Prints and Multiples

PABLO PICASSO (1881-1973) Faune Cavalier (A. R. 336) Terre de faïence plate, 1956, an unnumbered example aside from the edition of 100, with the workshop numbering, with the Emprei...

Signed and numbered to lower margin ‘46/125 Picasso’. This work is number 46 from the edition of 125 printed by Arnéra, Vallauris and published by Musée Municipal d'Art Moderne, Cére...

Discover the artistic brilliance of Pablo Picasso through his iconic artwork, Personnages et Nu (Characters and Nude), created in 1960. This captivating piece centers around a female...

PABLO PICASSO (1881-1973) Visage No. 111 (A. R. 476) Terre de faïence plate, 1963, numbered 422/500, with the workshop numbering, inscribed 'Edition Picasso' and 'Madoura', glazed...

Lithograph, 1955, on Arches wove paper, signed in pencil and numbered from the edition of 50, printed by Mourlot, Paris, published by Galerie Louise Leiris, Paris, 66.4 x 50 cm. (26⅛ by 19¾ in.) This abstract, three-quarter profile is of Picasso’s second wife, Jacqueline Roque. The couple met during the summer of 1952 whilst Roque was working at Georges and Suzanne Ramié’s Madoura pottery works in Vallauris, the studio where Picasso made his ceramics in the South of France. The couples love endured until the artist’s death in 1973, Picasso adored Jacqueline so much so that for seventeen of the twenty years the couple spent together - the longest relationship of Picasso’s life - Roque was the only female Picasso painted. When Picasso embarked on his late, great period, his biographer John Richardson succinctly defined and characterised as ‘l’époque Jacqueline.’ In this lithograph, Picasso bestows Roque with an elegant, sphinx-like appearance. The straight line of the nose which extends directly from the forehead to the tip is particularly evocative of these ancient Egyptian sculptures...

PABLO PICASSO 1881-1973 Málaga 1881- 1973 Mougins (Spanish) Title: The Lady with a Collar La Dame à la Collerette, 1962 Technique: Original Hand Signed and Numbered Linocut in Co...

PABLO PICASSO (1881-1973) Quatre profils enlacés (A. R. 87 V) Terre de faïence plate, 1949, unglazed and painted, with the Edition Picasso and...

Pablo PICASSO Cubist composition with Glass and Apple (Tribute to Cezanne) Stone lithograph (Mourlot workshop) On Arches vellum 44.5 x 32.5 cm (c. 18 x 13 inch) REFERENCES : - Cat...

Pablo Picasso ( 1881 - 1973 ) Petit Visage N° 12 . Literature : A Ramié Catalogue raisonné N° 460 page 242 Marked and numbered N° 88/150. Edition Picasso / Madoura (underneath ) part...

PABLO PICASSO (1881-1973) Dormeur (A. R. 343) Silver repoussé plate conceived in 1956 and executed in silver by Pierre Hugo in 1977, from an edition size of 20 + 2 exemplaires d'ar...

PABLO PICASSO (1881-1973) Espagnol au toros (A. R. 403) Terre de faïence plate, painted and partially glazed, 1957, numbered 59/100 and incised 'Edition Picasso' and 'Madoura', wit...

A prolific and tireless innovator of art forms, Pablo Picasso impacted the course of 20th-century art with unparalleled magnitude. Inspired by African and Iberian art and developments in the world around him, Picasso contributed significantly to a number of artistic movements, notably Cubism, Surrealism, Neoclassicism, and Expressionism. In 1949 Picasso’s illustrations...

PABLO PICASSO (1881-1973) Visage No. 127 (A. R. 478) Terre de faïence plate, 1963, numbered 142/150, titled, inscribed 'Edition Picasso' and 'Madoura', glazed and painted.

Artist: Picasso, Pablo Title: Le Deux Modeles Date: 1954 Medium: Lithograph on watermarked Arches paper Unframed Dimensions: 19.5" x 24.75" Framed Dimensions: 31.25" x 37" Sign...

