Lithograph Abstract Prints

David Hockney, 'T' from 'Hockney's Alphabet', 1991 Edition of 250 Free Delivery to UK Customers From the special edition of Hockney's Alphabet, published in 1991, and signed on th...

David Hockney, 'F' from 'Hockney's Alphabet', 1991 Edition of 250 Free Delivery to UK Customers From the special edition of Hockney's Alphabet, published in 1991, and signed on th...

David Hockney, 'E' from 'Hockney's Alphabet', 1991 Edition of 250 Free Delivery to UK Customers From the special edition of Hockney's Alphabet, published in 1991, and signed on th...

David Hockney, 'D' from 'Hockney's Alphabet', 1991 Edition of 250 Free Delivery to UK Customers From the special edition of Hockney's Alphabet, published in 1991, and signed on th...

David Hockney, 'I' from 'Hockney's Alphabet', 1991 Edition of 250 Free Delivery for UK Customers From the special edition of Hockney's Alphabet, published in 1991, and signed on t...

Lithograph on vélin paper. Paper Size: 15 x 22 inches, with centerfold, as issued. Inscription: Unsigned and unnumbered, as issued. Catalogue raisonné references: Cramer, Patrick, an...

Lithograph on vélin paper. Paper Size: 12.4 x 19.3 inches, with centerfold, as issued. Inscription: Unsigned and unnumbered, as issued. Catalogue raisonné references: Cramer, Patrick...

Manfred Schwartz (American, b. Poland, 1909-1970), Great Medrano Clown, Lithograph on Paper, circa 1955, numbered edition "11/20" lower left, signed in pencil and with the artist's s...

Lithograph on vélin paper. Paper Size: 12.4 x 9.65 inches. Inscription: Unsigned and unnumbered, as issued. Catalogue raisonné references: Guastalla, Giorgio, et al. Marino Marini : ...

Untitled, Olympic Games Beijing 2008 is a colored lithograph realized by Sandro Chia in occasion of the Olympic Games held in Beijing in 2008.  It is a part of the portfolio The Uni...

Lithographs on vélin paper. Paper Size: 13.5 x 10 inches, each. Inscription: Unsigned and unnumbered, as issued. Catalogue raisonné references: Cramer, Patrick, and Joan Miró. Joan M...

Lithograph on vélin paper. Paper Size: 15 x 22 inches, with centerfold, as issued. Inscription: Unsigned and unnumbered, as issued. Catalogue raisonné references: Axsom, Richard H., ...

Invasion de l'espace is an original print by the American artist and exponent of Dadaism Man Ray (Philadelphia 1890 - Paris 1976). This color lithograph on paper, was edited by the ...

Joan Miró -- Lithograph I, Plate IV, 1972 Color Lithograph Publisher: Ediciones Poligrafa, S.A., Barcelona Catalogue: Mourlot 866 Size: 42.5 × 60 cm Unsigned FREE SHIPPING

Abstract Floral Print Illegible Signature - C. Rowland (?) Good Condition Measures 19 in x 25 in.

Héliogravure on vélin paper. Paper Size: 10.83 x 13.78 inches. Inscription: Signed in the plate and unnumbered, as issued. Notes: From the folio, Mark Tobey, Peintres d'aujourd'hui, ...

An original signed Graham Sutherland lithograph 'Thorn Structure'. A contorted thorn structure against a strong yellow background. Graham Sutherland was a painter of imaginative la...

Lithograph on vélin paper. Paper Size: 15 x 11 inches. Inscription: Unsigned and unnumbered, as issued. Notes: From the folio, Derrière le miroir, N° 250, Hommage à Aimé et Marguerit...

Carl Andre Zinc: Historic Ace Gallery poster (Hand Signed by Carl Andre), 2007 Limited Edition Offset lithograph poster (hand signed by Carl Andre) ...

Lithograph on vélin paper. Paper size: 23.5 x 33.5 inches. Inscription: Hand signed and numbered, E.A., as issued. Notes: Published by Maeght Éditeur, Paris; printed by l'Imprimerie ...

Lithograph on vélin paper. Paper Size: 15 x 11 inches. Inscription: Unsigned and unnumbered, as issued. Notes: From the folio, Derrière le miroir, N° 162, 1966. Published by Maeght É...

Lithograph on vélin des Papeteries du Marais paper. Paper Size: 14 x 10.25 inches. Inscription: Signed in the plate and unnumbered, as issued. Notes: From the album, Verve: Revue Art...

