Prints and Multiples

"Basquiat"is a photomosaic artwork by Destro. The first release in a series mosaic works called "Icons". Destro has created large prints which are made up of many hundreds of smalle...

Archival museum quality exhibition print. Taken aboard Apollo 8 by Bill Anders, this iconic picture shows Earth peeking out from beyond the lunar surface as the first crewed spacecra...

Pablo Picasso (1881-1873) Le Corsage Raye, 1978 Initialed FM in pencil by Fernand Mourlot Lithograph on Arches paper 36 × 30 in 91.4 × 76.2 cm 42/300

Pablo Picasso (1881-1873) Vacarme Numbered on the reverse Phototype and Pochoir 16 x 11.5 inches 957/1000

Erotic scene is an artwork realized by Toyen in 1927. Mixed colored watercolored lithograph. The artwork is an illustration from the book Pybrac written by Pierre Louÿs  (1870-1925...

"Basquiat"is a photomosaic artwork by Destro. The first release in a series mosaic works called "Icons". Destro has created large prints which are made up of many hundreds of smalle...

Uses and Customs - Horse Mounting Method is a lithograph on paper realized in 1862. The artwork belongs to the Suite Uses and customs of all the peoples of the universe: " History o...

Original WW1 poster: YOU BUY A LIBERTY BOND, LEST I PERISH! Linen-backed, fine condition. Ready to frame. Statue of Liberty lithograph, W...

Pablo Picasso (1881-1873) Le Corrigan de Litterral Numbered on the reverse Phototype and Pochoir 16 x 11.5 inches 957/1000

Nude is an Original Lithograph print realized by French artist Paul Belmondo (1898-1982) It is not signed and dated but we can attribute the period to...

"The VHS" by pop Artist Destro. We all remember those iconic nights at the video store. Pop artist DESTRO once again encapsulates one of our favorite past times in a fine art con...

Original title: Die Tanzerin This original etching and aquatint, blue ink on ivory colored paper is hand-signed in pencil on lower-left. Edition of 530 prints. Including a poem by Amadée de la Houlette. Representing a vintage erotic scene...

From Knoedler's Window MCMXXV. 1935. Etching and Aquatint. Fletcher catalog 293 stateiv/v. Image: 5 1/16 x 4 15/16 (sheet 12/7/8 x 9 1/8). Edition 271 in this state (total edition 3...

Abstract Flowers is an original modern artwork realized in the1970s by Franco Gentilini. Mixed colored lithograph Hand signed and dated on the lower margin. Edition of 35/100 Inc...

Uses and Customs - Penelope is a lithograph on paper realized in 1862. The artwork belongs to the Suite Uses and customs of all the peoples of the universe: " History of the governm...

Original LAKE TAHOE, RENO, LAS VEGAS - Get your HOLIDAY FOR TWO here vintage travel poster. Archival linen backed in very fine condition, ready to frame. This is a fun vintage travel poster from c. 1970’s that highlights the fun and interesting places and attractions to see and visit in Nevada. Many of the casinos shown in the poster have been replaced with newer and larger venues. A great game...

Bold woodblock print by Byron Randall (American, 1918-1999). Titled "Schooner + Doryman", numbered "1st ed.", and signed and dated "Byron Randall '62" along the bottom edge. Small am...

Nude From Back is lithograph on Japanese paper realized by Marcel Vertès in the mid-20th Century. Hand-signed on the lower. Included a Passepartout: 58 x 38 cm The artwork is in go...

"Newman" is an acrylic photomosaic artwork by Destro. The first release in a series mosaic works called "Icons". Destro has created large prints which are made up of many hundreds o...

A contemporary photograph of an AC/DC - Back In Black cassette tape. "They encapsulate an era instantly transporting the viewer to another time." - Destro Printed on Archival Paper...

"ELVIS BY ANDY WARHOL" is a photomosaic artwork by Destro. Destro has created large prints which are made up of many hundreds of smaller images. Archival photographic paper Framin...

Original circus poster: Clyde Beatty Cole Bros. Combined Circus. Professional linen backed, ready to frame. Artist: Roland Butler. The Lion Tamer is ...

