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Miniature Abstract Prints

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Size: Miniature
"High and Low II", Abstract Patterns, Geometric Abstraction, Woodcut Monoprint
Located in Philadelphia, PA
This piece titled "High and Low II" is an original piece by Alexis Nutini and is made from a woodcut monoprint mounted on panel. This piece measures 9.5"h x 14.5"w. Born in Mexico ...
Category

21st Century and Contemporary Contemporary Abstract Sculptures

Materials

Wood Panel, Monoprint, Woodcut

"E.T. Doodle" Abstract Patterns, Geometric Abstraction, Woodcut, Monoprint
Located in Philadelphia, PA
This piece titled "E. T. Doodle" is an original piece by Alexis Nutini and is made from a woodcut monoprint mounted on panel. This piece measures 14.5"h...
Category

21st Century and Contemporary Contemporary Abstract Prints

Materials

Panel, Monoprint, Woodcut, Paper

Le corrigan à la dentelle (Cramer 115), Diurnes
Located in Southampton, NY
Lithograph, stencil on vélin d’Arches paper. Paper Size: 15.75 x 11.75 inches. Inscription: Unsigned and unnumbered, as issued. Catalogue raisonné reference: Goeppert, Sebastian, et ...
Category

1960s Cubist Abstract Prints

Materials

Lithograph, Stencil

Braque, Composition, Derrière le miroir (after)
Located in Southampton, NY
Lithograph on vélin paper. Inscription: Unsigned and unnumbered, as issued. Good condition. Notes: From Derrière le miroir, N° 166, 1967. Published by Aimé Maeght, Éditeur, Paris; pr...
Category

1960s Modern Abstract Prints

Materials

Lithograph

Black Rage, print with COA Signed 53/100 by Glenn Ligon Framed Black art, text
Located in New York, NY
Renowned contemporary conceptual African American artist Glenn Ligon Black Rage (back cover), 2019 Silkscreen and digital print Edition number 53/100 Accompanied by an official Certi...
Category

2010s Contemporary Abstract Prints

Materials

Digital, Screen

Hat-VI Op Art Print
Located in Austin, TX
Victor Vasarely offset lithograph print 16 ⅛ x 16 inches About the Artist: Victor Vasarely (1906-1997) stands as a pioneering force in the realm of Op Art, heralded for his groundb...
Category

20th Century Op Art Abstract Prints

Materials

Offset

Fisherman
Located in Belgrade, MT
This etching by Lucien Coutard is part of my private collection since the 1970's. It is signed. Lucien Courtard created surrealist depictions of sexuality, he called it Eroticism and...
Category

Mid-20th Century Surrealist Abstract Prints

Materials

Etching, Lithograph

Braque, Composition, Derrière le miroir (after)
Located in Southampton, NY
Lithograph on vélin paper. Inscription: Unsigned and unnumbered, as issued. Good condition. Notes: From Derrière le miroir, N° 117, 1959. Published by Aimé Maeght, Éditeur, Paris; pr...
Category

1950s Modern Abstract Prints

Materials

Lithograph

Milton Glaser signed abstract mixed media landscape mid century modern (unique)
Located in New York, NY
MILTON GLASER Untitled Abstract Landscape, 1965 Monotype with Mixed Media 11 × 13 inches Signed and dated 1965 on the lower right recto Unique Frame included: held in original vinta...
Category

Mid-20th Century Abstract Abstract Prints

Materials

Mixed Media, Pencil, Graphite, Monotype, Screen

rare Maeght sculpted holiday card 1968 - collectors item mid century modern art
Located in New York, NY
Alexander Calder rare Maeght sculpted holiday card, 1968 Hand made sculpted paper collage on paper with embossing Embossed artist's monogram 10 × 7 × 6 1/2 inches This rare, fold-ou...
Category

1960s Contemporary Abstract Sculptures

Materials

Paper, Mixed Media, Laid Paper, Lithograph, Offset

Derriere le Miroir Issue 242
Located in Brooklyn, NY
Derrière Le Miroir (DLM) issue no. 242, designed by Eduardo Chillida in 1980, is a visually captivating publication. This issue contains 5 full-page designs printed on vellum, along ...
Category

1980s Abstract Abstract Prints

Materials

Lithograph

Lithographier Originale (Les Peintures Sur Carton) (Abstract, Fun, Gestural)
Located in Kansas City, MO
Joan Miro Lithographier Originale (Les Peintures Sur Carton De Miro) Original Color Lithograph Year: 1965 Size: 14.5x10.5in Edition: 1,500 Portfolio: DLM 151-152 Publisher: Maeght ...
Category