This unique monotype cyanotype, rendered in rich blue tones, draws inspiration from mid-century modern shapes to explore themes of balance and duality. Abstract forms echo harmony an...

’Labyrinth’ By William Crozier Medium - Carborundum printmaking, collagraph process Edition - 47/80 Signed - Yes Size - 509mm x 407mm Date - 2007 Condition - Excellent. 10 out of 10....

Lithograph on vélin paper. Paper Size: 15 x 22 inches, with centerfold, as issued. Inscription: Unsigned and unnumbered, as issued. Notes: From the folio, Derrière le miroir, N° 250,...

Medium: lithograph (after the gouache). Printed in 1992 by l'Imprimerie Karcher and published by Nouvelles Editions Seguier in an edition of 1000 for the Sol LeWitt "Black Gouaches" ...

Shore Sentry, is an original color, limited edition lithograph on handmade German black etching paper; printed by Topaz Editions in 1977. Artist proofs 10. Edition size 100. Provenance:: A Sarasota, Florida collector Signed: Artist signed lower left with edition size Image size: 22 by 30 inches Sheet size: 30 by 38 inches Edition 38/100 Condition: Excellent Overall framed size: 30.25 by 38.25 inches Framed under plexiglass in chrome colored metal gallery frame SYD SOLOMON BIOGRAPHY Written by Dr. Lisa Peters/Berry Campbell Gallery “Here, in simple English, is what Syd Solomon does: He meditates. He connects his hand and paintbrush to the deeper, quieter, more mysterious parts of his mind- and he paints pictures of what he sees and feels down there.” --Kurt Vonnegut Jr. from Palm Sunday, 1981 Syd Solomon was born near Uniontown, Pennsylvania, in 1917. He began painting in high school in Wilkes-Barre, where he was also a star football player. After high school, he worked in advertising and took classes at the Art Institute of Chicago. Before the attack on Pearl Harbor, he joined the war effort and was assigned to the First Camouflage Battalion, the 924th Engineer Aviation Regiment of the US Army. He used his artistic skills to create camouflage instruction manuals utilized throughout the Army. He married Ann Francine Cohen in late 1941. Soon thereafter, in early 1942, the couple moved to Fort Ord in California where he was sent to camouflage the coast to protect it from possible aerial bombings. Sent overseas in 1943, Solomon did aerial reconnaissance over Holland. Solomon was sent to Normandy early in the invasion where his camouflage designs provided protective concealment for the transport of supplies for men who had broken through the enemy line. Solomon was considered one of the best camoufleurs in the Army, receiving among other commendations, five bronze stars. Solomon often remarked that his camouflage experience during World War II influenced his ideas about abstract art. At the end of the War, he attended the École des Beaux-Arts in Paris. Because Solomon suffered frostbite during the Battle of the Bulge, he could not live in cold climates, so he and Annie chose to settle in Sarasota, Florida, after the War. Sarasota was home to the John and Mable Ringling Museum of Art, and soon Solomon became friends with Arthur Everett “Chick” Austin, Jr., the museum’s first Director. In the late 1940s, Solomon experimented with new synthetic media, the precursors to acrylic paints provided to him by chemist Guy Pascal, who was developing them. Victor D’Amico, the first Director of Education for the Museum of Modern Art, recognized Solomon as the first artist to use acrylic paint. His early experimentation with this medium as well as other media put him at the forefront of technical innovations in his generation. He was also one of the first artists to use aerosol sprays and combined them with resists, an innovation influenced by his camouflage experience. Solomon’s work began to be acknowledged nationally in 1952. He was included in American Watercolors, Drawings and Prints at the Metropolitan Museum of Art, New York. From 1952–1962, Solomon’s work was discovered by the cognoscenti of the art world, including the Museum of Modern Art Curators, Dorothy C. Miller and Peter Selz, and the Whitney Museum of American Art’s Director, John I. H. Baur. He had his first solo show in New York at the Associated American Artists Gallery in 1955 with “Chick” Austin, Jr. writing the essay for the exhibition. In the summer of 1955, the Solomons visited East Hampton, New York, for the first time at the invitation of fellow artist David Budd. There, Solomon met and befriended many of the artists of the New York School, including Jackson Pollock, Franz Kline, Willem de Kooning, James Brooks, Alfonso Ossorio, and Conrad Marca-Relli. By 1959, and for the next thirty-five years, the Solomons split the year between Sarasota (in the winter and spring) and the Hamptons (in the summer and fall). In 1959, Solomon began showing regularly in New York City at the Saidenberg Gallery with collector Joseph Hirshhorn buying three paintings from Solomon’s first show. At the same time, his works entered the collections of the Whitney Museum of American Art, the Solomon R. Guggenheim Museum, and the Wadsworth Athenaeum in Hartford, Connecticut, among others. Solomon also began showing at Signa Gallery in East Hampton and at the James David Gallery in Miami run by the renowned art dealer, Dorothy Blau. In 1961, the Guggenheim Museum’s H. H. Arnason bestowed to him the Silvermine Award at the 13th New England Annual. Additionally, Thomas Hess of ARTnews magazine chose Solomon as one of the ten outstanding painters of the year. At the suggestion of Alfred H. Barr, Jr., the Museum of Modern Art’s Director, the John and Mable Ringling Museum in Sarasota began its contemporary collection by purchasing Solomon’s painting, Silent World, 1961. Solomon became influential in the Hamptons and in Florida during the 1960s. In late 1964, he created the Institute of Fine Art at the New College in Sarasota. He is credited with bringing many nationally known artists to Florida to teach, including Larry Rivers, Philip Guston, James Brooks, and Conrad Marca-Relli. Later Jimmy Ernst, John Chamberlain, James Rosenquist, and Robert Rauschenberg settled near Solomon in Florida. In East Hampton, the Solomon home was the epicenter of artists and writers who spent time in the Hamptons, including Alfred Leslie, Jim Dine, Ibram Lassaw, Saul Bellow...

