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Prints and Multiples For Sale
Artist: Pablo Picasso
Artist: Robert Indiana
The Spider, 1942 (Histoire Naturelle - Textes de Buffon, B.353)
Located in Greenwich, CT
The Spider is an aquatint and drypoint print on chine from one of the deluxe copies of Picasso's 1942 Histoire Naturelle - Textes de Buffon series. The image size is 10.5 x 8 inches, unsigned as issued, and framed in a contemporary silver and gray moulding. One of about 36 prints that exist with Picasso's remarqued title in French, from the edition of 262 (there were 226 portfolios, some with additional sets on varying papers). Catalogue - Cramer #37 The exceptional etchings from Picasso’s Histoire Naturelle – Textes de Buffon are a masterful combination of sugar-lift aquatint and drypoint, showcasing a full range of gray tonalities. The etchings of animals, birds and insects are considered some of the most beautiful and most unusual examples of Picasso’s graphic work. Roger Lacourière, Picasso’s master printer, pulled the prints for each etching between 1939-1942. It was Lacourière who taught Picasso the sugar-lift aquatint technique which allowed him to mimic the effect of brushstrokes in these etched images. Picasso first explored the technique in his plates for the Vollard Suite, but it was in the creation of the Buffon images that he fully realized its stunning, painterly potential. For the edition, 226 portfolios were produced with the first thirty-six counting as deluxe compilations. These rare deluxe sets were on diverse papers (chine, japon or vergé ancien) and each included a complete additional suite showing Picasso’s title remarques along the bottom. As such, the remarqued versions of the prints are quite rare with just thirty-six of each produced for the edition (with the exception of The Wolf which is never remarqued – the image always fills the entire etching plate). These prints are based on the writings of French naturalist Georges-Louis Leclerc, Comte de Buffon, who extensively documented the natural world in his monumental work Histoire Naturelle. Picasso’s association with the project to illustrate parts of the Buffon came during a tumultuous time in European history – the prelude to, and early years of, World War II. As the continent was ravaged, Picasso lived through the disaster in Paris, which the Germans occupied in 1940. These prints could be seen as a political statement – Picasso channeling his artistic expression into a form of resistance art...
Category

20th Century Modern Prints and Multiples

Materials

Drypoint, Aquatint

'Around the Unknown Masterpiece' 1968 (347 Series, B.1824)
Located in Greenwich, CT
"Around the Unknown Masterpiece" is an aquatint on paper from Picasso's 347 Series, with an image size of 9 x 12.75 inches, signed 'Picasso' lower right and annotated lower left, fra...
Category

20th Century Modern Prints and Multiples

Materials

Paper, Aquatint

The Rooster, 1942 (Histoire Naturelle - Textes de Buffon, B.344)
Located in Greenwich, CT
The Rooster is an aquatint and drypoint print on chine from one of the deluxe copies of Picasso's 1942 Histoire Naturelle - Textes de Buffon series. The image size is 10.6 x 8.15 inc...
Category

20th Century Modern Prints and Multiples

Materials

Drypoint, Aquatint

Homme et Femme - Etching by Pablo Picasso - 1968
Located in Roma, IT
Hand signed and dated. With an handwritten dedication of the artist. Etching and Aquatint . Bloch n. 1385. This beautiful etching is dedicated to Michel Lessens, the talented assist...
Category

