Prints and Multiples

Joan Miro Lithographier Originale (Les Peintures Sur Carton De Miro) Original Color Lithograph Year: 1965 Size: 14.5x10.5in Edition: 1,500 Portfolio: DLM 151-152 Publisher: Maeght ...

The Ideal Power print was inspired by the need to address gender inequality regarding both wages and basic respect. I believe power should come from the quality and merit of one’s wo...

In the early ’90s, I fell in love with ’60s psychedelic posters from artists like San Francisco’s Victor Moscoso, Stanley Mouse, Alton Kelley, and Rick Griffin...

Joan Miro - Moon Bird, Sun Bird - Original Lithograph 1964 From the journal "XXe Siecle" Unsigned edition of unknown size Dimensions: 32 x 24 cm Publisher: G. di San Lazzaro. Refere...

Artist: Joan Miro, Spanish (1893 - 1983) Title: Danse de Feu from Derriere le Miroir Year: 1963 Medium: Lithograph Unsigned. Unnumbered from an edition of unk...

La melodie acide. original lithograph painting. signed on the stone and numbered 1 to 1500

24" x 18" Unframed Limited Edition Screen Print on Thick Cream Speckletone Paper of 300 Hand Signed by Shepard Fairey and Bob Gruen

Artist: Joan Miro, Spanish (1893 - 1983) Title: Maravillas con Variaciones Acrosticas en el jardin de Miro (Number 22) Year: 1975 Medium: Lithograph, signed in the plate Edition: 150...

La melodie acide. original lithograph painting. signed on the stone and numbered 384/1500

Artist: Joan Miro Title: Plate 2 Portfolio: Joan Miro Medium: Lithograph Date: 1956 Edition: Unnumbered Frame Size: 17" x 24" Sheet Size: 9" x 15" Image Size: 7 1/2" x 14" Signature:...

Medium: original lithograph. Catalogue reference: Mourlot 342. Printed in 1963 for the art revue Derriere le Miroir (issue number 139-140 devoted to Miro and Artigas) and published i...

Exhibition Poster Galerie Gerald Cramer is a contemporary artwork realized by Joan Mirò. Mixed colored lithograph. The poster was realized in occasion of the exhibition of the arti...

1960s Joan Miró vinyl album art: Raimon and Joan Miró were close friends that first collaborated on the 1966 album Cançons de la roda del temps. In 1979, Miró designed a cover for t...

Shepard Fairey Target Exceptions Offset lithograph on paper Year: 2020-2024 Signed and dated by hand Size: 33.7 × 22.2 on 35.7 × 23.8 inches COA provided *publication year might di...

24" x 18" Unframed Limited Edition Screen Print on Thick Cream Speckletone Paper of 300 Hand Signed by Shepard Fairey and Bob Gruen

Color lithograph on Arches paper , edited in 1971 Limited edition of 150 copies Hand signed by Joan Miró in pencil in the lower right margin , and numbered 37/150 in lower left corne...

Immerse yourself in the mesmerizing world of "Unity Obey Flower," a collaborative masterpiece by Kai and Sunny, in association with the renowned Shepard Fairey of Obey. Crafted in 20...

Medium: original lithograph. Catalogue reference: Mourlot 343. Printed in 1963 for Derriere le Miroir (issue number 139-140 devoted to Miro and Artigas) and published in Paris by the...

color lithograph on Guarro paper , edited in 1974 Limited Edition of 75 copies plus 15 HC Hand signed, dated and numbered in pencil 37/75 in pencil (lower left) Paper size: 69,5 x 52...

Artist: Joan Miro Title: Plate 5 Portfolio: Peintures sur Cartons Medium: Lithograph Date: 1965 Edition: Unnumbered Frame Size: 21 1/4” x 17 1/4” Sheet Size: 15” x 11” Image Size: 15...

" CENTENARI CENTRE EXCURSIONISTA " Lithography CATALOGADO .MIRO LITOGRAFICO 6, PAG 10,REF 1085. 1976 82X63 CM Edition 100 Copies + HC on paper Guarro Numbered 50/100 Printed and edit...

19.5" x 16" Unframed Limited Edition Letterpress on Deckled Edge Paper of 450 Hand Signed by Shepard Fairey 2021

Paper Size: 34 x 24 inches ( 86.36 x 60.96 cm ) Image Size: 32 x 24 inches ( 81.28 x 60.96 cm ) Framed: Yes Frame Size: H: 34 x W: 24 inches Condition: A-: Near Mint, very light sign...