1960s Abstract Expressionist Abstract Prints

Materials

Lithograph

Sans titre, Contes de Boccace, Verve: Revue Artistique et Littéraire
Located in Southampton, NY
Lithograph on vélin des Papeteries du Marais paper. Paper Size: 14 x 10.25 inches. Inscription: Unsigned and unnumbered, as issued. Notes: From the album, Contes de Boccace, peinture...
Category

1950s Expressionist Abstract Prints

Materials

Lithograph

Nature Morte country side farming scene
Located in Belgrade, MT
This lithograph is part of my private collection. It is original and pencil signed and numbered by the artist.
Category

20th Century Abstract Expressionist Landscape Prints

Materials

Engraving, Lithograph

Paroles Peintes
Located in Paris, FR
Etching and aquatint, 1975 Edition : 62/75 Publisher : O. Lazar-Vernet, Paris Printer : Georges Leblanc et Morsang, Paris Catalog : Dupin 827 38.00 cm. x 27.70 cm. 14.96 in. x 10.91...
Category

1970s Abstract Abstract Prints

Materials

Etching, Aquatint

Chillida, Composition, Derrière le miroir (after)
Located in Southampton, NY
Woodcut on vélin paper. Inscription: Unsigned and unnumbered, as issued. Good condition. Notes: From Derrière le miroir, N° 174, 1968. Published by Aimé Maeght, Éditeur, Paris; print...
Category

1960s Modern Abstract Prints

Materials

Woodcut

My Hustler and Beauty No. 2 (one of the top 100 Counter Culture posters ever)
Located in New York, NY
Andy Warhol My Hustler and Beauty No. 2 (Extremely rare movie flyer), 1966 Offset Lithograph flier, blue ink on pink paper. 11 × 8 1/2 inches Unframed Beauty No. 2 and My Hustler Scr...
Category

1960s Pop Art Figurative Prints

Materials

Lithograph, Offset

Red Composition - Lithograph by Marino Marini­ - 1953
Located in Roma, IT
Red Composition is an original artwork realized by Marino Marini in 1953. Mixed colored lithograph. Signed and dated on plate. Marino Marini (1901-1980),was an Italian sculptor. ...
Category

1950s Contemporary Abstract Prints

Materials

Lithograph

Amordie, Abstract Expressionist Etching by Alfonso Ossorio
Located in Long Island City, NY
Artist: Alfonso Ossorio (Filipino, 1916-1990) Title: Amordie Year: 1983 Medium: Etching, signed and numbered in pencil Edition: 36 Image Size: 11 x 7 inches Paper Size: 18 x 12 in. ...
Category

1980s Abstract Expressionist Abstract Prints

Materials

Etching

Riopelle, Composition, Derrière le miroir (after)
Located in Southampton, NY
Lithograph on vélin paper. Inscription: Unsigned and unnumbered, as issued. Good condition. Notes: From Derrière le miroir, N° 160, 1966. Published by Aimé Maeght, Éditeur, Paris; pr...
Category

1960s Modern Abstract Prints

Materials

Lithograph

Figure - Original Lithograph by Jean Lurçat - Mid 20th Century
Located in Roma, IT
Figure is an original artwork realized by the french artist Jean Lurçat (1892 Bruyeres - 1966 St.-Paul-de-Vence). Lithograph print, mid-20th century. Very good conditions except f...
Category

Mid-20th Century Modern Abstract Prints

Materials

Lithograph

Max Ernst Untitled 1965 #107A Surrealist Etching Aquatint in colors Blue Yellow
Located in Rancho Santa Fe, CA
Max Ernst "Untitled" 1965 Etching and aquatint in colors, on Arches paper. 7.8 x 5.39 inches Publisher: Georges Visat, Paris. Total edition: 100 copies +...
Category

1960s Surrealist Abstract Prints

Materials

Archival Paper, Etching, Aquatint

Matisse, Série C, var. 8 (Duthuit 9), Dessins, Thèmes et variations (after)
Located in Southampton, NY
Lithograph on vélin pur fil paper. Inscription: Signed in the plate and unnumbered, as issued. Good condition. Notes: From the folio, Henri Matisse, Dessins, Thèmes et Variations, 19...
Category

1940s Modern Figurative Prints

Materials

Lithograph

Untitled - Screen Print by Iginio Legnaghi - 1977
Located in Roma, IT
Hand signed and numbered by the artist. Specimen no 54/200. Very good conditions.
Category

