Prints and Multiples

Original etching from the portfolio "Les Métamorphoses d'Ovide"publised by Skira in 1930. Catalogue Bloch Vol. I n. 108. Includes passepartout: cm. 49x34.

24" x 18" Unframed Screenprint in Color on Wove Paper Hand Signed by Shepard Fairey

Shepard Fairey Joe Strummer – Know Your Rights Screen print on thick cream Speckletone paper Year: 2023 Size: 24x18 inches Edition: 550 Signed, dated and numbered by hand COA provide...

24" x 18" Unframed Limited Edition Screen Print on Thick Cream Speckletone Paper of 300 Hand Signed by Shepard Fairey and Bob Gruen

Sabartes, Jaime Picasso – Toreros with four original lithographs Publisher: New York & Paris: George Braziller & Andre Sauret, 1961. First edition. Ha...

28 1/2" x 22 1/2" Unframed Screenprint on Cream Speckletone Paper Hand Signed by Shepard Fairey

PABLO PICASSO (1881-1973) Visage No. 197 (A. R. 494) Terre de faïence plate, 1963, numbered 365/500, titled, inscribed 'Edition Picasso' and 'Madoura', glazed and painted

24" x 18" Unframed Limited Edition Screen Print on Thick Cream Speckletone Paper of 300 Hand Signed by Shepard Fairey and Bob Gruen

Shepard Fairey Tear Flame (Mother Earth, Rebellious, Defiant, Guilt, When you dis your mother, you dis yourself) Screen print on thick cream White Speckletone paper Year: 2024 Size: ...

Shepard Fairey ICONS (Subliminal, Iconic) Screen print on thick cream White Speckletone paper Year: 2023 Size: 24x18 inches Edition: 400 Signed, dated and numbered by hand COA provid...

Shepard Fairey Radical Peace (Diplomacy, Creativity, Mutual Benefit, Defending Rights and Dissent) Offset Lithograph on thick cream Speckletone paper Year: 2023-2024 Size: 36x24 inch...

Immerse yourself in the mesmerizing world of "Unity Obey Flower," a collaborative masterpiece by Kai and Sunny, in association with the renowned Shepard Fairey of Obey. Crafted in 20...

Shepard Fairey Gears of Justice (Star Gear, Empowerment, Industrious, Leveling the playing field) Screen print on thick cream White Speckletone paper Year: 2024 Size: 24x18 inches Ed...

Pablo Picasso (1881-1873) Jacqueline au regard d'Oiseaux Numbered on the reverse Phototype and Pochoir 16 x 11.5 inches 957/1000

Paper Size: 34 x 24 inches ( 86.36 x 60.96 cm ) Image Size: 32 x 24 inches ( 81.28 x 60.96 cm ) Framed: Yes Frame Size: H: 34 x W: 24 inches Condition: A-: Near Mint, very light sign...

Shepard Fairey Lotus Angel (Hope, Compassion, Resilience) Offset Lithograph on thick cream Speckletone paper Year: 2023 Size: 36x24 inches Signed, dated by...

PABLO PICASSO (1881-1973) Le barbu (A. R. 217) Terre de faïence pitcher, painted in colors and partially glazed, 1953, from the edition of 500, inscribed 'Edition Picasso' and 'Mado...

PABLO PICASSO (1881-1973) Cruchon hibou (A. R. 293) Terre de faïence pitcher, 1955, from the edition of 500, inscribed 'Edition Picasso' and 'Madoura', glazed and painted, with the...