1960s Cubist Prints and Multiples

Materials

Paper, Etching

The Goldfinch, 1942 (Histoire Naturelle - Textes de Buffon, B.348 )
Located in Greenwich, CT
The Goldfinch is an aquatint and drypoint print on chine from one of the deluxe copies of Picasso's 1942 Histoire Naturelle - Textes de Buffon series. The image size is 11.2 x 8.25 inches, unsigned as issued, and framed in a contemporary silver and gray moulding. One of about 36 prints that exist with Picasso's remarqued title in French, from the edition of 262 (there were 226 portfolios, some with additional sets on varying papers). Catalogue - Cramer #37 The exceptional etchings from Picasso’s Histoire Naturelle – Textes de Buffon are a masterful combination of sugar-lift aquatint and drypoint, showcasing a full range of gray tonalities. The etchings of animals, birds and insects are considered some of the most beautiful and most unusual examples of Picasso’s graphic work. Roger Lacourière, Picasso’s master printer, pulled the prints for each etching between 1939-1942. It was Lacourière who taught Picasso the sugar-lift aquatint technique which allowed him to mimic the effect of brushstrokes in these etched images. Picasso first explored the technique in his plates for the Vollard Suite, but it was in the creation of the Buffon images that he fully realized its stunning, painterly potential. For the edition, 226 portfolios were produced with the first thirty-six counting as deluxe compilations. These rare deluxe sets were on diverse papers (chine, japon or vergé ancien) and each included a complete additional suite showing Picasso’s title remarques along the bottom. As such, the remarqued versions of the prints are quite rare with just thirty-six of each produced for the edition (with the exception of The Wolf which is never remarqued – the image always fills the entire etching plate). These prints are based on the writings of French naturalist Georges-Louis Leclerc, Comte de Buffon, who extensively documented the natural world in his monumental work Histoire Naturelle. Picasso’s association with the project to illustrate parts of the Buffon came during a tumultuous time in European history – the prelude to, and early years of, World War II. As the continent was ravaged, Picasso lived through the disaster in Paris, which the Germans occupied in 1940. These prints could be seen as a political statement – Picasso channeling his artistic expression into a form of resistance art...
Category

20th Century Modern Prints and Multiples

Materials

Drypoint, Aquatint

The Pigeon, 1942 (Histoire Naturelle - Textes de Buffon, B.347)
Located in Greenwich, CT
The Pigeon is an aquatint and drypoint print on chine from one of the deluxe copies of Picasso's 1942 Histoire Naturelle - Textes de Buffon series. The image size is 10.75x 8 inches, unsigned as issued, and framed in a contemporary silver and gray moulding. One of about 36 prints that exist with Picasso's remarqued title in French, from the edition of 262 (there were 226 portfolios, some with additional sets on varying papers). Catalogue - Cramer #37 The exceptional etchings from Picasso’s Histoire Naturelle – Textes de Buffon are a masterful combination of sugar-lift aquatint and drypoint, showcasing a full range of gray tonalities. The etchings of animals, birds and insects are considered some of the most beautiful and most unusual examples of Picasso’s graphic work. Roger Lacourière, Picasso’s master printer, pulled the prints for each etching between 1939-1942. It was Lacourière who taught Picasso the sugar-lift aquatint technique which allowed him to mimic the effect of brushstrokes in these etched images. Picasso first explored the technique in his plates for the Vollard Suite, but it was in the creation of the Buffon images that he fully realized its stunning, painterly potential. For the edition, 226 portfolios were produced with the first thirty-six counting as deluxe compilations. These rare deluxe sets were on diverse papers (chine, japon or vergé ancien) and each included a complete additional suite showing Picasso’s title remarques along the bottom. As such, the remarqued versions of the prints are quite rare with just thirty-six of each produced for the edition (with the exception of The Wolf which is never remarqued – the image always fills the entire etching plate). These prints are based on the writings of French naturalist Georges-Louis Leclerc, Comte de Buffon, who extensively documented the natural world in his monumental work Histoire Naturelle. Picasso’s association with the project to illustrate parts of the Buffon came during a tumultuous time in European history – the prelude to, and early years of, World War II. As the continent was ravaged, Picasso lived through the disaster in Paris, which the Germans occupied in 1940. These prints could be seen as a political statement – Picasso channeling his artistic expression into a form of resistance art...
Category

20th Century Modern Prints and Multiples

Materials

Drypoint, Aquatint

Man Unveiling a Woman, 1931 (Vollard Suite, B.138)
Located in Greenwich, CT
"Man Unveiling a Woman" is a drypoint from Picasso's Vollard Suite, image size 14.5 x 11.5 inches, signed 'Picasso' lower right and framed in a Spanish-style, closed-corner, black an...
Category

20th Century Modern Prints and Multiples

Materials

Paper, Drypoint

The Donkey, 1942 (Histoire Naturelle - Textes de Buffon, B.329)
Located in Greenwich, CT
The Donkey is an aquatint and drypoint print on chine from one of the deluxe copies of Picasso's 1942 Histoire Naturelle - Textes de Buffon series. The image size is 10.5 x 8 inches,...
Category

