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Prints and Multiples For Sale
Artist: James Abbott McNeill Whistler
Artist: Maria Sybilla Merian
The Draped Figure, Seated
Located in Fairlawn, OH
The Draped Figure, Seated
Lithograph on fine japanese paper, 1893
Signed in pencil with the butterfly (see photo)
Signed in the stone with the butterfly on the sofa (see photo)
Numbe...
Category
1890s American Impressionist Prints and Multiples
Materials
Lithograph
49. White guava, Manduca sexta
Located in Columbia, MO
Maria Sibylla Merian was born in Germany in 1647 and received early artistic training from her stepfather, an established still life painter. She was fascinated by insects and collec...
Category
18th Century Realist Prints and Multiples
Materials
Pigment
37. Branching larkspur, Peaseblossom moth
Located in Columbia, MO
Maria Sibylla Merian was born in Germany in 1647 and received early artistic training from her stepfather, an established still life painter. She was fascinated by insects and collec...
Category
18th Century Realist Prints and Multiples
Materials
Pigment
20. Curious shells
Located in Columbia, MO
Maria Sibylla Merian was born in Germany in 1647 and received early artistic training from her stepfather, an established still life painter. She was fascinated by insects and collec...
Category
18th Century Realist Prints and Multiples
Materials
Pigment
VITRE - THE CANAL, BRITTANY
Located in Portland, ME
Whistler, James A. M.
VITRE: THE CANAL, BRITTANY. Levy 65, Spink 63. Lithograph, 1893.
One of 32 lifetime impressions, printed by Way, with Whistler's butterfly signature in pencil...
Category
1890s Prints and Multiples
Materials
Lithograph
6. Crown Imperial, Yellow archangel, Prominent
Located in Columbia, MO
Maria Sibylla Merian was born in Germany in 1647 and received early artistic training from her stepfather, an established still life painter. She was fascinated by insects and collec...
Category
18th Century Realist Prints and Multiples
Materials
Pigment
23. Dendrites of ferrous hydroxide, ferric hydroxide, and manganese ore fissure
Located in Columbia, MO
Maria Sibylla Merian was born in Germany in 1647 and received early artistic training from her stepfather, an established still life painter. She was fascinated by insects and collec...
Category
18th Century Realist Prints and Multiples
Materials
Pigment
31. Keel-tail iguana, Holbrookia spec., Surinam ameiva, Gecko
Located in Columbia, MO
Maria Sibylla Merian was born in Germany in 1647 and received early artistic training from her stepfather, an established still life painter. She was fascinated by insects and collec...
Category
18th Century Realist Prints and Multiples
Materials
Pigment
27. Metallic beetle, Lunar-headed dung-beetle, Capricorn beetle, Harlequin beet
Located in Columbia, MO
Maria Sibylla Merian was born in Germany in 1647 and received early artistic training from her stepfather, an established still life painter. She was fascinated by insects and collec...
Category
18th Century Realist Prints and Multiples
Materials
Pigment
28. Saltatoria Mantis
Located in Columbia, MO
Maria Sibylla Merian was born in Germany in 1647 and received early artistic training from her stepfather, an established still life painter. She was fascinated by insects and collec...
Category
18th Century Realist Prints and Multiples
Materials
Pigment
45. Hairy cotton, Helicopis cupido
Located in Columbia, MO
Maria Sibylla Merian was born in Germany in 1647 and received early artistic training from her stepfather, an established still life painter. She was fascinated by insects and collec...
Category
18th Century Realist Prints and Multiples
Materials
Pigment
42. Martagon lily, Frog-hopper, Acronicta leporina, Looper, inchworm
Located in Columbia, MO
Maria Sibylla Merian was born in Germany in 1647 and received early artistic training from her stepfather, an established still life painter. She was fascinated by insects and collec...
Category
18th Century Realist Prints and Multiples
Materials
Pigment
25. Spray of flowers, not clearly identifiable
Located in Columbia, MO
Maria Sibylla Merian was born in Germany in 1647 and received early artistic training from her stepfather, an established still life painter. She was fascinated by insects and collec...
