Medium Abstract Prints

Printed in the same scale as the original James Rosenquist painting, this black and white, abstract pop art composition features a car door collaged over a gleaming, metallic chrome circle. The shining metal and automobile imagery is characteristic of Rosenquist’s work. Bold, minimalist and monochrome, with a hint of yellow and cobalt blue, Tube's circular composition became a recurring motif for Rosenquist. Circles appear in the artist’s prints from the late 60s – he was interested in the “circles of confusion”, or the phenomenon of a camera lens being pointed directly at the sun. Lithograph based on Rosenquist’s 1963 painting...

Silksreen, 2014 Handsigned by the artist in pencil and numbered 4/50 Publisher : Galerie-F Edition 61.50 cm. x 71.50 cm. 24.21 in. x 28.15 in. (paper) 46.00 cm. x 60.50 cm. 18.11 i...

Artist: After Francis Bacon (1909-1992) Title: Personnage Couche, exhibition poster Year: 1966 Medium: Offset Lithograph on wove paper Size: 28 x 17....

Abstract Composition is a lithograph artwork realized by Antonio Sanfilippo in 1971. Good conditions. Artist's proof. Hand-signed. This artwork represents an abstract composition...

Silk Screen print of fish, coral, and the sun. The artist uses black hues to create a stencil effect and to better showcase the red fish. Framed in a thin silver frame with a black m...

Lithograph realized by Danilo Bergamo in 1970s. Edition of 10. Very good condition.

Turtle is an original artwork realized by Carlo Quattrucci in 1971. Hand Signed and dated on the lower right margin. Numbered on the lower left. Edition of 70 pieces plus some Arti...

Sam Francis, American (1923 - 1994) - Colors of Sam Francis, Year: 2018, Medium: Poster, Size: 28.75 x 20.25 in. (73.03 x 51.44 cm)

Joan Gardy Artigas Love Interest, c. 1977 Original Lithograph Handsigned Justified H.C (Hors Commerce) On Velum 75.5 x 35.5cm (c. 29.5x 13.6inch) Excellent Condition

Letter P, from the Alphabet series,  is a lithograph, realized by Rafael Alberti in 1972. Hand-signed and dated on the lower right margin.  Numbered in pencil on the lower, from an...

Letter R, from the Alphabet series,  is a lithograph, realized by Rafael Alberti in 1972. Hand-signed and dated on the lower right margin.  Numbered in pencil on the lower, from an...

Letter J, from the Alphabet series,  is a lithograph, realized by Rafael Alberti in 1972. Hand-signed and dated on the lower right margin.  Numbered in pencil on the lower, from an...

Letter O, from the Alphabet series,  is a lithograph, realized by Rafael Alberti in 1972. Hand-signed and dated on the lower right margin.  Numbered in pencil on the lower, from an...

Letter U, from the Alphabet series,  is a lithograph, realized by Rafael Alberti in 1972. Hand-signed and dated on the lower right margin.  Numbered in pencil on the lower, from an...

United Europe - France 2 is a color etching and aquatint on paper, realized in 1994 by the Italian graphic master Piero Dorazio (Rome, 1927 - Perugia, 2005). Signed and dated in pen...

Heads is an original color etching and carborundum on paper, realized around 1970s by the Spanish artist Antoni Clavé (1913 – 2005). Hand-signed in pencil o lower right corner and ...