PABLO PICASSO (1881-1973) Joueur de diaule et faune (A. R. 342) Terre de faïence plate, 1956, with the workshop numbering, aside from the edition of 100, with the Empreinte Origin...

Pablo Picasso 347 Series: No. 198, July 3, 1968 I sugar-lift aquatint, ed. of 50 11 1/8 x 13 5/8 in. (28.3 x 34.6 cm)

Pablo Picasso 347 Series: No. 255, August 7, 1968 II etching, edition of 50 11 1/4 x 15 3/4 in. (28.6 x 40 cm)

Pablo Picasso 347 Series: No. 311, September 4, 1968 II etching, ed. of 50 11 1/8 x 13 5/8 in. (28.3 x 34.6 cm)

Pablo Picasso 347 Series: No. 313, September 4, 1968 IV etching, ed. of 50 11 x 13 5/8 in. (27.9 x 34.6 cm)

Pablo Picasso 347 Series: No. 77, May 12, 1968 II etching, ed. of 50 12 7/8 x 9 7/8 in. (32.7 x 25.1 cm)

Pablo Picasso Peintre et modele [Modele et peintre chauve], 5 septembre 1966 IV drypoint, edition of 50 16 1/2 x 19 5/8 in. (41.9 x 49.8 cm) Bloch 13...

A prolific and tireless innovator of art forms, Pablo Picasso impacted the course of 20th-century art with unparalleled magnitude. Inspired by African and Iberian art and developments in the world around him, Picasso contributed significantly to a number of artistic movements, notably Cubism, Surrealism, Neoclassicism, and Expressionism. In 1949 Picasso’s illustrations...

Pablo Picasso 347 Series: No. 163, June 19, 1968 I etching, ed. of 50 13 3/4 x 11 in. (34.9 x 27.9 cm) Bloch 1643; GB 1659; Cat. 166 Signed in pencil

PABLO PICASSO (1881-1973) Profil de Jacqueline (A. R. 457) Terre de faïence plate, painted colors and partially glazed, 1962, numbered 83/100 a...

Original Lithograph by Picasso Atelier Mourlot. Paper: Vélin. Dimensions : 9 5/8 x 12 7/16 inches Reference: Bloch 1015 Picasso is not just a man and his work. Picasso is always a legend, indeed almost a myth. In the public view he has long since been the personification of genius in modern art. Picasso is an idol, one of those rare creatures who act as crucibles in which the diverse and often chaotic phenomena of culture are focussed, who seem to body forth the artistic life of their age in one person. The same thing happens in politics, science, sport. And it happens in art. Early life Born in Malaga, Spain, in October of 1881, he was the first child born in the family. His father worked as an artist, and was also a professor at the school of fine arts; he also worked as a curator for the museum in Malaga. Pablo Picasso studied under his father for one year, then went to the Academy of Arts for one year, prior to moving to Paris. In 1901 he went to Paris, which he found as the ideal place to practice new styles, and experiment with a variety of art forms. It was during these initial visits, which he began his work in surrealism and cubism style, which he was the founder of, and created many distinct pieces which were influenced by these art forms. Updates in style During his stay in Paris, Pablo Picasso was constantly updating his style; he did work from the blue period, the rose period, African influenced style, to cubism, surrealism, and realism. Not only did he master these styles, he was a pioneer in each of these movements, and influenced the styles to follow throughout the 20th century, from the initial works he created. In addition to the styles he introduced to the art world, he also worked through the many different styles which appeared, while working in Paris. Not only did he continually improve his style, and the works he created, he is well known because of the fact that he had the ability to create in any style which was prominent during the time. Russian ballet In 1917, Pablo Picasso joined the Russian Ballet, which toured in Rome; during this time he met Olga Khoklova, who was a ballerina; the couple eventually wed in 1918, upon returning to Paris. The couple eventually separated in 1935; Olga came from nobility, and an upper class lifestyle, while Pablo Picasso led a bohemian lifestyle, which conflicted. Although the couple separated, they remained officially married, until Olga's death, in 1954. In addition to works he created of Olga, many of his later pieces also took a centralized focus on his two other love interests, Marie Theresa...

