Prints and Multiples

Vision Antique Color lithograph, 1899 Signed in the stone upper left (see photo) Titled in the stone lower right (see photo) Edition: unsigned edition about 200 (per Arwas) Published...

Frank Stella Untitled, for the Very Special Arts Gallery (Hand Signed by Frank Stella), 1992 Offset lithograph on thin board (hand signed) Frame included:: elegantly floated and fra...

Published by edition GKM. Unframed. Edition: 200 ex Paper: 300gr. Goya. Signed by the artist. Free shipment worldwide. Corneille, one of the founders of the COBRA group, has passe...

Artist: John James Audubon (American, 1785-1851) Title: "Townsend's Cormorant" (Plate 418, No. 84) Portfolio: The Birds of America, First Royal Octavo Edition Year: 1840-1844 Medium:...

Woodblock print from the Edo period. The print was apart of a series that Hiroshige did titled, "One Hundred Famous Views of Edo". The woodblock print is printed on rice paper. The p...

Raymond Pettibon Sonic Youth (Hand Signed by Raymond Pettibon), 1990 Digital print on Fujicolor Crystal Archive Paper Supreme (Hand signed by Raymond Pettibon) Boldly signed in black...

ARTIST: Sam Francis TITLE: Swatch DATE: 1992 MEDIUM: Lithograph on Velin paper EDITION: From the sold out edition of 2000 SIGNED: Signed on the verso DIMENSIONS: 30 X 8 in. CONDITION...

Artist: (after) Helen Frankenthaler (American, 1928-2011) Title: "Helen Frankenthaler: Tales of Genji (Catalog of 6 Prints)" Series: (after) Tales of Genji *Issued unsigned Year: 1998 Medium: The Complete Set of 6 Offset-Lithograph reproductions on light smooth wove paper Limited edition: Unknown Printer: Swan Engraving...

Kabuki Actor with Pine-Patterned Robe - Japanese Woodblock Print Finely detailed woodblock by Utagawa Toyokuni (Japanese, 1769-1825). A kabuki actor is standing on a wooden deck, we...

Couverture pour Douze Lithographies en Couleurs, ou Passage et Interieurs Color lithograph, 1896-1898 Unsigned (as issued) From: Douze Lithographies en Couleurs, ou Passage et Interi...

Ancient Ships is a lithograph on paper realized in 1862. The artwork belongs to the Suite Uses and customs of all the peoples of the universe: " History of the government, of the la...

Conversation Lithograph, 1893-1894 Signed and numbered in pencil lower left (see photo) Edition: (57/100) 100 Printed on wove paper Published by Edouard Kleinmann An early Nabi schoo...

Costumes of the 17th century is a lithograph on paper realized in 1862. The artwork belongs to the Suite Uses and customs of all the peoples of the universe: " History of the govern...

Gerd Leufert Title: Erebos Signed, titled, dated ‘91 and inscribed P/A in pencil (lower center) Screenprint on paper 23⅝ by 22⅜ in. / 60 by 56.8 cm. Executed in 1991, this work is an artist’s proof from an edition of 35 plus 1 artist’s proof. Provenance: Private Collection, Venezuela - Acquired from the above by the present owner - Sotheby's Auction “The first duty of the creator: restlessness,” Gerd Leufert wrote in 1985, looking back on his 30-year career as an artist, designer, museum worker, and professor of art in Venezuela.1 Bridging the worlds of commerce and culture in Caracas, Leufert’s impact on art and design owed to his interdisciplinary approach: the influence of cutting-edge developments in abstract art appeared in his graphic design, while the efficiency and bold contrast of mid-century design characterized his paintings. An immigrant born in German-controlled Lithuania at the cusp of the first World War, Leufert studied arts and design in Hannover, Mainz, and, finally, in Munich with the German typographer Fritz H...

Etching and aquatint, 1998, on Somerset Satin White paper, signed and dated in pencil, numbered 69th from the edition of 100 (there were also 15 artist’s proofs), printed by Maurice ...

Associated with the Minimalist art movement of the 1960s, Mangold developed a reductive vocabulary based on geometric forms, monochromatic color, and an emphasis on the flatness of t...