Héliogravure on vélin paper. Paper Size: 13.78 x 10.83 inches. Inscription: Signed in the plate and unnumbered, as issued. Notes: From the folio, Mark Tobey, Peintres d'aujourd'hui, ...

MacDonald of Glengarry (Tartan) Chromolithograph. 1886. From 'The Tartans of the Clans of Scotland', by James Grant, 1886. 365mm by 265mm (sheet). Accompanied by a sheet of desc...

Héliogravure on vélin paper. Paper Size: 13.78 x 10.83 inches. Inscription: Signed in the plate and unnumbered, as issued. Notes: From the folio, André Lanskoy, Peintres d'aujourd'hu...

Lithograph on vélin Mohawk Superfine Smooth paper. Paper Size: 11.937 x 8.96 inches. Inscription: Unsigned and unnumbered, as issued. Notes: From the folio, In Memory of My Feelings,...

Lithograph on vélin paper. Paper Size: 15 x 11 inches. Inscription: Unsigned and unnumbered, as issued. Notes: From the folio, Derrière le miroir, N° 250, Hommage à Aimé et Marguerit...

Lithograph on vélin paper. Paper Size: 15 x 22 inches, with centerfold, as issued. Inscription: Unsigned and unnumbered, as issued. Catalogue raisonné references: Mason, R. M., et al...

Max Ernst, German (1891 - 1976) - Les Chiens Ont Soif IV, Portfolio: Les Chiens Ont Soif, Year: 1964, Medium: Lithograph, Edition: 165/320, Size: 17 x 24.5 in. (43.18 x 62.23 cm...

James Rosenquist (American 1933-2017) Echo Pale, From Mirrors of the Mind Portfolio, 1975 signed and dated 'Rosenquist 1975' (lower right); titled and numbered 74/100 lithograph, un...

Letter O, from the Alphabet series,  is a lithograph, realized by Rafael Alberti in 1972. Hand-signed and dated on the lower right margin.  Numbered in pencil on the lower, from an...

Max ERNST Electra Stone Lithograph Printed signature in the plate On cream vellum 31 x 24 cm (c. 12.5 x 10 inch) Excellent condition

This print by Pablo Picasso utilizes perspective and angles to portray an artist in his studio. In this work, a painter is shown at his easel in profile. With a cooling teal backgrou...

Forgoing traditional perspective, Pablo Picasso creates an angular, unique representation of a bouquet of flowers in this print. Turning in different directions and carrying differen...