Artist: Joan Miro, Spanish (1893 - 1983) Title: Maravillas con Variaciones Acrosticas en el jardin de Miro (Number 22) Year: 1975 Medium: Lithograph, signed ...

Pablo Picasso (1881-1873) Jacqueline a l'etamine Numbered on the reverse Phototype and Pochoir 16 x 11.5 inches 957/1000

Woodblock on colored paper by Margo Hoff (1910-2008) titled 'Observers' of a black and red abstract scene with seventeen figures whose arms are in various positions, looking out at t...

This original lithographic poster was created for an exhibition of works at the Musée D'Art Moderne in Céret, France, in 1957. This portrait of Spanish Sculptor and Picasso friend, M...

A pair of Alexander Chen Stereolithography signed and numbered framed prints. One print is titled "Aloha Tower" and the other "Hong King Evening". Each...

Uses and Customs - Ischia is a lithograph on paper realized in 1862. The artwork belongs to the Suite Uses and customs of all the peoples of the universe: " History of the governmen...

Frida is a photomosaic artwork by Destro. The first release in a series mosaic works called "Icons". Destro has created large prints which are made up of many hundreds of smaller i...

Earl Horter, 'The Woolworth Building Under Construction', etching, c. 1912, edition not stated. Signed in pencil. A fine, richly-inked impression, in warm black ink, with selectively...

Original Cadiz, Fiestas Tipicas Gaditanas vintage lithograph poster. This fun image is professionally archival linen backed in very good condition, ready to frame. Artist: Ricardo Anaya. The image features a sailboat with a group of colorful people aboard. A pirate, witch, male and female flamingo...

Pablo Picasso (1881-1873) Tohu Numbered on the reverse Phototype and Pochoir 16 x 11.5 inches 957/1000

Disco, Discobolus, etc is a lithograph on paper realized in 1862. The artwork belongs to the Suite Uses and customs of all the peoples of the universe: " History of the government, ...

"Sacrifice Economy" Silkscreen 39" x 27.5" inch by Patricio Gonzalez Silkscreen Not framed From "Looking for Happiness" series LOOKING FOR HAPPI...

Etching by Georg Braun and Frans Hogenberg, realized in 1575 and belonging to the Suite "Civitates Orbis Terrarum". The first volume of the Civitates Orbis Terrarum was published in ...

A lithograph of a Modernist depiction of fireworks by artist Richard Florsheim. Richard Florsheim was born in Chicago to the wealthy Florsheim Shoe family. He studied at the Univer...

Musica per el Colom is part of the Suite Musical. Alvar’s creative embossing design exists as a resting place for his subject to recline while playing the flute. An onlooker serenel...

Paper Size: 15 x 11 inches ( 38.1 x 27.94 cm ) Image Size: 15 x 11 inches ( 38.1 x 27.94 cm ) Framed: No Condition: A-: Near Mint, very light signs of handling Additional Detai...

Uses and Customs - Certosa in Pavia is a lithograph on paper realized in 1862. The artwork belongs to the Suite Uses and customs of all the peoples of the universe: " History of the...

Artist: Henri Matisse (1869-1954) Title: Tête de Femme Year: 1948 Medium: Lithograph on Chine Appliqué (China paper mounted on wove paper) Size: 9.75 x 7.50 Condition: Excellent Insc...

Original, Stop, Loose Talk to Strangers. ‘Enemy ears are alert’ vintage poster. Excellent condition, linen-backed WWII vintage war poster: STOP LOOSE TALK TO STRANGERS ENEMY EAR...

A contemporary photograph of Guns N' Roses iconic "Appetite for Destruction" cassette tape. This is s the first release in the much anticipated series "The Music" by pop Artists Dest...

Uses and Customs - sphinx is a lithograph on paper realized in 1862. The artwork belongs to the Suite Uses and customs of all the peoples of the universe: " History of the governmen...

A contemporary photograph of Guns N' Roses iconic "Appetite for Destruction" cassette tape. This is s the first release in the much anticipated series "The Music" by pop Artists Dest...

