Prints and Multiples
to
684
914
222
272
169
102
Overall Width
to
Overall Height
to
20,670
19,663
10,647
5,842
5,270
2,641
1,476
1,394
1,157
809
773
420
341
191
169
29
26
26
23
68
1,419
195
14
20
211
50
144
330
120
219
116
53
1,127
525
24
958
519
491
351
282
198
196
151
94
87
84
61
61
56
42
41
40
38
32
32
922
214
187
185
138
157
336
1,246
383
Prints and Multiples For Sale
Style: Post-Impressionist
Style: Conceptual
'Provençal Landscape', Academie Chaumiere, Salon des Artistes Françaises, Paris
Located in Santa Cruz, CA
Signed lower right, 'Georges Lambert' (French, 1919-1998) and inscribed lower left, number and limitation, '19/175'.
Georges Lambert first studied in Paris at the Academie de la Gra...
Category
1960s Post-Impressionist Prints and Multiples
Materials
Paper, Lithograph
Figure Reading - Etching - Fauvism - French Art
Located in London, GB
HENRI MATISSE 1869-1954
(Emile Benoît)
Le Cateau-Cambrésis 1869-1954 Nice (French)
Title: Figure Reading Figure lisant, 1929
Technique: Original Hand Signed and Numbered Etching o...
Category
1920s Fauvist Prints and Multiples
Materials
Etching
'Hostellerie des Chiens du Guet' — British Impressionism
Located in Myrtle Beach, SC
Sybil Andrews, 'Hostellerie des Chiens du Guet', color monotype, c. 1925; edition 2, proof 1. Signed 'Sybil Andrews pinx et imp' and titled in pencil. A superb, painterly impression, with fresh colors, on heavy cream wove paper; the full sheet with margins (5/8 to 1 3/4 inches). Printed by the artist. The artist’s original archival mounting tape remains in the four sheet corners, recto (well away from the image), in excellent condition. Matted to museum standards, unframed. A unique impression.
Image size 8 15/16 x 11 15/16 inches (227 x 303 mm); sheet size 12 1/4 x 15 1/2 inches (311 x 394 mm).
ABOUT THIS WORK
In addition to her almost 80 celebrated modernist color linocuts, Sybil Andrews also worked in the monotype technique. She typically produced two or three impressions (or pulls) from each hand-painted plate, each proof unique in its qualities of color values and vibrancy.
In 1933, Sybil Andrews and Cyril Power had an exhibition of their color monotypes and linocuts at the Redfern Gallery. Most of Andrews' monotypes were destroyed by a fire in an Ottawa gallery in 1959, and they now rarely come to the market.
ABOUT THE IMAGE
The Hostellerie des Chiens du Guet is a small hotel at the edge of...
Category
1920s Post-Impressionist Prints and Multiples
Materials
Monotype
'Grau du Roi, Camargue', Salon des Artistes Francaises, Academie Chaumiere
Located in Santa Cruz, CA
Signed lower right, 'Georges Lambert' (French, 1919-1998), titled lower center 'Grau du Roi' and inscribed lower left 'Epreuve d'Artiste' with number and limitation 12/25.
An Artist...
Category
1960s Post-Impressionist Prints and Multiples
Materials
Paper, Lithograph
"Road To Sault" Contemporary Impressionist Serigraph of Provence, France
Located in Laguna Beach, CA
"Road To Sault" is an beautiful 95 color hand pulled serigraph created from the oil painted on location in Provence by Maria Bertran. This Contemporary Impressionist painting capture...
Category
2010s Post-Impressionist Prints and Multiples
Materials
Screen
Toulouse-Lautrec, Composition, Yvette Guilbert vue par Toulouse-Lautrec (after)
Located in Auburn Hills, MI
Lithograph and stencil on vélin Rives BFK paper. Unsigned and unnumbered, as issued. Good Condition; never framed or matted. Notes: From the folio, Yvette Guilbert vue par Toulouse-...
Category
1950s Post-Impressionist Prints and Multiples
Materials
Lithograph, Stencil
Promenade dans la Neige - Etching by J. Tissot - 1880
By James Tissot
Located in Roma, IT
Beautiful print on verge crème, 2° state on 3, with letters printed in red. Stamp “Lugt 1545”.
Little crack and fold on lower left margin of the sheet.
Some small traces of oxidati...