PABLO PICASSO (1881-1973) Danseurs (A. R. 387) Terre de faïence plaque, 1956, from the edition of 500, partially glazed and painted, with the Empreinte Originale de Picasso and Mad...

PABLO PICASSO (1881-1973) Petit Carré Au Visage (A. R. 633) Terre de faïence tile, 1971, numbered 64/500, with the workshop numbering, with the Poinçons Originaux de Picasso and Ma...

PABLO PICASSO (1881-1973) Scéne de Plage (A. R. 391) Terre de faïence plaque, 1956, from the edition of 450, partially glazed and painted, with the Empreinte Originale de Picasso ...

PABLO PICASSO (1881-1973) Plongeurs (A. R. 378) Terre de faïence plaque, 1956, from the edition of 500, partially glazed and painted, with the Madoura and Empreinte Originale de P...

PABLO PICASSO (1881-1973) Oiseau No. 82 (A. R. 482) Ceramic plate, 1963, numbered 87/150, titled, inscribed 'Edition Picasso' and 'Madoura', partially glazed and painted.

Original lithograph printed in black ink on Arches wove paper. Signed and dated on the stone lower right Picasso 23 mai 50 A superb trial proof impression...

PABLO PICASSO (1881-1973) Picador (A. R. 202 V) Terre-de-faïence plate, 1953, unique prototype molded and painted by Picasso before the edition of 300. With the Madoura Plein Feu ...

Signed in pencil, from the edition of 20 to 25 that accompanied Max Jacob's 'Le Phanérogame' in December 1918. With wide margins (the version issued with the...

Drypoint, 1967. 350x300 mm; 13 5/8x11 5/8 inches, full margins. With the artist's ink stamp signature, lower right, and numbered 38/50 in pencil, lower left. A very good impression. ...

A prolific and tireless innovator of art forms, Pablo Picasso impacted the course of 20th-century art with unparalleled magnitude. Inspired by African and Iberian art and developme...

Nature Morte, Compotier is a rare black and white drypoint on laid ivory-colored paper, realized by Pablo Picasso in 1909. Edition of 100. Hand-signed in pencil on the lower right m...

Pablo PICASSO Smiling Face for Madoura, 1958 Original linocut (printed in Arnera workshop) Handsigned with red pencil From a limited edition of 200 unumbered proofs On vellum 60 x ...

A gem of an artwork by Robert Mangold, this original woodcut and screenprint measures 6 1/4 x 10 in. (16 x 25.4 cm.), unframed and is initialed by the artist in pencil, and dated.  A...

Pablo PICASSO Dancer, Musician and a Owl Original etching Signed with the artist stamp bottom right Numbered in pencil 4/50 On vellum 41 x 48 cm (c. 16 x 19 inch) REFERENCES : - C...

Pablo PICASSO Cubist nude Original lithograph Signature printed in the plate Dated May (19)29 Limited to 300 copies (not numbered) On vellum 27 x 21 cm (c. 11 x 8 inch) REFERENCES...

Pablo Picasso "Diurnes" (Femme Assise En Pyjama De Plage II) 1962 Linocut printed in ochre and brown, 1962, on Arches paper Inscribed "Epreuve D'Artist" (Artist Proof) lower left, as...

An original lithograph on Arches wove paper created by Picasso in 1957, La Danse des Faunes contains the artist’s stamped signature and measures 19 x 25 3/8 in. (48.3 x 64.5 cm), unf...

Original etching printed in black ink on Rives wove paper. Hand-signed in pencil in the margin lower right Picasso, dated in the plate upper right (in reverse). A superb impres...

One of the most pleasing red earthenware tiles created by Picasso during his time at the Madoura Foundary in Vallarius, France, Petit Soleil (little sun) ...

A fabulous impression of this scarce Picasso etching from the Vollard Suite published in 1939. In an excellent hand-carved museum frame with all acid-free conservation materials. ...

Signed with the artist’s estate stamp signature in black ink in the margin lower right Picasso A richly printed impression of Geiser’s only state printed with the plate corrosion ...