Category
18th Century Realist Prints and Multiples
Materials
Pigment
32. Shorthorned grasshopper, Dung beetle, Water scavenger beetle, Longhorned bee
Located in Columbia, MO
Maria Sibylla Merian was born in Germany in 1647 and received early artistic training from her stepfather, an established still life painter. She was fascinated by insects and collec...
Category
18th Century Realist Prints and Multiples
Materials
Pigment
17. True tulip, Triton's trumpet, Hermit crab
Located in Columbia, MO
Maria Sibylla Merian was born in Germany in 1647 and received early artistic training from her stepfather, an established still life painter. She was fascinated by insects and collec...
Category
18th Century Realist Prints and Multiples
Materials
Pigment
29. Arctian, Castnia, Steirodon thoracicm
Located in Columbia, MO
Maria Sibylla Merian was born in Germany in 1647 and received early artistic training from her stepfather, an established still life painter. She was fascinated by insects and collec...
Category
18th Century Realist Prints and Multiples
Materials
Pigment
48. Hibiscus
Located in Columbia, MO
Maria Sibylla Merian was born in Germany in 1647 and received early artistic training from her stepfather, an established still life painter. She was fascinated by insects and collec...
Category
18th Century Realist Prints and Multiples
Materials
Pigment
15. Horseshoe crab, king crab
Located in Columbia, MO
Maria Sibylla Merian was born in Germany in 1647 and received early artistic training from her stepfather, an established still life painter. She was fascinated by insects and collec...
Category
18th Century Realist Prints and Multiples
Materials
Pigment
41. Rosa hemisphaerica, Dagger moth
Located in Columbia, MO
Maria Sibylla Merian was born in Germany in 1647 and received early artistic training from her stepfather, an established still life painter. She was fascinated by insects and collec...
Category
18th Century Realist Prints and Multiples
Materials
Pigment
35. Common hyacinth, Common tiger, moth
Located in Columbia, MO
Maria Sibylla Merian was born in Germany in 1647 and received early artistic training from her stepfather, an established still life painter. She was fascinated by insects and collec...
Category
18th Century Realist Prints and Multiples
Materials
Pigment
14. Sponge crab, Calappid, Lophozozymus octodentatus
Located in Columbia, MO
Maria Sibylla Merian was born in Germany in 1647 and received early artistic training from her stepfather, an established still life painter. She was fascinated by insects and collec...
Category
18th Century Realist Prints and Multiples
Materials
Pigment
19. Spider conches
Located in Columbia, MO
Maria Sibylla Merian was born in Germany in 1647 and received early artistic training from her stepfather, an established still life painter. She was fascinated by insects and collec...
Category
18th Century Realist Prints and Multiples
Materials
Pigment
40. Fennel flower, Iron Prominent
Located in Columbia, MO
Maria Sibylla Merian was born in Germany in 1647 and received early artistic training from her stepfather, an established still life painter. She was fascinated by insects and collec...
Category
18th Century Realist Prints and Multiples
Materials
Pigment
38. Musk-thistle, Syrphid-fly
Located in Columbia, MO
Maria Sibylla Merian was born in Germany in 1647 and received early artistic training from her stepfather, an established still life painter. She was fascinated by insects and collec...
Category
18th Century Realist Prints and Multiples
Materials
Pigment
22. Bangles, Minerals
Located in Columbia, MO
Maria Sibylla Merian was born in Germany in 1647 and received early artistic training from her stepfather, an established still life painter. She was fascinated by insects and collec...
Category
18th Century Realist Prints and Multiples
Materials
Pigment
21. Fingerstones, fossil blemnites, Axes of nephrite, flint & metal, Fossilized
Located in Columbia, MO
Maria Sibylla Merian was born in Germany in 1647 and received early artistic training from her stepfather, an established still life painter. She was fascinated by insects and collec...
Category
18th Century Realist Prints and Multiples
Materials
Pigment
16. Branching star
Located in Columbia, MO
Maria Sibylla Merian was born in Germany in 1647 and received early artistic training from her stepfather, an established still life painter. She was fascinated by insects and collec...
