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Prints and Multiples For Sale
Style: Post-Impressionist
Style: Vienna Secession
La Femme aux Figures
Located in Detroit, MI
Etched print in black on cream laid paper. Excellent condition.
Category

1890s Post-Impressionist Prints and Multiples

Materials

Etching

'Port de Vendres', Côte Vermeille, France, California Post Impressionist, Esalen
Located in Santa Cruz, CA
Signed verso, 'Ant McNaught', (American, born 1952), inscribed '(After Derain, 1905)', and with edition number '27' inscribed over limitation of '375', titled 'Port de Vendres' and dated 2020. Framed dimensions: 34.5 x 3 x 40.25 inches. A substantial, Post-Impressionist harbor scene showing a sun-drenched view of the Port of Vendres in the South of France with sailing boats moored to the wharves and a view beyond towards terracotta roofs against verdant, green hills, all beneath a late sunset sky. A bright and breezy, full-size (24" x 30") giclée of the artist's original 2020 oil painting...
Category

2010s Post-Impressionist Prints and Multiples

Materials

Canvas, Giclée

Ferry
Located in Ljubljana, SI
Ferry. Original color lithograph, 1950. Edition of 200 signed and numbered impressions on the Arches paper. Zoran Mušič is one of the most celebrated Slovenian artists, born close to...
Category

1950s Post-Impressionist Prints and Multiples

Materials

Lithograph

Max Eisler Eine Nachlese folio "Section of Jurisprudence" collotype
Located in Chicago, IL
After Gustav Klimt, Max Eisler Plate #11, Aus den Bilde “Die Jurisprudenz”; brown-toned monochrome collotype after the 1900-07 painting in oil on canvas. The original was destroyed by fire in May 1945. GUSTAV KLIMT EINE NACHLESE (GUSTAV KLIMT AN AFTERMATH), a portfolio of 30 collotypes prints, 15 are multi-color and 15 are monochrome, on chine colle paper laid down on heavy cream-wove paper with deckled edges; Max Eisler, Editor-Publisher; Osterreichischer Staatsdruckerei (Austrian State Printing Office), Printer; in a limited edition of 500 numbered examples of which: 200 were printed in German, 150 were printed in French and 150 were printed in English; Vienna, 1931. 2018 marks the 100th anniversary of Gustav Klimt’s death. It is a fitting time to reflect upon the enduring legacy and deep impact of his art. Recognizing this need for posterity with uncanny foresight, the publication of Gustav Klimt: An Aftermath (Eine Nachlese) provides a rare collection of work after Klimt which has proven to be an indispensable tool for Klimt scholarship as well as a source for pure visual delight. Approximately 25 percent of the original works featured in the Aftermath portfolio have since been lost. Of those 30, six were destroyed by fire on 8 May 1945. On that fateful final day of WWII, the retreating Feldherrnhalle, a tank division of the German Army, set fire to the Schloss Immendorf which was a 16th century castle in Lower Austria used between 1942-1945 to store objects of art. All three of Klimt’s Faculty Paintings: Philosophy, Medicine and Jurisprudence (1900-1907), originally created for the University of Vienna, were on premises at that time. Also among the inventory of Klimt paintings in storage there was art which had been confiscated by the Nazis. One of the most significant confiscated collections was the Lederer collection which featured many works by Gustav Klimt such as Girlfriends II and Garden Path with Chickens...
Category

1930s Vienna Secession Prints and Multiples

Materials

Paper

Landscape with Hill
Located in New York, NY
John Beerman Landscape with Hill, 1994 monoprint 16 x 22 1/2 in. (40.6 x 57.2 cm)
Category

1990s Post-Impressionist Prints and Multiples

Materials

Monoprint

Le Grand Nu
Located in New York, NY
Henri Matisse Le Grand Nu, 1906 Lithograph, on China paper, edition of 50 Image: 11 1/4 x 10 inches (28.6 x 25.4 cm) Sheet: 17 3/4 x 13 7/8 inches (45.1 x 35.2 cm)
Category

Early 1900s Fauvist Prints and Multiples

Materials

Lithograph

Fauvist : Dinner in Orange - Lithograph # Mourlot
Located in Paris, FR
Pierre BONNARD Fauvist : Dinner in Orange, c. 1950 Lithograph after a painting of the artist (Mourlot workshop) Printed signature in the plate On Rives vellum 62 x 67.5 cm (c. 25 x ...
Category

Mid-20th Century Fauvist Prints and Multiples

Materials

Lithograph

Nu assis dans un Fauteuil au Décor fleuri
Located in New York, NY
A superb, evenly-printed impression of this lithograph with bold contrasts on thin laid paper. Signed and numbered 105/250 in pencil by Matisse. Catalogue reference: Duthuit 445.
Category