1970s Abstract Abstract Prints

Materials

Screen

Matisse, Série C, var. 3 (Duthuit 9), Dessins, Thèmes et variations (after)
Located in Southampton, NY
Lithograph on vélin pur fil paper. Inscription: Signed in the plate and unnumbered, as issued. Good condition. Notes: From the folio, Henri Matisse, Dessins, Thèmes et Variations, 19...
Category

1940s Modern Figurative Prints

Materials

Lithograph

Matisse, Série O, var. 18 (Duthuit 9), Dessins, Thèmes et variations (after)
Located in Southampton, NY
Lithograph on vélin pur fil paper. Inscription: Signed in the plate and unnumbered, as issued. Good condition. Notes: From the folio, Henri Matisse, Dessins, Thèmes et Variations, 19...
Category

1940s Modern Figurative Prints

Materials

Lithograph

Calder, Composition, Derrière le miroir (after)
Located in Southampton, NY
Lithograph on vélin paper. Inscription: Unsigned and unnumbered, as issued. Good condition. Notes: From Derrière le miroir, N° 121-122, published by Aimé Maeght, Éditeur, Paris; prin...
Category

1960s Modern Still-life Prints

Materials

Lithograph

HOPES FOR PEACE Signed Lithograph Abstract Dove, Airbrush Colors, Spanish Artist
Located in Union City, NJ
HOPES FOR PEACE is a handmade color lithograph by the internationally recognized Spanish artist Cristóbal Gabarrón printed on archival Arches printmaking paper in 1986. HOPES FOR PEACE is an imaginative composition depicting an abstract bird expressed in airbrush colors as a dove symbolizing world peace. HOPES FOR PEACE is a visually appealing handmade lithograph printed in soft rainbow shades of purple, yellow, magenta pink, blue green, beige, light orange, gray and black. Print size - 11.0" x 8.5" unframed, vivid colors, excellent condition, hand signed and numbered in pencil by Cristóbal Gabarrón Edition size - 500, Certificate of Authenticity included Cristóbal Gabarrón - HOPES FOR PEACE was specially commissioned by The World Federation of UN Associations (WFUNA) in 1986 - the International Year of Peace. Operating within the framework of the theme, "To Safeguard Peace and the Future of Humanity", the program for this special year was composed of the three primary components: Peace and Disarmament, Peace and Development and Preparation for Life in Peace. Cristóbal Gabarrón is a celebrated Spanish artist known for his work with the United Nations whose personal convictions are based on the individual human life, and the coexistence and the development of human values. Artist statement: “There is nothing as pure and innocent as a child’s creative imagination. Children are the future of our societies. We learn a lot from each other when interacting across generations and cultures on such issues that bind us together, such as human rights,” Artist bio - Cristóbal Gabarrón was born in the town of Mula (Murcia) in 1945, although at the age of six he moved with his family to live in Valladolid. He dedicated himself to painting from a very young age performing his first exhibitions, at the Galería Castilla de Valladolid and at the Galería Macarrón in Madrid. His work evolved from figuration to informalism, to the abstracción "symbolic and "postmodern," a "symbolic." In 1967, at the age of 22, Gabarrón exhibited at the Leob Gallery in New York and the Arts Perspective Gallery in Paris. His work has been marked by his life experience, humanism and his nomadic personality, which give him a unique, very personal style. A creation in continuous experimentation and evolution with strokes from its multiple rooms and exhibitions in different parts of the world. He currently resides between Bueu, on the Ria de Pontevedra and Valladolid, although he continues to be connected to his place of origin, the city of Mula. He received his first artistic training in Valladolid before continuing his career in France, Italy and the United States. Gabarrón's work is focused on his interest in humanism, for people's lives in harmony with their natural environment, for their peaceful coexistence and the development of human values. Their collaboration with international organizations, such as the International Olympic Committee or the United Nations, has led to a very fruitful period that lasts, following the exhibition of the Universe of Light (Enlightened Universe) inaugurated on 24 October 2015 at the famous Central Park in New York, by the UN Secretary General, Mr. Ban Ki-moon on the 70th Anniversary of the creation of the United Nations and which every year travels cities from all over the world, to commemorate UN and Human Rights Day: Geneva (2016), Amsterdam (2017), Brussels (2018), Valladolid (2020), La Valeta (2022). His work has been the same center of analysis within retrospectives such as those dedicated to the Chelsea Art Museum, the IVAM, the Museum of Modern Art of Gdansk, in Poland, the National Museum of Art of China in Shanghai, or the Herrerian Patio Museum of Contemporary Spanish Art...
Category

