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Prints and Multiples For Sale
Style: Old Masters
Style: Dada
Venus and Vulcan at the Forge
Located in New York, NY
GIORGIO GHISI (1520-1582) AFTER PERINO DEL VAGA (1501-1547) Venus and Vulcan at the Forge engraving, mid-1550s, on laid paper, proprietary watermark P. PRICARD in a Shield with Flowe...
Category

16th Century Old Masters Prints and Multiples

Materials

Engraving

18th C. Portrait of a Knight in Henry VIII's Court after 16th C. Holbein Drawing
Located in Alamo, CA
This portrait of a nobleman in King Henry VIII's court entitled "N. Poines, Knight" is an etching and stipple engraving, printed in color on light pink-colored paper with hand-coloring in 1795. It is from "The Book of Imitations of Original Drawings by Hans Holbein in the Collection of His Majesty" by Francesco Bartollozzi (1728–1815), after a drawing by Hans Holbein the Younger (1497/8 - 1543) in the 16th century. It was published in London by John Chamberlaine in 1797. This is a bust length portrait of a noble man (Nicholas Poines (or Poins), who is facing to the left. He is bearded and is wearing a feathered cap and an ornate shirt. Bartolozzi's engraved portrait is after a drawing by Hans Holbein the Younger (1497-1543), the famous artist in the court of Henry VIII. The inscription below the image reads "In his Majesty's Collection". "Published as the Act directs April 6, 1795 by I. Chamberlaine". Below the image on the left it reads: "From the original drawing by Hans Holbein". Below the image on the right it reads: "Engraved by F Bartolozzi RA Historical Engraver to His Majesty". The engraving is presented in an ornate beaded black frame with a gold inner trim and a light peach-colored mat. It is glazed with UV conservation glass. The frame measures "22.25 high, 17" wide and 1.25" deep. There are a few tiny spots, but the print is otherwise in excellent condition. There is a small ding in the the upper right. The original text from the 18th century publication is included in a sleeve on the back of the frame. There are three additional framed Bartolozzi engraved portraits from Holbein drawings that are available on 1stdibs. They are framed and matted identically to this one, other than some differences in frame size. These include portraits of Anne Boleyn, Henry VIII's son Edward, who succeeded Henry as King and himself was succeeded by Queen Elizabeth I, and M. Souch. These would make for an attractive and interesting display grouping. A discount is available for the purchase of one or more of these portraits, depending on the number. These can be viewed on our Timeless Intaglio...
Category

Late 18th Century Old Masters Prints and Multiples

Materials

Engraving, Etching

18th C. Portrait of Edward VI, Henry VIII's Son after 16th C. Holbein Drawing
Located in Alamo, CA
This portrait of Prince (and eventually King ) Edward VI entitled "Edward VI" is an etching and stipple engraving, printed in color on light pink-colored paper with hand-coloring in 1795. It is from "The Book of Imitations of Original Drawings by Hans Holbein in the Collection of His Majesty" by Francesco Bartollozzi (1728–1815), after a drawing by Hans Holbein the Younger (1497/8 - 1543) in the 16th century. It was published in London by John Chamberlaine in 1797. This is a bust length portrait of Prince Edward VI, Henry VIII's son with Henry's 3rd wife, Jane Seymour, who died in childbirth. He is facing to the left and he is wearing a feathered cap tilted to his right. Edward succeeded his father as king, but died your. He was succeeded by his half sisters Queen Mary 1 and Queen Elizabeth 1. Bartolozzi's engraved portrait is after a drawing by Hans Holbein the Younger (1497-1543), the famous artist in the court of Henry VIII. The inscription below the image reads "In his Majesty's Collection". "Published as the Act directs May 1, 1793 by I. Chamberlaine". Below the image on the left it reads: "From the original drawing by Hans Holbein". Below the image on the right it reads: "Engraved by F Bartolozzi RA Historical Engraver to His Majesty". The engraving is presented in an ornate beaded black frame with a gold inner trim and a light peach-colored mat. It is glazed with UV conservation glass. The frame measures "24.5 high, 19.5" wide and 1.25" deep. The print is in excellent condition. There are three additional framed Bartolozzi engraved portraits from Holbein drawings that are available on 1stdibs. They are framed and matted identically to this one, other than some differences in frame size. These include portraits of Anne Boleyn, N. Poines, Knight, and M. Souch. These would make for an attractive and interesting display grouping. A discount is available for the purchase of one or more of these portraits, depending on the number. These can be viewed on our Timeless Intaglio...
Category