"Ali" is a photomosaic artwork by Destro. The first release in a series mosaic works called "Icons". Destro has created large prints which are made up of many hundreds of smaller im...

This lithograph is in excellent condition and and has only been shown in a gallery setting. Limited edition printed on Arches paper. The photos are of one of the pieces from the edi...

Artist: Alexander Calder, (American, 1898-1976) Title: Flying Colors for Braniff Airlines Year: 1974 Medium: Lithograph, signed in the plate Size: 20 in. x 26 in. (50.8 cm x 66.04 cm...

"ELVIS BY ANDY WARHOL" is a photomosaic artwork by Destro. This image is made up of 100's of smaller images of Elvis Presley. Archival photographic paper Framing options available

A contemporary photograph of an AC/DC - Back In Black cassette tape. "They encapsulate an era instantly transporting the viewer to another time." - Destro Printed on Archival Paper...

Joan Miró One plate from DLM "Peintures Murales de Miró" Medium: Color lithograph Publisher: Maeght, Paris Signature: Unsigned Edition: Unnumbered from an edition of unknown, but presumably large size (approx. 1,500) Size: 13.3 × 10.7 on 14.8 × 10.9 inches Reverse Side: Poem "Peintures Pour de...

Umberto Mastroianni Serigraphy with frame mixed colors. Hand-signed by the artist on the lower right corner in pencil. Numbered 51/100 at lower left in pencil. 1970s Good conditions.

This lithograph Tree from the portfolio " Egon Schiele " is after the original artwork (oil on canvas) realized by Egon Schiele . The portfolio, which includes 10 lithographs on Jap...

Dancers is an original artwork realized by Ilse Voigt in the first years of the 1950s. Etching and drypoint on Japan paper. Good conditions except for some wide stains on the corners. Ilse Voigt (Chemnitz, 1905 – Magdeburg, 1990) was an artist, pastellist, illustrator, and drawer. She attended the Fine Arts Academy of Berlin where she took Emil Orlik's classes. From 1964, she participated in international collective exhibitions. At the Salon des Indépendants, she became one of the company members. She exhibited in many art galleries in Paris and Switzerland. She painted and illustrated flowers, portraits...