Category
18th Century Realist Prints and Multiples
Materials
Pigment
Gants de Suede
Located in Fairlawn, OH
Gants de Suede (Suede Gloves)
Lithograph, 1890
Signed in the stone with the butterfly signature (see photo)
Published in: The Studio 3, No. 13 (16 April 1894)
Printed by Way in an edition of 3000 impressions, with the blind stamp of The Studio, London lower left
Stone polished out in 1904
Condition: Excellent
Image size: 8 1/2 x 4 inches
Sheet size: 11 5/8 x 8 1/4 inches
Reference: Spink/Tadeschi 35, published state
"Gants de Suede is a portrait of Whistler’s sister-in-law, Ethel Birnie Philip. Whistler was apparently pleased with this lithograph, for after a small number of impressions were printed he agreed that it could be published by The Studio, an art magazine that had recently been launched; it appeared as part of a special issue." Harris Schrank
Category
1890s Aesthetic Movement Prints and Multiples
Materials
Lithograph
Billingsgate
Located in Middletown, NY
Etching printed in dark brownish black ink on cream laid paper, 6 x 8 7/8 inches (152 x 226 mm); full margins. Extremely minor and unobtrusive band of toning along the top sheet edg...
Category
Mid-19th Century Impressionist Prints and Multiples
Materials
Drypoint, Laid Paper, Etching
"The Smith's Yard" original lithograph
Located in Henderson, NV
Medium: original lithograph. Catalogue reference: Way 88. Printed in 1897 and published in London for The Studio. Sheet size: 11 x 7 3/4 inches (282 x 197 mm). This impression on cre...
Category
1890s Prints and Multiples
Materials
Lithograph
Billingsgate - Etching by James Whistler - 1859
Located in Roma, IT
Signed and dated on plate. Eighth state of 8 (final state), after different works with drypoint, with margins.
Published in 1878/79 on Japan paper in "The Portfolio". Matting includ...
Category
1850s Modern Prints and Multiples
Materials
Etching
W. Jones, Lime-Burner, Thames Street-Etching (Reproduction)
Located in Clinton Township, MI
20 in x 16 in - image size
Etching (Reproduction). Measures 20 x 16 inches and is framed. The piece is in Very Good Condition.
Category
20th Century Prints and Multiples
Materials
Etching
W. Jones, Lime-Burner, Thames Street-Etching (Reproduction)
Located in Clinton Township, MI
20 in x 16 in - image size
Etching (Reproduction). Measures 20 x 16 inches and is framed. The piece is in Very Good Condition.
Category
20th Century Prints and Multiples
Materials
Etching
The Draped Figure, Seated
Located in Fairlawn, OH
The Draped Figure, Seated
Lithograph on fine japanese paper, 1893
Signed in pencil with the butterfly (see photo)
Signed in the stone with the butterfly on the sofa (see photo)
Numbered: "No. 20" in pencil
Printed by Thomas Way, London
A beautiful impression with tonal variations in the stump work (shading)
As published in: L'Estampe Originale, Paris, 1893, Album IV
Edition: 107 impressions, this No. 20
There were an additonal 24 impressions printed by Way for Whistler and 20 impressions printed for the Fine Art Society, London
Lacking the huge support sheet and embossed series stamp by Charpentier
With the letterpress lower left: "T. Way. Imp London"
The stone erased in 1904
The majority of the lifetime impressions are in public collections
Condition: Excellent condition
Hinges from original issuance of L'Estampe Originale verso at top as described in Spink
Three hinges residue along right edge of the sheet from a later matting of the print
Image size: 8 1/4 x 6 3/8 inches
Sheet size: 11 3/8 x 9 1/16 inches
Reference: Spink/Tadeschi 72, published edition
Levy 74
Way 46
A superb Neoclassical lithograph...
Category
1890s American Impressionist Prints and Multiples
Materials
Lithograph
Mother and Daughter
Located in San Francisco, CA
A superb impression of Spink’s only state From the edition of approximately 200 commissioned by Ambroise Vollard, and printed by Auguste Clot, Paris
Catalog: Spink 174; Levy 77
Collections in which impressions from this edition can be found: Chicago Art Institute (3 impressions); Hunterian Art Gallery, University of Glasgow (1 impression); National Gallery of Art, Washington, D.C. (1 impression); Cleveland Museum of Art (1 impression); The Metropolitan Museum of Art, New York (1 impression); The Achenbach Foundation for the Graphic Arts, San Francisco (1 impression).