SHEPARD FAIREY Global Warning - Global Warming (Andy Warhol Edition), 2009 Silkscreen on wove paper 24 × 18 inches Pencil signed and numbered 264/450 on the front Unframed Global Warning - Global Warming - is the rare pink Andy Warhol edition, separate from the regular red edition. Limited Edition hand signed, dated and numbered silkscreen print created exclusively for the opening of Shepard Fairey's "Supply and Demand" Exhibition at the Andy Warhol Museum in Pittsburgh. This incredibly popular screenprint sold out very soon after the sale was announced by the museum. Fairey's "Global Warming", featuring a sunbathing woman covering herself with the aptly titled "Sun" newspaper, directly attacks the right-wing who deny the science of climate change, and even features his own Windmill Power poster...

Medium: original lithograph. Printed in 1972 at the Mourlot atelier and published for the "Miro Lithograph I" catalogue raisonne. Size: 12 1/2 x 9 5/8 inches (320 x 245 mm). Not sign...

Miro Barb IV Vertical. engraving certificate Succesio Miro Numered 38/50 Color measurements 39x31. printing: Joan Barbera Workshop, Barcelona CATALOGADO .MIRO grabador. Tomo IV. ...

Shepard Fairey ICONS (Subliminal, Iconic) Screen print on thick cream White Speckletone paper Year: 2023 Size: 24x18 inches Edition: 400 Signed, dated and numbered by hand COA provid...

Shepard Fairey Gears of Justice (Star Gear, Empowerment, Industrious, Leveling the playing field) Screen print on thick cream White Speckletone paper Year: 2024 Size: 24x18 inches Ed...

Medium: original lithograph. Printed in 1965 by Mourlot Freres in an edition of 1000 on Arches paper for the "L'Atelier Mourlot" catalogue. Size: 10 x 7 1/4 inches (255 x 186 mm). Si...

Exhibition Poster Galerie Gerald Cramer is a contemporary artwork realized by Joan Mirò. Mixed colored lithograph. The poster was realized in occasion of the exhibition of the arti...

Joan Miró One plate from DLM "Peintures Murales de Miró" Medium: Color lithograph Publisher: Maeght, Paris Signature: Unsigned Edition: Unnumbered from an edition of unknown, but pre...

La melodie acide. original lithograph painting. signed on the stone and numbered 384/1500

" Tres Llibres Exhibition in Osaka, Japan " Lithography 1970 76x56 cm Edition 500 Copies + HC on paper Guarro Numbered and monogrammed. Printed and edited by Polígrafa, Barcelona Cat...

A major figure of the contemporary street art movement, Shepard Fairey rose to prominence in the early 1990s with his “Andre the Giant Has a Posse” campaign, which distributed poster...

This original lithograph in colours is hand signed by the artist in pencil 'Miró' at the lower right margin. It is also hand numbered in pencil from the edition of 100, at the lower ...

Artist: Joan Miro, Spanish (1893 - 1983) Title: Maravillas con Variaciones Acrosticas en el Jardin de Miro (Number 20) Year: 1975 Medium: Lithograph, signed in the plate Edition: 150...

The “Welcome Visitor” diptych is a thought-provoking exploration of the contradictions inherent in America's tourism industry and its immigration policies. Through this striking artwork, Shepard Fairey delves into the uncomfortable collision of economic opportunism and xenophobia. The piece reflects on the historical context of America as a melting pot, symbolized by the Ellis Island narrative and the hope of embracing diversity. However, it also draws attention to the contemporary climate of fear and scapegoating faced by Latino and Muslim communities. The diptych specifically highlights past events like the immigration ban and internment of Japanese individuals, including Japanese-American citizens during World War II, when unfounded fear led to prejudiced policies against them. Shepard Fairey skillfully uses this historical reference to shed light on the irrational and disproportionate fear. By contrasting the past with the present, Fairey aims to inspire contemplation and empathy, urging viewers to consider the humanity and dignity of all people as a paramount factor in shaping immigration and tourism policies. Shepard Fairey is a renowned contemporary artist and graphic designer whose work often explores political and social themes. Born on February 15, 1970, in Charleston, South Carolina, Fairey gained widespread recognition for his iconic "Hope" poster created during Barack Obama's 2008 presidential campaign. His art has since become synonymous with activism and social commentary. Fairey's unique style combines elements of street art, pop culture, and political messaging, earning him a prominent place in the world of contemporary art. In addition to his prolific career as a visual artist, Shepard Fairey co-founded the design studio Studio Number One and the art collective BLK/MRKT Inc. He has exhibited his work in galleries and museums around the globe, leaving a lasting impact on the art world and beyond. Fairey's art continues to inspire dialogue and challenge societal norms, urging viewers to question and engage with the issues he addresses. Shepard Fairey's art is influenced by various sources, including street art, punk rock aesthetics, propaganda imagery, and political movements. He credits the DIY ethos of punk culture and the rebellious spirit of street art for shaping his artistic vision. Fairey's fascination with propaganda and political art from historical movements, such as Soviet Constructivism and Chinese Cultural Revolution...