Vintage lithograph titled "Ruins of Central City 31/70" is a modernist landscape with decaying buildings and mountains by Vance Hall Kirkland, from 1935. Presented in a custom black frame with archival materials, outer dimensions measure 25 ⅞ x 29 ⅜ x ⅝ inches. Image sight size is 14 x 17 ¾ inches. Painting is clean and in very good vintage condition - please contact us for a detailed condition report. Provenance: Private collection, Denver, Colorado Expedited and international shipping is available - please contact us for a quote. About the Artist: Variously referred to as the "Father of Modern Colorado Painting", "Dean of Colorado Artists", and "Colorado’s pre-eminent artist," Kirkland was an inventive, visionary painter who spent fifty-two years of his fifty-four-year career in Denver. Of the approximately 1,200 paintings he created, about 550 from the first half of his career (1927-1953) are water-based media: acquarelle, gouache, casein and egg tempera, with a few oils. In the latter half of his career (1953-1981) he used oil and his unique oil and water mixture. He also produced five hundred drawings and some ten prints, mostly lithographs on stone, while also engaged in teaching full-time for most of the period. To show people "something they have never seen before and new ways to look at things," he felt he needed to preserve his artistic freedom. Consequently, he chose to spend his entire professional career in Denver far removed from the established American art centers in the East and Midwest. "By minding my own business and working on my own," he said, "I think it was possible to develop in this part of the country… I’ve developed my kind of work [and] I think my paintings are stronger for having worked that way." The geographical isolation resulting from his choice to stay in Colorado did not impede his creativity, as it did other artists, but in fact contributed to his unique vision. The son of a dentist, who was disappointed with his [son’s] choice of art as a career, Kirkland flunked freshman watercolor class in 1924 at the Cleveland School of Art (now the Cleveland Institute of Art) for putting colors into his landscapes that did not exist in nature and for competing colors. Not dissuaded, he won first prize for his watercolors in his junior and senior years. [While in Cleveland,] he studied with three influential teachers. Henry Keller, included in the prestigious New York Armory Show in 1913, introduced him to designed realism which he later used in his Colorado landscapes in the 1930s and 1940s. His other teachers were Bill Eastman, who studied with Hans Hofmann and appreciated all the new movements in modern art, and Frank Wilcox, a fine watercolorist. While a student at the Cleveland School of Art, Kirkland concurrently took liberal arts courses at Western Reserve and the Cleveland School of Education and taught two freshman courses in watercolor and design, receiving his diploma in painting from the school in 1927 by doing four years of work in three. The following year he received a Bachelor of Education in Art degree from the same institution. In 1929 he assumed the position of founding director of the University of Denver’s School of Art, originally known as the Chappell School of Art. He resigned three years later when the university reneged on its agreement to grant its art courses full recognition toward a Bachelor of Arts degree. His students prevailed on him to continue teaching, resulting in the Kirkland School of Art which he opened in 1932 at 1311 Pearl Street in Denver. The building, where he painted until his death in 1981, formerly was the studio of British-born artist, Henry Read, designer of the City of Denver Seal and one of the original thirteen charter members of the Artists’ Club of Denver, forerunner of the Denver Art Museum. The Kirkland School of Art prospered for the next fourteen years with its courses accredited by the University of Colorado Extension Center in Denver. The teaching income from his art school and his painting commissions helped him survive the Great Depression. The U.S. Treasury Department’s Section of Fine Arts commissioned from him two post office murals, Cattle Roundup (1938, Eureka, Kansas), and Land Rush (1940, Sayre, Oklahoma). He also did murals for several Denver clients: the Gerald Hughes mansion (1936, later demolished), Arthur Johnson home (1936-37, Seven Drinks of Man), Albany Hotel (1937, later demolished), Neustetter’s Department Store (1937, "History of Costume," three of five saved in 1987 before the building interior was demolished in advance of its condo conversion), and the Denver Country Club (1945, partially destroyed and later painted over). In 1953 the Ford Times, published by the Ford Motor Company, commissioned Kirkland along with fellow Denver artists, William Sanderson and Richard Sorby, to paint six watercolors each for the publication. Their work appeared in articles [about] Colorado entitled, "Take to the High Road" (of the Colorado Rockies) by Alicita and Warren Hamilton. Kirkland sketched the mountain passes and high roads in the area of Mount Evans, Independence Pass near Aspen, and Trail Ridge Road in Rocky Mountain National Park. In 1946 Kirkland closed his art school when the University of Denver rehired him as director of its School of Art and chairman of the Division of Arts and Humanities. In 1957 the University gave him its highest honor – the "University Lecturer Award." When he retired in 1969 as Professor of Art Emeritus to become a full-time painter, the School of Arts was the university’s largest undergraduate department. In 1971 Governor John Love presented Kirkland the State of Colorado Arts and Humanities Award. In addition to his dual positions as artist and teacher in Denver for more than half a century, he served the Denver Art Museum as a trustee, chairman of the accessions committee, member of the exhibitions committee, curator of European and American art, and honorary curator of painting and sculpture. He also won the battle with the museum’s old guard to establish a department of modern and contemporary art. Additionally, he was one