Artist: Felix Ruvolo – American (1912 - 1992) Title: “Samson and Delila” aka “Untitled” from the suite: 10 West Coast Artists, Collector’s Press, 1967 Year: 1967 Medium: Lithograph on Arches paper Size: 30 x 22.5 inches. Publisher: Collector’s Press, San Francisco Edition: 75. Signature: Signed lower right in pencil Embossed publisher’s chop lower left of the Collector’s Press, San Francisco; Embossed printer’s chop lower left of Ernest De Soto Numbered: 39/75 lower right in pencil Condition: Excellent This lithograph is from the notable portfolio “10 West Coast Artists” containing ten prints, title page and colophon page, published by Collector’s Press in San Francisco in 1967. Prints by Keith Boyle, Bruce Conner, Richard Diebenkorn, Roy de Forest, Sidney Gordin, Frank Lobdell, James Melchert, Manuel Neri, Frank Ruvolo, Peter Voulkos are in the portfolio. The print has no margins – it is full bleed. The print is in excellent condition. Felix Ruvolo was born in New York City in 1912, but raised in the home of his grandparents in Sicily where he first studied with an Italian artist. At age 12, he returned to the home of his parents, who soon moved to Chicago. They were aware of his intense interest in art and had him continue studies with a local artist and then at the Chicago Art Institute. By 1938 he was exhibiting regularly and was accorded his first invitation to participate in an American Federation of Arts traveling exhibition. Invitations to exhibitions at other major institutions followed--the Whitney Museum of American Art, the Metropolitan Museum of Art, the Brooklyn Museum, the Corcoran Gallery of Art, the Carnegie Institute, the Phillips Gallery Museum, the Pennsylvania Academy, the Walker Art Center, the “Contemporary American Painting” surveys at the Krannert Museum from 1948 to 1961, the Sao Paulo Biennials in Brazil, the Galerie Creuse in Paris. He was represented in the ground-breaking exhibition at the Museum of Modern Art in New York in 1951, “Abstract Painting and Sculpture in America.” His many one-man shows included those at the Durand Ruel Gallery, the Catherine Viviano Gallery, the Grand Central, the Poindexter Gallery in New York and the University of Southern California. His works entered public and private collections such as the Chicago Art Institute, the Krannert Museum, the Walker Art Center, the Oakland Museum of Art, and the Aukland City Museum in New Zealand. His work was reproduced in national magazines and in anthologies published by the Museum of Modern Art, the Whitney Museum, and Albright Museum in New York, the Los Angeles County Museum, the American Encyclopedia, the Dictionaire de la Peinture Abstraite, and Il Giornale D'Italia. His teaching career began at the Art Institute of Chicago in 1945 and continued until 1948 when he moved with his wife Mardi to New York. Mills College in Oakland had established a program of bringing distinguished artists, such as Fernand Leger, to the campus as guest instructors. Felix was invited for the summer session of 1948; during that sojourn, he had solo exhibitions in the Mills College Art Gallery and at the De Young Museum in San Francisco. At that time, he met many Bay Area artists who were to become life-long friends of the Ruvolos. His national reputation had been firmly established, when in 1949 Felix was extended the invitation for appointment to the faculty on the Berkeley campus. His earlier works were referential, often on fantasy themes. These new paintings were non-objective in idiom, rich in color, line and texture. They were marvelous, they were beautiful, they bespoke his creative genius. Critics came, collectors came, colleagues came, students came, friends from the East came. Artists were invited to serve as visiting faculty. George McNeil, then Director of the Pratt Institute, said that he accepted an invitation to come to Berkeley because Felix was there. Among his students who have achieved distinction in the profession are: Wayne Anderson, Walter de Maria, Mark di Suvero, William Brown, Mary Snowden...

Bianchi e Neri II (Acetates) - Plate E  is a wonderful Contemporary artwork realized by Alberto Burri in 1969. Hand-signed in pencil on the lower right margin Hand-numbered in penc...

Sam Francis, American (1923 - 1994) - Galerie Pudeklo, Year: 1972, Medium: Poster, Size: 27.5 x 19.75 in. (69.85 x 50.17 cm)

White Finger Ball  is an abstract silk-screen and copperplate engraving print on heavy paper, realized in 1973 by the Japanese artist Shu Takahashi. Unsigned, and not numbered, this...

Sam Francis, American (1923 - 1994) - Untitled (P-5), Year: 1980, Medium: Poster, Edition: 1200, Size: 27.5 x 19.5 in. (69.85 x 49.53 cm), Printer: Bob Blair and George Page at Blair Litho, Los Angeles, Publisher: Centre International de Creation Artistique, Abbaye de Senanquem Gordes, Grance, Reference: Lembark P-5, Description: Poster for a Sam Francis exhibition...

Sign Board is a contemporary artwork realized by Mario Persico in 1970 Mixed colored lithograph Title and date on the lower margin. Hand signed by the artist Numbered on the lowe...

Lorenzo Indrimi , an Italian contemporary artist who drew inspiration from the most primitive human feelings, created this elegant sfumato lithograph Red Six IX in the 1970s. It is ...

Modern and bold abstract geometric composition of Mayan sculpture Chac Mool in sky blue by Marilyn Kruger (American, 20th Century). Numbered, titled, and signed ("1/5 Chac #2 Marilyn Kruger") along the lower edge. No frame. Chac Mool is sculpture of a reclining male figure holding a bowl on his torso. They were given the invented name Chac Mool by nineteenth-century explorers during an archaeological expedition to Chichen Itza...

Artist: Alexander Brodsky and Ilya Utkin, Russian (1955 - ) Title: House with Stag's Head from Brodsky and Utkin: Projects 1981 - 1990 Year: 1990 Medium: Etching on German Rag paper,...