Shepard Fairey Radical Peace (Diplomacy, Creativity, Mutual Benefit, Defending Rights and Dissent) Offset Lithograph on thick cream Speckletone paper Year: 2023-2024 Size: 36x24 inch...

"I’ve made several images over the years addressing police brutality, and I think humor and absurdity help make such a heavy topic more digestible. There is a violent history of poli...

Artist: Joan Miro, Spanish (1893 - 1983) Title: Maravillas con Variaciones Acrosticas en el Jardin de Miro (Number 4) Year: 1975 Medium: Lithograph, signed in the plate Edition: 1500...

Frank Shepard Fairey was born February 15, 1970 in Charleston, South Carolina, USA. Fairey's adolescence was shaped by the influences of punk-rock and skateboarding. In his teens, he began creating his own bootlegged clothing and skateboard decals featuring bands and brands he liked. Fairey’s early bootlegs were created because his generally conservative parents would not purchase the clothing he wanted. In 1986, he stumbled upon the Andre the Giant image for which he has become famous for, in a local newspaper. The image was selected when Fairey demonstrated to a friend how to make a stencil; it was modified slightly to include the meaningless caption “Andre the Giant has a Posse” and made into a sticker. The sticker was reproduced en masse and began to appear around Charleston as it spread through the skateboarding community. While the sticker had no inherent meaning, the public response varied from disregard to curiosity to out-right fear. Civic groups editorialized and theorized that the Andre image was affiliated with everything from a band to a hate group. Nevertheless, the stickers were considered vandalism and in time, Fairey would face numerous charges for defacing public property. Fairey's record includes 15 arrests as of March 2009, for defacing property as a result of his so called bombing campaigns. Fairey affixed the stickers on municipal properties nearly everywhere he went, and the Andre sticker was being seen in Boston and New York City, soon others procured the image and were encouraged to spread the campaign worldwide in the form of stickers, stencils and wheat-paste posters. Following high school, Fairey was accepted to the Rhode Island School of Design (RISD), where, with an interest in screen printing, he majored in illustration. In 1992, while still attending RISD, Fairey started Alternate Graphics, a mail order catalog business through which he could merchandise his own t-shirts, skateboards, posters and stickers. He also took small commercial illustration jobs to help supplement his income. Shortly thereafter, the Andre the Giant Has a Posse logo was shortened simply to Obey Giant. The Obey, for which Fairey has also become synonymous, is derived from the 1988 John Carpenter film They Live. In the film, aliens who appear as human, rule the governments and economies of the world while the humans are reduced to an unwitting, hypnotized slave-class. Themes from the film continue to appear in Fairey’s work. Over time, the Andre the Giant face was modified into a more simplified and streamlined appearance, reminiscent of Russian Constructivist/Rodchenko style Soviet propaganda posters of the 20th Century. In 1994, filmmaker Helen Stickler featured Fairey and his sticker phenomenon in her documentary: Andre the Giant has a Posse. The following year, Fairey started Subliminal Projects with the late Blaize Blouin, his friend and pro-skateboarder. Subliminal Projects created and released several Obey-Giant themed posters and skateboard decks. Fairey directed a short skateboarding film featuring some of his friends through Subliminal Projects and Alternate Graphics titled A.D.D.(Attention Deficit Disorder). In 1996, Fairey moved to San Diego, California to create Giant Distribution with partner Andy Howell. Later, with Howell, Phillip De Wolff, Dave Kinsey, he formed First Bureau of Imagery (FBI), a branding, marketing and design firm established to focus on the increasingly lucrative sports market. FBI was closed in 1999 and Fairey, along with De Wolff and Kinsey created BLK/MRKT, similar to FBI. At this time, Fairey met and began working with Amanda Alaya, whom he would later marry. BLK/MRKT moved to Los Angeles in 2001. Here, they could expand and were able to incorporate a small gallery. Fairey and Kinsey eventually bought out De Wolff’s share of the partnership and by then had set up offices in the Pellissier Building (home of the historic Wiltern Theater), in the Koreatown section of Downtown Los Angeles. In December 2001, Fairey and Alaya were married in Charleston, South Carolina, Amanda has occasionally been the model for Fairey's prints (see: Commanda, 2007). Additionally, Amanda Fairey works in the capacity as publicist, agent and representative of her husband. In 2003, Kinsey and Fairey split. Kinsey retained the BLK/MRKT name and gallery, which he relocated to Culver City, California. Fairey retained the offices and most of the employees to create Studio Number One and the gallery was renamed Subliminal Projects. Studio No. 1 has since gone on to produce numerous memorable album covers, concert and film posters. In 2004, Fairey created the magazine Swindle with his old friend Roger Gastman. Swindle is a quarterly publication that features fashion, art, music and other pop-culture elements. During the 2004 presidential election, Fairey teamed up with artists Mear One and Robbie Conal to create a series of anti-Bush/anti-war posters for the street-art campaign: Be The Revolution. In 2005, Fairey accepted a residency at the Contemporary Museum in Honolulu, Hawaii, where he created murals and prints that reveal a dramatic combination of constructivist style with distinctly traditional Hawaiian themes and influences. Amanda Fairey gave birth to the couple’s first child, Vivienne in June 2005, she is the namesake of punk fashion legend Vivienne Westwood. Vivienne would be the model for Fairey’s “Vivi La Revolucion” print of 2008. Fairey's street-art, was featured with that of Dan Witz...