Category
1880s Post-Impressionist Prints and Multiples
Materials
Drypoint, Etching
"Wishing the Mountains Madness", 1978, Lithograph by Dennis Oppenheim
Located in Long Island City, NY
Artist: Dennis Oppenheim, American (1938 - 2011)
Title: Wishing the Mountains Madness
Year: 1978
Medium: Lithograph on Johannot Paper, unsigned
Edition: 150
Size: 41.25 in. x 29.75 i...
Category
1970s Conceptual Prints and Multiples
Materials
Lithograph
Toulouse Lautrec Original Lithograph Famous Political 1800s Collection Signed
Located in Milwaukee, WI
"Lautrec Book: From Au Pied du Sinai written by Georges Clemenceau" lithographs created by the legendary Henri de Toulouse-Lautrec. This book, Au Pied...
Category
1890s Post-Impressionist Prints and Multiples
Materials
Lithograph, Mulberry Paper
Le Repos - Original Lithograph After G. Braque - 1967
Located in Roma, IT
Le Repos is an original lithograph realized by Georges Braque (After) (Argenteuil, 1882 - Paris, 1963) in 1967.
Original Lithograph on paper.
Published by Maeght Editeur, Paris. Credits printed on rear.
Mint Conditions.
Georges Braque (1882-1963) was a French Fauve painter who began to rethink his own painting style after admiring Picasso’s Les Demoiselles...
Category
1960s Fauvist Prints and Multiples
Materials
Lithograph
Toulouse-Lautrec, Composition, Yvette Guilbert vue par Toulouse-Lautrec (after)
Located in Auburn Hills, MI
Lithograph and stencil on vélin Rives BFK paper. Unsigned and unnumbered, as issued. Good Condition; never framed or matted. Notes: From the folio, Yvette Guilbert vue par Toulouse-...
Category
1950s Post-Impressionist Prints and Multiples
Materials
Lithograph, Stencil
Toulouse-Lautrec, Composition, Yvette Guilbert vue par Toulouse-Lautrec (after)
Located in Auburn Hills, MI
Lithograph and stencil on vélin Rives BFK paper. Unsigned and unnumbered, as issued. Good Condition; never framed or matted. Notes: From the folio, Yvette Guilbert vue par Toulouse-Lautrec, 1950. Published by Librairie Au Pont des Arts, Paris; rendered by Daniel Jacomet; and, printed by Ateliers Daniel Jacomet et Cie, Paris, Monday, October 30, 1950. Excerpted from the folio (translated from French), This album, including all the prints dedicated by Toulouse-Lautrec to Yvette Guilbert, was printed for the Librairie Au Pont des Arts, by D. Jacomet. The color state of the Colombine plate in Pierrot and the twenty-seven plates of the French and English series were executed according to the original lithographs (before the letter for the French suite) from the Toulouse-Lautrec workshop and kept in the Cabinet des Stampes of the National Library. The collection includes three plates in color and twenty-eight plates in black. All copies also include a lithograph: Colombine à Pierrot, taken, after special authorization from the Musée d'Albi, on the original stone of Toulouse-Lautrec, by Lucien Détruit. It was taken from this album: A non-trade and nominative example; L examples on a large vélin of Rives including: III proofs of the lithography Colombine à Pierrot printed...
Category
1950s Post-Impressionist Prints and Multiples
Materials
Lithograph, Stencil
'Port de Vendres', Côte Vermeille, France, California Post Impressionist Harbor
Located in Santa Cruz, CA
Signed verso, 'Ant McNaught', (American, born 1952), inscribed '(After Derain, 1905)', with edition number inscribed over limitation of '375', titled 'Port de Vendres' and dated 2020. (Photograph shows example of the inscription. Edition number will vary).
A substantial, Post-Impressionist harbor...
Category
2010s Post-Impressionist Prints and Multiples
Materials
Canvas, Giclée
Toulouse-Lautrec, Composition, Yvette Guilbert vue par Toulouse-Lautrec (after)
Located in Auburn Hills, MI
Lithograph and stencil on vélin Rives BFK paper. Unsigned and unnumbered, as issued. Good Condition; never framed or matted. Notes: From the folio, Yvette Guilbert vue par Toulouse-Lautrec, 1950. Published by Librairie Au Pont des Arts, Paris; rendered by Daniel Jacomet; and, printed by Ateliers Daniel Jacomet et Cie, Paris, Monday, October 30, 1950. Excerpted from the folio (translated from French), This album, including all the prints dedicated by Toulouse-Lautrec to Yvette Guilbert, was printed for the Librairie Au Pont des Arts, by D. Jacomet. The color state of the Colombine plate in Pierrot and the twenty-seven plates of the French and English series were executed according to the original lithographs (before the letter for the French suite) from the Toulouse-Lautrec workshop and kept in the Cabinet des Stampes of the National Library. The collection includes three plates in color and twenty-eight plates in black. All copies also include a lithograph: Colombine à Pierrot, taken, after special authorization from the Musée d'Albi, on the original stone of Toulouse-Lautrec, by Lucien Détruit. It was taken from this album: A non-trade and nominative example; L examples on a large vélin of Rives including: III proofs of the lithography Colombine à Pierrot printed...
