Screen Abstract Prints

Artist: Kyohei Inukai Title: The Signal Year: 1979 Medium: Serigraph, signed and numbered in pencil Edition: 200, AP 40 Paper Size: 30 x 22.5 inches

Untitled From: Gates to Times Square (20 screenprints, two with additional lithography) Silkscreen, c. 1978 Signed in pencil (see photo) Edition 100 (90/100) (see photo) Publisher: P...

Born 1945 in New York. Educated at Boston University, Harvard and Bryn Mawr. Worked early on as a lecturer and gallery director in New England. After returning to NY, he worked as a ...

Artist: Josef Albers Portfolio: Formulation: Articulation (Double Portfolio) Title: Portfolio 2, Folder 10, Image 2 Year: 1972 Medium: Screenprint on Mohawk Superfine Bristol paper E...

Artist: Stephen Ellis, American (1951 - ) Title: Untitled Year: 1993 Medium: Silkscreen, signed and numbered in pencil Edition: 12/20 Paper Size: 34 x 26 inches

A geometric abstract print by Japanese artist Takaaki Matsumoto. Flat Takaaki Matsumoto, Japanese (1954) Date: 1991 Screenprint Edition of 55 Size: 24 x 24 in. (60.96 x 60.96 cm)

Immerse yourself in the timeless allure of "Dirge," a captivating archival pigment print on cotton rag. This exquisite piece measures 16" x 20" and is a testament to the artist's mastery of form and depth. Crafted on luxurious cotton rag paper, the archival pigment process ensures the longevity of this artwork, allowing you to enjoy its beauty for many years to come. The tactile nature of the paper adds a layer of intimacy, inviting you to explore the subtle intricacies. Limited to just 44 prints, each piece of "Dirge" is signed and numbered by the artist, guaranteeing its exclusivity. JAW Cooper...

Simon Shegelman is a Russian Postwar & Contemporary painter who was born in 1933.

Artist: Paul Maxwell, American (1925 - 2015) Title: Untitled - Purple and Brown Web Year: circa 1978 Medium: Serigraph, signed and numbered in pencil Edition: 100 Size: 39.5 x 26 in....

From the portfolio “Formulation: Articulation” created by Josef Albers in 1972. This monumental series consists of 127 original silkscreens that are a definitive survey of the artist...

Rupprecht Geiger (German, 1908-2009) Yellow on Orange, 1969 Medium: Screenprint on card stock Dimensions: 39 x 35 cm Edition of 60: Hand-signed and numbered Publisher: Edition Fürnei...

Artist: Antonio Calderara, Italian (1903 - 1978) Title: untitled from 9x5 Konkret Portfolio Year: 1973 Medium: Silkscreen on PVC foil, signed and numbered in pencil Edition: 25/200 S...

Artist: Michael Argov, Austrian/Israeli (1920 - 1982) Title: untitled 2 Year: 1969 Medium: Serigraph, signed and numbered in pencil Edition: 43 Image Size: 19 x 16 inches Size: 27.5...

This angular print by William Schwedler is indicative of his geometric, abstract manner of composing forms and shapes in his compositions. Press Charges Artist: William Schwedler,...

A geometric abstract print by Japanese artist Takaaki Matsumoto. Computer Takaaki Matsumoto, Japanese (1954) Date: 1991 Screenprint Edition of 198 Size: 24 x 24 in. (60.96 x 60.96 cm)

Artist: Josef Albers Title: Untitled from the Portfolio: Formulation: Articulation (Double Portfolio) - Portfolio 2, Folder 10, Image 2 Year: 1972 Medium: Screenprint on Mohawk Super...

Silkscreen Serigraph print hand signed, numbered. Michail Grobman (Russian: Михаил Гробман, Hebrew: מיכאיל גרובמן‎‎, born 1939) is an artist and a poet working in Israel and Russia....