20th Century Modern Prints and Multiples

Materials

Drypoint, Aquatint

Nude Seated Cross-legged... (347 Series, B.1757)
Located in Greenwich, CT
"Nude Seated Cross-Legged and 'Grotesque' with Hand on Heart" is an etching from Picasso's 347 Series with an image size of 6 x 8 inches, signed 'Pic...
Category

20th Century Modern Prints and Multiples

Materials

Paper, Etching

Femme Nue se Couronnant de Fleurs - Etching by Pablo Picasso - 1930
Located in Roma, IT
Etching on Montval with watermark "Vollard" Hand Signed in pencil. One of 260 proofs Ref. Catalogue Bloch n.135; Baer 195 B.d.; Belongs to the "Suite Vollard". Édition Ambroise V...
Category

1930s Cubist Prints and Multiples

Materials

Paper, Etching

The Wasp, 1942 (Histoire Naturelle - Textes de Buffon, B.351)
Located in Greenwich, CT
The Wasp is an aquatint and drypoint print on chine from one of the deluxe copies of Picasso's 1942 Histoire Naturelle - Textes de Buffon series. The image size is 10.6 x 8 inches, u...
Category

20th Century Modern Prints and Multiples

Materials

Drypoint, Aquatint

Sculpteur, Modèle Accroupi et Tête Sculptée - Etching by Pablo Picasso - 1933
Located in Roma, IT
Sheet dimensions: 70x50 cm. Hand Signed. Not Numbered. Edition of 250 pieces. Belongs to the series "Suite Vollard", probably the most popular and appreciated graphic suite by Picass...
Category

1930s Cubist Prints and Multiples

Materials

Paper, Etching

Homme couche et femme accroupie
Located in Fairlawn, OH
Homme couche et femme accroupie Lithograph on Arches paper, 1956 Signature stamp lower right )see photo) Annotated in pencil lower left: "epreuve d'artiste" (see p[hoto) Edition: 50, plus a few artist's proofs One of at least six artist's proofs apart from the edition of 50 Printed by Mourlot, Paris Inventory number verso: 50. Edition: 50, plus a few artist's proofs One of at least six artist's proofs apart from the edition of 50 Provenance: Pablo Picasso Inventory number verso: 50.014 (recorded in the Picasso Archives, Paris) Marina Picasso Collection...
Category

1950s Cubist Prints and Multiples

Materials

Lithograph

The Mother Hen, 1942 (Histoire Naturelle - Textes de Buffon, B.345)
Located in Greenwich, CT
The Mother Hen is an aquatint and drypoint print on chine from one of the deluxe copies of Picasso's 1942 Histoire Naturelle - Textes de Buffon series. The image size is 10.6 x 8 inc...
Category

20th Century Modern Prints and Multiples

Materials

Drypoint, Aquatint

Personnages Masqués et Femme Oiseau - Etching by Pablo Picasso - 1934
Located in Roma, IT
Hand Signed. Edition of 99 prints. Plate 24 from "La Suite Vollard". Catalogue Bloch n.227. Passepartout included (cm.50x70). Prov. Private Collection, France.
Category

1930s Cubist Prints and Multiples

Materials

Paper, Etching

Les Bleus de Barcelone - Etching by Pablo Picasso - 1963
Located in Roma, IT
Hand Signed and numbered. Edition of 75 prints. Ref. Bloch n.1130.
Category

1960s Cubist Prints and Multiples

Materials

Paper, Etching

Nature Morte au Pot de Grès - Lithograph by Pablo Picasso - 1947
Located in Roma, IT
Hand signed in red pencil and numbered. Dated in plate. Edition 14/50. On Arches Wove Paper. Excellent condition. Reference: Bloch n.443; Mourlot 86
Category