Category
1950s Post-Impressionist Prints and Multiples
Materials
Lithograph, Stencil
"Moorea" Contemporary Impressionist Serigraph of Tahiti
Located in Laguna Beach, CA
"Moorea" is an beautiful hand pulled serigraph created from the oil painted on location in Tahiti by Maria Bertran. This Contemporary Impressionist painting captures a timeless scene...
Category
2010s Post-Impressionist Prints and Multiples
Materials
Screen
Roussel, Composition, Derrière le miroir (after)
Located in Auburn Hills, MI
Lithograph on vélin paper. Inscription: Unsigned and unnumbered, as issued. Good condition. Notes: From Derrière le miroir, N° 158-159, 1966. Published by Aimé Maeght, Éditeur, Paris...
Category
1960s Post-Impressionist Prints and Multiples
Materials
Lithograph
Vuillard, Bouquet De Fleurs, Douze pastels (after)
Located in Auburn Hills, MI
Lithograph and stencil on vélin paper mounted on backing museum board, as issued. Unsigned and unnumbered, as issued. Good condition. Notes: From the folio, Vuillard, Douze Pastels P...
Category
1960s Post-Impressionist Prints and Multiples
Materials
Lithograph, Stencil
Reine de Joie - Litho After H. de Toulouse-Lautrec
Located in Roma, IT
Image dimensions: 28.3 x 20 cm.
Reine de Joie is a chromolithographed poster, signed on plate on the lower left margin by the French bohemian artist Hen...
Category
1950s Post-Impressionist Prints and Multiples
Materials
Lithograph
'The Pont Neuf with Notre Dame in the Distance', Tokyo Fine Arts Academy
By Kazunari Ogata
Located in Santa Cruz, CA
Signed lower right, 'K. Ogata' with number and limitation, 120/275, lower left. Accompanied by a Certificate of Authentication from the Societe de Verification de la Nouvelle Gravure...
Category
1970s Post-Impressionist Prints and Multiples
Materials
Paper, Lithograph
'Falaise de l'Étretat', French Post-Impressionist, Academie Chaumiere, Benezit
Located in Santa Cruz, CA
Signed lower right, 'Georges Lambert' (French, 1919-1998) and inscribed lower left with number and limitation, '238/270'.
Georges Lambert first studied in Paris at the Academie de l...
Category
1970s Post-Impressionist Prints and Multiples
Materials
Paper, Lithograph
Bernard, Composition, Éloge de Émile Bernard (after)
Located in Auburn Hills, MI
Woodcut on vélin d’Arches paper. Inscription: unsigned and unnumbered, as issued. Good condition. Notes: From the volume, Éloge de Émile Bernard, 1962. Published by Editions d'Art Ma...
Category
1960s Post-Impressionist Prints and Multiples
Materials
Woodcut
Toulouse-Lautrec, Composition, Yvette Guilbert vue par Toulouse-Lautrec (after)
Located in Auburn Hills, MI
Lithograph and stencil on vélin Rives BFK paper. Unsigned and unnumbered, as issued. Good Condition; never framed or matted. Notes: From the folio, Yvette Guilbert vue par Toulouse-Lautrec, 1950. Published by Librairie Au Pont des Arts, Paris; rendered by Daniel Jacomet; and, printed by Ateliers Daniel Jacomet et Cie, Paris, Monday, October 30, 1950. Excerpted from the folio (translated from French), This album, including all the prints dedicated by Toulouse-Lautrec to Yvette Guilbert, was printed for the Librairie Au Pont des Arts, by D. Jacomet. The color state of the Colombine plate in Pierrot and the twenty-seven plates of the French and English series were executed according to the original lithographs (before the letter for the French suite) from the Toulouse-Lautrec workshop and kept in the Cabinet des Stampes of the National Library. The collection includes three plates in color and twenty-eight plates in black. All copies also include a lithograph: Colombine à Pierrot, taken, after special authorization from the Musée d'Albi, on the original stone of Toulouse-Lautrec, by Lucien Détruit. It was taken from this album: A non-trade and nominative example; L examples on a large vélin of Rives including: III proofs of the lithography Colombine à Pierrot printed...