Artist: Risaburo Kimura, Japanese (1924 - ) Title: City 115 Year: 1970 Medium: Silkscreen, signed in pencil Edition: AP Image: 23 x 16 inches Size: 25 x 18.25 in. (63.5 x 46.36 cm)

Artist: Raymond Parker, American (1922 - 1990) Title: Untitled Year: 1980 Medium: Screenprint, signed and numbered in pencil Edition: 70 Size: 23 x 30 inches

Artist: Mark Rowland (American, 1953 - ) Title: Gamut Medium: Screenprint, signed, dated, and titled in pencil Edition 214/300 Size: 30 x 30 in. (76.2 x ...

“I am interested in art that suggests a narrative,” says artist Chadwick Tolley. While he uses his personal experience as a point of reference for his prints, drawings, and collages,...

Rupprecht Geiger (German, 1908-2009) Black on Different Reds, 1981 Medium: Screen print on cardboard Sheet dimensions: 39.5 x 40 cm Edition of 100 + XX: Hand-signed in pencil, verso ...

Pop art style figurative screenprint with two sets of figures in an embrace on cube shapes. In the middle is a lone figure with their head resting on their hand. The screenprint is a...

Skyscrapers Roy Ahlgren American (1927–2011) Date: circa 1980 Screenprint, estate stamp on verso Image Size: 10 x 10 inches Size: 13 x 13 in. (33.02 x 33.02 cm)

Artist: Josef Albers Portfolio: Formulation: Articulation (Double Portfolio) Title: Portfolio 2, Folder 11, Image 2 Year: 1972 Medium: Screenprint on Mohawk Superfine Bristol paper ...

Artist: Arman, French (1929 - 2005) Title: Violents Violin II Year: 1978 Medium: Serigraph, signed and numbered in pencil Edition: 150, AP 30 Size: 30 in. x 22 in. (76.2 cm x 5...

Yaacov Agam Israeli (b. 1928) Hand signed, not individually numbered but from edition of 180. I can include a copy of the title sheet with the edition size and his signature if you r...

Trinity III - Variant Henry Pearson, American (1914–2006) Date: 1972 Screenprint, signed and numbered in pencil Edition of AP XII, 150 Image Size: 12 x 12 inches Size: 14 in. x 18 in...

Artist: Clayton Pond, American (1941 - ) Title: Column Study from Capital Ideas Portfolio Year: 1974 Medium: Serigraph on Museum Board, signed and numbered in pencil Edition: 150 Ima...

“I am interested in art that suggests a narrative,” says artist Chadwick Tolley. While he uses his personal experience as a point of reference for his prints, drawings, and collages,...

“I am interested in art that suggests a narrative,” says artist Chadwick Tolley. While he uses his personal experience as a point of reference for his prints, drawings, and collages,...

Manufacturer Obey Giant Edition Details Year: 2021 Class: Art Print Status: Official Released: 03/30/21 Run: 387/400 Technique: Screen Print Paper: Cream Specketone Size: 18 X 18 Ma...

Artist: Michael Argov, Austrian/Israeli (1920 - 1982) Title: untitled 3 Year: 1970 Medium: Screenprint, signed and numbered in pencil Edition: 32 Size: 20 in. x 27.5 in. (50.8 cm x ...

Artist: Josef Levi, American (1938 - ) Title: Karen Year: 1972 Medium: Screenprint, signed and numbered in pencil Edition: 150; AP XII Image Size: 12 x 12 inches Size: 14 x 18 in. (3...

Artist: Bruce Porter, American (1948 - ) Title: Bayard Series #3 Year: 1999 Medium: Screenprint, signed and numbered in pencil Edition: 100 Image Size: 23.5 x 16 inches Size: 26.5 x ...