Shepard Fairey Lotus Angel (Hope, Compassion, Resilience) Offset Lithograph on thick cream Speckletone paper Year: 2023 Size: 36x24 inches Signed, dated by hand COA provided Ref.: 92...

This print features a reproduction of L'Oro dell'Azzurro (1967) by Joan Miró. It's framed in sustainably sourced black ash with a gallery acrylic finish. Wired for hanging. Size 31....

Lithograph, 1973 Handsigned by the artist in pencil and numbered 10/75 Publisher : Edicions Poligrafa S.A. (Barcelone) Printer : La Poligrafa S.A. (Barcelone) Catalog : Maeght 886 59...

'Universal Personhood' by Shepard Fairey, 2013 18 x 24 Inches (45,7 x 61 cm) Screen print on cream, speckle tone fine art paper Limited edition of 450 (#388/450) Hand-signed and dat...

Etching and aquatint, 1975 Edition : 62/75 Publisher : O. Lazar-Vernet, Paris Printer : Georges Leblanc et Morsang, Paris Catalog : Dupin 827 38.00 cm. x 27.70 cm. 14.96 in. x 10.91...

"Miró Lithographe II - Plate VIII" is an original lithograph realized by Joan Miró in 1975. Perfect conditions. It comes from the set of 11 lithographs realized for the catalogue "M...

Medium: original lithograph. Catalogue reference: M 236. Printed by Mourlot in 1956 and published in Paris by Maeght for the Jacques Prevert catalogue. Size: 9 x 7 3/4 inches (228 x ...

Joan Miro Spanish, 1893-1983 Affiche pour l'Exposition Miro-Artigas, 1963 Lithograph on Rives paper 33" x 22 1/4" W/frame 33 ¾ by 23 in. Pencil signed lower right from an edition o...

Artist: Joan Miro Title: Plate 20 Portfolio: Peintures sur Cartons Medium: Lithograph Date: 1965 Edition: Unnumbered Frame Size: 21 1/4” x 17 1/4” Sheet Size: 15” x 11” Image Size: 1...

"Both a celebration of nature and a cautionary tale. Waves are beautiful and represent a powerful, hypnotic rhythmic cycle, but when energized by a storm, waves can be incredibly des...

Aquatint, 1979 Handsigned by the artist in pencil and numbered 38/50 Publisher : Maeght (Barcelone) Printer : Joan Barbarà (Barcelone) Catalog : Dupin 1092 A large-format aquatint e...

Artist: Joan Miro, Spanish (1893 - 1983) Title: Sculptures (M. 950) Year: 1974 Medium: Lithograph, signed in the plate Image Size: 19 x 27 inches Size: 20.5 x 29 in. (52.07 x 73.66 ...

La melodie acide. signed on the stone and numbered 384/1500 Edition of 1500 prints on Arches paper. and with the Artist´s signature on each of the plates Edited by Poligrafa in Barce...

Medium: original lithograph. Printed in 1965 for the art revue Derriere le Miroir (issue number 151-152) and published in Paris by Maeght. Size: 15 x 11 inches (378 x 277 mm). There ...

"Son Abrines" Original etching with aquatint printed on Guarro paper. Ink stamp signed, numbered 23/75 in pencil. Also hand signed in pencil on the back by the grand son of the artis...

This is an original drypoint realized by Joan Miró in 1975. Hand signed in pencil on the lower right and numbered on the lower left. Edition of 75 prints. It represents an abstract s...

La melodie acide. original lithograph painting. signed on the stone and numbered 384/1500