1980s Contemporary Abstract Prints

Materials

Lithograph

Ubac, Composition, Derrière le miroir (after)
Located in Southampton, NY
Lithograph on vélin paper. Inscription: Unsigned and unnumbered, as issued. Good condition. Notes: From Derrière le miroir, N° 105-106, 1958. Published by Aimé Maeght, Éditeur, Paris...
Category

1950s Modern Abstract Prints

Materials

Lithograph

Richard Pettibone The Appropriation Warhol, Stella, Lichtenstein, Unique Signed
Located in New York, NY
Richard Pettibone The Appropriation Print Andy Warhol, Frank Stella, Roy Lichtenstein, 1970 Silkscreen in colors on masonite board (unique variant on sculpted board) Hand-signed by artist, Signed and dated on the front (see close up image) Bespoke frame Included This example of Pettibone's iconic Appropriation Print is silkscreened on masonite board rather than paper, giving it a different background hue, and enabling it work to be framed so uniquely. The Appropriation print is one of the most coveted prints Pettibone ever created ; the regular edition is on a full sheet with white background; the present example was silkscreened on board, allowing it to be framed in 3-D. While we do not know how many examples of this graphic work Pettibone created, so far the present work is the only one example we have ever seen on the public market since 1970. (Other editions of The Appropriation Print have been printed on vellum, wove paper and pink and yellow paper.) This 1970 homage to Andy Warhol, Frank Stella and Roy Lichtenstein exemplifies the type of artistic appropriation he was engaging in early on during the height of the Pop Art movement - long before more contemporary artists like Deborah Kass, Louise Lawler, etc. followed suit. This silkscreen was in its original 1970 vintage period frame; a bespoke custom hand cut black wood outer frame was subsequently created especially to house the work, giving it a distinctive sculptural aesthetic. Measurements: Framed 14.5 inches vertical by 18 inches horizontal by 2 inches Work 13 inches vertical by 16.5 inches horizontal Richard Pettibone biography: Richard Pettibone (American, b.1938) is one of the pioneering artists to use appropriation techniques. Pettibone was born in Los Angeles, and first worked with shadow boxes and assemblages, illustrating his interest in craft, construction, and working in miniature scales. In 1964, he created the first of his appropriated pieces, two tiny painted “replicas” of the iconic Campbell’s soup cans by Andy Warhol (American, 1928–1987). By 1965, he had created several “replicas” of paintings by American artists, such as Warhol, Roy Lichtenstein (1923–1997), Ed Ruscha (b.1937), and others, among them some of the biggest names in Pop Art. Pettibone chose to recreate the work of leading avant-garde artists whose careers were often centered on themes of replication themselves, further lending irony to his work. Pettibone also created both miniature and life-sized sculptural works, including an exact copy of Bicycle Wheel by Marcel Duchamp (French, 1887–1968), and in the 1980s, an entire series of sculptures of varying sizes replicating the most famous works of Constantin Brancusi (Romanian, 1876–1957). In more recent years, Pettibone has created paintings based on the covers of poetry books by Ezra Pound, as well as sculptures drawn from the grid compositions of Piet Mondrian (Dutch, 1872–1944). Pettibone straddles the lines of appropriation, Pop, and Conceptual Art, and has received critical attention for decades for the important questions his work raises about authorship, craftsmanship, and the original in art. His work has been exhibited at the Institute for Contemporary Art in Philadelphia, the Museum of Modern Art in New York, the Museum of Contemporary Art in Miami, and the Laguna Art Museum in Laguna Beach, CA. Pettibone is currently based in New York. "I wished I had stuck with the idea of just painting the same painting like the soup can and never painting another painting. When someone wanted one, you would just do another one. Does anybody do that now?" Andy Warhol, 1981 Since the mid-1960s, Richard Pettibone has been making hand-painted, small-scale copies of works by other artists — a practice due to which he is best known as a precursor of appropriation art — and for a decade now, he has been revisiting subjects from across his career. In his latest exhibitions at Castelli Gallery, Pettibone has been showing more of the “same” paintings that had already been part of his 2005–6 museum retrospective,1 and also including “new” subject matter drawn from his usual roster of European modernists and American postwar artists. Art critic Kim Levin laid out some phases of the intricate spectrum from copies to repetitions in her review of the Warhol-de Chirico showdown, a joint exhibition at the heyday of appropriation art in the mid-1980s when Warhol’s appropriations of de Chirico’s work effectively revaluated “the grand old auto-appropriator”. Upon having counted well over a dozen Disquieting Muses by de Chirico, Levin speculated: “Maybe he kept doing them because no one got the point. Maybe he needed the money. Maybe he meant it when he said his technique had improved, and traditional skills were what mattered.” On the other side, Warhol, in her eyes, was the “latter-day exemplar of museless creativity”. To Pettibone, traditional skills certainly still matter, as he practices his contemporary version of museless creativity. He paints the same painting again and again, no matter whether anybody shows an interest in it or not. His work, of course, takes place well outside the historical framework of what Levin aptly referred to as the “modern/postmodern wrestling match”, but neither was this exactly his match to begin with. Pettibone is one of appropriation art’s trailblazers, but his diverse selection of sources removes from his work the critique of the modernist myth of originality most commonly associated with appropriation art in a narrow sense, as we see, for example, in Sherrie Levine’s practice of re-photographing the work of Walker Evans and Edward Weston. In particular, during his photorealist phase of the 1970s, Pettibone’s sources ranged widely across several art-historical periods. His appropriations of the 1980s and 1990s spanned from Picasso etchings and Brancusi sculptures to Shaker furniture and even included Ezra Pound’s poetry. Pettibone has professed outright admiration for his source artists, whose work he shrinks and tweaks to comic effect but, nevertheless, always treats with reverence and care. His response to these artists is primarily on an aesthetic level, owing much to the fact that his process relies on photographs. By the same token, the aesthetic that attracts him is a graphic one that lends itself to reproduction. Painstakingly copying other artists’ work by hand has been a way of making it his own, yet each source is acknowledged in his titles and, occasionally, in captions on white margins that he leaves around the image as an indication that the actual source is a photographic image. The enjoyment he receives in copying is part of the motivation behind doing it, as is the pleasure he receives from actually being with the finished painting — a considerable private dimension of his work. His copies are “handmade readymades” that he meticulously paints in great quantities in his studio upstate in New York; the commitment to manual labor and the time spent at material production has become an increasingly important dimension of his recent work. Pettibone operates at some remove from the contemporary art scene, not only by staying put geographically, but also by refusing to recoup the simulated lack of originality through the creation of a public persona. In so doing, Pettibone takes a real risk. He places himself in opposition to conceptualism, and he is apprehensive of an understanding of art as the mere illustration of an idea. His reading of Marcel Duchamp’s works as beautiful is revealing about Pettibone’s priorities in this respect. When Pettibone, for aesthetic pleasure, paints Duchamp’s Poster for the Third French Chess...
Category