“Mother and Daughter...
Category
19th Century Prints and Multiples
J. Becquet, Sculptor
Located in Fairlawn, OH
J. Becquet, Sculptor
Etching & drypoint, 1859
Unsigned as issued
From: The Thames Set
Printed on this Japanese tissue
Rich impression
Condition: Excellent
Plate/Image size: 9 7/8 x 7...
Category
19th Century Impressionist Prints and Multiples
Materials
Drypoint, Etching
"Fulham AKA Chelsea (Kennedy 182), " Original Etching Signed
Located in Milwaukee, WI
"Fulham A.K.A. Chelsea" is an original etching by James Abbott MacNeill Whistler. The artist signed the piece in the plate with his butterfly monogram in the lower right. IT was publ...
Category
1870s Impressionist Prints and Multiples
Materials
Etching
Tree with moth, caterpillar..., Plate 39, Metamorphosis Insectorum Surinamensium
Located in Middletown, NY
Metamorphosis Insectorum Surinamensium, Plate No. 39; Unidentified tree with moth, caterpillar and pupa.
The Netherlands: 1705....
Category
Early 18th Century Naturalistic Prints and Multiples
Materials
Watercolor, Engraving
Thistle and Moths, plate no. 6, Metamorphosis Insectorum Surinamensium
Located in Middletown, NY
Metamorphosis Insectorum Surinamensium, Plate No. 6; Thistle and Moths. The Netherlands: 1705. Engraving with hand coloring in w...
Category
Early 18th Century Naturalistic Prints and Multiples
Materials
Watercolor, Engraving
Cocoa plant, caterpillar, ..., Plate 26, Metamorphosis Insectorum Surinamensium
Located in Middletown, NY
Metamorphosis Insectorum Surinamensium, Plate No. 26; Cocoa plant, caterpillar, pupa, and butterflies. The Netherlands: 1705. En...
Category
Early 18th Century Naturalistic Prints and Multiples
Materials
Watercolor, Engraving
Icecream Bean plant..., plate no. 58, Metamorphosis Insectorum Surinamensium
Located in Middletown, NY
Metamorphosis Insectorum Surinamensium, Plate No. 58; Ice Cream Bean Plant, Cloudless Sulphur Butterfly and Caterpillar with Mot...
Category
Early 18th Century Naturalistic Prints and Multiples
Materials
Watercolor, Engraving
4 plates from The Wondrous Transformation of Caterpillars & their Strange Diet..
Located in Middletown, NY
Four plates from The Wondrous Transformation of Caterpillars and their Strange Diet of Flowers. “Wolfsmelk Rupsen;" “Wolfsmilch, Raupe und Schmetterling" Amsterdam: J F Bernard, 1730. Each an engraving with hand coloring in watercolor and gouache printed on one sheet of watermarked Honig cream laid paper, each measures 6 1/4 x 5 inches (157 x 121 mm), sheet measures 20 5/8 x 14 inches (522 x 355 mm), full margins. With handling creases in the lower right sheet quadrant, as well as minor, loose cockling, otherwise in very good condition. The colors are superb with exceptionally fresh and bright saturation. Engraved between 1679 and 1683, printed 1730. Plates included: CI; CII; CIII & CIV.
MARIA SIBYLLA MERIAN was one of the most highly respected entomologists of the 17th century, and remains today one of the field's most significant figures. A German-born naturalist and scientific illustrator, she reared herself on the study of caterpillars, and made tremendous contributions to the knowledge of the life cycles of numerous species. Until her detailed and careful study of the process of metamorphosis it was thought that insects were "born of mud," through spontaneous generation.
Trained as a miniature painter by her stepfather, she published her first book of illustrations in 1675, at the age of 28. In 1679, Merian published the first volume of the two-volume series on caterpillars, The Wondrous Transformation of Caterpillars and their Strange Diet of Flowers; the second volume followed in 1683. Each volume contained 50 plates that she engraved and etched. In 1699, Merian traveled to Dutch Guiana...