1940s Cubist Prints and Multiples

Materials

Paper, Lithograph

The Vulture. 1942 (Histoire Naturelle - Textes de Buffon, B.341)
Located in Greenwich, CT
The Vulture is an aquatint and drypoint print on chine from one of the deluxe copies of Picasso's 1942 Histoire Naturelle - Textes de Buffon series. The image size is 10.6 x 8 inches, unsigned as issued, and framed in a contemporary silver and gray moulding. One of about 36 prints that exist with Picasso's remarqued title in French, from the edition of 262 (there were 226 portfolios, some with additional sets on varying papers). Catalogue - Cramer #37 The exceptional etchings from Picasso’s Histoire Naturelle – Textes de Buffon are a masterful combination of sugar-lift aquatint and drypoint, showcasing a full range of gray tonalities. The etchings of animals, birds and insects are considered some of the most beautiful and most unusual examples of Picasso’s graphic work. Roger Lacourière, Picasso’s master printer, pulled the prints for each etching between 1939-1942. It was Lacourière who taught Picasso the sugar-lift aquatint technique which allowed him to mimic the effect of brushstrokes in these etched images. Picasso first explored the technique in his plates for the Vollard Suite, but it was in the creation of the Buffon images that he fully realized its stunning, painterly potential. For the edition, 226 portfolios were produced with the first thirty-six counting as deluxe compilations. These rare deluxe sets were on diverse papers (chine, japon or vergé ancien) and each included a complete additional suite showing Picasso’s title remarques along the bottom. As such, the remarqued versions of the prints are quite rare with just thirty-six of each produced for the edition (with the exception of The Wolf which is never remarqued – the image always fills the entire etching plate). These prints are based on the writings of French naturalist Georges-Louis Leclerc, Comte de Buffon, who extensively documented the natural world in his monumental work Histoire Naturelle. Picasso’s association with the project to illustrate parts of the Buffon came during a tumultuous time in European history – the prelude to, and early years of, World War II. As the continent was ravaged, Picasso lived through the disaster in Paris, which the Germans occupied in 1940. These prints could be seen as a political statement – Picasso channeling his artistic expression into a form of resistance art...
Category

20th Century Modern Prints and Multiples

Materials

Drypoint, Aquatint

Pablo Picasso - The Ballet Dancer - Original Lithograph
Located in Collonge Bellerive, Geneve, CH
Pablo Picasso - Original Lithograph Title: The Ballet Dancer Dimensions: 32 x 24 cm 1954 Reference: Bloch 767 Frontispiece for the book "Le Ballet" (Paris: Editions Hachet, 1954) by...
Category

1950s Modern Prints and Multiples

Materials

Lithograph

Deux Femmes Accroupies - Etching by Pablo Picasso - 1956
Located in Roma, IT
Realized by Picasso in 1956. Original Lithograph. Hand Signed and numbered. Edition of 50 prints.  Ref. Bloch n.790. 
Category

1950s Cubist Prints and Multiples

Materials

Etching, Paper

Dans l'Atelier - Etching by Pablo Picasso - 1965
Located in Roma, IT
Hand Signed. Aquatint  and drypoint.  Editions of 50 pieces. Hand numbered. Catalogue Bloch n.1219; Cat. Baer 1201 Passepartout included 49x59 cm.
Category

1960s Cubist Prints and Multiples

Materials

Paper, Etching

Winter from The Four Seasons of HOPE, Silver Edition
Located in New York, NY
Robert Indiana’s message of HOPE has been an important, poetic language spanning his long career. The Four Seasons of HOPE was created for his solo exhibition at the historic Four Se...
Category

2010s Contemporary Prints and Multiples

Materials

Screen

Homme nu avec femme ivre et jeune flutiste
Located in Fairlawn, OH
Homme nu avec femme ivre et jeune flutiste Etching, 1955 Signature stamp lower right (see photo) Annotated in penci lower leftl: "epreuve d'artiste" (see photo) Inventory number vers...
Category

1950s Modern Prints and Multiples

Materials

Etching

Sunburst Marilyn
Located in Washington, DC
Artist: Robert Indiana Title: Sunburst Marilyn Medium: Screenprint in colors on wove paper Year: 2001 Edition: AP XV/XX (aside from the edition of 100) Sheet...
Category

Early 2000s Prints and Multiples

Materials

Screen

La Comedie Humaine VIII
Located in Wilton, CT
"La Comedie Humaine VIII" Lithograph in Color on Thick Wove Paper After The Original. The plates executed under the direct supervision of Pablo Picasso. First edition, 1954. Printed ...
Category

1950s Cubist Prints and Multiples

Materials

Lithograph

Degas with Three Nude Women - Original etching, Signed (Bloch #1981)
Located in Paris, FR
Pablo Picasso (1881-1973) Degas with Three Nude Women, 1971 Original etching Signed with the artist stamp signature Numbered / 50 On vellum 50 x 65 cm (c. 20 x 26 in) Image size 36....
Category