Category
1950s Post-Impressionist Prints and Multiples
Materials
Lithograph, Stencil
Toulouse-Lautrec, Composition, Yvette Guilbert vue par Toulouse-Lautrec (after)
Located in Auburn Hills, MI
Lithograph and stencil on vélin Rives BFK paper. Unsigned and unnumbered, as issued. Good Condition; never framed or matted. Notes: From the folio, Yvette Guilbert vue par Toulouse-Lautrec, 1950. Published by Librairie Au Pont des Arts, Paris; rendered by Daniel Jacomet; and, printed by Ateliers Daniel Jacomet et Cie, Paris, Monday, October 30, 1950. Excerpted from the folio (translated from French), This album, including all the prints dedicated by Toulouse-Lautrec to Yvette Guilbert, was printed for the Librairie Au Pont des Arts, by D. Jacomet. The color state of the Colombine plate in Pierrot and the twenty-seven plates of the French and English series were executed according to the original lithographs (before the letter for the French suite) from the Toulouse-Lautrec workshop and kept in the Cabinet des Stampes of the National Library. The collection includes three plates in color and twenty-eight plates in black. All copies also include a lithograph: Colombine à Pierrot, taken, after special authorization from the Musée d'Albi, on the original stone of Toulouse-Lautrec, by Lucien Détruit. It was taken from this album: A non-trade and nominative example; L examples on a large vélin of Rives including: III proofs of the lithography Colombine à Pierrot printed...
Category
1950s Post-Impressionist Prints and Multiples
Materials
Lithograph, Stencil
Toulouse-Lautrec, Anna Held dans Toutes ces Dames, Derrière le miroir (after)
Located in Auburn Hills, MI
Lithograph on vélin paper. Inscription: Unsigned and unnumbered, as issued. Good condition. Notes: From Derrière le miroir, N° 158-159, 1966. Published by Aimé Maeght, Éditeur, Paris...
Category
1960s Post-Impressionist Prints and Multiples
Materials
Lithograph
"Untitled 2.14" Photography 24' x 16' inch Edition of 15 by García De Marina
Located in Culver City, CA
"Untitled 2.14" Photography 24' x 16' inch Edition of 15 by García De Marina
García de Marina was born in Gijón (Spain) in 1975. He emerged thru a deep transformation in 2010. A do...
Category
21st Century and Contemporary Conceptual Prints and Multiples
Materials
Digital Pigment
Flowers on the Window Sill, Lithograph by Guy Charon
By Guy Charon
Located in Long Island City, NY
Flowers on Window Sill by Guy Charon, French (1927)
Date: circa 1977
Lithograph, signed and numbered in pencil
Edition of 250, EA
Image Size: 25.5 x 19.5 i...
Category
1970s Post-Impressionist Prints and Multiples
Materials
Lithograph
YES - XXL format photograph of conceptual motivational message sign at night
By Frank Schott
Located in San Francisco, CA
large scale original photograph from a series of conceptual motivational messages on classic Americana signs in landscape of the American West
YES by Frank Schott
58 x 81 inches (...
Category
21st Century and Contemporary Conceptual Prints and Multiples
Materials
Archival Paper, Photographic Paper, Archival Pigment, Giclée
The Old Man and the Sea - Original Woodcut by Henri Riviere - Early 20th Century
Located in Roma, IT
"The Old Man and the Sea" is an original xilograph on brown-colored paper, realized by Henri Riviere.
The state of preservation of the artwork is very good.
Sheet dimension: 24.5 x...
Category
Early 20th Century Post-Impressionist Prints and Multiples
Materials
Woodcut
Art Institute of Chicago Exhibition, Pop Art Offset Poster after Rauschenberg
Located in Long Island City, NY
Artist: after Robert Rauschenberg
Title: Art Institue of Chicago
Year: 1977
Medium: Offset Lithograph Poster
Paper Size: 44 x 28 inches
Frame Size: 54 x 37.5 inches
Category
1970s Conceptual Prints and Multiples
Materials
Offset
Singapore Stamp Collection, 30c Singapore Orchid Yellow - Floral color photo
Located in Cambridge, GB
30 Cents Singapore Orchid Yellow, from the Heidler & Heeps Stamp Collection.
This historic postage stamps that make up the Heidler & Heeps Stamp Collection, Singapore Series 'Postcar...