Category
Early 18th Century Naturalistic Prints and Multiples
Materials
Watercolor, Engraving
3 plates from The Wondrous Transformation of Caterpillars & their Strange Diet..
Located in Middletown, NY
Three plates from The Wondrous Transformation of Caterpillars and their Strange Diet of Flowers. “Wolfsmelk Rupsen;" “Wolfsmilch, Raupe und Schmetterling" Amsterdam: J F Bernard, 1730. Each an engraving with hand coloring in watercolor and gouache printed on one sheet of watermarked Honig cream laid paper, each measures 6 1/4 x 5 inches (157 x 121 mm), sheet measures 20 5/8 x 14 inches (522 x 355 mm), full margins. With handling creases in the lower right sheet quadrant, as well as minor, loose cockling, otherwise in very good condition. The colors are superb with exceptionally fresh and bright saturation. Engraved between 1679 and 1683, printed 1730. Plates included: XLVIII; XLIX & L.
MARIA SIBYLLA MERIAN was one of the most highly respected entomologists of the 17th century, and remains today one of the field's most significant figures. A German-born naturalist and scientific illustrator, she reared herself on the study of caterpillars, and made tremendous contributions to the knowledge of the life cycles of numerous species. Until her detailed and careful study of the process of metamorphosis it was thought that insects were "born of mud," through spontaneous generation.
Trained as a miniature painter by her stepfather, she published her first book of illustrations in 1675, at the age of 28. In 1679, Merian published the first volume of the two-volume series on caterpillars, The Wondrous Transformation of Caterpillars and their Strange Diet of Flowers; the second volume followed in 1683. Each volume contained 50 plates that she engraved and etched. In 1699, Merian traveled to Dutch Guiana...
Category
Early 18th Century Naturalistic Prints and Multiples
Materials
Watercolor, Engraving
4 plates from The Wondrous Transformation of Caterpillars & their Strange Diet..
Located in Middletown, NY
Four plates from The Wondrous Transformation of Caterpillars and their Strange Diet of Flowers. “Wolfsmelk Rupsen;" “Wolfsmilch, Raupe und Schmetterling" Amsterdam: J F Bernard, 1730. Each an engraving with hand coloring in watercolor and gouache printed on one sheet of watermarked Honig cream laid paper, each measures 6 1/4 x 5 inches (157 x 121 mm), sheet measures 20 5/8 x 14 inches (522 x 355 mm), full margins. With handling creases in the lower right sheet quadrant, as well as minor, loose cockling, otherwise in very good condition. The colors are superb with exceptionally fresh and bright saturation. Engraved between 1679 and 1683, printed 1730. Plates included: No.1:I; No. 2:1; II & III.
MARIA SIBYLLA MERIAN was one of the most highly respected entomologists of the 17th century, and remains today one of the field's most significant figures. A German-born naturalist and scientific illustrator, she reared herself on the study of caterpillars, and made tremendous contributions to the knowledge of the life cycles of numerous species. Until her detailed and careful study of the process of metamorphosis it was thought that insects were "born of mud," through spontaneous generation.
Trained as a miniature painter by her stepfather, she published her first book of illustrations in 1675, at the age of 28. In 1679, Merian published the first volume of the two-volume series on caterpillars, The Wondrous Transformation of Caterpillars and their Strange Diet of Flowers; the second volume followed in 1683. Each volume contained 50 plates that she engraved and etched. In 1699, Merian traveled to Dutch Guiana...
Category
Early 18th Century Naturalistic Prints and Multiples
Materials
Watercolor, Engraving
4 plates from The Wondrous Transformation of Caterpillars & their Strange Diet..
Located in Middletown, NY
Four plates from The Wondrous Transformation of Caterpillars and their Strange Diet of Flowers. “Wolfsmelk Rupsen;" “Wolfsmilch, Raupe und Schmetterling" Amsterdam: J F Bernard, 1730. Each an engraving with hand coloring in watercolor and gouache printed on one sheet of watermarked Honig cream laid paper, each measures 6 1/4 x 5 inches (157 x 121 mm), sheet measures 20 5/8 x 14 inches (522 x 355 mm), full margins. With one 1.5 inch inch tear across the area of the top-left corner, well outside of image area. Handling creases in the lower right sheet quadrant, as well as minor, loose cockling, otherwise in very good condition. The colors are superb with exceptionally fresh and bright saturation. Engraved between 1679 and 1683, printed 1730. Plates included: CXXI, CXXII, CXXIII, & CXXIV.
