1980s Abstract Prints

Artist: Raymond Parker, American (1922 - 1990) Title: Untitled 7 Year: 1980 Medium: Silkscreen, signed and numbered in pencil Edition: 70 Image Size: 21 x 27 inches Size: 22 x 30 in....

Artist: Antonio Peticov, Brazilian (1946 - ) Title: Passing By III Year: 1981 Medium: Lithograph, signed and numbered in pencil Edition: 30 Image Size: 28 x 28 inches Size: 45 x 37 i...

Braco D. Slobodan "Braco" Dimitrijević (born 18 June 1948) is a Paris-based Bosnian and Yugoslavian conceptual artist. His works deal mainly with history and the individual's place ...

Four Doors by Donald Saff, American (1937) Date: 1980 Etching, signed and numbered in pencil Edition of 50 Image Size: 24 x 18 inches Size: 30 in. x 22 in. (76.2 cm x 55.88 cm)

Print, 1988 Edition : X/XX 49.50 cm. x 70.00 cm. 19.49 in. x 27.56 in. (paper) 33.00 cm. x 42.00 cm. 12.99 in. x 16.54 in. (image) Handsigned by the artist in pencil Ref : LCD2878

Artist: Barry Nelson, British/American (1937 - ) Title: Ducalion I Year: 1983 Medium: Etching with Aquatint, Signed and Numbered in pencil Edition: AP Size: 41 x 29.5 in. (104.14 x 7...

Artist: Nicholas Krushenick Title: Grill Year: 1980 Medium: Silkscreen, signed and numbered in pencil Edition: 200, AP 30 Paper Size: 40 x 34 inches (101.6 x 86.36 cm)

Artist: Raymond Parker, American (1922 - 1990) Title: Untitled Year: 1980 Medium: Silkscreen, signed and numbered in pencil Edition: 100 Size: 35 x 45 inches

Artist: Darryl Hughto, American (1943 - ) Title: Blue Heron Date: 1979 Screenprint, signed and numbered in pencil Edition of 160 Size: 30 x 30 in. (76.2 x 76.2 cm)

Dynamic and bold color lithograph on Rives BFK. One of 20 numbered Hors Commerce impressions, aside from the edition of 176. This stunning print is signed and inscribed "H.C. 10/20" ...

Artist: Darryl Hughto, American (1943 - ) Title: Starting Over Year: circa 1982 Medium: Serigraph, signed and numbered in pencil Edition: 160, AP Image Size: 39 x 24 inches Size: 42....

Artist: Darryl Hughto, American (1943 - ) Title: Oneida Year: circa 1981 Medium: Serigraph, Signed and Numbered in Pencil Edition: 160 Size: 42 in. x 29.5 in. (106.68 cm x 74.93 cm)

Artist: Elise Hughes-Yaworsky, American Title: Untitled - Abstract in Black and White Year: 1985 Medium: Etching with Chin Colle, signed and numbered in pencil Edition: 3/5 Size: 23 ...

Artist: Vitaly Komar, Russian (1943 - ) and Alexander Melamid, Russian (1945 - ) Title: Sunrise at Bayonne Year: 1988 Medium: Aquatint Etching with Metallic Leaf Collage, signed and ...

Artist: Lamar Briggs, American (1935 - ) Title: Green and Purple Petals Medium: Lithograph on Somerset Paper, signed and numbered in pencil Edition: 200, AP 40 Paper Size: 21 in. x...

Artist: Louisa Chase, American (1951 - 2016) Title: Woods Year: 1985 Medium: Aquatint Etching, Signed and Numbered in Pencil Edition: 3/15 Paper Size: 22.5 x 24.5 Inches [57.15 x 62....

Artist: Edward Hansen Title: Buckhara Sky Year: circa 1980 Medium: Screenprint, signed and numbered in pencil Edition: 24/40 Image Size: 27.5 x 23 inches Size: 33.5 x 29 in. (85.09 x...

Artist: Italo Scanga, Italian (1932 - 2001) Title: Musicians Year: 1982 Medium: Woodcut, Signed and numbered in Pencil Edition: 20 Paper Size: 30.5 x 20.5 inches (77.47 x 52.07 cm)

Artist: Darryl Hughto, American (1943 - ) Title: Barn Boots Year: 1982 Medium: Screenprint, signed and numbered in pencil Edition: 180 Image Size: 24 x 38 inches Size: 30 x 4...

