Prints and Multiples

Roy Lichtenstein Girl With Spraycan (Deluxe hand signed edition of the 1 Cent Life Portfolio, from the estate of artist Robert Indiana), 1964 Limited E...

A very good impression of this color screenprint on silver foil paper. Signed and numbered 10/450 in pencil by Lichtenstein. Printed by Fine Creations, Inc., New York. Published by L...

Cant Stop the Bum Rush Original and Classic Obey lithograph. Released in 2001 this classic is 24" X 36" or a large print on thick/ heavy-stock paper, Signed and Dated by the artis...

Shepard Fairey Paint it Black Letterpress Letterpress on white cotton paper with hand-deckled edges Year: 2023 Size: 16 x 12 inches Edition: 275 Signed, dated and numbered by hand CO...

Frank Shepard Fairey was born February 15, 1970 in Charleston, South Carolina, USA. Fairey's adolescence was shaped by the influences of punk-rock and skateboarding. In his teens, he began creating his own bootlegged clothing and skateboard decals featuring bands and brands he liked. Fairey’s early bootlegs were created because his generally conservative parents would not purchase the clothing he wanted. In 1986, he stumbled upon the Andre the Giant image for which he has become famous for, in a local newspaper. The image was selected when Fairey demonstrated to a friend how to make a stencil; it was modified slightly to include the meaningless caption “Andre the Giant has a Posse” and made into a sticker. The sticker was reproduced en masse and began to appear around Charleston as it spread through the skateboarding community. While the sticker had no inherent meaning, the public response varied from disregard to curiosity to out-right fear. Civic groups editorialized and theorized that the Andre image was affiliated with everything from a band to a hate group. Nevertheless, the stickers were considered vandalism and in time, Fairey would face numerous charges for defacing public property. Fairey's record includes 15 arrests as of March 2009, for defacing property as a result of his so called bombing campaigns. Fairey affixed the stickers on municipal properties nearly everywhere he went, and the Andre sticker was being seen in Boston and New York City, soon others procured the image and were encouraged to spread the campaign worldwide in the form of stickers, stencils and wheat-paste posters. Following high school, Fairey was accepted to the Rhode Island School of Design (RISD), where, with an interest in screen printing, he majored in illustration. In 1992, while still attending RISD, Fairey started Alternate Graphics, a mail order catalog business through which he could merchandise his own t-shirts, skateboards, posters and stickers. He also took small commercial illustration jobs to help supplement his income. Shortly thereafter, the Andre the Giant Has a Posse logo was shortened simply to Obey Giant. The Obey, for which Fairey has also become synonymous, is derived from the 1988 John Carpenter film They Live. In the film, aliens who appear as human, rule the governments and economies of the world while the humans are reduced to an unwitting, hypnotized slave-class. Themes from the film continue to appear in Fairey’s work. Over time, the Andre the Giant face was modified into a more simplified and streamlined appearance, reminiscent of Russian Constructivist/Rodchenko style Soviet propaganda posters of the 20th Century. In 1994, filmmaker Helen Stickler featured Fairey and his sticker phenomenon in her documentary: Andre the Giant has a Posse. The following year, Fairey started Subliminal Projects with the late Blaize Blouin, his friend and pro-skateboarder. Subliminal Projects created and released several Obey-Giant themed posters and skateboard decks. Fairey directed a short skateboarding film featuring some of his friends through Subliminal Projects and Alternate Graphics titled A.D.D.(Attention Deficit Disorder). In 1996, Fairey moved to San Diego, California to create Giant Distribution with partner Andy Howell. Later, with Howell, Phillip De Wolff, Dave Kinsey, he formed First Bureau of Imagery (FBI), a branding, marketing and design firm established to focus on the increasingly lucrative sports market. FBI was closed in 1999 and Fairey, along with De Wolff and Kinsey created BLK/MRKT, similar to FBI. At this time, Fairey met and began working with Amanda Alaya, whom he would later marry. BLK/MRKT moved to Los Angeles in 2001. Here, they could expand and were able to incorporate a small gallery. Fairey and Kinsey eventually bought out De Wolff’s share of the partnership and by then had set up offices in the Pellissier Building (home of the historic Wiltern Theater), in the Koreatown section of Downtown Los Angeles. In December 2001, Fairey and Alaya were married in Charleston, South Carolina, Amanda has occasionally been the model for Fairey's prints (see: Commanda, 2007). Additionally, Amanda Fairey works in the capacity as publicist, agent and representative of her husband. In 2003, Kinsey and Fairey split. Kinsey retained the BLK/MRKT name and gallery, which he relocated to Culver City, California. Fairey retained the offices and most of the employees to create Studio Number One and the gallery was renamed Subliminal Projects. Studio No. 1 has since gone on to produce numerous memorable album covers, concert and film posters. In 2004, Fairey created the magazine Swindle with his old friend Roger Gastman. Swindle is a quarterly publication that features fashion, art, music and other pop-culture elements. During the 2004 presidential election, Fairey teamed up with artists Mear One...