Late 18th Century Old Masters Prints and Multiples

Materials

Engraving, Etching

Saints Simon and Matthew
Located in New York, NY
ISRAHEL VAN MECKENEM ca. 144045 Bocholt 1503 Saints Simon and Matthew engraving; 212 x 142 mm Geisberg 249; Lehrs and Hollstein 298 first state (of two) WATERMARK quartered coat ...
Category

15th Century and Earlier Old Masters Prints and Multiples

Materials

Engraving

The Raising of Lazarus, Small Plate
Located in San Francisco, CA
Original etching printed in black ink on laid paper. Signed and dated in the plate lower left Rembrandt f. 1642. A fine 18th century impression of Bartsch and New Hollstein’s secon...
Category

1640s Old Masters Prints and Multiples

Materials

Etching

Christ and His Disciples Harvesting on the Sabbath
Located in Chicago, IL
Engraving after David Vinckboons (Malines 1576-1629 Amsterdam), executed by Jan van Londerseel (Antwerp c. 1570-1624/25 Rotterdam)
Category

17th Century Old Masters Prints and Multiples

Materials

Engraving

Landscape with the Prophets Ahias and Jerobeam
Located in Chicago, IL
Engraving after David Vinckboons (Malines 1576-1629 Amsterdam), executed by James Van Londerseel (Antwerp c. 1570 - 1624/25 Rotterdam)
Category

17th Century Old Masters Prints and Multiples

Materials

Engraving

Liber Veritatis - Original B/W Etching after Claude Lorrain - 1815
Located in Roma, IT
Image dimensions: 21 x 27 cm. Liber Veritatis - Plate 189 is a beautiful black and white etching and aquatint on paper realized by the Italian artist ...
Category

1810s Old Masters Prints and Multiples

Materials

Etching, Aquatint

Take it Easy, Greasy
Located in Kansas City, MO
Artist : Jolynn Reigeluth Title : Take It Easy, Greasy Materials : Etching, collage and watercolor Date : 2017 Dimensions : 15" x 12" in. Jolynn Reigeluth is an artist and freelance...
Category

2010s Dada Prints and Multiples

Materials

Printer's Ink, Watercolor, Color, Etching, Monoprint

Ear Whacks
Located in Kansas City, MO
Artist : Jolynn Reigeluth Title : Ear Whacks Materials : Etching, collage and watercolor Date : 2018 Dimensions : 12" x 9" in. Jolynn Reigeluth is an artist and freelance Graphic De...
Category

2010s Dada Prints and Multiples

Materials

Printer's Ink, Watercolor, Color, Etching, Monoprint

La circoncision dans l'étable - Original Etching by Rembrandt - 1654
Located in Roma, IT
Rembrandt van Rijn (1696-1669), La circoncision dans l’étable, 1654 Etching on watermarked paper. Beautiful artist’s proof, signed and dated in plate higher-left : “Rembrandt 1654”...
Category

1650s Old Masters Prints and Multiples

Materials

Etching

Black Ants
Located in Santa Monica, CA
from the Insect series.
Category

Late 20th Century Dada Prints and Multiples

Materials

Printer's Ink

Les Grandes Miseres de la Guerre
Located in New York, NY
Jacques Callot (1592-1635), Les Grandes Miseres de la Guerre, etchings, 1633, the complete set of 18. Lieure 1339-56, the frontispiece third state (of 3), th...
Category

1630s Old Masters Prints and Multiples

Materials

Etching

The Virgin and Child with Saint Anne, ca. 1500
Located in New York, NY
Albrecht Dürer (1471 – Nuremberg – 1528), The Virgin and Child with Saint Anne ca. 1500, engraving; 115 x 71 mm (4 ½ x 2 13/16 inches), B...
Category

16th Century Old Masters Prints and Multiples

Materials

Engraving

Le Defile a Pied (Parade on Foot)
Located in New York, NY
Jacques Callot (1592-1635), Le Defile a Pied (Parade on Foot), etching, 1627, from the Combat a la Barriere (Combat at the Barriere). Lieure 583, probably first state of 2. In very g...
Category

17th Century Old Masters Prints and Multiples

Materials

Etching

The Temple of Antoninus and Faustina (Veduta del Tempio di Antonio e Faustina)
Located in Chicago, IL
This is a 3rd state impression (from seven). This impression includes the address of the artist and the price that he was charging at the time, which were removed from the plate in ...
Category

Mid-18th Century Old Masters Prints and Multiples

Materials

Etching

The Holy Family with Two Musical Angels"
Located in San Francisco, CA
Original woodcut printed in black ink on laid paper bearing the “Large Bear” watermark (Meder 89, typically seen in the earliest impressions of this woodcut).  Dated in the block ...
Category