Poetry by J.D. REED Artwork by Richard Merkin screenprint in color, 1969, edition 22/50 Published by Bizzaro, Providence, R.I. of African American interest for collectors. Richard Marshall Merkin (1938-2009) was an American painter, illustrator and arts educator. Merkin's fascination with the 1920s and 1930s defined his art and shaped his identity as a professional dandy. Merkin traveled back in time as an artist, to the time of the interwar years, creating narrative scenes (ala Robert Crumb and Ben Katchor) in bright colors of jazz musicians, film stars, writers, and sports heroes. Merkin was as well known for his painting and illustration work as he was for his eccentric collecting habits and his outré fashion sense. he received a Louis Comfort Tiffany Foundation Fellowship in Painting. Merkin began teaching at the Rhode Island School of Design (RISD) in 1963 and remained there for 42 years, during which time he built his reputation in New York. Some notable students Merkin taught at RISD include Chris Frantz and Tina Weymouth of the band Talking Heads and Martin Mull. Merkin had been a contributing editor for Vanity Fair since 1986 and a regular contributor of illustrations to The New Yorker since 1988, as well as Harper's and The New York Times' Sunday Magazine. From 1988–1991, he wrote a monthly style column called "Merkin on Style" for Gentlemen's Quarterly. Merkin also designed several album covers for the Jazz record label Chiaroscuro Records for artists such as Mary Lou Williams, Ruby Braff, and Ellis Larkins. Merkin's friend, the writer Tom Wolfe wrote in an email to the New York Times upon Merkin's death: "He was the greatest of that breed, the Artist Dandy, since Sargent, Whistler and Salvador Dali, Like Dali, he had one of the few remaining Great Mustaches in the art world" Perpetually on the fly from his middle-class Brooklyn background, Merkin found the perfect escape in the mid ‘60s in George Frazier, a dapper Boston columnist who inspired the emerging New York painter’s overnight reinvention of himself. The elements of structure, stability and surprise he admired in this well-dressed dandy, a cool linen suit, a splash of suspender, a polka dot scarf and pearl-handled walking stick, soon surfaced in paintings peopled by impeccable underdogs of café society along with his personal pop heroes, William Burroughs, Bobby Short...

Bernhard Leitner, (Austrian, 1938) From a portfolio "Sound : Space" "Ton : Raum" Self published by artist in 1975/1976, Limited edition of 50 Hand signed in pencil by artist. Acc...

THE BIRTH OF A NEW MYTH BY PICHIAVO Edition of /100 + 20 AP Eleven-colour lithograph on paper Printed on a Marinoni press at Idem Studio, Paris Signed and numbered by the artists BF...

Artist: Xiu-ping Liao, Taiwanese (1936 - ) Title: Wisdom Year: 1972 Medium: Silkscreen with Embossing on Foil paper, signed and numbered Edition: 2/50 Size: 20 x 26 inches

"Purple Cabbage" is a unique trial-proof screen print on linen canvas by AI artist Tom White. This piece was created using neural networks trained on im...

This screenprint was created by American artist Josef Levi. Levi is especially known for his interest in the visual similarities that transcend cultures, like the pattern shown here....

Artist: Bruce Porter, American (1948 - ) Title: Bayard Series #9 Year: 1999 Medium: Screenprint, signed and numbered in pencil Edition: 100 Image Size: 23.5 x 16 inches Size: 26.5 x ...

Indian View C, 1971 Screenprint in colors 22 4/5 × 30 7/10 in 58 × 78 cm Edition 1/75 + 1AP Howard Hodgkin became a prominent figure in British art in the 1970s for painting on wood...