MARIA SIBYLLA MERIAN was one of the most highly respected entomologists of the 17th century, and remains today one of the field's most significant figures. A German-born naturalist and scientific illustrator, she reared herself on the study of caterpillars, and made tremendous contributions to the knowledge of the life cycles of numerous species. Until her detailed and careful study of the process of metamorphosis it was thought that insects were "born of mud," through spontaneous generation.
Trained as a miniature painter by her stepfather, she published her first book of illustrations in 1675, at the age of 28. In 1679, Merian published the first volume of the two-volume series on caterpillars, The Wondrous Transformation of Caterpillars and their Strange Diet of Flowers; the second volume followed in 1683. Each volume contained 50 plates that she engraved and etched. In 1699, Merian traveled to Dutch Guiana...
Category
Early 18th Century Naturalistic Prints and Multiples
Materials
Watercolor, Engraving
4 plates from The Wondrous Transformation of Caterpillars & their Strange Diet..
Located in Middletown, NY
Four plates from The Wondrous Transformation of Caterpillars and their Strange Diet of Flowers. “Wolfsmelk Rupsen;" “Wolfsmilch, Raupe und Schmetterling" Amsterdam: JF Bernard, 1730. Each an engraving with hand coloring in watercolor and gouache printed on one sheet of watermarked Honig cream laid paper, each measures 6 1/4 x 5 inches (157 x 121 mm), sheet measures 20 5/8 x 14 inches (522 x 355 mm), full margins. With handling creases in the lower right sheet quadrant, as well as minor, loose cockling, otherwise in very good condition. The colors are superb with exceptionally fresh and bright saturation. Engraved between 1679 and 1683, printed 1730. Plates included: CXLI, CXLII, CXIII & CXLIV.
MARIA SIBYLLA MERIAN was one of the most highly respected entomologists of the 17th century, and remains today one of the field's most significant figures. A German-born naturalist and scientific illustrator, she reared herself on the study of caterpillars, and made tremendous contributions to the knowledge of the life cycles of numerous species. Until her detailed and careful study of the process of metamorphosis it was thought that insects were "born of mud," through spontaneous generation.
Trained as a miniature painter by her stepfather, she published her first book of illustrations in 1675, at the age of 28. In 1679, Merian published the first volume of the two-volume series on caterpillars, The Wondrous Transformation of Caterpillars and their Strange Diet of Flowers; the second volume followed in 1683. Each volume contained 50 plates that she engraved and etched. In 1699, Merian traveled to Dutch Guiana...
Category
Early 18th Century Naturalistic Prints and Multiples
Materials
Watercolor, Engraving
4 plates from The Wondrous Transformation of Caterpillars & their Strange Diet..
Located in Middletown, NY
Four plates from The Wondrous Transformation of Caterpillars and their Strange Diet of Flowers. “Wolfsmelk Rupsen;" “Wolfsmilch, Raupe und Schmetterling" Amsterdam: J F Bernard, 1730. Each an engraving with hand coloring in watercolor and gouache printed on one sheet of watermarked Honig cream laid paper, each measures 6 1/4 x 5 inches (157 x 121 mm), sheet measures 20 5/8 x 14 inches (522 x 355 mm), full margins. With handling creases in the lower right sheet quadrant, as well as minor, loose cockling, otherwise in very good condition. The colors are superb with exceptionally fresh and bright saturation. Engraved between 1679 and 1683, printed 1730. Plates included: LIV, LV, LVI, & LVII.
MARIA SIBYLLA MERIAN was one of the most highly respected entomologists of the 17th century, and remains today one of the field's most significant figures. A German-born naturalist and scientific illustrator, she reared herself on the study of caterpillars, and made tremendous contributions to the knowledge of the life cycles of numerous species. Until her detailed and careful study of the process of metamorphosis it was thought that insects were "born of mud," through spontaneous generation.