1920s Fauvist Prints and Multiples

Materials

Lithograph

Odalisque sur la Terrace
Located in New York, NY
A very good, well-inked impression of this color aquatint. Signed by Matisse and numbered 96/200 in ink. Etched by Jacques Villon. Published by Galerie Bernheim-Jeune, Paris. This color aquatint is based on the same-titled oil painting by Matisse.
Category

1920s Fauvist Prints and Multiples

Materials

Aquatint, Color

Max Eisler Eine Nachlese folio "Charlotte Pulitzer" collotype
Located in Chicago, IL
After Gustav Klimt, Max Eisler Plate #19, Bildnis einer alten Dame; sepia-toned monochrome collotype after the 1917 painting in oil on canvas. GUSTAV KLIMT EINE NACHLESE (GUSTAV KLIMT AN AFTERMATH), a portfolio of 30 collotypes prints, 15 are multi-color and 15 are monochrome, on chine colle paper laid down on heavy cream-wove paper with deckled edges; Max Eisler, Editor-Publisher; Osterreichischer Staatsdruckerei (Austrian State Printing Office), Printer; in a limited edition of 500 numbered examples of which: 200 were printed in German, 150 were printed in French and 150 were printed in English; Vienna, 1931. 2018 marks the 100th anniversary of Gustav Klimt’s death. It is a fitting time to reflect upon the enduring legacy and deep impact of his art. Recognizing this need for posterity with uncanny foresight, the publication of Gustav Klimt: An Aftermath (Eine Nachlese) provides a rare collection of work after Klimt which has proven to be an indispensable tool for Klimt scholarship as well as a source for pure visual delight. Approximately 25 percent of the original works featured in the Aftermath portfolio have since been lost. Of those 30, six were destroyed by fire on 8 May 1945. On that fateful final day of WWII, the retreating Feldherrnhalle, a tank division of the German Army, set fire to the Schloss Immendorf which was a 16th century castle in Lower Austria used between 1942-1945 to store objects of art. All three of Klimt’s Faculty Paintings: Philosophy, Medicine and Jurisprudence (1900-1907), originally created for the University of Vienna, were on premises at that time. Also among the inventory of Klimt paintings in storage there was art which had been confiscated by the Nazis. One of the most significant confiscated collections was the Lederer collection which featured many works by Gustav Klimt such as Girlfriends II and Garden Path with Chickens...
Category

1930s Vienna Secession Prints and Multiples

Materials

Archival Paper

Le Loup - Henri Matisse, Jazz, Pochoir prints, Fauvism, Artist's books
Located in London, GB
Pochoir printed in colours, 1947. From: Jazz, Plate VI. From the book edition of 270. Printed on Arches paper by Edmond Vairel, Paris. Published by Teriade, Paris. (Duthuit Livre...
Category

1940s Fauvist Prints and Multiples

Materials

Stencil

Saint Jean de Luz (Harbor in the South West of France) - Lithograph, Ltd /200
Located in Paris, FR
Albert MARQUET Saint Jean de Luz (Harbor in the South West of France) Original lithograph Signed with the artist stamp Numbered / 200 On Arches vell...
Category

Early 20th Century Post-Impressionist Prints and Multiples

Materials

Lithograph

Of Beauty —after Gustav Mahler's 'The Song of the Earth'
Located in Myrtle Beach, SC
Arthur Paunzen, 'Von der Schönheit' (Of Beauty) from the suite 'Song of the Earth', etching, aquatint, and drypoint, 1920. Signed and titled in pencil. Signed in the plate, lower left. A fine, richly-inked impression, on cream, wove Japan paper; the full sheet with margins (2 1/4 to 4 1/4 inches), in good condition. Image size 12 3/8 x 9 inches; sheet size 19 5/8 x 13 5/8 inches. Matted to museum standards, unframed. ABOUT THIS WORK Pauzen’s suite of six etchings 'Das Lied von der Erde' (The Song of the Earth), published in 1920, was inspired by Gustav Mahler...
Category

1920s Vienna Secession Prints and Multiples

Materials

Etching, Drypoint, Aquatint

Grenade et Pipe from the Espace Portfolio
Located in Kansas City, MO
Georges Braque (after) Title: Grenade et Pipe from the Espace Portfolio Year: 1957 Year of Original: 1932 Medium: Pochoir (pigment print) on Richard de Bas, signed in the plate Edit...
Category

1950s Fauvist Prints and Multiples

Materials

Pigment

Judaica Lithograph With Hand Watercolor Shtetl Sukkot Holiday Scene Etching
Located in Surfside, FL
Beautiful poignant lyrical piece. I am not sure if it is a lithograph or an etching with hand painted watercolor. it depicts a beautiful shtetl interior scene. Chaim Goldberg -- bo...
Category