Category
2010s Conceptual Prints and Multiples
Materials
Photographic Paper, C Print, Color, Silver Gelatin
Billboard - large scale monochromatic photograph of iconic Americana road sign
By Frank Schott
Located in San Francisco, CA
a monochromatic photographic homage to artist Ed Ruscha from a series of iconic Americana roadside billboard signs and conceptual signage
BILLBOARD by Frank Schott
48 x 76 inches...
Category
21st Century and Contemporary Conceptual Prints and Multiples
Materials
Archival Paper, Photographic Paper, Archival Pigment, Giclée
Vuillard, Le Square Vintimille, Douze pastels (after)
Located in Auburn Hills, MI
Lithograph and stencil on vélin paper mounted on backing museum board, as issued. Unsigned and unnumbered, as issued. Good condition. Notes: From the folio, Vuillard, Douze Pastels P...
Category
1960s Post-Impressionist Prints and Multiples
Materials
Lithograph, Stencil
The Teacher - Original Lithograph by Pierre Bonnard - 1930
Located in Roma, IT
Monogram of the artist on plate.
This lithograph is from the collection "The Life of Saint Monique", published by Vollard in 1930.
Passepartout included : 53 x 37 cm
This artwork is...
Category
1930s Post-Impressionist Prints and Multiples
Materials
Lithograph
Toulouse-Lautrec, Composition, Yvette Guilbert vue par Toulouse-Lautrec (after)
Located in Auburn Hills, MI
Lithograph and stencil on vélin Rives BFK paper. Unsigned and unnumbered, as issued. Good Condition; never framed or matted. Notes: From the folio, Yvette Guilbert vue par Toulouse-...
Category
1950s Post-Impressionist Prints and Multiples
Materials
Lithograph, Stencil
Coyote, Etching by Donald Saff
By Donald Saff
Located in Long Island City, NY
Coyote
Donald Saff, American (1937)
Date: 1980
Etching, signed and numbered in pencil
Edition of AP
Image Size: 24 X 18.5 inches
Size: 30 in. x 22 in. (76.2 cm x 55.88 cm)
Category
1980s Conceptual Prints and Multiples
Materials
Etching
'Le Petit Bay, St. Malo' — 1920s British Impressionism
Located in Myrtle Beach, SC
Sybil Andrews, 'Le Petit Bay, St. Malo', color monotype, c. 1925; edition 3, print 2. Signed 'Sybil Andrews pinx et imp' annotated 'No 2' and titled in pencil. A superb, luminous imp...
Category
1920s Post-Impressionist Prints and Multiples
Materials
Monotype
Toulouse-Lautrec, Composition, Yvette Guilbert vue par Toulouse-Lautrec (after)
Located in Auburn Hills, MI
Lithograph and stencil on vélin Rives BFK paper. Unsigned and unnumbered, as issued. Good Condition; never framed or matted. Notes: From the folio, Yvette Guilbert vue par Toulouse-Lautrec, 1950. Published by Librairie Au Pont des Arts, Paris; rendered by Daniel Jacomet; and, printed by Ateliers Daniel Jacomet et Cie, Paris, Monday, October 30, 1950. Excerpted from the folio (translated from French), This album, including all the prints dedicated by Toulouse-Lautrec to Yvette Guilbert, was printed for the Librairie Au Pont des Arts, by D. Jacomet. The color state of the Colombine plate in Pierrot and the twenty-seven plates of the French and English series were executed according to the original lithographs (before the letter for the French suite) from the Toulouse-Lautrec workshop and kept in the Cabinet des Stampes of the National Library. The collection includes three plates in color and twenty-eight plates in black. All copies also include a lithograph: Colombine à Pierrot, taken, after special authorization from the Musée d'Albi, on the original stone of Toulouse-Lautrec, by Lucien Détruit. It was taken from this album: A non-trade and nominative example; L examples on a large vélin of Rives including: III proofs of the lithography Colombine à Pierrot printed...
Category
1950s Post-Impressionist Prints and Multiples
Materials
Lithograph, Stencil
Toulouse-Lautrec, Composition, Yvette Guilbert vue par Toulouse-Lautrec (after)
Located in Auburn Hills, MI
Lithograph and stencil on vélin Rives BFK paper. Unsigned and unnumbered, as issued. Good Condition; never framed or matted. Notes: From the folio, Yvette Guilbert vue par Toulouse-...