Trained as a miniature painter by her stepfather, she published her first book of illustrations in 1675, at the age of 28. In 1679, Merian published the first volume of the two-volume series on caterpillars, The Wondrous Transformation of Caterpillars and their Strange Diet of Flowers; the second volume followed in 1683. Each volume contained 50 plates that she engraved and etched. In 1699, Merian traveled to Dutch Guiana...
Category
Early 18th Century Naturalistic Prints and Multiples
Materials
Watercolor, Engraving
Florence Leyland
Located in New York, NY
A very good impression of this extremely scarce drypoint. MacDonald's eleventh state "b" (of 11b), restored after cancellation.
Category
1870s Impressionist Prints and Multiples
Materials
Drypoint
Bibi Lalouette - Etching by James Whistler - 1859
Located in Roma, IT
Etching and drypoint in black ink on fine ivory laid Japan paper.
Second state of two.
Signed and dated in plate lower right "Whistler. 1859".
Very good condition.
Ref. Kennedy 51 i...
Category
1850s Modern Prints and Multiples
Materials
Etching
Old Putney Bridge
Located in New York, NY
James Whistler (1834-1903), Old Putney Bridge, 1879, etching and drypoint, signed in pencil with a large, elaborate shaded butterfly, lower right and inscribed imp (also signed with the butterfly in the plate), printed in dark-brown/black ink on laid paper, watermark ProPatria, an impression in Glasgow’s seventh (final) state, published by The Fine Art Society, probably printed in 1881, 8x 11 3/4 inches, sheet 12 1/8 x 16 1/8 inches. Reference: Kennedy 178; Glasgow 185.
Provenance: Kraushaar Gallery, New York
A fine impression, with wide margins.
The Fine Art Societys relationship with Whistler began with the new etchings of the Thames he made in 1879, following a visit from Ernest Brown who had joined the staff of the gallery. The plate is on a large scale and shows the change in the artists approach to the Thames since the etchings he had made in Wapping and the docks in the summer of 1859. The central motif is the old bridge, by this stage somewhat dilapidated. It was shortly to be demolished and replaced by the new bridge of Cornish granite...
Category
Late 19th Century Impressionist Prints and Multiples
Materials
Etching, Drypoint
The Master Smith
Located in Storrs, CT
The Master Smith. 1895. Lithograph. Way 84; Levy 123; Tedeschi, Stratis and Spink 120.i/ii. 4 1/2 x 5 1/2 (sheet 76 x 5 3/8). Only 15 lifetime impressions (in 2 states) were listed by Way; Goulding printed 38 impressions on 14 December 1903. The stone was erased in 1903. Printed on cream wove proofing paper. Monogrammed with the butterfly in the stone. A fine impression of this extremely rare lithograph.
Tedeschi, Stratis, and Spink write, page 366: As originally transferred to stone, the image includes trial marks made with a pointed crayon to the left of the sitter's shoulder. There is also a smudge at lower right below the image and a small stry mark upper right. Only one impression of this state has been located. Now in the Britigh Museum, London, it once belonged to Thomas Way and is illustrated in the Levy (1975) catalogue.' The impression illustrated above lacks the stray mark on the right, as the sheet is too small to accommodate it.
Tedeschi, Stratis and Spink write, page 366: 'This portrait of George Govier, was drawn ad the master smith conversed with the artist during a break from his work. Govier was born in Lyme Regis...
Category
Late 19th Century Impressionist Prints and Multiples
Materials
Lithograph
Venus
Located in New York, NY
A brilliant, richly-inked impression of this etching and drypoint printed in dark brownish black on antique cream laid paper with very strong contrasts....
Category
1850s Impressionist Prints and Multiples
Materials
Drypoint, Etching
The Rag Gatherers - Original Etching by J.A. Whistler - 1858
Located in Roma, IT
Signed and dated on plate.
An early state on the 5 issued, with very fresh impression and marked contrasts,
Includes passepartout (cm. 53x37).
The American artist James Abbott McNei...