Red Abstract Composition is a contemporary artwork realized by Salvatore Provino in 1991 Mixed media on paper Hand signed and numbered on the lower margin Edition of 80/100 Good ...

This abstract Limited Edition giclee print by Sofie Swann features thin, dark blue parallel rectangles of varying heights, each with a white and yellow bottom. A single yellow line i...

This engaging artwork is a print on paper create by the Italian artist Gualtiero Nativi. It is a multiple of 250 specimens and it is numbered n. 2. Gualtiero Nativi is a well known ...

Author: Baruj Salinas (Cuba, 1938) Title: 'Nebula incandescente', 1977, Artist Proof Medium: Limited Edition Print. Technique: Mixed media on paper Size: 22.1 x 30 in. (56 x 76 cm.) ...

The Red Composition is a colored screen print realized by Renato Barisani in 1983. Hand-signed and dated in pencil on the lower right. Numbered in pencil on the lower left. Edition ...

Limited edition of 99 prints, numbered and hand signed.

The Red and Yellow Structures is an original colored screen print realized by Renato Barisani in 1983. Hand-signed and dated in pencil on the lower right. Numbered in pencil on the...

This abstract portrait limited edition print by Ned Martin is part of the artist's Spirits Through Time series. It features a warm and earthy palette. It depicts a portrait of a woma...

Impactful abstract serigraph using vivid colors of green and orange to accentuate a bold black by artist Reverdy, circa 1970. Signed lower right, n...

I like minimalism, this orange stripe I found occasionally, the picture is limited edition of 5 in the size. Signed by the author.

Peter Halley New Works, Galerie Bruno Bischofberger (Hand signed), 1994 Offset lithograph poster (signed by Peter Halley) 19 × 26 1/2 inches Boldly signed in black marker on the fron...

Dennis Oppenheim Image Intervention (Hand Signed), 1984 Offset Lithograph (hand signed and dated by Dennis Oppenheim) Hand signed and dated on the middle front 28 × 20 inches Unframe...

Hans Rudolf Bosshard (*1929 Balm-Lottstetten), Twelve variations on a dice theme, 1962. Portfolio with inserted cover sheet and twelve woodcuts on thin Japanese paper. Copy no. 2/10,...

Artist: Alberto Magnelli, Italian (1888 - 1971) Title: VI from La Magnanerie de la Ferrage Year: 1971 Medium: Linocut on Japon, signed in pencil Edition: Pour Leon Amiel Image Size: ...

Artist: Roy Ahlgren, American (1927 - 2011) Title: Mobius Year: 1978 Medium: Screenprint, signed and numbered in pencil Edition: 80 Image Size: 18 x 26 inches Size: 22 x 30 in. (55.8...

Nippur Temple is a colored etching realized by the contemporary artist Walter Valentini in 1976. Hand-signed in pencil on the lower center. Numbered...

Artist: David Milne Title: River Ring Year: 1972 Medium: Screenprint, signed and numbered in pencil Edition: 150, AP Image Size: 12 x 17 inches Size: 14 x 18 in. (35.56 x 45.72 cm) ...

Vicente Rojo (Mexico, 1932-2021) 'Aforismo F', 2015 silkscreen on paper Deponte 300 g. 20.3 x 26.4 in. (51.5 x 67 cm.) Edition of 140 ID: ROJ-147 Unframed

Woman is original lithography, realized by Mario Tozzi, Hand-signed and numbered, edition of XIX/L prints. The state of preservation of artwork is very go...

Lithograph on vélin paper. Inscription: Unsigned and unnumbered, as issued. Good condition, with quadfold, as issued. Notes: From Derrière le miroir, N° 74-75-76, 1955. Published by ...

This colorful abstract lithographic poster was printed at the Atelier Mourlot on Bank Street in New York City in 1967. Calder is one of the most acclaimed and influential sculptors...

Artist: Cris Cristofaro, American Title: Navy and Blue Rectangles Year: 1978 Medium: Silkscreen on Arches Paper, signed and numbered in pencil Edition: 50 Size: 30 x 22 in. (76.2 x 5...

Josef Levi, American (1938 - ) - K-GRBB, Year: 1971, Medium: Screenprint, signed, numbered, titled and dated, Edition: 1/2, Image Size: 28 x 28 inches, Size: 32 x 32 in. (81.28 x 81....

This artwork titled "Alta Beach" c.1990 is an original lithograph with silver leaf addition on Arches paper, by Japanese artist Kenji Nanao, 1929-2013. It ...

Composition  is a lithograph and embossing artwork on paper realized by  Lucio del Pezzo. It belongs to the series "Decalogue". Edition of 28/75. The artwork represents a geometri...