Artist: Donald Newman Title: Expulsion Year: 1982 Medium: Etching, Signed and Numbered in Pencil Edition: 3/25 Paper Size: 38 x 29.25 Inches [96.52 x 74.92 cm]

Cathedral of Christ the Savior. 1989, paper, screen print, 60x32.5 cm

Artist: Gordon House Title: Still Life at Millbank Year: 1980 Medium: Screenprint, signed and numbered in pencil Edition: 88/150 Size: 23.5 x 29.5 in. (59.69 x 74.93 cm) Frame: 25....

Artist: Roy Ahlgren, American (1927 - 2011) Title: Dawn of a New Era Year: 1980 Medium: Screenprint, signed and numbered in pencil Edition: 145 Image Size: 18 x 25 inches Size: 22 x ...

Artist: Donald Saff, American (1937 - ) Title: Eight Year: 1980 Medium: Etching, signed and numbered in pencil Edition: AP Image Size: 24 x 18.5 inches Size: 30 in. x 22 in. (...

Gregory Amenoff (Contemporary American abstract painter, b. 1948), Monotype Monoprint (1990) Hand signed in pencil lower right plate: 16 x 16 inches frame dimensions: 35 1/8 x 29 1/8 x 1 5/8 inches, wood frame with glazing Provenance: Corporate Collection of Bank BNP Paribas Gregory Amenoff is a painter who lives in New York City and Ulster County, New York. He is the recipient of numerous awards from organizations including the American Academy of Arts and Letters, National Endowment for the Arts, New York State Council on the Arts and the Tiffany Foundation. He has had over fifty one-person painting exhibitions in museums and galleries throughout the United States and Europe. His work is in the permanent collections of more than thirty museums, including the Whitney Museum of American Art, the Museum of Fine Arts in Boston, the Museum of Modern Art in New York and the Metropolitan Museum of Art. His work has the influence of both Abstract Expressionism and Pop Art in it, biomorphic forms in rich hues and thick textures with heightened colors and abstracted, organic forms, late American Modernism. He moved to New York in 1979, the artist rose to critical acclaim in the 1980s alongside Terry Winters, Bill Jensen, and Katherine Porter. The artist lives and works between New York, NY and his Hudson Valley residence. He was a collaborating artist illustrating Bradford Morrow, Bestiary along with Joe Andoe, James Brown, Vija Celmins, Louisa Chase, Eric Fischl, Jan Hashey, Michael Hurson, Mel Kendrick, James Nares, Ellen Phelan, Joel Shapiro, Kiki Smith, David Storey, Michelle Stuart, Richard Tuttle, Trevor Winkfield, Robin Winters. Linoleum cuts with pochoir and woodcuts for the Grenfell Press, New York. Amenoff served as President of the National Academy of Design from 2001-2005. He is a founding board member of the CUE Art Foundation in New York City and serves as the CUE Art Foundation's Curator Governor. Amenoff has taught at Columbia for the last eighteen years, where he holds the Eve and Herman Gelman Chair of Visual Arts and is currently the Chair of the Visual Arts Division in the School of the Arts. He is currently the Vice-President of the National Academy. In 2011 he received the John Solomon Guggenheim Fellowship. Museum Collections Albright-Knox Art Gallery; Buffalo, NY Art Institute of Chicago; IL Baltimore Museum of Art; Brooklyn Museum of Art; Brooklyn, NY Butler Institute of American Art; Youngstown, OH Cleveland Museum of Art; Cleveland, OH Currier Gallery of Art; Manchester, NH Frances and Sidney Lewis Foundation; Richmond, VA Hood Museum of Art; Hanover, NH Honolulu Academy of Art; Honolulu, HW Kemper Museum of Contemporary Art; Kansas City, MO Maier Museum of Art; Lynchburg, VA Metropolitan Museum of Art; New York, NY Milwaukee Museum of Art; Milwaukee, WI Minneapolis Institute of Art; MN Muscarelle Museum of Art, College of William and Mary; Williamsburg, VA Museum of Fine Arts; Boston, MA Museum of Modern Art; New York, NY National Museum of American Art; Washington, DC Neuberger Museum, State University of New York at Purchase; NY New York Public Library, Spencer Collection...