Category
1850s Post-Impressionist Prints and Multiples
Materials
Etching
Bibi Valentin
Located in Storrs, CT
Bibi Valentin. 1859. Etching and drypoint. Kennedy catalog 50 state ii; Glasgow catalog 34 state ii. 6 x 8 7/8 (sheet 8 11/16 x 10 11/16). Glasgow records 44 known impressions. A rich impression with burr, printed on watermarked laid paper with full margins. Signed and dated in the plate. Housed in a 20 x 16-inch archival mat
A young girl, sits facing the viewer, leaning on her left elbow, legs extended to left. She wears a high-necked smock and buttoned boots...
Category
19th Century American Modern Prints and Multiples
Materials
Etching, Drypoint
The Forge
Located in Fairlawn, OH
The Forge
Drypoint, 1861
Signed in the plate lower right (see photo)
Published as part of the Thames Set, 1871
Printed between 1894 and 1896 when the plate was canceled. This impress...
Category
1860s Impressionist Prints and Multiples
Materials
Drypoint
Barges, Dordrecht
Located in Fairlawn, OH
Barges, Dordrecht
Etching, c. 1886
Signed in the plate with the butterfly
Edition: One of 10 known impressions of this image. VERY RARE
Provenance:
Frederick Keppel & Co. with their ...
Category
19th Century Impressionist Prints and Multiples
Materials
Etching
The Little Putney
Located in New York, NY
James Whistler, The Little Putney, 1879, etching and drypoint, signed with the large butterfly lower right (also with the butterfly in the plate). Glasgow 187, third state (of 3). 12...
Category
Late 19th Century Impressionist Prints and Multiples
Materials
Drypoint, Etching
The Rialto
Located in New York, NY
A superb, richly-inked impression of this etching and drypoint, printed in dark brownish black on antique cream laid paper. Second state (of 3). Edition of approximately 30. Signed w...
Category
Late 19th Century American Impressionist Prints and Multiples
Materials
Drypoint, Etching
Fine Art Prints for Sale — Animal Prints, Abstract Prints, Nude Prints and Other Prints
Decorating with fine art prints — whether they’re figurative prints, abstract prints or another variety — has always been a practical way of bringing a space to life as well as bringing works by an artist you love into your home.
Pursued in the 1960s and ’70s, largely by Pop artists drawn to its associations with mass production, advertising, packaging and seriality, as well as those challenging the primacy of the Abstract Expressionist brushstroke, printmaking was embraced in the 1980s by painters and conceptual artists ranging from David Salle and Elizabeth Murray to Adrian Piper and Sherrie Levine.
Printmaking is the transfer of an image from one surface to another. An artist takes a material like stone, metal, wood or wax, carves, incises, draws or otherwise marks it with an image, inks or paints it and then transfers the image to a piece of paper or other material.
Fine art prints are frequently confused with their more commercial counterparts. After all, our closest connection to the printed image is through mass-produced newspapers, magazines and books, and many people don’t realize that even though prints are editions, they start with an original image created by an artist with the intent of reproducing it in a small batch. Fine art prints are created in strictly limited editions — 20 or 30 or maybe 50 — and are always based on an image created specifically to be made into an edition.
Many people think of revered Dutch artist Rembrandt as a painter but may not know that he was a printmaker as well. His prints have been preserved in time along with the work of other celebrated printmakers such as Pablo Picasso, Salvador Dalí and Andy Warhol. These fine art prints are still highly sought after by collectors.
“It’s another tool in the artist’s toolbox, just like painting or sculpture or anything else that an artist uses in the service of mark making or expressing him- or herself,” says International Fine Print Dealers Association (IFPDA) vice president Betsy Senior, of New York’s Betsy Senior Fine Art, Inc.
Because artist’s editions tend to be more affordable and available than his or her unique works, they’re more accessible and can be a great opportunity to bring a variety of colors, textures and shapes into a space.
For tight corners, select small fine art prints as opposed to the oversized bold piece you’ll hang as a focal point in the dining area. But be careful not to choose something that is too big for your space. And feel free to lean into it if need be — not every work needs picture-hanging hooks. Leaning a larger fine art print against the wall behind a bookcase can add a stylish installation-type dynamic to your living room. (Read more about how to arrange wall art here.)
Find fine art prints for sale on 1stDibs today.
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