SHEPARD FAIREY Bureau of Public Works (on Wood), 2004 Mixed media silkscreen on wood panel. Hand signed and annotated on both the recto and verso. In original handmade artist's frame...

This limited edition bandana from Shepard Fairey was part of a 2020 campaign titled "Artists Band Together," in support of organizations working to increase voter turnout. Produced...

ROY LICHTENSTEIN Clinton Gore (Limited Edition Campaign Button), 1992 Mixed Media Screenprint on political button (Plate Signed Roy Lichtenstein) 1 3/...

Shepard Fairey Fragile Cargo Screen print on thick cream Speckletone paper Year: 2022 Size: 24 x 18 inches Edition: 650 Signed, dated and numbered by hand COA provided Ref.: 924802-8...

Shepard Fairey Swan Song Screen print on thick cream Speckletone paper Year: 2023 Size: 24 x 36 inches Edition: 550 Signed, dated and numbered by hand COA provided Ref.: 924802-1603 ...

From the Paintings series. Woodcut, Lithograph, screen print and collage on Arches 88 paper. Hand signed, dated and numbered by Roy Lichtenst...

Shepard Fairey OFF! You Will Do What We Say, 2019 Medium: Screenprint on paper Dimensions: 18 × 24 in (45.7 × 61 cm) Edition of 600: Hand-signed and numbered Condition: Mint

Icons Letterpress Prints (Complete Set), 2023 Four Letterpress prints on cream cotton paper with hand-deckled edges 35.5 x 27.9 Edition of 250 Hand-signed and numbered Mint condition...

Screenprint on heavy, white wove paper , edited in 1965 Limited edition of 280 copies signed in pencil by artist in lower right corner and numbered 243/280 paper size: : 58,4 x 73,6 ...

Shepard Fairey Wetland Powers (Big Oil, Corrupt Supreme Court, Common Assets) Screenprint on thick cream Speckletone Paper Year: 2023 Size: 24x18in Edition: 55...

Shepard Fairey Terry Hall Tribute Screenprint on heavy True White Speckletone paper Year: 2023 Size: 24x18in Edition: 325 Signed, dated and numbered by hand COA provided Ref.: 92480...

Haystack #5 Color lithograph and screen print, 1969 Signed and dated in pencil (see photo) From: Haystack Series (seven plates) see photo of entire portfolio Signed and dated in pencil Edition: 100 (74/100) Publisher: Gemini G.E.L., Los Angeles, CA, with their blaindstamp Reference: Paul Bianchini No. 33e Corlett and Fine 69 Condition: Excellent Fresh colors Small paper imperfection in bottom margin near the edge of the sheet Image size: 13 1/4 x 23 3/8 inches Sheet size: 20 ¾ x 30 ¾ inches Frame size: 23 ½ x 33 ¾ inches This is one of the finest images in the portfolio, inspired by Claude Monet's famous series of Haystack paintings...

TITLE: Shepard Fairey "The Woman Who Defeated Pain" Frida Kahlo Silkscreen Print Contemporary Art YEAR: 2023 CLASSIFICATION: Limited edition MEDIUM TYPE: Print MEDIUM/MATERIALS: Fine Art Cream Speckletone Paper with Gold Metallic Inks. CATEGORIES: Silkscreen / Feminist Art and Contemporary Feminist / Graffiti and Street Art / Pop and Contemporary Pop / Cultural Commentary DIMENSIONS: 24 × 18 in 61 × 45.7 cm EDITIONS: Edition of 550 For sale PRICE 1500 USD PRICE DISPLAY Exact price IMAGE RIGHTS N/A PROVENANCE: Comes with a Digital Certificate of Authenticity provided by Verisart and New Union Gallery...