1970s Pop Art Abstract Prints

Materials

Masonite, Pencil, Screen

Matisse, Série N, var. 1 (Duthuit 9), Dessins, Thèmes et variations (after)
Located in Southampton, NY
Lithograph on vélin pur fil paper. Inscription: Signed in the plate and unnumbered, as issued. Good condition. Notes: From the folio, Henri Matisse, Dessins, Thèmes et Variations, 19...
Category

1940s Modern Figurative Prints

Materials

Lithograph

No title
Located in Paris, FR
Lithograph Handsigned by the artist in pencil and annoted HC 43.00 cm. x 33.00 cm. 16.93 in. x 12.99 in. (paper) 41.50 cm. x 28.00 cm. 16.34 in. x 11.02 in. (image) LCD4581
Category

1970s Abstract Abstract Prints

Materials

Lithograph

Matisse, Série N Gc'S, var. 1 (Duthuit 9), Dessins, Thèmes et variations (after)
Located in Southampton, NY
Lithograph on vélin pur fil paper. Inscription: Signed in the plate and unnumbered, as issued. Good condition. Notes: From the folio, Henri Matisse, Dessins, Thèmes et Variations, 19...
Category

1940s Modern Still-life Prints

Materials

Lithograph

Braque, Paysage, Varengeville (after)
Located in Fairfield, CT
Medium: Lithograph on vélin paper, hinged on archival support sheet, as issued Year: 1968 Paper Size: 13 x 16 inches; image size: 4.375 x 13.75 inches Inscription: Signed in the plat...
Category