of the fifty-two founding members of the Denver Artists Guild which included most of Colorado’s leading artists who greatly contributed to the state’s cultural history. Kirkland developed five major painting periods during his life encompassing various series with some chronological overlap: Designed Realism (1927-1944); Surrealism (1939-1954); Hard Edge Abstraction, including the Timberline Abstraction Series (1947-1957); Abstract Expressionism with four series – Nebulae, Roman, Asian, and Pure Abstractions (1951-1964); and the Dot Paintings with five series – Energy of Vibrations, Mysteries, Explosions, Forces, and Pure Abstractions (1963-1981). Nevadaville (1931), a watercolor, belongs to Kirkland’s initial period of Designed Realism. Adapting nature by redesigning the realism he saw on location in Colorado allowed him to be "more concerned with the importance of the painting rather than the importance of the landscape." He noted that the rhythms his Cleveland teacher, Henry Keller, "found in nature created a certain movement in his paintings… [that moved] away from the static element of a lot of realistic, representational painting." Kirkland, along with fellow watercolorist Elisabeth Spalding, were some of the first Denver artists interesting themselves in Colorado’s nineteenth-century mining towns west of Denver. They offered an alternative to the overwrought cowboy and Indian subject matter of the previous generation; while the human and architectural components of the mining towns provided a welcome break from the predominant nineteenth-century landscape tradition. Vibrations of Two Yellows in Space (1970), one of Kirkland’s small subseries of "Open Sun Paintings," occupies the final phase in his first series of dot paintings, Energy of Vibrations in Space (1963-1972). Many pieces in the series incorporate his unique mixture of oil paint and water which he developed in the early 1950s. The work in the subseries – a challenge to the viewer’s optic nerve – constitutes his contribution to the international realm of Op Art. Recalling the theory of pulsating galaxies and the universe, he used dots applied with dowels of different sizes to surround and leave round open spaces letting the gradient background show through. Because of the color contrast between the two, the "suns" either recede into the background or jump out in the foreground, creating the powerful pulsing effect. During his lifetime he assembled on a limited budget an extensive collection of fine and decorative art and furniture. His collecting passion dated from his student days when he used his prize money from the Cleveland School of Art to purchase a watercolor by William Eastman and a now-famous set of Russian musician figures by Alexander Blazys, both of whom were his professors. After Kirkland’s death, the Denver Art Museum received a large bequest that included paintings by Roberto Matta, Gene Davis, Charles Burchfield, and Richard Anuszkiewicz (the two latter-named also alumni of the Cleveland Institute of Art); prints by Arthur B. Davies, Roberto Matta, Pablo Picasso, and Robert Rauschenberg; and a sculpture by Ossip Zadkine. Kirkland posthumously was the subject of a television documentary, "Vance Kirkland’s Visual Language," aired on over one hundred PBS television stations (1994-96), and in 1999 a six-scene biographical ballet choreographed by Martin Friedmann with scenario provided by Hugh Grant, founder and director of the Kirkland Museum of Fine & Decorative Art in Denver. Historic Denver also posthumously honored Kirkland as part of the Colorado 100. From 1997 to 2000 Kirkland’s solo exhibition was hosted by thirteen European museums: Fondazione Muduma, Milan; Sala Parpalló Museum Complex, València; Stadtmuseum, Düsseldorf; Frankfurter Kunstverein; Museum of Modern Art, Vienna; Kiscelli Múzeum and the Museum of Fine Arts, Budapest; Czech Museum of Fine Arts, Prague; National Museum, Warsaw; State Gallery of the Art of Poland, Sopot/Gdańsk, National Museum of Art, Kaunas, Lithuania; Latvian Foreign Art Museum, Riga; and the State Russian Museum, St. Petersburg. Solo Exhibitions: Denver Art Museum (1930, 1935, 1939-40, 1942, 1972, 1978-retrospective, 1988, 1998); Colorado Springs Fine Arts Center (1943); Knoedler & Company, New York (1946, 1948, 1952); Pogzeba Art Gallery, Denver (1959); Galleria Schneider, Rome (1960); Birger Sandzén Memorial Gallery, Lindsborg, Kansas (1964-65,1977); Genesis Galleries, Ltd., New York (1978); Valhalla Gallery, Wichita, Kansas (1979); Inkfish Gallery, Denver (1980); Colorado State University, Fort Collins (1981- memorial exhibition); Boulder Center for the Visual Arts (1985); University of Denver, Schwayder Art Gallery (1991). Group Exhibitions (selected): "May Show," Cleveland Museum of Art (1927-28); "Western Annuals," Denver Art Museum (1929-1957, 1964, 1966, 1968, 1971); "International Exhibition of Watercolors, Pastels, Drawings and Monotypes," Art Institute of Chicago (1930-1946); "Abstract and Surrealist American Art," Art Institute of Chicago (1947-48, traveled to ten other American museums); "Midwest Artists Exhibition," Kansas City Art Institute (1932, 1937, 1939-1942); Dallas Museum of Art (1933, 1960); San Diego Museum of Art (1941); "Artists for Victory," Metropolitan Museum of Art (1942); "United Nations Artists in America," Argent Galleries, New York (1943); "California Watercolor Society," Los Angeles County Museum (1943-1945); "Survey of Romantic Painting," Museum of Modern Art, New York (1945); New Mexico Museum of Art, Santa Fe (1945, 1951); Knoedler & Company, New York (1946-57; co-show with Max Ernest, 1950; co-show with Bernard Buffet, 1952); Joslyn Art Museum, Omaha (1948, 1956); Philbrook Art Center, Tulsa, Oklahoma (1951); "Contemporary American Painting," University of Illinois, Urbana (1952); University of Utah, Salt Lake (1952-53); Oakland Art Museum (1954-55); "Reality and Fantasy, 1900-54," Walker Art Center, Minneapolis (1954); "Art U.S.A.," Madison Square Garden, New York (1958); Roswell Museum and Art Center, New Mexico (1961); Burpee Art Museum, Rockford, Illinois (1965-68); University of Arizona Art...