The Pattern of Denial print is an examination of image versus reality. The image is inspired by the sleek and idealized mid-century architecture of both deluxe homes and deluxe facto...

In Roy Lichtenstein Nude Reading, from Nudes, 1994, a woman comfortably lounges in her home, reading a book while devoid of clothes; derived in Lichtenstein’s classical style of high...

“This piece is based on a painting I did for my ‘Earth Crisis’ show in Paris. The entire body of work for that show used these shades of blue/turquoise as a connection to the air and...

The Ideal Power print was inspired by the need to address gender inequality regarding both wages and basic respect. I believe power should come from the quality and merit of one’s wo...

Shepard Fairey Just a Minor Threat (Hardcore, Punk Rock, Skateboarding, D.I.Y. Culture, Energy, Outspoken) Screenprint on thick cream Speckletone paper Year: 2023 Size: 18x24 inches ...

Shepard Fairey - Earth Guardians, Rewrite the Law, Power to the Polls - Complete 3 Print Set Description: Presenting a powerful trio of prints by the iconic American contemporary a...

Artist: Roy Lichtenstein, American (1923 - 1997) Title: This Must Be the Place (C. III.20) Year: 1965 Medium: Offset Lithograph, signed in the plate and in pencil lower right Edition...

Shepard Fairey Pattern of Denial (Mid-Century Architecture, Fossil Fuels, Deluxe Lifestyle, Naive Driver, Sleek, Idealized) Screenprint on thick cream Speckletone paper Year: 2023 Si...

Roy Lichtenstein Historic 1960s exhibition invitation for Galleria Apollinaire, 1965 Offset lithograph poster Frame included This poster/invitation was published for Lichtenstein exh...

Shepard Fairey's "Target Exceptions" print offers a poignant reflection on the challenges faced by individuals aspiring to visit or immigrate to the United States. Through this thought-provoking artwork, Fairey delves into the complexities of the immigration process, shedding light on the various target criteria that determine the eligibility of potential candidates. In a world where the "American Dream" beckons as a symbol of hope and opportunity, Fairey's piece reminds us that many deserving individuals are deemed exceptions to the established qualifications, particularly in the context of prevailing attitudes and policies of the current administration. The artwork presents a striking visual featuring Fairey's iconic style, using a blend of powerful imagery and symbolic elements to convey its message. By drawing attention to the dichotomy between the desired dream and the restrictive reality, "Target Exceptions" calls for empathy and understanding towards those affected by such immigration hurdles. Shepard Fairey's reputation as a contemporary artist and graphic designer precedes him. Born on February 15, 1970, in Charleston, South Carolina, Fairey has gained global recognition for his profound influence on modern art and activism. His commitment to addressing political and social issues through his work has earned him a prominent position within the art world. Fairey's artistic journey began with street art and has evolved into a diverse body of work that seamlessly blends political messaging, pop culture references, and iconic symbolism. As a co-founder of Studio Number One and the art collective BLK/MRKT Inc., Shepard Fairey continues to push the boundaries of artistic expression and its capacity to inspire change. His work has been exhibited worldwide, making a lasting impact on both art enthusiasts and social activists alike. Shepard Fairey's art is rooted in a blend of influences that shape its distinctive character. His early experiences with street art and punk culture have left an indelible mark on his style, infusing it with a rebellious spirit and DIY ethos. Additionally, Fairey draws inspiration from the world of propaganda and political messaging, referencing historical movements like Soviet Constructivism and Chinese Cultural Revolution art...

Obey Giant Edition Details: Year: 2018 Class: Art Print Status: Official Released: 12/10/18 Run: 450 Technique: Screen Print Paper: Fine Art Cream Speckle Tone With Gold Metallic Ink...

Shepard Fairey Post-Punk Flower (Red) Letterpress on cream cotton paper with hand-deckled edges Year: 2022 Size: 12 x 18 inches Edition: 375 Signed, dated and numbered by hand COA pr...