This is not signed or numbered. it is from a folio of prints. Laura Fiume was born in Urbino, central Italy in 1953. Her education took place in Milan at the Liceo Artistico and at the Polytechnic School of Design. In 1976 she moved to Canzo, near Como where she learned serigraphy, ceramics, and painting from the well known artist Salvatore Fiume, her father. At the beginning the main subject of her works was that of fishes. She then extended her interest to the wider world of animals, interpreted through a deliberately naïve style and very bright colours. In 1983 Laura’s works were exhibited both at the Basel Art Fair and at Artexpo in New York. The latter marked the beginning of a collaboration with the Work’s II Gallery In Southampton (NY) which would continue until 1988. Her major exhibitions of those years were in Milan at the Palazzo dell’Arengario, now home of the Museo del Novecento in Piazza Duomo, (1985), and in Venice at the Assicurazioni Generali headquarters in Piazza San Marco (1987). In 1983 Laura began her ceramic production in her father’s workshop of Canzo located in a former silk mill. Between 1990 and 1992 thanks to an exclusive agreement with a Japanese company her paintings and graphic works were distributed throughout Japan. The 1990 exhibition at the Artesanterasmo Gallery of Milan on the theme of mirrors was the only occasion in which she exhibited her paintings with her father. Her collaboration with that gallery has been steady since 1988. In 1992, following a suggestion from the well known architect Pepe Tanzi, Laura collaborated to the launch of the Pozzi & Verga new collection of tables and chairs by including images of those pieces of furniture in her own paintings. Between 1992 and 2000 she had her own showroom in Milan where her collections of ceramics and her creations for leading companies like Ricchetti (tiles), Fede Cheti (home fabrics), Edilkamin (fireplaces and stoves), Kaigai (textiles for clothings and bathroom towels), Rosenthal (china), and Proserpio Arredamenti (furnishings and frabrics) were on display. In 1995 she was chosen as Designer of the Year by Meyer Mayor, the distinguished Swiss company specialising in kitchen and table linen production. In the 1995 exhibition entitled Walls and Terracottas at the Artesanterasmo Gallery of Milan abstract most of the subjects were painted on dirt-like materials. In the same year she also presented her new Tableaux an Terre at the L’Ile en terre Gallery of Saint Paul de Vence, France. Between 1996 and 2005 she collaborated with the Edizioni San Paolo Publishers illustrating children’s books and stories for kids in the G-baby Magazine. In 1999 she increased her show-room space by creating Atelier Produzioni d’Arte where prints, ceramics, and sculptures by various international artists were presented. In 2000 Laura began her collaboration with Raika of Japan designing their fashion collections which have been on display since 2002 in the Showroom Laura Fiume at the Mitsukoshi Department Store in Tokyo. In 2000 Laura designed a collection of coffee cups called The Jungle Collection for Cellini Deutschland. In April 2003, as part of the events that took place during the Salone del Mobile of Milan, Laura held a large exhibition at the Spazio Exté entitled Other Rooms: A Tribute To Philippe Starck. On that occasion Laura enjoyed the collaboration of Alessi, Driade, and Flos who kindly lent her the pieces from their Philippe Starck production represented in her paintings for an installation in that exhibition. In June 2003 Laura held a one-artist exhibition at the Svetog Krševana Gallery in Šibenik, Croatia as part of the International Children’s Festival of that town where she exhibited her early works dedicated to the world of children. In 2005 she gave her contribution to the restyling of the L’Arenella Hotel on the Isola del Giglio, Tuscany, by providing a number of enlarged images of her works which became the characterizing element of the hotel’s interiors. In the summer of the same year she held a retrospective at the Vartai Gallery in Vilnius, Lithuania. In 2005 she also presented an installation within the project Ten Arm-chairs for Ten Artists, an initiative by Molteni & C, a leading company in the furniture field, where Laura was asked to decorate a Molteni arm-chair from the Reversi collection and to carry out a number of paintings using the same fabrics covering their couches and arm-chairs. In 2006 there were as many as three exhibitions of Laura’s. The first one, called Visual Amplifications was held in Fiesole, near Florence, in the museum within the St. Alexander Basilica building. The second one, entitled Private Stories, took place in Sansepolcro, Tuscany at the Piero della Francesca City Museum. The third exhibition, entitled Trame d’interni (Plots in Interiors) was hosted in Milan by the Artesanterasmo Gallery where Laura presented her new paintings on fabrics provided by well known fabric producer Enzo degli Angiuoni. In 2007 she exhibited her works in Rome at the Galleria Margutta 3 and then at the trendy TAD Conceptstore showroom of Via del Babuino. Both exhibitions were strictly connected through the idea of displaying works in harmony with TAD’s furnishings. In 2007 Laura was also invited to take part in Milan’s Cow Parade...

Pop art screenprint by American artist Brian McKinney. Signed, numbered, and titled in pencil Edition: 35/40 Image Size: 18 x 23.5 inches Paper ...