1970s Modern Prints and Multiples

Materials

Etching

Plate VI, Le Cocu Magnifique
Located in Fairlawn, OH
Plate VI, Le Cocu Magnifique etching & aquatint, 1968 Unsigned as usual From the unsigned edition of 200 impressions printed on Rives BFK paper There is also a signed edition of 30 i...
Category

1960s Surrealist Prints and Multiples

Materials

Etching, Aquatint

ART (Sheehan, 80) iconic 1970s geometric abstraction lt ed s/n for Colby College
Located in New York, NY
Robert Indiana Colby ART (Sheehan, 80), 1973 Silkscreen in Colors on White Wove Paper Pencil signed and numbered 69/100 on the front with artist's copyright @Robert Indiana lower right front Published by Robert Indiana with copyright; Printed by Seri-Arts, Inc. Vintage metal frame included Classic early 1970s work. There was a time, we are told, when every prestigious collector in Germany would have an edition of Robert Indiana's iconic ART print prominently hanging in their home. This is an uncommon and desirable Robert Indiana piece from the early 1970s. Boldly signed in graphite on the recto (front), numbered and bearing the artist's copyright: @ Robert Indiana 1973...
Category

1970s Pop Art Prints and Multiples

Materials

Screen, Pencil

Pablo Ruiz Picasso Spanish 1968 signed limited edition original art print n8
Located in Miami, FL
Pablo Ruiz Picasso (Spain, 1881-1973) 'Hombre sentado con pipa, maja y Celestina', 1968 aquatint, etching on paper 9.7 x 12.9 in. (24.5 x 32.7 cm.) Edition of 50 Unframed ID: PIC2001-008 Hand-signed by author The work is documented in the catalog raisonné Picasso Suite 347...
Category

1960s Cubist Prints and Multiples

Materials

Aquatint, Etching

Love from The Book of Love
Located in London, GB
Screenprint in colours, 1996, on A.N.W. Crestwood Museum paper, signed in pencil and numbered from the edition of 200, published by American Image Editions, New York, 66 × 50.8 cm. (...
Category

Late 20th Century Pop Art Prints and Multiples

Materials

Screen

Pablo Picasso ( 1881 – 1973 ) – hand-signed lithograph on Arches - 1963
Located in Varese, IT
color lithograph on Arches paper, edited in 1963 Limited edition of 200 copies signed in pencil by artist in lower right corner and numbered 84/200 in lower left corner paper size: 88,9 x 62,9 cm Framed size: 115 x 88 cm very good conditions with strong deep colors important wood frame included both the background and the passe-partout were made ph neutral for proper preservation of the work over the years , to avoid oxidation. Publications / Catalogue Raisonnée : This print is fully documented and referenced in the official Catalogue Raisonnée – Orozco no. 125 pag 93 (illustrated) – Picasso & LA PRESSE...
Category

1960s Cubist Prints and Multiples

Materials

Paper, Lithograph

Pablo Picasso 'Hibou' A. R. 253
Located in Miami, FL
PABLO PICASSO (1881-1973) Hibou (A. R. 253) Terre de faïence pitcher, painted in colors and glazed, 1954, from the edition of 500, inscribed 'Edition Picasso' and 'Madoura', with ...
Category

1950s Modern Prints and Multiples

Materials

Ceramic, Earthenware

Pablo Ruiz Picasso Spanish 1968 signed limited edition original art print n7
Located in Miami, FL
Pablo Ruiz Picasso (Spain, 1881-1973) 'Visitante con nariz borbónica en casa de la Celestina', 1968 aquatint, sugarlift on oiled plate, dry point on paper 9.7 x 12.9 in. (24.6 x 32.6 cm.) Edition of 50 Conservation: The paper and the beards have been recently restored Unframed ID: PIC2001-007 Hand-signed by author The work is documented in the catalog raisonné Picasso Suite 347...
Category