Raoul Dufy was an important multifaceted French artist who worked in a variety of media including painting, print making, mural design, theatre and costume design, upholstery, wall paper, ceramics, and fabric. In his paintings he often depicted the circus, equestrian scenes, Parisian cafe life, yachting scenes, colorful views of the French Riviera, and musical events in a distinctive style that combined the various artistic trends of the day, most notably Fauvism. Born in 1877 in Le Havre France, and after a year of military service in 1900, Dufy won a scholarship to the Ecole Nationale superieure des Beaux-Arts, in Paris, studying under Othon Friesz. He exhibited extensively throughout Paris and France at the various salons, including the Salon des Tuileries. For the 1937 Exposition Internationale in Paris, Dufy completed one of the largest paintings ever conceived, a 250...

Héliogravure on vélin paper. Paper Size: 13.78 x 10.83 inches. Inscription: Signed in the plate and unnumbered, as issued. Notes: From the folio, Pierre Soulages, Peintres d'aujourd'...

Medium: lithograph (after the gouache). Printed in 1992 by l'Imprimerie Karcher and published by Nouvelles Editions Seguier in an edition of 1000 for the Sol LeWitt "Black Gouaches" ...

Joan Miro is known for his abstract, expressive, and child-like Modern style. Original lithograph published in Miro Lithographe I Catalogue Raisonne. Nicely framed. Lithograph I (10...

Vintage lithographed poster realized after Alexander Calder fot the Artist's Exhibition at Galleria Rondanini. Excellent condition.Vintage lithographed poster realized after Alexand...

Lithograph, 1976 Handsigned by the artist in pencil and numbered 71/99 70.00 cm. x 50.00 cm. 27.56 in. x 19.69 in. (paper) lithography and carborundum This lithograph is based on the poster created for the inauguration of the Joan Miró Foundation...

Georges Braque Frontispiece, from La Nuit, La Faim (The Night, The Hunger), 1960 is an abstract work which takes inspiration from a poem by Georges Riebmont-Dessaignes. Georges Riebm...

Lithograph on vélin paper. Paper Size: 19.3 x 12.4 inches, with centerfold, as issued. Inscription: Signed in the plate and unnumbered, as issued. Notes: From the album, XXe siècle, ...

Lithograph, 1972 Handsigned by the artist in pencil and numbered 151/200 Publisher : Erker (St. Gallen) LCD4707

Lithograph on vélin paper. Unsigned and unnumbered, as issued. Good condition. Notes: From the album, Ediciones Polígrafa, Redfern Gallery, 1979. Published by Redfern Gallery, London...

Original Edition Lithograph on wove paper. Unsigned and unnumbered, as issued. Good Condition; never framed or matted. Notes: Executed in 1950 and issued as the frontispiece of the Picasso Lithographe II...

Lithograph on vélin des Papeteries du Marais paper. Paper Size: 14 x 10.25 inches. Inscription: Unsigned and unnumbered, as issued. Notes: From the album, Contes de Boccace, peinture...

Includes a Certificate of Authenticity

The Season's Encounter Signed, dated and numbered in the lower margin Edition: 20 (16/20) Signed, dated and numbered in the lower margin Condition: Mint, flawless Image: 17 3/4 x 13 ...

Collotype on gloss vélin Johannot paper, hinged on black wove paper, as issued. Inscription: Unsigned and unnumbered, as issued. Paper Size: 10.83 x 8.86 inches. Notes: From the albu...

Artist: Joan Miro Title: Plate I Portfolio: Lithographe III Medium: Lithograph Date: 1977 Edition: Unnumbered Frame Size: 19 5/8” x 16 3/4” Sheet Size: 13" x 10" Signature: Unsigned ...

Joe Zucker The Relocation of Property by Natural Forces Rubber stamp print on Arches 88 paper Stamp made by Unity Engraving Company, Inc. Printed by Aaron Arnow Paper size: 8 x 8 in...

Roig I Negre punto 79 is an original contemporary artwork realized in 1979 by Antoni Tapiès. Mixed colored lithograph on Arches paper. Hand signed on the lower right margin. Numbe...

Lithograph on vélin paper. Paper Size: 12.4 x 9.65 inches. Inscription: Unsigned and unnumbered, as issued. Notes: From the album, XXe siècle, Nouvelle série, XLe Année, N°51, Décemb...

Untitled is an artwork realized in 1980 by Sam Francis. Mixed colored lithograph on BFK Rives. Hand signed on lower margin. Artist's proof. Litho Shop, Publisher and Printer, Sant...

Lithograph, 1967 Handsigned by the artist in pencil and numbered 56/100 Publisher : Galerie Im Erker St. Gallen 22.50 cm. x 17.50 cm. 8.86 in. x 6.89 in. (paper) 21.10 cm. x 17.50 c...