Category
1950s Post-Impressionist Prints and Multiples
Materials
Lithograph, Stencil
Singapore Stamp Collection, 30c Singapore Four - Floral color photo
Located in Cambridge, GB
30 Cents Singapore Orchid, from the Heidler & Heeps Stamp Collection.
These historic postage stamps that make up the Heidler & Heeps Stamp Collection, Singapore Series 'Postcards fro...
Category
2010s Conceptual Prints and Multiples
Materials
Photographic Paper, C Print, Color, Silver Gelatin
"Hayrolls In The Lavender Field" Modern Impressionist Serigraph of Provence
Located in Laguna Beach, CA
"Hayrolls In The Lavender Field" is an beautiful 95 color hand pulled serigraph created from the oil painted on location in Provence by Maria Bertran. This Contemporary Impressionist...
Category
2010s Post-Impressionist Prints and Multiples
Materials
Screen
Old Castle in the South of France - Original handsigned lithograph
Located in Paris, IDF
Francois DESNOYER
Old Castle in South of France, 1965
Original lithograph
Handsigned in pencil
On Van Gelder vellum
45 x 64 cm (c. 18 x 26")
Excel...
Category
1960s Post-Impressionist Prints and Multiples
Materials
Lithograph
Notre Dame, Framed Modern Lithograph by Bernard Buffet
Located in Long Island City, NY
Artist: Bernard Buffet, French (1928 - 1999)
Title: Notre Dame
Year: 1968
Medium: Lithograph, signed in the plate
Size: 25.5 x 19.5 in. (64.77 x 49.53 cm)
Frame Size: 31 x 25.5 inches
Category
1960s Post-Impressionist Prints and Multiples
Materials
Lithograph
Still life lithograph
Located in Barcelona, Barcelona
Josep Moscardó (1953) - Still-life
Lithograph - Hand signed
Lithograph measures 38x52 cm.
Frameless.
Numbered 37/50
Barcelona, 1953
Painter, sculptor and draftsman of deep-rooted p...
Category
1990s Fauvist Prints and Multiples
Materials
Lithograph
Toulouse-Lautrec, Composition, Yvette Guilbert vue par Toulouse-Lautrec (after)
Located in Auburn Hills, MI
Lithograph and stencil on vélin Rives BFK paper. Unsigned and unnumbered, as issued. Good Condition; never framed or matted. Notes: From the folio, Yvette Guilbert vue par Toulouse-...
Category
1950s Post-Impressionist Prints and Multiples
Materials
Lithograph, Stencil
Gauguin, The Devil Speaks (Mahna No Varua Ino), Gauguin (after)
By Paul Gauguin
Located in Auburn Hills, MI
Woodcut on vélin Utopian paper. Unsigned and unnumbered, as issued. Good Condition. Notes: From the folio, Gauguin, A portfolio of 12 color woodblocks, Paul Gauguin, French, 1848-19...
Category
1940s Post-Impressionist Prints and Multiples
Materials
Woodcut
Original Cordial Topaze Bordeaux red wine, 1924 lithograph vintage poster
Located in Spokane, WA
Original French poster: CORDIAL TOPAZE; Marie Brizard & Roger Bordeaux wine; original lithographic French 1924 antique poster. Signed but an illegible signature. Size: 18" x 24"...
Category
1920s Conceptual Prints and Multiples
Materials
Lithograph
Man, Dog (Blue), Canoe/Shark Fins (One Yellow), Capsized Boat
Located in New York, NY
It is hard to characterize John Baldessari’s varied practice—which includes photomontage, artist’s books, prints, paintings, film, performance, and installation—except through his ap...