1960s Cubist Prints and Multiples

Materials

Aquatint, Drypoint, Etching

Visage de Femme Pomone, Picasso, Ceramic, Multiples, Women, Edition, 1960's
Located in Geneva, CH
Visage de femme Pomone Ed. 47/100 pcs 1968 Red earthenware clay, engobe ground, engraving enhanced with oxides under partial brushed glaze 31.5 x 31.4 cm Numbered, inscribed and sta...
Category

1960s Post-War Prints and Multiples

Materials

Earthenware, Ceramic

La Pique (The Pike)
Located in Fairlawn, OH
La Pique (The Pike) Lithograph, 1950 Original lithograph drawn with chalk and "frottage textures" transferred to stone, 1950. Unsigned printer's proof Inscribed on the verso in Mourl...
Category

1950s French School Prints and Multiples

Materials

Lithograph

Pablo Picasso 'Dormeur' A. R. 343
Located in Miami, FL
PABLO PICASSO (1881-1973) Dormeur (A. R. 343) Terre de faïence plate, 1956, an unnumbered example aside from the edition of 100, this plate was used as the mould for Ateliers Hugo'...
Category

Mid-20th Century Modern Prints and Multiples

Materials

Silver

Le Couple
Located in New York, NY
Pablo Picasso (1881-1973), Le Couple, 1951, drypoint on chine volant, signed lower right margin and numbered (5/XI) lower left margin. References: Bloch 690,...
Category

1950s Cubist Prints and Multiples

Materials

Drypoint

Hope Wall
Located in New York, NY
ROBERT INDIANA Hope Wall, 2010 Silkscreen on wove paper 24 × 25 inches Edition IV/IV (aside from the regular edition of 33) Hand signed, numbered IV/IV and dated on lower front Unframed Robert Indiana created Hope Wall, or Wall of Hope in support of future president Barack Obama in 2008, and the print was published in 2010. This is an extremely rare Artist's Proof - one of only four in the world. It is pencil signed, dated and numbered IV of IV on the recto. The regular edition is only 33. Extremely scarce. This print has appeared on the market fewer than a handful of times over the past decade. “I’d like to cover the world with hope,” said Robert Indiana, the artist whose iconic “LOVE” series became a global symbol of unity during the turmoil of the 1960s. In 2008, Indiana felt the world was ready for a new message, and designed “HOPE” for Barack Obama’s presidential campaign. “I wanted to help name and empower the next generation and I felt that HOPE encompassed the needs of our time,” he said. With its forward-leaning O, “HOPE” symbolizes perseverance, and pushing ahead toward a brighter future. To coincide with the artist’s 86th birthday, the first annual “International Hope Day” launched on September 13, 2014 and included the public display of Indiana’s “HOPE” sculptures...
Category

2010s Pop Art Prints and Multiples

Materials

Screen

Pablo Ruiz Picasso Spanish signed limited edition original art print etching
Located in Miami, FL
Pablo Ruiz Picasso (Spain, 1881-1973) 'Sueño y mentira de Franco I', 1937 aquatint, etching on paper 15.2 x 22.4 in. (38.5 x 56.7 cm.) Editio...
Category

1930s Cubist Prints and Multiples

Materials

Paper, Etching, Aquatint

Plate I, Le Cocu Magnifique
Located in Fairlawn, OH
Plate I, Le Cocu Magnifique Etching, 1968 From: Le Cocu Magnifique Unsigned as issued in the portfolio The set of 12 etching & aquatints is signed by Picasso on the justification pa...
Category

1960s French School Prints and Multiples

Materials

Etching

Pablo Picasso 'Chouette' A. R. 48
Located in Miami, FL
PABLO PICASSO (1881-1973) Chouette (A. R. 48) Terre de faïence dish, 1948, numbered 145/200, with the workshop numbering, glazed and painted, with the Edition Picasso and Madoura s...
Category

1950s Modern Prints and Multiples

Materials

Ceramic

Peace Plunges in Despair (rare signed Artists Proof)
Located in New York, NY
"It becomes particularly desperate when the peace symbol is inverted and is really plunging in despair. I grew a little weary of my own despair and my own grief." — Robert Indiana R...
Category

Early 2000s Pop Art Prints and Multiples

Materials

Pencil, Screen

Pablo Picasso - La Petite Corrida - Original Lithograph
Located in Collonge Bellerive, Geneve, CH
Pablo Picasso - Original Lithograph La Petite Corrida (The Small Bullfight) 1958 Edition of 2000, unsigned Published in the journal XXe Siecle Dimens...
Category