"Farewell" is an original color woodcut by Carol Summers. The artist signed the piece. This woodcut depicts a river flowing through green hills beneath a blood-red sky. The edition number is 20/50. 24 1/4" x 37" art 32" x 45" frame Carol Summers has worked as an artist throughout the second half of the 20th century and into the first years of the next, outliving most of his mid-century modernist peers. Initially trained as a painter, Summers was drawn to color woodcuts around 1950 and it became his specialty thereafter. Over the years he has developed a process and style that is both innovative and readily recognizable. His art is known for it’s large scale, saturated fields of bold color, semi-abstract treatment of landscapes from around the world and a luminescent quality achieved through a printmaking process he invented. In a career that has extended over half a century, Summers has hand-pulled approximately 245 woodcuts in editions that have typically run from 25 to 100 in number. His talent was both inherited and learned. Born in 1925 in Kingston, a small town in upstate New York, Summers was raised in nearby Woodstock with his older sister, Mary. His parents were both artists who had met in art school in St. Louis. During the Great Depression, when Carol was growing up, his father supported the family as a medical illustrator until he could return to painting. His mother was a watercolorist and also quite knowledgeable about the different kinds of papers used for various kinds of painting. Many years later, Summers would paint or print on thinly textured paper originally collected by his mother. From 1948 to 1951, Carol Summers trained in the classical fine and studio arts at Bard College and at the Art Students League of New York. He studied painting with Steven Hirsh and printmaking with Louis Schanker. He admired the shapes and colors favored by early modernists Paul Klee (Sw: 1879-1940) and Matt Phillips (Am: b.1927- ). After graduating, Summers quit working as a part-time carpenter and cabinetmaker (which had supported his schooling and living expenses) to focus fulltime on art. That same year, an early abstract, Bridge No. 1 was selected for a Purchase Prize in a competition sponsored by the Brooklyn Museum. In 1952, his work (Cathedral, Construction and Icarus) was shown the first time at the Museum of Modern Art in New York City in an exhibition of American woodcuts. In 1954, Summers received a grant from the Italian government to study for a year in Italy. Woodcuts completed soon after his arrival there were almost all editions of only 8 to 25 prints, small in size, architectural in content and black and white in color. The most well-known are Siennese Landscape and Little Landscape, which depicted the area near where he resided. Summers extended this trip three more years, a decision which would have significant impact on choices of subject matter and color in the coming decade. After returning from Europe, Summers’ images continued to feature historical landmarks and events from Italy as well as from France, Spain and Greece. However, as evidenced in Aetna’s Dream, Worldwind and Arch of...

Raymond Pettibon Sonic Youth Record Cover Art: Sonic Youth Goo; original European 1st Pressing, 1990 The most iconic of all Pettibon music-related images,...

Offset lithograph 11.02 x 16.54 in (28.0 x 42.0 cm) Unsigned. This is an original, vintage artist-authorised David Hockney poster print, printed in 1993. This is not a later repro...

Paper Size: 19.75 x 15.75 inches ( 50.165 x 40.005 cm ) Image Size: 12.5 x 11.75 inches ( 31.75 x 29.845 cm ) Framed: No Condition: A-: Near Mint, very light signs of handling Addit...

Artist: Robert Indiana (American, 1928-2018) Title: "Decade: Autoportrait 1969" Portfolio: The American Dream *Issued unsigned Year: 1997 Medium: Original Screenprint on Coventry pap...

Publisher: Malmö Konsthall, Malmö, Sweden Signed in pencil, lower margin

Image dimensions: 24.3 x 17.5 cm. Single sheet with passepartout. "...The unhappy man had approached that mysterious spot where, amid a thousand aquatic plants, the Water-arrow grows." T. Delord. Les Fleurs animées...

Colour lithograph on Japanese paper from portfolio "Elles", 1896. Published by Jean Vallery-Radot and André Sauret. Printed by Mourlot Freres, Paris 1952. Sheet size: 10.91 x 15.16 ...

NATURAL BEAUTY by the self taught African American artist William Tolliver (b.1951-2000) is an original hand drawn limited edition lithograph printed in 25 colors on archival printma...