Roy Lichtenstein Next Wave Festival Poster (Hand signed and dated), 1983 Offset lithograph (Hand signed and dated 1997 by Roy Lichtenstein) Signed and dated '97 in black ink on the f...

"Based on a mixed-media fine art piece I made using collage, stenciling, and painting. I’ve created several iterations of the peace dove over the years because as an icon, the dove i...

Shepard Fairey Sub-Standard (Corporate Greed, Fossil Fuels, Collapsing Ecosystems) Screen print on thick cream Speckletone paper Year: 2023 Size: 24x12 inches Edition: 550 Signed, da...

DavidBowie is one of my favorite musicians not only because so many of his songs possess magic, but also because he was creatively fearless and perpetually collaborative. I first dis...

Roy Lichtenstein Mermaid Original lithograph on Arches paper from the estate of one of the original donors to the sculpture. 8 Color litho on pap...

Original Illustration based on photograph by Karen Bystedt. Signed by Shepard Fairey and Karen Bystedt. Comes with C.O.A. from New Union Gallery. "I’ve been a fan of Andy Warhol’s ...

"This print is a comment on the relationship between corporate greed, fossil fuels, and the warming of the planet and collapsing ecosystems. Standard operating, pushed by players like Standard Oil and its many offshoots, should be redefined as sub-standard. If we want to maintain the standard of health our planet needs to avoid catastrophe, we can't allow big oil to put profits before the planet and profits before people (as well as many other threatened species). Keep in mind that big oil, which is already very profitable, is subsidized by you, the taxpayer, for up to $50 billion per year. In contrast, renewable energy sources are subsidized for only a quarter of that amount. We need to push for change." -Shepard Fairey A portion of proceeds from this print went to Greenpeace USA. Materials: Fine Art Paper with Gold Metallic Inks Size: 24 × 12 in 61 × 30.5 cm Rarity: Limited edition Medium: Print Condition: Print is in pristine condition and has been stored flat since purchase. Signature: Hand-signed by artist, Hand signed and numbered by the artist in pencil, Shepard Fairey. Certificate of authenticity Included (issued by gallery) Publisher: Obey Giant Studio...

This work is hand signed in pencil "R. Lichtenstein" at the lower right margin on the overlay board. It is also numbered in pencil from the edition of 100, at the lower left margin o...

Screen print on waxed paper plate. Unsigned from an unknown edition. Published by Bert Stern, New York. Plate size 10 x 10 inches. Frame size approx 17 x 17 inches. Stamped "Roy Lichtenstein On First Inc, 1969" on plate verso. Excellent condition. All reasonable offers will be considered. Lichtenstein made the paper plate for the well-known fashion and advertising photographer Bert Stern, who had set up an uber-chic New York boutique called “On First Store”. Located in Manhattan, Stern’s idea was to commission stylish yet affordable objects for the home and wardrobe from notable fashion designers and artists. Unfortunately, the shop did not last long and most of the plates were left undistributed. About the Artist: Roy Lichtenstein (American, 1923–1997) was an artist known for his paintings and prints which referenced commercial art and popular culture icons like Mickey Mouse. Composed using Ben...

Shepard Fairey Global Harmony (Mandala, Harmony, Wholeness, Unified Global Perspective) Screen print on thick cream Speckletone paper Year: 2023 Size: 24x24 inches Edition: 550 Signe...

This "Lifeguard Not On Duty" print was inspired by some old photos I saw of oil derricks down on the beach at Playa Del Rey and Long Beach. There are still oil drilling platforms vis...

Shepard Fairey Mujer Fatale Offset lithograph on paper Year: 2019-2022 Signed and dated by hand Size: 33.7 × 22.2 on 35.7 × 23.8 inches *Sample image. Year might differ from the yea...

"Based on one of my art pieces focused on peace and harmony included in my exhibition at the Straat Museum in Amsterdam. I have replicated many of the textures of the original art pi...

