interest in simultaneous contrast, as evidenced in her early collages, book bindings, small painted boxes...

Paper Size: 29.5 x 22.5 inches ( 74.93 x 57.15 cm ) Image Size: 26 x 20 inches ( 66.04 x 50.8 cm ) Framed: No Condition: A: Mint Additional Details: First printing lithograph u...

Burke Libaire is a Charleston based visual artist and designer. She began her career in New York City, translating her love of art and architecture into the world of interior design ...

Rita Letendre, Canadian, 1928-2021 Serigraph 25 x 22 in signed and numbered in pencil, edition of 250 framed

Signed lower right, in pencil, 'Ross Wetzel' (American, 1917 - 2013), titled lower left, 'E Pluribus Unum' and with number and limitation, '118/300'. Paper dimensions: 14 x 21 inches. Born in Chicago, Ross Wetzel was an avid art student through high school, and then enrolled- with his future wife and fellow artist, Janice- at the American Academy of Art in Chicago. He was soon working for Walt Disney Productions, taking lead production roles in the creation of such Disney classics as Pinocchio, Fantasia and Bambi. During the Second World War, he served with the Motion Picture Unit of the First Army Air Corp under Ronald Reagan, creating training films for fighter pilots and bombers and working beside actors including Alan Ladd and Clark Gable. After the War, Ross and Janice started a serigraphy business, which came to be known as Ross Wetzel Studios creating animated commercials and print advertisements for companies such as Kellogg's, Kleenex and Continental Airlines that featured such characters as Tony the Tiger and Toucan Sam. Ross was also hired to illustrate one of the first renderings of Smokey the Bear...

Original vintage drink advertising poster for Fino Quinta Osborne Puerto de Santa Maria Espana featuring a great design depicting a bull above a bottle of wine next to glass on an ou...

Andy Warhol/Jean Michel Basquiat: Original Paintings Exhibition Poster, 1985: 'Palladium Presents Warhol and Basquiat'. The rare original, highly soug...

Keith Haring Paris, 1987: Well-suited for framing, this vibrant oversized illustrated bag was designed by Keith Haring during his lifetime for the P...

Artist: Peter Phillips, British (1939 - ) Title: Custom Print I from 11 Pop Artists Year: 1965 Medium: Silkscreen, signed and numbered in pencil Edition: 200, XXII/L Size: 24 x 19.5...

Color lithograph, Edition 20. The artist describes this project: “Human activity is causing the mass extinction of plant and animal species at an alarming rate. I paint carefully r...

Original poster realized in 1958 and which presents the various flights of the company B.O.A.C (British Overseas Airways Corporation). Supreme Jet Co...

Tom White is a New Zealand-based artist investigating artificial intelligence and machine perception. White's artwork examines the Algorithmic Gaze: how machines see, know, and articulate the world. As machine perception becomes more pervasive in our daily lives, the world as seen by computers becomes our dominant reality. White explores this phenomenon in his work. Collaborating with AI systems, White creates physical abstract prints that are reliably classified by neural networks...

Artist: Peter Max (1937) Title: Galaxy Profile Year: circa 1998 Medium: Silkscreen and watercolor on Arches paper Size: 11 x 15 inches Condition: Excellent Inscription: Signed in per...

Tom White is a New Zealand-based artist investigating artificial intelligence and machine perception. White's artwork examines the Algorithmic Gaze: how machines see, know, and artic...

A yellow dice suspended on an inky blue background, hypnotically curious in both content and technique, viewers find themselves pleasantly puzzled. Heidler & Heeps have developed the...

Reduction Method Screen Printing, or “old-school,” means using methods from the early 1900s, before photographic stencils were invented, when every part of the process was done by ha...

Reduction Method Screen Printing, or “old-school,” means using methods from the early 1900s, before photographic stencils were invented, when every part of the process was done by ha...

Reduction Method Screen Printing, or “old-school,” means using methods from the early 1900s, before photographic stencils were invented, when every part of the process was done by ha...

Color monotype. The ‘okina is the Hawaiian representation of the glottal stop. It is a separation of doubles. The monotypes in the ‘Okina series are doubles; the prints are divided...

Tom White is a New Zealand-based artist investigating artificial intelligence and machine perception. White's artwork examines the Algorithmic Gaze: how machines see, know, and artic...

Tom White is a New Zealand-based artist investigating artificial intelligence and machine perception. White's artwork examines the Algorithmic Gaze: how machines see, know, and artic...