Frank Shepard Fairey was born February 15, 1970 in Charleston, South Carolina, USA. Fairey's adolescence was shaped by the influences of punk-rock and skateboarding. In his teens, he began creating his own bootlegged clothing and skateboard decals featuring bands and brands he liked. Fairey’s early bootlegs were created because his generally conservative parents would not purchase the clothing he wanted. In 1986, he stumbled upon the Andre the Giant image for which he has become famous for, in a local newspaper. The image was selected when Fairey demonstrated to a friend how to make a stencil; it was modified slightly to include the meaningless caption “Andre the Giant has a Posse” and made into a sticker. The sticker was reproduced en masse and began to appear around Charleston as it spread through the skateboarding community. While the sticker had no inherent meaning, the public response varied from disregard to curiosity to out-right fear. Civic groups editorialized and theorized that the Andre image was affiliated with everything from a band to a hate group. Nevertheless, the stickers were considered vandalism and in time, Fairey would face numerous charges for defacing public property. Fairey's record includes 15 arrests as of March 2009, for defacing property as a result of his so called bombing campaigns. Fairey affixed the stickers on municipal properties nearly everywhere he went, and the Andre sticker was being seen in Boston and New York City, soon others procured the image and were encouraged to spread the campaign worldwide in the form of stickers, stencils and wheat-paste posters. Following high school, Fairey was accepted to the Rhode Island School of Design (RISD), where, with an interest in screen printing, he majored in illustration. In 1992, while still attending RISD, Fairey started Alternate Graphics, a mail order catalog business through which he could merchandise his own t-shirts, skateboards, posters and stickers. He also took small commercial illustration jobs to help supplement his income. Shortly thereafter, the Andre the Giant Has a Posse logo was shortened simply to Obey Giant. The Obey, for which Fairey has also become synonymous, is derived from the 1988 John Carpenter film They Live. In the film, aliens who appear as human, rule the governments and economies of the world while the humans are reduced to an unwitting, hypnotized slave-class. Themes from the film continue to appear in Fairey’s work. Over time, the Andre the Giant face was modified into a more simplified and streamlined appearance, reminiscent of Russian Constructivist/Rodchenko style Soviet propaganda posters of the 20th Century. In 1994, filmmaker Helen Stickler featured Fairey and his sticker phenomenon in her documentary: Andre the Giant has a Posse. The following year, Fairey started Subliminal Projects with the late Blaize Blouin, his friend and pro-skateboarder. Subliminal Projects created and released several Obey-Giant themed posters and skateboard decks. Fairey directed a short skateboarding film featuring some of his friends through Subliminal Projects and Alternate Graphics titled A.D.D.(Attention Deficit Disorder). In 1996, Fairey moved to San Diego, California to create Giant Distribution with partner Andy Howell. Later, with Howell, Phillip De Wolff, Dave Kinsey, he formed First Bureau of Imagery (FBI), a branding, marketing and design firm established to focus on the increasingly lucrative sports market. FBI was closed in 1999 and Fairey, along with De Wolff and Kinsey created BLK/MRKT, similar to FBI. At this time, Fairey met and began working with Amanda Alaya, whom he would later marry. BLK/MRKT moved to Los Angeles in 2001. Here, they could expand and were able to incorporate a small gallery. Fairey and Kinsey eventually bought out De Wolff’s share of the partnership and by then had set up offices in the Pellissier Building (home of the historic Wiltern Theater), in the Koreatown section of Downtown Los Angeles. In December 2001, Fairey and Alaya were married in Charleston, South Carolina, Amanda has occasionally been the model for Fairey's prints (see: Commanda, 2007). Additionally, Amanda Fairey works in the capacity as publicist, agent and representative of her husband. In 2003, Kinsey and Fairey split. Kinsey retained the BLK/MRKT name and gallery, which he relocated to Culver City, California. Fairey retained the offices and most of the employees to create Studio Number One and the gallery was renamed Subliminal Projects. Studio No. 1 has since gone on to produce numerous memorable album covers, concert and film posters. In 2004, Fairey created the magazine Swindle with his old friend Roger Gastman. Swindle is a quarterly publication that features fashion, art, music and other pop-culture elements. During the 2004 presidential election, Fairey teamed up with artists Mear One and Robbie Conal to create a series of anti-Bush/anti-war posters for the street-art campaign: Be The Revolution. In 2005, Fairey accepted a residency at the Contemporary Museum in Honolulu, Hawaii, where he created murals and prints that reveal a dramatic combination of constructivist style with distinctly traditional Hawaiian themes and influences. Amanda Fairey gave birth to the couple’s first child, Vivienne in June 2005, she is the namesake of punk fashion legend Vivienne Westwood. Vivienne would be the model for Fairey’s “Vivi La Revolucion” print of 2008. Fairey's street-art, was featured with that of Dan Witz...

SHEPARD FAIREY Global Warning - Global Warming (Andy Warhol Edition), 2009 Silkscreen on wove paper 24 × 18 inches Pencil signed and numbered 264/450 on the front Unframed Global Warning - Global Warming - is the rare pink Andy Warhol edition, separate from the regular red edition. Limited Edition hand signed, dated and numbered silkscreen print created exclusively for the opening of Shepard Fairey's "Supply and Demand" Exhibition at the Andy Warhol Museum in Pittsburgh. This incredibly popular screenprint sold out very soon after the sale was announced by the museum. Fairey's "Global Warming", featuring a sunbathing woman covering herself with the aptly titled "Sun" newspaper, directly attacks the right-wing who deny the science of climate change, and even features his own Windmill Power poster...

This lithograph in 24 colors on Wove paper was created in 1961. Dated twice by the artist within the original lithograph plate, unsigned as issued. Publi...

"I’ve made several images over the years addressing police brutality, and I think humor and absurdity help make such a heavy topic more digestible. There is a violent history of poli...