Anna Ticho (אנה טיכו ) (1894-1980) was a Jewish artist who became famous for her drawings of the Jerusalem hills. Anna Ticho was born in Brno, Moravia, then part of the Austro-Hungarian Empire (today the Czech Republic) in 1894. At the age of 15, she began to study drawing in Vienna in an art school under the directorship of Ernst Nowak...

Maite Diaz Gonzalez (Cuba, 1963) Untitled from Cuban Portfolio, ca.2010 silkscreen on canvas 25.6 x 19.7 in. (65 x 50 cm.) Edition of 100 Unframed ID: DIA1205-001-100_3 Hand-signed ...

Artist: William Taggart, American (1936 - 2007) Title: Versatile No. 1 Year: 1978 Medium: Serigraph, signed and numbered in pencil Edition: 200, AP 30 Paper Size: 24 in. x 32 in. (60...

Letter B by Rafael Alberti, from the Alphabet series,  is a lithograph, realized by Rafael Alberti in 1972. Hand-signed and dated on the lower right margin.  It is an artist's pro...

"Voices VI (A)" Aquatint Etching • Image: 12”x 14” • Paper: 30”x 22” • 2001 Hand signed and numbered 1/2 on BFK Rives paper. Joe Novak (1930-2019) California Contemporary Minimalist. His work is about the exploration of color and light through abstraction, with tonal gradations that infuse them with a meditative quality. During the eighties and nineties, he painted large monochromatic color field canvases with tonal gradations and soft edges that infuse them with a meditative quality and a sense of movement. When illuminated they become glowing surfaces of color and light. His artistic background and work link him closely with the first generation abstract expressionists of the New York School. Major influences include Jackson Pollock and Mark Rothko, and his mentors, Peter Busa and Esteban Vicente, whom he met and befriended during the eighties while living and painting in East Hampton. During the nineties, while living and working in Santa Fe, New Mexico, Novak initiated a project called "Light Emanations", in which he created digital computerized programs of changing light levels and configurations on a selection of his large paintings, dramatically illustrating the effect of light changes on color perception. Novak's body of work is extensive and include painting on canvas, panel and paper as well as monotypes, drawings, assemblages, mixed media and prints. He has often worked in series, focusing on a particular medium for years. Among these are "Meditations" (color pencil drawings), "Voices" and "Voices 2" (color aquatint etchings), "Echoes" (painting assemblage with minerals) and "Colors" (350 miniature panel paintings). In recent years his paintings have become more gestural, often with musical allusions. His work bears a relationship to the Light & Space Movement and Minimalism artists James Turrell, Larry Bell, Craig Kauffman, Billy Al Bengston, Peter Alexander, Laddie John Dill, Lita Albuquerque. these are also anticipative of the aquatint etching works by Anish Kapoor. Color Gradient, Abstract Art, Land Art. During the eighties and nineties, he painted large monochromatic color field canvases with tonal gradations and soft edges that infuse them with a meditative quality and a sense of movement. When illuminated they become glowing surfaces of color and light. Critic Christopher Knight wrote, Novak is an unabashed Color Field painter. His paintings and aquatints at Bert Green Fine Arts — the Santa Fe artist's third show there — feature works that will call to mind abstractions as diverse as those by Helen Frankenthaler, Mark Rothko and Morris Louis and the landscape abstractions of Joe Goode. Novak's work is in many public and private collections, including numerous museum collections. He spent his last years living in Palm Springs. Selected Group Exhibitions Bert Green Fine Art, Chicago, Illinois "Joe Novak/Huck Lewis-Bennett: A Collaboration", Stephen Archdeacon Gallery, Palm Springs Melissa Morgan Fine Art...

ABOUT THIS PIECE: A 1 inch white border is included in the listed image size (W x H) as per the artist's request. Inspired by the warm light, open vistas, and saturated colors of he...

Leon Polk Smith (1906 -1996) holds a unique place in a long tradition of American geometric abstract painting. Born near Chikasha, a Native American territory later annexed by the U.S. as the state of Oklahoma, Smith’s parents, who were of Cherokee ancestry, raised him with both a strong sense of his heritage and an abiding respect for the land. Art would eventually draw Smith to New York where he would quickly embrace elements of geometric abstraction in his work. Many of Smith’s hard-edge compositions could be viewed as distillations of imagery drawn from the Oklahoma landscape...

In a symphony of colour and form, Alice Teichert created more than 40 black ink and acrylic drawings on mylar which she transferred to silk screens. ‘The Text is Still Unwritten’ is ...