20th Century Post-Impressionist Prints and Multiples

Materials

Watercolor, Etching, Lithograph

Still Life with Mandolin - Pochoir - Spitzer edition circa 1950 /250ex
Located in Paris, FR
Paul GAUGUIN (after) Still life with Mandolin Lithograph and pochoir (Spitzer process) Printed signature in the plate Numbered / 250 Blind s...
Category

1950s Fauvist Prints and Multiples

Materials

Lithograph

Joies de Bretagne
Located in Missouri, MO
Paul Gauguin (1848-1903) Joies de Bretagne (Kornfeld 7 B) zincograph, 1889, on simili Japon paper, from the second edition of circa 50 impressions, published by Ambroise Vollard afte...
Category

Early 1900s Fauvist Prints and Multiples

Materials

Lithograph

Les Masques Scandalisés - Etching by J. Ensor - 1895
Located in Roma, IT
Hand signed, also signed on plate. Passepartout included : 49 x 34 cm Image Dimensions : 8 x 12 cm Catalogue Deteil n. 99.  This artwork is shipped from Italy. Under existing legisl...
Category

1890s Post-Impressionist Prints and Multiples

Materials

Etching

Family - Original Lithograph by Pierre Bonnard - 1930
Located in Roma, IT
Edition of 340 prints. Monogram of the artist on plate. This lithograph is one of the illustrations that the French artist Pierre Bonnard realized for the collection "The Life of Sai...
Category

1930s Post-Impressionist Prints and Multiples

Materials

Lithograph

Maruru
Located in San Francisco, CA
Original woodcut printed in black ink on chine volant paper Titled and signed in the block with the artist’s monogram lower right MARURU  PGO. A superb impression of the definitive...
Category

1890s Post-Impressionist Prints and Multiples

Materials

Woodcut

Pablo PICASSO (after) : Cabaret in Montmartre - pochoir - 500 copies - 1963
Located in Paris, FR
Pablo PICASSO (after) Cabaret in Montmartre Original pochoir (Jacomet process : lithograph enhanced with oil charcoal) After an original drawing done in Barcelona 1899 Plate signed ...
Category

1960s Post-Impressionist Prints and Multiples

Materials

Charcoal, Lithograph, Stencil

Fine Art Prints for Sale — Animal Prints, Abstract Prints, Nude Prints and Other Prints

Decorating with fine art prints — whether they’re figurative prints, abstract prints or another variety — has always been a practical way of bringing a space to life as well as bringing works by an artist you love into your home.

Pursued in the 1960s and ’70s, largely by Pop artists drawn to its associations with mass production, advertising, packaging and seriality, as well as those challenging the primacy of the Abstract Expressionist brushstroke, printmaking was embraced in the 1980s by painters and conceptual artists ranging from David Salle and Elizabeth Murray to Adrian Piper and Sherrie Levine.

Printmaking is the transfer of an image from one surface to another. An artist takes a material like stone, metal, wood or wax, carves, incises, draws or otherwise marks it with an image, inks or paints it and then transfers the image to a piece of paper or other material.

Fine art prints are frequently confused with their more commercial counterparts. After all, our closest connection to the printed image is through mass-produced newspapers, magazines and books, and many people don’t realize that even though prints are editions, they start with an original image created by an artist with the intent of reproducing it in a small batch. Fine art prints are created in strictly limited editions — 20 or 30 or maybe 50 — and are always based on an image created specifically to be made into an edition.

Many people think of revered Dutch artist Rembrandt as a painter but may not know that he was a printmaker as well. His prints have been preserved in time along with the work of other celebrated printmakers such as Pablo Picasso, Salvador Dalí and Andy Warhol. These fine art prints are still highly sought after by collectors.

“It’s another tool in the artist’s toolbox, just like painting or sculpture or anything else that an artist uses in the service of mark making or expressing him- or herself,” says International Fine Print Dealers Association (IFPDA) vice president Betsy Senior, of New York’s Betsy Senior Fine Art, Inc.

Because artist’s editions tend to be more affordable and available than his or her unique works, they’re more accessible and can be a great opportunity to bring a variety of colors, textures and shapes into a space.

For tight corners, select small fine art prints as opposed to the oversized bold piece you’ll hang as a focal point in the dining area. But be careful not to choose something that is too big for your space. And feel free to lean into it if need be — not every work needs picture-hanging hooks. Leaning a larger fine art print against the wall behind a bookcase can add a stylish installation-type dynamic to your living room. (Read more about how to arrange wall art here.)

Find fine art prints for sale on 1stDibs today.

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