Category
21st Century and Contemporary Conceptual Prints and Multiples
Materials
Etching
Toulouse-Lautrec, Composition, Yvette Guilbert vue par Toulouse-Lautrec (after)
Located in Auburn Hills, MI
Lithograph and stencil on vélin Rives BFK paper. Unsigned and unnumbered, as issued. Good Condition; never framed or matted. Notes: From the folio, Yvette Guilbert vue par Toulouse-Lautrec, 1950. Published by Librairie Au Pont des Arts, Paris; rendered by Daniel Jacomet; and, printed by Ateliers Daniel Jacomet et Cie, Paris, Monday, October 30, 1950. Excerpted from the folio (translated from French), This album, including all the prints dedicated by Toulouse-Lautrec to Yvette Guilbert, was printed for the Librairie Au Pont des Arts, by D. Jacomet. The color state of the Colombine plate in Pierrot and the twenty-seven plates of the French and English series were executed according to the original lithographs (before the letter for the French suite) from the Toulouse-Lautrec workshop and kept in the Cabinet des Stampes of the National Library. The collection includes three plates in color and twenty-eight plates in black. All copies also include a lithograph: Colombine à Pierrot, taken, after special authorization from the Musée d'Albi, on the original stone of Toulouse-Lautrec, by Lucien Détruit. It was taken from this album: A non-trade and nominative example; L examples on a large vélin of Rives including: III proofs of the lithography Colombine à Pierrot printed...
Category
1950s Post-Impressionist Prints and Multiples
Materials
Lithograph, Stencil
French Modern Art by Henri Matisse - Les Fauves
Located in Paris, IDF
Les Fauves by Henri Matisse (1869-1954), hand-signed book cover lithography printed in Switzerland, 32 x 51 x 0,2 cm - 12,5 x 20 x 0,07 in, printed by Mourlot Editions
Henri Matisse...
Category
1930s Fauvist Prints and Multiples
Materials
Cardboard, Lithograph
Gauguin, The Creation of the Universe (L'Univers est créé), Gauguin (after)
By Paul Gauguin
Located in Auburn Hills, MI
Woodcut on vélin Utopian paper. Unsigned and unnumbered, as issued. Good Condition. Notes: From the folio, Gauguin, A portfolio of 12 color woodblocks, Paul Gauguin, French, 1848-1903 from the collection of the Museum Of Fine Arts, Boston, 1946. Rendered by Albert Carman (1899-1949); published the Museum Of Fine Arts, Boston and The Studio Publications, Inc., New York and London; printed by Holme Press Inc., New York, in an edition of MMMD. Excerpted from the folio, Paul Gauguin and Emil Bernard at Pont-Aven, Brittany, in 1888, each made a bas-relief, wooden panel to decorate a piece of furniture for a friend. In order to keep a record of their designs, a few inked impressions were made on paper. The illustration at left is a reproduction of a print which is possibly one of the above mentioned. It is further possible that this experiment later gave Gauguin the idea of making woodcuts. Just as his work in painting expressed a revolt against the overemphasis on factual representation of the nineteenth century in favor of decorative pattern and color, so also his woodcuts leaned strongly to the same side of the balance. Ten of the cuts reproduced (all excepting Soyez Amoureuses and Changement de Residence), which constitute the whole of his best known series, were made at Pont-Aven beginning in the fall of 1894, after Gauguin's return from his first trip to Tahiti and after he broke his ankle. They were at first roughly cut with a common carpenter's gouge, and the flat surfaces sandpapered and engraved with a sharp in-strument, perhaps an engraver's burin. A few trial proofs were printed in black ink only. Then the hollows were deepened with a woodcutter's gouge and highlights were added. An edition of thirty to fifty impressions of each subject, with the addition of color blocks (one, two or three), was made by Louis Roy...
Category
1940s Post-Impressionist Prints and Multiples
Materials
Woodcut
Composition (Morane, N° 100), Les Petites Fleurs de St. Françoise, Émile Bernard
Located in Auburn Hills, MI
Wood engraving on vergé d'Arches paper. Inscription: unsigned and unnumbered, as issued. Good condition. Notes: From the volume, Les Petites Fleurs de St. François, 1928. Published b...
Category
1920s Post-Impressionist Prints and Multiples
Materials
Woodcut
Composition (Morane, N° 100), Les Petites Fleurs de St. Françoise, Émile Bernard
Located in Auburn Hills, MI
Wood engraving on vergé d'Arches paper. Inscription: unsigned and unnumbered, as issued. Good condition. Notes: From the volume, Les Petites Fleurs de St. François, 1928. Published b...
Category
1920s Post-Impressionist Prints and Multiples
Materials
Woodcut
'Still Life with Fruit and a Mandolin', Benezit, Ecole Beaux-Arts, Paris Salons
By Gérard Langlet
Located in Santa Cruz, CA
Inscribed lower right, 'Gerard Langlet' (French, born 1906) and with limited edition number and limitation '128/375' lower right.
A substantial, stone lithograph still-life showing...