Artist: (after) Roy Lichtenstein (American, 1923-1997) Title: "Yale University Art Gallery (Thinking of Him)" Series: Yale University Art Gallery Posters Year: 1991 Medium: Original Offset-Lithograph, Poster on smooth wove paper Limited edition: Unknown Printer: Springdale Graphics, Springdale, CT Publisher: Yale University Art Gallery, New Haven, CT Sheet size: 27" x 26" Image size: 22.25" x 22.5" Condition: Never framed, has been professionally stored away for decades. In excellent condition Notes: Provenance: acquired directly from the printer Springdale Graphics, Springdale, CT. Comes from the 1991 "Yale University Art Gallery" series of three offset-lithograph, posters: "Thinking of Him", "Blam", and "Washing Machine". The image featured on this poster is Lichtenstein's 1963, 68" x 68", magna on canvas painting "Thinking of Him" which is part of the Yale University Art Gallery's permanent collection. GIA Gallery Poster Disclaimer: Not to be confused with thousands of contemporary inkjet/giclée/digital reproductions ignorantly or deliberately passed off as originals on the market today. The examples we offer here are the original period vintage (exhibition) posters, created and designed by, or under the supervision and authorization of the artist or their respective estate (posthumously), for various exhibitions and events in which they participated. If applicable, this poster is also fully documented within its respective artists' official catalogue raisonné of authentic graphic works, prints, and or posters. Biography: American artist Roy Lichtenstein was born in New York City on October 27, 1923, and grew up on Manhattan's Upper West Side. In the 1960s, Lichtenstein became a leading figure of the new Pop Art movement. Inspired by advertisements and comic strips, Lichtenstein's bright, graphic works parodied American popular culture and the art world itself. He died in New York City on September 29, 1997. Lichtenstein was committed to his art until the end of his life, often spending at least 10 hours a day in his studio. His work was acquired by major museum collections around the world, and he received numerous honorary degrees and awards, including the National Medal of Arts in 1995. In 2013 the painting "Woman with Flowered Hat" set another record at $56.1 million as it was purchased by British jeweler Laurence Graff...

Lithograph in colours, 1997, on Rives BFK paper, signed in pencil, numbered from the edition of 75 (there were also 15 artist’s proofs), printed by Gemini G.E.L. LLC, published by Th...

From Celebrated Horses, Grundy 24. A fine chine applique impression in fine condition with full margins. A proof before letters. Exhibited at the Marietta/Cobb Museum in the "Celebr...

This lithographic poster illustrates Aristide Bruant who was a famous performer and cabaret owner in Paris at the turn of the 20th century. Lautrec, seizing on Bruant's trademark cos...

Resting Nude, limited edition color litho. 450/475, pencil signed 11"x14" framed 19.5x23.5x1 Itzchak Tarkay was born in 1935 in Subotica, on the Yugoslav-Hungarian border. In 1944, ...

Alphonse Mucha's "Gismonda" poster, featured as Plate 27 in "Les Maîtres de l'Affiche," stands as a testament to the harmonious convergence of visual arts and theatrical brilliance. ...

(After) Francis Bacon Study for a corrida Poster, 1995 Printed and published by Maeght Size 86 x 50 cm (c. 33,8 x 19,7 in) Mint condition

Associated with the Minimalist art movement of the 1960s, Mangold developed a reductive vocabulary based on geometric forms, monochromatic color, and an emphasis on the flatness of t...

Artist: (after) Helen Frankenthaler (American, 1928-2011) Title: "Helen Frankenthaler: Reflections (Catalog of 12 Prints)" Series: (after) Reflections *Issued unsigned Year: 1995 Med...

Artist: Peter Milton, American (1930 - ) Title: Under Greylock Year: 1993 Medium: Intaglio Etching, signed and numbered in pencil Edition: 175 Image Size: 18.25 x 15 inches Size: 25 ...

SOYEZ HEUREUX! is an original hand drawn limited edition lithograph(not a photo reproduction or digital print) by the French artist Michel Delacroix, printed on Arches paper, 100% acid free. Portrayed in Delacroix's popular and recognizable naive style, Soyez Heureux! depicts a vintage Paris street scene of a wedding party complete with horse drawn carriage and happy Bride and Groom...

The Bat is an original lithograph on ivory-colored paper, realized by Paul Gervais (1816-1879). The artwork is from The Series of "Les Trois Règnes de la Nature", and was published i...

Lithograph in colours, 1997, on Rives BFK paper, signed with initials in pencil, numbered from the edition of 75 (there were also 15 artist’s proofs), printed by Solo Impressions, In...

Theodore Waddell Osage Sheep State II Year: 1994 Color Lithograph Edition: 30 Papers: Arches Cover, Black Paper Size: 22.5 x 30 inches Image Size: Same Signed and numbered by hand CO...

This image is from an exclusive edition published by Stone + Press in 1994 in an edition of 100. This impression is #98. It brings to mind the Robert Frost poem, Stopping by Woods on a Snowy Evening. The woods are lovely, dark and deep, But I have promises to keep, And miles to go before I sleep, And miles to go before I sleep. Mary Teichman...