1960s Cubist Landscape Prints

Materials

Lithograph

Matisse, Série I, var. 14 (Duthuit 9), Dessins, Thèmes et variations (after)
Located in Southampton, NY
Lithograph on vélin pur fil paper. Inscription: Signed in the plate and unnumbered, as issued. Good condition. Notes: From the folio, Henri Matisse, Dessins, Thèmes et Variations, 19...
Category

1940s Modern Figurative Prints

Materials

Lithograph

#6 — Modernist Abstraction — African American Artist
Located in Myrtle Beach, SC
Hilliard Dean, '#6', color lithograph, 1970, edition 9. Signed, titled, and annotated 'Ed 9' in pencil. A fine impression, with fresh colors, on Arches, ...
Category

1970s Contemporary Abstract Prints

Materials

Lithograph

Light Blue Composition, Surrealist Aquatint by André Masson
Located in Long Island City, NY
André Masson, French (1896 -1987) - Light Blue Composition, Medium: Aquatint (unsigned), Image Size: 13 x 10 inches, Size: 15 x 11 in. (38.1 x 27.94 cm), Description: From the co...
Category

1950s Surrealist Abstract Prints

Materials

Aquatint

Condo, Compression III, Drawing Paintings (after)
Located in Southampton, NY
Four color process print on vélin paper. Paper size: 10.75 x 9.25 inches. Inscription: Unsigned and unnumbered, as issued. Notes: From the folio, George Condo, Drawing Paintings, 201...
Category

2010s Contemporary Figurative Prints

Materials

Archival Pigment

Giuseppe Capogrossi - Stencil
Located in Collonge Bellerive, Geneve, CH
Giuseppe Capogrossi - Stencil 1958 Dimensions: 32 x 25 cm Edition: G. di San Lazzaro. Giuseppe Capogrossi B. 1900, ROME; D. 1972, ROME Giuseppe C...
Category

1950s Abstract Expressionist Abstract Prints

Materials

Lithograph

Abstract composition - lithograph - 1976
Located in Paris, IDF
Jean Paul Riopelle Abstract composition Lithograph (plate signed) printed in Atelier Arte Vellum paper 11 x 11" 1976 INFORMATION : This lithograph was created for the invit...
Category

1970s Modern Abstract Prints

Materials

Lithograph

Eight of Hearts mixed media silkscreen hand applied acrylic, signed unique Frame
Located in New York, NY
Robert Petersen Eight of Hearts, 1989 Mixed media silkscreen with hand applied acrylic on paper with deckled edges Hand signed, numbered 6/21, dated, and inscribed on the front Uniqu...
Category

1980s Contemporary Abstract Prints

Materials

Acrylic, Pencil, Graphite, Screen, Mixed Media

Abstract Compositio. XIV Olympic Winter Games, Sarajevo - Original Poster - 1983
Located in Roma, IT
Abstract Composition. XIV Olympic Winter Games, Sarajevo is a vintage poster realized by the artist Giuseppe Santomaso, in occasion of the XIV Winter Olympics games in Sarajevo, in 1...
Category

1980s Contemporary Abstract Prints

Materials

Paper

Butterfly Rainbow Heart (H7-4) (small) - Contemporary Art
Located in London, GB
Damien Hirst Butterfly Heart (H7-4) (small), 2020 Laminated Giclée print on aluminium composite panel 35.0 x 36.4 cm Edition of 3510
Category

2010s Contemporary Animal Prints

Materials

Giclée

Composition - Etching by W. Freddie - 1961
Located in Roma, IT
Composition is an original black and white etching on paper, realized by Wilhelm Freddie (born Christian Frederik Wilhelm Carlsen Carlsen), a danish abstract and Surrealistic Artist,...
Category

1960s Surrealist Abstract Prints

Materials

Etching

Vasarely, Beryll, Souvenirs et portraits d'artistes (after)
Located in Southampton, NY
Lithograph on vélin d'Arches paper. Unsigned and unnumbered, as issued. Good condition. Notes: From the folio, Souvenirs et portraits d'artistes, 1972. Published by Fernand Mourlot, ...
Category

1970s Op Art Landscape Prints

Materials

Lithograph

#5 — Modernist Abstraction — African American Artist
Located in Myrtle Beach, SC
Hilliard Dean, '#5', color lithograph, 1970, edition not stated but small. Signed, titled, and annotated 'AP' in pencil. Dated 'June 11, 70' in pencil in...
Category

1970s Contemporary Abstract Prints

Materials

Lithograph

DRIOTE LIBEREES
Located in Wilton, CT
Roberto Antonio (Echaurren) Matta (1911 - 2002) "Driote Liberees" Etching & Aquatint on Japon Nacré Paper. Signed in pencil and numbered 73/100. Published and printed by Georges Visat...
Category