Offset lithography on paper 2019 Hand signed and dated In very great condition Sheet size: 61,0 x 46,5 cm Motif size: 55,6 x 42,5 cm

Silkscreen Print on Fine Art Cream Speckletone 24 × 18 in | 61 × 45.7 cm Edition of 500 Silkscreen / Graffiti and Street Art / Pop and Contemporary Pop / Cultural Commentary / Contemporary Academic Realism "The Earth's eco-system is beautifully complex but fragile. Biodiversity is essential to maintain the delicate balance our world needs to remain healthy. 68% of the Earth's species have disappeared in the last 50 years alone. Many beautiful creatures are gone forever, and each loss erodes the foundation of our eco-system. My poster...

Manufacturer Obey Giant Edition Details: Year: 2020 Class: Fine Art Print Status: Official Released: 02/12/20 Run: 314550 Technique: Screen Print Paper: Thick Fine Art Cream Specklet...

Roy Lichtenstein Untitled I, 1980 Soft-ground etching on mold-made Lana paper 23 x 20 5/8 inches Edition of 8 Signed and dated by the artist in the lower right Unframed

Shepard Fairey The Angles of Sedation and Destruction (Ethereal, Gradients, Spray Paint, Geometric, Minimalism, Hypnotic, Poppy) Screenprint on thick cream Speckletone paper Year: 2...

Shepard Fairey The Woman Who Defeated Pain (Frida Kahlo) Screen print on thick cream Speckletone paper Year: 2023 Size: 24 x 18 inches Edition: 550 Signed, dated and numbered by hand...

Manufacturer: Obey Giant Edition Details: Year: 2014 Class: Art Print Status: Official Released: 08/12/14 Run: 450 Technique: Screen Print Size: 18 X 24 Markings: Signed & Numbered b...

Manufacturer: Obey Giant Edition Details: Year: 2019 Class: Art Print Status: Official Released: 01/08/19 Run: 417/450 Technique: Letterpress Paper: Cream Cotton Size: 10 X 13 Markin...

Original Illustration based on photograph by Kevin Cummins. Signed by Shepard Fairey and Kevin Cummins. A portion of the proceeds went to CALM (Campaign Against Living Miserably). "...

Obey Holiday 2016. 18 x 24 inches. Screen Print. Signed by Shepard Fairey. Edition of 575. "I make a holiday print every year as a gift for friends and supporters, which is usually ...

Shepard Fairey RFK Screen print on thick cream Speckletone paper Year: 2023 Size: 24 x 18 inches Edition: 500 Signed, dated and numbered by hand COA provided Ref.: 924802-1600 Fra...

Shepard Fairey Screen-prints: collection of 60 works: 2009-2022: A rare assemblage of 60 hand-signed Shepard Fairey screen-prints; collected over a near 15 year period (2009-2022). Notable imagery includes: Bob Marley, Keith Haring, Ruth Bader Ginsburg, Kurt Cobain, as well as a series of vivid anti-war pieces defining the artist's practice (title list found further below). Each very well-preserved. Medium: Screen-prints on heavy paper. 2009-2022 (see below for a list of titles & years). Dimensions ranging from: 19.5 x 16 inches to 24x36 inches. Each work is hand-signed; works are either numbered from their respective main editions or notated 'AP' (see last listing image); a few or several works are signed, but not numbered. Excellent overall condition with the exception of perhaps some minor signs of handling on a few examples. Provenance: Private collection New York via Shepard Fairey. Listing images beginning with image 2 represent the actual works. These works will be shipped flat using protective materials. Please feel free to contact us with any additional questions. Titles & Years: OCEAN TODAY...

Obey & Ganas Day of the Dead Calavera Set. 11 x 14 inches. Letterpress print by Aardvark Letterpress. Obey version Signed by Ernesto Yerena and Shepard Fairey. Ganas version signed b...

Based on a photo taken by Ted Soqui during the LA riots of spring 1992. "This image is equally emblematic of the current wave of protests for racial justice and police reform that the nation has been experiencing in the wake of the murder of George Floyd...

"Haystack #6, RL69-236", is a lithograph print by Roy Lichtenstein, made in 1969. It is edition 32 out of 100. The work is signed in the lower right, "Lichtenstein '69". The framed size is 21 x 30 1/4 x 1 1/4 inches. In 1968–9 Lichtenstein made a series of paintings paraphrasing Claude Monet's ‘Haystacks’ and ‘Rouen Cathedral...