Paper Size: 31.5 x 23.5 inches ( 80.01 x 59.69 cm ) Image Size: 34.5 x 23.6 inches ( 87.63 x 59.944 cm ) Framed: No Condition: A: Mint Additional Details: Published and printed by t...

Paper Size: 33.5 x 21 inches ( 85.09 x 53.34 cm ) Image Size: 33.5 x 21 inches ( 85.09 x 53.34 cm ) Framed: No Condition: A: Mint Additional Details: Poster based after Warhol's 197...

3 lithographs on vellum (from the portfolio of ten) Edition of 2500 (reported) Not signed or numbered Artwork in mint condition. Minor imperfections on original packaging. Sold in or...

THE BIG APPLE, NEW YORK CITY is a handmade limited edition color lithograph with metallic gold silkcreen by the American artist Alex Echo. THE BIG APPLE, NEW YORK CITY was printed us...

Vintage postcards is an old master artwork realized by Enrico Passero. Black and white lithograph. The artwork consists of three lithographs from Società Filologica Friulana realiz...

Paper Size: 19.75 x 15.75 inches ( 50.165 x 40.005 cm ) Image Size: 14.75 x 10.5 inches ( 37.465 x 26.67 cm ) Framed: No Condition: A-: Near Mint, very light signs of handling Addit...

Paper Size: 15.75 x 19.75 inches ( 40.005 x 50.165 cm ) Image Size: 10 x 15.75 inches ( 25.4 x 40.005 cm ) Framed: No Condition: A-: Near Mint, very light signs of handling Addition...

Paper Size: 15.75 x 19.75 inches ( 40.005 x 50.165 cm ) Image Size: 9.25 x 15.75 inches ( 23.495 x 40.005 cm ) Framed: No Condition: A-: Near Mint, very light signs of handling Addi...

Paper Size: 19.75 x 15.75 inches ( 50.165 x 40.005 cm ) Image Size: 14.75 x 11 inches ( 37.465 x 27.94 cm ) Framed: No Condition: A-: Near Mint, very light signs of handling Additio...

Paper Size: 19.75 x 15.75 inches ( 50.165 x 40.005 cm ) Image Size: 14.75 x 11.75 inches ( 37.465 x 29.845 cm ) Framed: No Condition: A-: Near Mint, very light signs of handling Add...

From: Les Douze Mois de 1889 As published in Vol. 9, No. 425 of Les Hommes d'Aujourd'hui. Published by Sagot, Paris Proof before letters without the calendarium as published Very ra...

Paper Size: 19.75 x 15.75 inches ( 50.165 x 40.005 cm ) Image Size: 14.75 x 9.75 inches ( 37.465 x 24.765 cm ) Framed: No Condition: A-: Near Mint, very light signs of handling Addi...

Prairies de Bazincourt by Camille Pissarro (1830-1903) Etching and aquatint 8.1 x 12 cm (3 ¹/₄ x 4 ³/₄ inches) Stamped with initials lower left, C.P. and numbered 3/18 lower right T...

Paper Size: 15.75 x 19.75 inches ( 40.005 x 50.165 cm ) Image Size: 11.25 x 15.25 inches ( 28.575 x 38.735 cm ) Framed: No Condition: B: Very Good Condition, with signs of handling o...

Paper Size: 19.75 x 15.75 inches ( 50.165 x 40.005 cm ) Image Size: 12.5 x 11.75 inches ( 31.75 x 29.845 cm ) Framed: No Condition: A-: Near Mint, very light signs of handling Addit...

Paper Size: 19.75 x 15.75 inches ( 50.165 x 40.005 cm ) Image Size: 14.75 x 11.25 inches ( 37.465 x 28.575 cm ) Framed: No Condition: A-: Near Mint, very light signs of handling Add...

Paper Size: 16 x 19.5 inches ( 40.64 x 49.53 cm ) Image Size: 9.5 x 11.5 inches ( 24.13 x 29.21 cm ) Framed: No Condition: A-: Near Mint, very light signs of handling Additional Det...

Paper Size: 16 x 19.5 inches ( 40.64 x 49.53 cm ) Image Size: 9.75 x 11.5 inches ( 24.765 x 29.21 cm ) Framed: No Condition: A-: Near Mint, very light signs of handling Additional D...