1970s Abstract Abstract Prints

Materials

Etching, Aquatint

DRIOTE LIBEREES
DRIOTE LIBEREES
$1,320 Sale Price
20% Off
Braque, Pómmes, Georges Braque, Le Solitaire, XXe siècle (after)
Located in Southampton, NY
Lithograph, stencil on vélin d'Arches paper. Paper Size: 7.25 x 9.375 inches. Inscription: Unsigned and unnumbered, as issued. Notes: From the album, Georges Braque, Le Solitaire, 19...
Category

1950s Cubist Abstract Prints

Materials

Lithograph

Colorful abstract dog
Located in Belgrade, MT
This piece is from my priate collection created by Jean Remlinger who has a figurative style reminiscent of the works of Francis Bacon. It is probably an acrylic gouache , as a print...
Category

1950s Post-War Abstract Prints

Materials

Acrylic, Gouache, Lithograph

Yearnings. Figurative etching, Monochromatic, Minimalistic, Polish art
Located in Warsaw, PL
20th century figurative etching print by Polish artist Leszek Rozga. This piece is signed by the artist. LESZEK RÓZGA (1924-2015) He studied painting at Maria Skarbek-Kruszewska pri...
Category

2010s Contemporary Figurative Prints

Materials

Paper, Etching

Sans titre, Hommage à Aimé et Marguerite Maeght, Derrière le miroir
Located in Southampton, NY
Lithograph on vélin paper. Paper Size: 15 x 11 inches. Inscription: Unsigned and unnumbered, as issued. Notes: From the folio, Derrière le miroir, N° 250, Hommage à Aimé et Marguerit...
Category

1980s Modern Abstract Prints

Materials

Lithograph

Lithograph V (1260), Modern Abstract Lithograph by Joan Miró
Located in Long Island City, NY
Joan Miro is known for his abstract, expressive, and child-like Modern style. Original lithograph published in Miro Lithographe V Catalogue Raisonne...
Category

1970s Modern Abstract Prints

Materials

Lithograph

'The Orange Point' — Mid-Century Modernism
Located in Myrtle Beach, SC
'The Orange Point', color serigraph, edition 54, c. 1940. Signed, titled, and annotated 'Ed/54' in pencil. A fine impression, with fresh colors, on buff wove paper; the full sheet wi...
Category

1940s American Modern Abstract Prints

Materials

Screen

Matisse, Série L, var. 19 (Duthuit 9), Dessins, Thèmes et variations (after)
Located in Southampton, NY
Lithograph on vélin pur fil paper. Inscription: Signed in the plate and unnumbered, as issued. Good condition. Notes: From the folio, Henri Matisse, Dessins, Thèmes et Variations, 19...
Category

1940s Modern Figurative Prints

Materials

Lithograph

Fiedler, Composition, Derrière le miroir (after)
Located in Southampton, NY
Lithograph on vélin paper. Inscription: Unsigned and unnumbered, as issued. Good condition. Notes: From Derrière le miroir, N° 129, 1961. Published by Aimé Maeght, Éditeur, Paris; pr...
Category

1960s Modern Still-life Prints

Materials

Lithograph

Roman-Byzantine, French antique 19th century Racinet art design lithograph print
Located in Melbourne, Victoria
'Roman-Byzantine - Romano-Byzantin - Romisch-Byzantinisch' Late 19th century interior design chromolithograph, from Racinet’s ‘L’Ornement Polychrome’, 1887. Published in Paris. Alb...
Category

Late 19th Century French School Interior Prints

Materials

Lithograph

Personages - Etching by Wifredo Lam- 1974
Located in Roma, IT
Personages is print realized by Wifredo Lam (Sagua La Grande 1902 - Paris 1982) Colored etching on paper. Hand-signed and numbered, edition of XXI/XXV lower in pencil.
Category

1970s Surrealist Abstract Prints

Materials

Etching

Castello. Figurative etching, Monochromatic landscape, Minimalistic, Polish art
Located in Warsaw, PL
20th century figurative etching print by Polish artist Leszek Rozga. Artwork depicts italian landscape in classic style. This piece is signed by the artist and it comes from limited ...
Category