Dave White is a contemporary British Artist who dedicates his work to celebrating popular culture and interpreting emotive issues. White graduated with a BA (Hons) Fine Art (Painting) at Liverpool John Moores University. He has enjoyed success from the inception of his career with selection for the Northern Graduates exhibition at the Royal College of Art in 1994, then exhibiting his initial animals series. A highlight of this period was exhibiting at Sotheby's London to celebrate the Blue Cross centenary and international art fairs. White has continued to reflect popular culture and in 2002 he pioneered the 'Sneaker Art...

This is not signed or numbered. it is from a folio of prints. Laura Fiume was born in Urbino, central Italy in 1953. Her education took place in Milan at the Liceo Artistico and at the Polytechnic School of Design. In 1976 she moved to Canzo, near Como where she learned serigraphy, ceramics, and painting from the well known artist Salvatore Fiume, her father. At the beginning the main subject of her works was that of fishes. She then extended her interest to the wider world of animals, interpreted through a deliberately naïve style and very bright colours. In 1983 Laura’s works were exhibited both at the Basel Art Fair and at Artexpo in New York. The latter marked the beginning of a collaboration with the Work’s II Gallery In Southampton (NY) which would continue until 1988. Her major exhibitions of those years were in Milan at the Palazzo dell’Arengario, now home of the Museo del Novecento in Piazza Duomo, (1985), and in Venice at the Assicurazioni Generali headquarters in Piazza San Marco (1987). In 1983 Laura began her ceramic production in her father’s workshop of Canzo located in a former silk mill. Between 1990 and 1992 thanks to an exclusive agreement with a Japanese company her paintings and graphic works were distributed throughout Japan. The 1990 exhibition at the Artesanterasmo Gallery of Milan on the theme of mirrors was the only occasion in which she exhibited her paintings with her father. Her collaboration with that gallery has been steady since 1988. In 1992, following a suggestion from the well known architect Pepe Tanzi, Laura collaborated to the launch of the Pozzi & Verga new collection of tables and chairs by including images of those pieces of furniture in her own paintings. Between 1992 and 2000 she had her own showroom in Milan where her collections of ceramics and her creations for leading companies like Ricchetti (tiles), Fede Cheti (home fabrics), Edilkamin (fireplaces and stoves), Kaigai (textiles for clothings and bathroom towels), Rosenthal (china), and Proserpio Arredamenti (furnishings and frabrics) were on display. In 1995 she was chosen as Designer of the Year by Meyer Mayor, the distinguished Swiss company specialising in kitchen and table linen production. In the 1995 exhibition entitled Walls and Terracottas at the Artesanterasmo Gallery of Milan abstract most of the subjects were painted on dirt-like materials. In the same year she also presented her new Tableaux an Terre at the L’Ile en terre Gallery of Saint Paul de Vence, France. Between 1996 and 2005 she collaborated with the Edizioni San Paolo Publishers illustrating children’s books and stories for kids in the G-baby Magazine. In 1999 she increased her show-room space by creating Atelier Produzioni d’Arte where prints, ceramics, and sculptures by various international artists were presented. In 2000 Laura began her collaboration with Raika of Japan designing their fashion collections which have been on display since 2002 in the Showroom Laura Fiume at the Mitsukoshi Department Store in Tokyo. In 2000 Laura designed a collection of coffee cups called The Jungle Collection for Cellini Deutschland. In April 2003, as part of the events that took place during the Salone del Mobile of Milan, Laura held a large exhibition at the Spazio Exté entitled Other Rooms: A Tribute To Philippe Starck. On that occasion Laura enjoyed the collaboration of Alessi, Driade, and Flos who kindly lent her the pieces from their Philippe Starck production represented in her paintings for an installation in that exhibition. In June 2003 Laura held a one-artist exhibition at the Svetog Krševana Gallery in Šibenik, Croatia as part of the International Children’s Festival of that town where she exhibited her early works dedicated to the world of children. In 2005 she gave her contribution to the restyling of the L’Arenella Hotel on the Isola del Giglio, Tuscany, by providing a number of enlarged images of her works which became the characterizing element of the hotel’s interiors. In the summer of the same year she held a retrospective at the Vartai Gallery in Vilnius, Lithuania. In 2005 she also presented an installation within the project Ten Arm-chairs for Ten Artists, an initiative by Molteni & C, a leading company in the furniture field, where Laura was asked to decorate a Molteni arm-chair from the Reversi collection and to carry out a number of paintings using the same fabrics covering their couches and arm-chairs. In 2006 there were as many as three exhibitions of Laura’s. The first one, called Visual Amplifications was held in Fiesole, near Florence, in the museum within the St. Alexander Basilica building. The second one, entitled Private Stories, took place in Sansepolcro, Tuscany at the Piero della Francesca City Museum. The third exhibition, entitled Trame d’interni (Plots in Interiors) was hosted in Milan by the Artesanterasmo Gallery where Laura presented her new paintings on fabrics provided by well known fabric producer Enzo degli Angiuoni. In 2007 she exhibited her works in Rome at the Galleria Margutta 3 and then at the trendy TAD Conceptstore showroom of Via del Babuino. Both exhibitions were strictly connected through the idea of displaying works in harmony with TAD’s furnishings. In 2007 Laura was also invited to take part in Milan’s Cow Parade...