Old Masters Prints and Multiples

Materials

Woodcut

The Virgin and Child in the Clouds
Located in San Francisco, CA
Original etching and drypoint printed in black ink on laid paper.  Signed and dated in the plate in the shadows lower center Rembrandt f. / 1641. An excellent, sharp and clear ...
Category

18th Century and Earlier Old Masters Prints and Multiples

Materials

Etching

Madonna and Child with the Monkey
Located in San Francisco, CA
A good, clear later 16th century Meder “l” impression, showing strong contrasts throughout, printed after the appearance of the dot in the clouds upper center.  Catalog: Bartsch 42;...
Category

18th Century and Earlier Old Masters Prints and Multiples

Materials

Engraving

COTTAGE AND OBELISK ON THE SPAARNDAMMERDIJK
Located in San Francisco, CA
Original etching and drypoint printed in black ink on laid paper. A strong and dark 17th century/lifetime impression of Bartsch, Usticke and New Hollstein’s second and final stat...
Category

18th Century and Earlier Old Masters Prints and Multiples

Materials

Drypoint, Etching

The Artist’s Mother seated at a table, looking right: Three quarter length
Located in San Francisco, CA
Original etching printed in black ink on laid paper bearing a “Foolscap with Five-Pointed Collar” watermark (Ash/Fletcher 19.I.b; Hinterding 2006 I.a.a). Signed in the plate with ...
Category

18th Century and Earlier Old Masters Prints and Multiples

Materials

Etching

THE ARTISTS MOTHER SEATED, IN AN ORIENTAL HEADDRESS: HALF LENGTH
Located in San Francisco, CA
A fine 17th century/lifetime impression of Bartsch’s second state of three, Usticke's third state of four, New Hollstein’s fourth state of six, of this scarce etching. printed after ...
Category

18th Century and Earlier Old Masters Prints and Multiples

The Death of the Virgin
Located in San Francisco, CA
A strong, dark 18th century impression of Bartsch's third and final state. Similar to that found in an impression of the same state in the collection of the Metropolitan Museum of Ar...
Category

18th Century and Earlier Old Masters Prints and Multiples

Fine Art Prints for Sale — Animal Prints, Abstract Prints, Nude Prints and Other Prints

Decorating with fine art prints — whether they’re figurative prints, abstract prints or another variety — has always been a practical way of bringing a space to life as well as bringing works by an artist you love into your home.

Pursued in the 1960s and ’70s, largely by Pop artists drawn to its associations with mass production, advertising, packaging and seriality, as well as those challenging the primacy of the Abstract Expressionist brushstroke, printmaking was embraced in the 1980s by painters and conceptual artists ranging from David Salle and Elizabeth Murray to Adrian Piper and Sherrie Levine.

Printmaking is the transfer of an image from one surface to another. An artist takes a material like stone, metal, wood or wax, carves, incises, draws or otherwise marks it with an image, inks or paints it and then transfers the image to a piece of paper or other material.

Fine art prints are frequently confused with their more commercial counterparts. After all, our closest connection to the printed image is through mass-produced newspapers, magazines and books, and many people don’t realize that even though prints are editions, they start with an original image created by an artist with the intent of reproducing it in a small batch. Fine art prints are created in strictly limited editions — 20 or 30 or maybe 50 — and are always based on an image created specifically to be made into an edition.

Many people think of revered Dutch artist Rembrandt as a painter but may not know that he was a printmaker as well. His prints have been preserved in time along with the work of other celebrated printmakers such as Pablo Picasso, Salvador Dalí and Andy Warhol. These fine art prints are still highly sought after by collectors.

“It’s another tool in the artist’s toolbox, just like painting or sculpture or anything else that an artist uses in the service of mark making or expressing him- or herself,” says International Fine Print Dealers Association (IFPDA) vice president Betsy Senior, of New York’s Betsy Senior Fine Art, Inc.

Because artist’s editions tend to be more affordable and available than his or her unique works, they’re more accessible and can be a great opportunity to bring a variety of colors, textures and shapes into a space.

For tight corners, select small fine art prints as opposed to the oversized bold piece you’ll hang as a focal point in the dining area. But be careful not to choose something that is too big for your space. And feel free to lean into it if need be — not every work needs picture-hanging hooks. Leaning a larger fine art print against the wall behind a bookcase can add a stylish installation-type dynamic to your living room. (Read more about how to arrange wall art here.)

Find fine art prints for sale on 1stDibs today.

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