2010s Contemporary Figurative Prints

Materials

Paper, Etching

Condo, Compression V, Drawing Paintings (after)
Located in Southampton, NY
Four color process print on vélin paper. Paper size: 10.75 x 9.25 inches. Inscription: Unsigned and unnumbered, as issued. Notes: From the folio, George Condo, Drawing Paintings, 201...
Category

2010s Contemporary Figurative Prints

Materials

Archival Pigment

Work Bench — Mid-century Modern
Located in Myrtle Beach, SC
Charles Quest, 'Work Bench', 1949, wood engraving, edition 40. Signed, dated and numbered 9/40 in pencil. Titled and annotated 'wood engraving 1949' in pencil, in the artist’s hand, lower right margin. A fine, richly-inked impression, on off-white wove Japan, with full margins (1 3/4 to 2 inches), in excellent condition. Matted to museum standards, unframed. ABOUT THE ARTIST Charles Quest, a successful artist, and fine art instructor, worked in a variety of mediums including mosaic, stained glass, mural painting, and sculpture, but remains best known as a printmaker. Quest grew up in St. Louis, his talent evident as a teenager when he began copying the works of masters such as Michelangelo on his bedroom walls. He studied at the Washington University School of Fine Arts where he later taught from 1944 to 1971. He traveled to Europe after his graduation in 1929, and studied at La Grande Chaumière and Academie Colarossi, Paris, continuing to draw inspiration from the works of the Old Masters. After returning to St. Louis, Quest received several commissions to paint murals in public buildings, schools, and churches, including one from Joseph Cardinal Ritter to paint a replica of Velasquez's Crucifixion over the main altar of the Old Cathedral in St. Louis. Quest soon became interested in the woodcut medium which he apparently learned through his study of J. J. Lankes' A Woodcut Manual (1932) and Paul Landacre's articles in American Artist magazine ‘since no artists in St. Louis were working in wood’ at that time. Quest also revealed that for him, wood cutting and engraving were ‘more enjoyable than any other means of expression.’ In the late 1940s, his graphic works began attracting a lot of critical attention—several of his woodcuts won prizes and were acquired by major American and European museums. His wood engraving entitled ‘Lovers’ was included in the American Federation of Art's traveling print exhibition in 1947. Two years later Quest's two prize-winning prints, ‘Still Life with Grindstone’ and ‘Break Forth into Singing’ were exhibited in major American museums in a traveling show organized by the Philadelphia Print Club. His work was included in the Chicago Art Institute's exhibition, ‘Woodcut Through Six Centuries’ and the print ‘Still Life with Vise’, was purchased by the Museum of Modern Art in New York. In 1951 he was invited by artist-Curator Jacob Kainen to exhibit thirty wood engravings and color woodcuts in the Graphic Arts Division of the Smithsonian's National Museum (now known as the American History Museum). This one-man exhibition was a remarkable achievement for Quest, who had been working in the medium for only about ten years. In the press release for the show, Kainen praised the ‘technical refinement’ of Quest's work: ‘He obtains a great variety of textural effects through the use of the graver, and these dense or transparent grays are set off against whites or blacks to achieve sparkling results. His work has the handsome qualities characteristic of the craftsman and designer.’ At the time of the Smithsonian exhibition, Quest's work was represented by three New York galleries in addition to one in his home town. He had also won 38 prizes, and his prints were in the collections of the Library of Congress, the Chicago Art Institute, the Metropolitan Museum and the Philadelphia Museum of Art. In cooperation with the Art in Embassies program, his color woodcuts were displayed at the American Embassy in Paris in 1951. Recognition at home came in 1955 with his first solo exhibition in St. Louis. Press coverage of the show heralded the ‘growth of graphic arts toward rivaling painting and sculpture as a major independent medium’. Charles Quest retired from teaching in 1971 and made relatively few prints in his later years, as the rigors of the medium were too demanding. He moved to Tryon, North Carolina, with his wife Dorothy, an artist and portrait painter, and remained active as a painter until his death in 1993. An exhibition of his prints at the Bethesda Art Gallery in 1983 attracted the interest of Curator Emeritus Joseph A. Haller, S.J., who began purchasing his work for the University's collection. In 1990 Georgetown University Library's Special Collections Division became the grateful recipient of a large body of Quest's work including prints, drawings, paintings, sculpture, and stained glass, as well as his archive of correspondence and professional memorabilia. These extensive holdings, including some 260 of his fine prints, provide a rich opportunity for further study and appreciation of this versatile and not-to-be-forgotten mid-Western American artist...
Category

1940s American Modern Abstract Prints

Materials

Woodcut

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