1950s Modern Prints and Multiples

Materials

Lithograph

Love Rising
Located in San Luis Obispo, CA
This iconic original lithograph by Robert Indiana is a true classic. It is in perfect condition and framed with glass
Category

1970s Pop Art Prints and Multiples

Materials

Lithograph

Pablo Picasso 'Profil de Jacqueline' A. R. 309
Located in Miami, FL
PABLO PICASSO (1881-1973) Profil de Jacqueline (A. R. 309) Terre de faïence dish, 1956, from the edition of 100, with the workshop numbering, w...
Category

1950s Modern Prints and Multiples

Materials

Earthenware, Ceramic

LOVE, Stable Gallery (Original Historic Poster Hand Signed by Robert Indiana)
Located in New York, NY
Robert Indiana LOVE, Stable Gallery (Hand Signed), 1966 Silkscreen on wove paper. Hand signed by Robert Indiana 33 1/2 × 24 inches Hand Signed lower right front Published by the Stable Gallery Unframed This is the original silkscreen poster from Robert Indiana's historic, iconic LOVE exhibition at the Stable Gallery in New York. This original Stable Gallery 1966 poster...
Category

1960s Pop Art Prints and Multiples

Materials

Pencil, Screen

Pablo Ruiz Picasso Spanish signed limited edition original art print etching
Located in Miami, FL
Pablo Ruiz Picasso (Spain, 1881-1973) 'Viol (the rape) – Le cocu magnifique (The Magnificent Cuckold)', ca.1966-1968 aquatint, etching, dry point on paper Velin Arches 250 g. 14.4 x ...
Category

1960s Cubist Prints and Multiples

Materials

Aquatint, Etching, Drypoint, Paper

Four Winds from One Cent Life
Located in Austin, TX
Artist: Robert Indiana Title: Four Winds from One Cent Life Year: 1964 Medium: 2 page lithograph, as printed from One Cent Life As printed with Walasse Ting poem, from the One Cent ...
Category

1960s Expressionist Prints and Multiples

Materials

Lithograph

Pablo Ruiz Picasso Spanish signed limited edition original art print lithograph
Located in Miami, FL
Pablo Ruiz Picasso (Spain, 1881-1973) 'Paloma', 1952 lithograph on paper Velin Arches 250 g. 26 x 19.9 in. (66 x 50.5 cm.) Edition of 50 Unframed ID: PIC2001-001 Hand-signed by autho...
Category

1950s Cubist Prints and Multiples

Materials

Paper, Lithograph

Pablo Picasso "Grand Tête" (Portrait de Jacqueline aux Cheveux lisses)
Located in Los Angeles, CA
PABLO PICASSO (1881-1973) Grand Tête (Portrait de Jacqueline aux Cheveux lisses) linocut in colors, on Arches paper, 1962, signed in pencil, numbered 12/50, with full margins, pale ...
Category

20th Century Cubist Prints and Multiples

Materials

Linocut

Plate IV, Le Cocu Magnifique
Located in Fairlawn, OH
Plate IV, Le Cocu Magnifique etching & aquatint, 1968 Unsigned on the print Signed on the portfolio justification page (see photo) From the unsigned edition of 200 impressions printe...
Category

1960s French School Prints and Multiples

Materials

Aquatint

Bouquet dans un Vase
Located in London, GB
Linocut in colours, 1959, on watermarked Arches paper, signed in pencil, an artist’s proof aside from the standard edition of 50, printed by Imprimerie Arnéra, published by Galerie L...
Category

Mid-20th Century Abstract Prints and Multiples

Materials

Linocut

Picasso's 1959 Original exhibition poster Maison de la pensée Francaise - Paris
Located in PARIS, FR
The exhibition poster for the original posters by the masters of the École de Paris at the Maison de la Pensée Française in 1959, created by lege...
Category

1950s Prints and Multiples

Materials

Paper, Lithograph

NUMBERS Suite - Full Set (Pop Art, Modern, Neo-Dada, LOVE) (20% OFF LIST PRICE)
Located in Kansas City, MO
Robert Indiana Title: NUMBERS Folio - 10 (ten) Loose Silkscreen Prints accompanied by Poems Folio includes numbers: ONE, TWO, THREE, FOUR, FIVE, SIX, SEVEN, EIGHT, NINE, ZERO Medium:...
Category