Category
1960s Post-Impressionist Prints and Multiples
Materials
Lithograph, Paper
Back in 10 - large format photograph of conceptual message sign in landscape
By Frank Schott
Located in San Francisco, CA
large scale photograph from a series of conceptual motivational messages on classic Americana billboard signs in landscape of the American West
BACK IN 10 by Frank Schott
58 x 77.3...
Category
21st Century and Contemporary Conceptual Prints and Multiples
Materials
Archival Ink, Archival Paper, Photographic Paper, Giclée, Archival Pigment
"Pueblos" - Hand-Augmented Fauvist Landscape in Ink and Pastel on Paper
Located in Soquel, CA
"Pueblos" - Hand-Augmented Fauvist Landscape in Ink and Pastel on Paper
Bold and saturated depiction of pueblo buildings by Margie Dickson (American, b. 1938). These buildings are h...
Category
Late 20th Century Fauvist Prints and Multiples
Materials
Paper, Pastel, Screen
Action de Vin sur Le Moral (How Wine Affects the Morale)
By Raoul Dufy
Located in Laguna Beach, CA
“My eyes were made to erase all that is ugly”. -Raoul Dufy
Raoul Dufy’s depictions for an instant charmer of a "medical book" illustrates the myriad benefits of wine, while being sp...
Category
1930s Post-Impressionist Prints and Multiples
Materials
Lithograph
Marquet, Auto-portrait, Présence de Marquet (after)
Located in Auburn Hills, MI
Lithograph on vélin d'Arches paper. Inscription: unsigned and unnumbered, as issued. Good condition. Notes: From the volume, Présence de Marquet, 1962. Published by Editions d'Art Ma...
Category
1960s Post-Impressionist Prints and Multiples
Materials
Lithograph
Toulouse-Lautrec, Composition, Yvette Guilbert vue par Toulouse-Lautrec (after)
Located in Auburn Hills, MI
Lithograph and stencil on vélin Rives BFK paper. Unsigned and unnumbered, as issued. Good Condition; never framed or matted. Notes: From the folio, Yvette Guilbert vue par Toulouse-...
Category
1950s Post-Impressionist Prints and Multiples
Materials
Lithograph, Stencil
Fine Art Prints for Sale — Animal Prints, Abstract Prints, Nude Prints and Other Prints
Decorating with fine art prints — whether they’re figurative prints, abstract prints or another variety — has always been a practical way of bringing a space to life as well as bringing works by an artist you love into your home.
Pursued in the 1960s and ’70s, largely by Pop artists drawn to its associations with mass production, advertising, packaging and seriality, as well as those challenging the primacy of the Abstract Expressionist brushstroke, printmaking was embraced in the 1980s by painters and conceptual artists ranging from David Salle and Elizabeth Murray to Adrian Piper and Sherrie Levine.
Printmaking is the transfer of an image from one surface to another. An artist takes a material like stone, metal, wood or wax, carves, incises, draws or otherwise marks it with an image, inks or paints it and then transfers the image to a piece of paper or other material.
Fine art prints are frequently confused with their more commercial counterparts. After all, our closest connection to the printed image is through mass-produced newspapers, magazines and books, and many people don’t realize that even though prints are editions, they start with an original image created by an artist with the intent of reproducing it in a small batch. Fine art prints are created in strictly limited editions — 20 or 30 or maybe 50 — and are always based on an image created specifically to be made into an edition.
Many people think of revered Dutch artist Rembrandt as a painter but may not know that he was a printmaker as well. His prints have been preserved in time along with the work of other celebrated printmakers such as Pablo Picasso, Salvador Dalí and Andy Warhol. These fine art prints are still highly sought after by collectors.
“It’s another tool in the artist’s toolbox, just like painting or sculpture or anything else that an artist uses in the service of mark making or expressing him- or herself,” says International Fine Print Dealers Association (IFPDA) vice president Betsy Senior, of New York’s Betsy Senior Fine Art, Inc.
Because artist’s editions tend to be more affordable and available than his or her unique works, they’re more accessible and can be a great opportunity to bring a variety of colors, textures and shapes into a space.
For tight corners, select small fine art prints as opposed to the oversized bold piece you’ll hang as a focal point in the dining area. But be careful not to choose something that is too big for your space. And feel free to lean into it if need be — not every work needs picture-hanging hooks. Leaning a larger fine art print against the wall behind a bookcase can add a stylish installation-type dynamic to your living room. (Read more about how to arrange wall art here.)
Find fine art prints for sale on 1stDibs today.