Chelsea Old Church. 1924. Etching, drypoint, and aquatint. Dickins 94. 5 3/8 x 8 (sheet 8 1/2 x 9 3/4). Edition 100 for The Print Collector's Club. A fine proof with tonal wiping, printed on cream wove paper. Signed and dedicated "W.R. Button from W. Walcot London 1930" in pencil. Chelsea Old Church, also known as All Saints, is an Anglican church, on Old Church Street, Chelsea, London SW3, England, near Albert Bridge. It is the church for a parish in the Diocese of London, part of the Church of England. Inside the Grade I listed building, there is seating for 400 people. There is a memorial plaque to the author Henry James (1843–1916) who lived nearby on Cheyne Walk. To the west of the church is a small public garden containing a sculpture by Sir Jacob Epstein. When he was seventeen,William Walcot began to study architecture under Louis Benois at the Imperial Academy of Art in Saint Petersburg. He went to Paris where he continued his studies at the Ecole des Beaux-Arts and the Atelier Redon. He practiced as an architect briefly in Moscow, designing the Hotel Metropole...

"The VHS" by pop Artist Destro. We all remember those iconic nights at the video store. Pop artist DESTRO once again encapsulates one of our favorite past times in a fine art con...

Life is an Artwork realized by Mino Maccari  (1924-1989) in the Mid-20th Century. Colored woodcut on paper. Hand-signed on the lower, numbered 2/89 specimens and titled on the left ...

Schneiderman catalog 186 state .xii. 13 1/4 X 17 1/2 (sheet 18 5/8 x 23 1/4). Edition of 50 in this state, published by the Fine Art Society. A fine impression printed on cream wove paper with full margins. Signed in pencil. Housed in a 22 28-inch archival mat, suitable for framing. Born in 1818, Sir Francis Seymour Haden was an etcher, collector and surgeon. He studied at the Derby School, Christ’s Hospital and University College in London. He also studied at the medical schools of the Sorbonne in Paris and at Grenoble. He became a member of the Royal College of Surgeons in 1842 and he was made a fellow in 1857. He was an honorary surgeon to the Department of Science and Art from 1851 to 1867 and in 1847 he settled into a private practice. Haden was a vice-president of the obstetrical society of London and one of the founders of the Royal Hospital for Incurables in 1850. In 1858, Haden encouraged James McNeil Whistler to work from nature and consequently, Whistler dedicated his first set of etchings entitled “French Set”, to Haden. The etchings were printed by Auguste Delâtre in Paris and marketed, with some help from Haden, in London. In 1859 Whistler settled in London and often visited Haden’s Sloane Street home. Whistler executed a number of paintings and etchings of domestic scenes within Haden’s home, among them “Reading By Lamplight...