The “Welcome Visitor” diptych is a thought-provoking exploration of the contradictions inherent in America's tourism industry and its immigration policies. Through this striking artwork, Shepard Fairey delves into the uncomfortable collision of economic opportunism and xenophobia. The piece reflects on the historical context of America as a melting pot, symbolized by the Ellis Island narrative and the hope of embracing diversity. However, it also draws attention to the contemporary climate of fear and scapegoating faced by Latino and Muslim communities. The diptych specifically highlights past events like the immigration ban and internment of Japanese individuals, including Japanese-American citizens during World War II, when unfounded fear led to prejudiced policies against them. Shepard Fairey skillfully uses this historical reference to shed light on the irrational and disproportionate fear. By contrasting the past with the present, Fairey aims to inspire contemplation and empathy, urging viewers to consider the humanity and dignity of all people as a paramount factor in shaping immigration and tourism policies. Shepard Fairey is a renowned contemporary artist and graphic designer whose work often explores political and social themes. Born on February 15, 1970, in Charleston, South Carolina, Fairey gained widespread recognition for his iconic "Hope" poster created during Barack Obama's 2008 presidential campaign. His art has since become synonymous with activism and social commentary. Fairey's unique style combines elements of street art, pop culture, and political messaging, earning him a prominent place in the world of contemporary art. In addition to his prolific career as a visual artist, Shepard Fairey co-founded the design studio Studio Number One and the art collective BLK/MRKT Inc. He has exhibited his work in galleries and museums around the globe, leaving a lasting impact on the art world and beyond. Fairey's art continues to inspire dialogue and challenge societal norms, urging viewers to question and engage with the issues he addresses. Shepard Fairey's art is influenced by various sources, including street art, punk rock aesthetics, propaganda imagery, and political movements. He credits the DIY ethos of punk culture and the rebellious spirit of street art for shaping his artistic vision. Fairey's fascination with propaganda and political art from historical movements, such as Soviet Constructivism and Chinese Cultural Revolution...

A major figure of the contemporary street art movement, Shepard Fairey rose to prominence in the early 1990s with his “Andre the Giant Has a Posse” campaign, which distributed poster...

"Bacchanale with Acrobat" is a linocut on paper with an image size of 21 x 25 inches, signed 'Picasso' lower right, and framed in a Spanish-style, closed-corner, black and gold frame. One of about 20 signed artist proofs in the edition (there were also 50 Arabic). Catalogues - Bloch vol. I, #933; Baer vol. V, #1264 Picasso’s linocut prints...

PABLO PICASSO (1881-1973) Picador (A. R. 289) Terre de faïence bowl, 1955, from the edition of 500, inscribed 'Edition Picasso' and 'Madoura', partially glazed and painted.

'Universal Personhood' by Shepard Fairey, 2013 18 x 24 Inches (45,7 x 61 cm) Screen print on cream, speckle tone fine art paper Limited edition of 450 (#388/450) Hand-signed and dat...

Pablo Ruiz Picasso (Spain, 1881-1973) 'Mes Dessins d'Antibes', 1958 lithograph on paper Velin Arches 300 g. 20.1 x 25.8 in. (51 x 65.5 cm.) Edition of 200 Unframed ID: PIC2001-017 P...

PABLO PICASSO (1881-1973) "Deux femmes pres de la fenetre" (Two Women Near a Window) Linocut in colors on Arches 1959 pencil-signed and numbered 23/50; published by Galerie Louise Le...

Pablo Ruiz Picasso (Spain, 1881-1973) 'The pica (Bullfighting)', 1961 lithograph on paper 9.7 x 12.6 in. (24.6 x 31.8 cm.) Unframed ID: PIC2001-013 It is documented in Mourlot. F. (2...

Pablo Picasso The Rehearsal, (La Répétition) Original Lithograph, (litho crayon composition on transfer paper, transferred to stone) Hand signed in ink in lower left corner Numbered ...

“Picasso wrote painting as other children wrote their a b c. He was born making drawings, not the drawings of a child but the drawings of a painter”. - Gertrude Stein Created in 1963...

The original lithograph by Pablo Picasso, titled "Hommage à René Char," stands as a testament to the artist's enduring creativity and his homage to the esteemed French poet René Char...

Homme nu avec femme ivre et jeune flutiste Etching, 1955 Signature stamp lower right (see photo) Annotated in penci lower leftl: "epreuve d'artiste" (see photo) Inventory number vers...

Shepard Fairey Parks for Everyone Screen print on thick cream Speckletone paper Year: 2022 Size: 24 x 18 inches Edition: 500 Signed, dated and numbered by hand COA provided Ref.: 924...