Artist: Jack Brusca, American (1939 - 1993) Title: Progression Year: 1978 Medium: Serigraph, signed and numbered in pencil Edition: 200, AP 30 Image Size: 24 x 24 inches Size: 28 in....

A geometric abstract print by Japanese artist Takaaki Matsumoto. Cloud Takaaki Matsumoto, Japanese (1954) Date: 1991 Screenprint Edition of 125 Size: 24 x 24 in. (60.96 x 60.96 cm)

Artist: Chryssa, Greek (1933 - 2013) Title: New York Times (CE) Year: Circa 1980 Medium: Serigraph, signed and numbered in pencil Edition: 300; AP 35 Paper Size: 38 x 25 inches

“I am interested in art that suggests a narrative,” says artist Chadwick Tolley. While he uses his personal experience as a point of reference for his prints, drawings, and collages,...

Artist: Joe Tilson, British (1924 - ) Title: Conjunction, Fritallary, Mela Year: 1996 Medium: Woodcut with Screenprint, signed and numbered in pencil Edition: AP 1/10 Size: 21 x 29 ...

“I am interested in art that suggests a narrative,” says artist Chadwick Tolley. While he uses his personal experience as a point of reference for his prints, drawings, and collages,...

“I am interested in art that suggests a narrative,” says artist Chadwick Tolley. While he uses his personal experience as a point of reference for his prints, drawings, and collages,...

Artist: Lamar Briggs Title: Flower Coasas II Medium: Screenprint Signed: Hand Signed Edition: Edition of 200 Measurements: 22" x 29" Note: This piece is sold UNFRAMED Condition: Exce...

Artist: Robert Natkin, American (1930 - 2010) Title: Intimate Lighting I Year: 1972 Medium: Screenprint on Cream Arches Paper, signed, dated and numbered in pencil Edition: 42/150 Si...

Artist: Nicholas Krushenick Title: Green Machine Year: 1982 Medium: Silkscreen, signed and numbered in pencil Edition: 200, AP 30 Image: 24 x 35 inches Paper Size: 26 x 37 inches

Artist: Roy Ahlgren, American (1927 - 2011) Title: Earthwork Year: 1974 Medium: Serigraph, signed and numbered in pencil Edition: 60 Image Size: 17 x 23 inches Size: 20 x 26 in. (50....

Artist: Anne Youkeles, Austrian (1920 - ) Title: Kaleidoscope Year: 1969 Medium: 3-D Silkscreen on plastic, signed, numbered, dated, and titled in pencil Size: 23 x 22 in. (58.42 x ...

“I am interested in art that suggests a narrative,” says artist Chadwick Tolley. While he uses his personal experience as a point of reference for his prints, drawings, and collages,...