1960s Pop Art Prints and Multiples

Materials

Screen

The Old King (Le Vieux Roi)
Located in Boston, MA
Artist: Picasso, Pablo Title: The Old King (Le Vieux Roi) Date: 1959 Medium: Lithograph Framed Dimensions: 37.5" x 31.5" Signature: Signed Edition of 1000 (aside from numbered ...
Category

1950s Modern Prints and Multiples

Materials

Lithograph

An Honest Man Has Been President: Homage to Jimmy Carter (Sheehan, 112)
Located in New York, NY
Robert Indiana An Honest Man Has Been President: Homage to Jimmy Carter (Sheehan, 112), 1980 Color silkscreen on off white wove paper 23 1/2 × 19 3/5 inches Pencil signed and numbere...
Category

1980s Pop Art Prints and Multiples

Materials

Screen

La Pique (I), from A Los Toros Avec Picasso
Located in Washington, DC
Artist: Pablo Picasso Medium: Transfer lithograph Title: La Pique (I) Portfolio: A Los Toros Avec Picasso Year: 1961 Framed Size: 17 1/2" x 20" Image Size: 8" x 10" Sheet Size: 9" x ...
Category

1960s Cubist Prints and Multiples

Materials

Lithograph

MAMELOUK ENLEVANT UNE FEMME, ATTAQUE PAR UN MOUSQUETAIRE (BLOCH 1586)
Located in Aventura, FL
Aquatint on wove paper. Hand signed and numbered by Pablo Picasso. Plate 106, from the serie "347 gravures" (B. 1586; BA. 1602 II B b 1). Published by Galerie Louise Leiris, Paris. ...
Category

1960s Cubist Prints and Multiples

Materials

Paper, Engraving

Fine Art Prints for Sale — Animal Prints, Abstract Prints, Nude Prints and Other Prints

Decorating with fine art prints — whether they’re figurative prints, abstract prints or another variety — has always been a practical way of bringing a space to life as well as bringing works by an artist you love into your home.

Pursued in the 1960s and ’70s, largely by Pop artists drawn to its associations with mass production, advertising, packaging and seriality, as well as those challenging the primacy of the Abstract Expressionist brushstroke, printmaking was embraced in the 1980s by painters and conceptual artists ranging from David Salle and Elizabeth Murray to Adrian Piper and Sherrie Levine.

Printmaking is the transfer of an image from one surface to another. An artist takes a material like stone, metal, wood or wax, carves, incises, draws or otherwise marks it with an image, inks or paints it and then transfers the image to a piece of paper or other material.

Fine art prints are frequently confused with their more commercial counterparts. After all, our closest connection to the printed image is through mass-produced newspapers, magazines and books, and many people don’t realize that even though prints are editions, they start with an original image created by an artist with the intent of reproducing it in a small batch. Fine art prints are created in strictly limited editions — 20 or 30 or maybe 50 — and are always based on an image created specifically to be made into an edition.

Many people think of revered Dutch artist Rembrandt as a painter but may not know that he was a printmaker as well. His prints have been preserved in time along with the work of other celebrated printmakers such as Pablo Picasso, Salvador Dalí and Andy Warhol. These fine art prints are still highly sought after by collectors.

“It’s another tool in the artist’s toolbox, just like painting or sculpture or anything else that an artist uses in the service of mark making or expressing him- or herself,” says International Fine Print Dealers Association (IFPDA) vice president Betsy Senior, of New York’s Betsy Senior Fine Art, Inc.

Because artist’s editions tend to be more affordable and available than his or her unique works, they’re more accessible and can be a great opportunity to bring a variety of colors, textures and shapes into a space.

For tight corners, select small fine art prints as opposed to the oversized bold piece you’ll hang as a focal point in the dining area. But be careful not to choose something that is too big for your space. And feel free to lean into it if need be — not every work needs picture-hanging hooks. Leaning a larger fine art print against the wall behind a bookcase can add a stylish installation-type dynamic to your living room. (Read more about how to arrange wall art here.)

Find fine art prints for sale on 1stDibs today.

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