Original vintage poster for the Solomon R Guggenheim New York Collection art exhibition at the Museum of Decorative Arts in Paris held from April to June 1958 - Collection S Guggenhe...

Lithograph in colours, 1969, on wove paper, with the artist's printed signature as issued, inscribed ‘Hors Commerce’, aside from the French ‘F’ edition o...

Medium: original lithograph. Catalogue reference Mourlot 98. Printed in 1950 at the Mourlot atelier and published as the frontispiece of the Picasso Lithographe II...

Pablo Picasso - Painter and His Model - Original Lithograph 1964 Dimensions: 30 x 20 cm Edition of 200 (one of the 200 on Vélin de Rives) Mourlot Press, 1964 Unsigned and unumbered ...

Lithograph in colours, 1969, on wove paper, with the artist's printed signature as issued, numbered from the French edition of 250 and inscribed with an ‘F’(there was also an America...

Lithograph in colours, 1969, on wove paper, with the artist's printed signature as issued, numbered from the French edition of 250 and inscribed with an ‘F’(there was also an America...

Lithograph in colours, 1969, on wove paper, with the artist's printed signature as issued, numbered from the French edition of 250 and inscribed with an ‘F’(there was also an America...

Amazing Art Deco style on this stunning Screenprint. Gorgeous in multi colors, vivid and bright. This blue version is moody and reminiscent of 1920’s artwork. Hand signed by Fairey o...

Etching and aquatint in colours, 1964, on Richard de Bas wove paper, signed in pencil and numbered 41/50 from the edition of 50, printed by Pennequin for Atelier Crommelynck, publish...

Artist: Pablo Picasso Medium: Transfer lithograph Title: La Pique (I) Portfolio: A Los Toros Avec Picasso Year: 1961 Framed Size: 16 3/4" x 19 1/4" Image Size: 8" x 10" Sheet Size: 9...

Hand signed and marked AP (Artist Proof) by Shepard Fairey. Rare Limited edition Artist Proof (Regular edition is only 85). Hand pulled Screenprint on Cream Speckle Tone paper. Cream...

Amazing Art Deco style on this stunning Screenprint. Gorgeous in multi colors, vivid and bright. This red version is bright and powerful. Very reminiscent of 1920’s artwork. Hand sig...

Pablo Picasso "Portrait of Jacqueline, Right Profile" Original Lithograph The 3rd and final state, executed on zinc Hand signed in pencil, numbered 21/50 from the edition of 50 Paper...

Hand signed and marked AP (Artist Proof) by Shepard Fairey. Rare Limited edition Artist Proof (Regular edition is only 85). Hand pulled screen print on Cream Speckle Tone paper. Crea...

Shepard Fairey Liberte Egalite Fraternite Offset lithograph on paper Year: 2019-2023 Signed and dated by hand Size: 33.7 × 22.2 on 35.7 × 23.8 inches Frank Shepard Fairey (born Febr...

Shepard FAIREY (OBEY) and Ernesto YERENA (Ganas) Dia de los Muertos / Day of the Dead Two Original letterpress set (serigraphy) Handsigned in pencil Numbered /250 copies On black ve...

Joy Division Ian Curtis Heart and Soul. Screen print on thick cream Speckletone paper From a 2023 collaboration between Shepard Fairey and photographer Kevin Cummins. Artist Proof...

color lithograph on Arches paper, edited in 1963 Limited edition of 200 copies signed in pencil by artist in lower right corner and numbered 167/200 in lower left corner paper size: : 88,9 x 62,9 cm excellent conditions with strong deep colors Bibliography: – Miguel Orozco Lithographs Catalogue Raisonné No 125 pag 93 – Picasso & LA PRESSE...

Shepard Fairey Muhammad Ali – Heavyweight Ideals Screen print on thick cream Speckletone paper Year: 2023 Size: 24 x 18 inches Edition: 500 Signed, dated and numbered by hand COA pro...

"Both a celebration of nature and a cautionary tale. Waves are beautiful and represent a powerful, hypnotic rhythmic cycle, but when energized by a storm, waves can be incredibly des...

A very good impression of this aquatint, grattoir and drypoint. Edition of 225. Printed by Lacourière, Paris. Published by Martin Fabiani, Paris. From "Histoire Naturelle." Catalogu...

Medium: original lithograph. Printed in 1954 at the Mourlot Freres atelier and published in New York by The Noonday Press in an edition of 64 for the "Elegy of Ihpetonga and Masks of...

"Celestine, Young Girl and Client," 1968 is an aquatint from Picasso's 347 Series. The image size is 3.5 x 5 inches and the framed size is 18.25 x 19.5 inches. Signed 'Picasso' lower...