1982-84 Hunter College, New York (M.F.A.) 1978-80 School of Visual Arts, New York 1973-77 Bezalel Academy of Art, Jerusalem (B.F.A.) American, born in Romania Lives and works in New York City Solo Exhibitions 2008 Michael Steinberg Fine Art, New York 2006 Galeria Joan Prats, Barcelona 2005 Karpio + Facchini Gallery, Miami Jacob Karpio Galeria, San Jose (Costa Rica) 2004 Michael Steinberg Fine Art, New York 2001 Marella Arte Contemporanea, Milan 2000 Von Lintel & Nusser, New York Galerie Von Lintel & Nusser, Munich 1998 Galerie Thomas von Lintel, Munich 1997 Galerie des Archives, Paris 1995 Galerie Samuel Lallouz, Montreal L.A. Louver, Los Angeles 1994 Marc Jancou Gallery, London Galerie des Archives, Paris 1993 Galerie Barbara Farber, Amsterdam Real Art Ways, Hartford (Connecticut) 1992 Tom Cugliani Gallery, New York Galerie Marc Jancou, Zurich Galerie des Archives, Paris 1989 Tom Cugliani Gallery, New York Galerie Barbara Farber, Amsterdam Studied at bezalel from 1973 to 1977. And it was a very fascinating time because it was a highly conceptually based school. Very much influenced by Joseph Beuys, and European Conceptualism, I didn’t really like the atmosphere there that much, because it was dominated by male painters like Jörg Immendorf, Marcus Lupertz, and a few others. then came to New York to study at SVA for two years. New York in 1978 was exciting. I was very lucky to be in a class that was full of very bubbly and very energetic artists like Keith Haring, Kenny Scharf, Tim Rollins, Moira Dryer, Frank Holliday, and Tom Cugliani (who later became one of my dealers).The eighties were dominated largely by Neo-Expressionist paintings. There were Germans, such as Baselitz, Kiefer, Richter, Penck, and the Italians, Clemente, Chia, Cucchi, Palladino as well as Schnabel, Fischl, Basquiat, Salle, and many others, but all of their paintings were figuratively based. But below the popular consent, there was a group of painters who were working more in the vein of what Stephen Westfall referred to as “Neo-Surrealism,” including George Condo, Jeffrey Wasserman, Kenneth Scharf, David Humphrey. However, I felt that Carroll Dunham and you were the only two painters who seemed to be less interested in the kind of narrative, lyrical, or let’s say, stationary composition. He belongs to the generation of Terry Winters, Elizabeth Murray, David Reed and Jonathan Lasker but in some strange way, if we’re looking back to the mid-eighties, we have to include New Image painters like Susan Rothenberg, Neil Jenney, and Robert Moskowitz who were working in between the figure and abstraction with a kind of condensation and compression, in relationship, lets say, to cartoon imagery. There are artists like Jeff Koons, or even Damien Hirst who took the Duchampian aspect and brought it into the continuity of his readymade. But for me, I see no difference between the crack in “Large Glass” and the drips in Jackson Pollock’s paintings. There was something that I felt in my own equation of the continuity between Paul Klee, Duchamp, Picabia, and, oddly enough, Clyfford Still. What essentially is important is how different artists carry on a dialogue among themselves so that they can all keep their work vital. Whether from the abstract paintings of Richmond Burton, Fabian Marcaccio extending the borders of his paintings on to the wall, or Cady Noland’s early scattered installation, my own pre-occupation with machinery, urban environment, and the Duchampian models has always materialized in relationship to other forms of art making. Selected Group Exhibitions: 2014 Drawing on Difference: An Ambition by Saul Ostrow and Lidija Slavkovic, Studio Vendome Gallery, New York. 2013 Drawing on Habit: An Ambition by Saul Ostrow and Lidija Slavkovic, South Carlton Beach and The Betsy-South Beach Exhibition Programs, Art Basel, Miami Beach. 2013 Imprinted Pictures: Lydia Dona...

This colour etching is hand signed in pencil by the artist in Chinese and Pinyin at the lower right margin, and dated in pencil next to the signature '86 (1986). It is Hand Numbered...

Artist: Barry Nelson, British/American (1937 - ) Title: Paralax XVII Year: 1981 Medium: Etching with Aquatint, Signed and numbered in pencil Edition: 25 Size: 30 x 22 in. (76.2 x 55....

January 1981, Arras Gallery, Ltd. NYC Event Poster featuring the artwork "Switchback" by ARTHUR SECUNDA (American, 1927). The print measures 35 x 23 inch...

Willibrord Haas Arches and Stripes (Bögen und Streifen) (Post-war Abstraction, Joseph Beuys, German painter) Color Etching Year: 1986 Size: 15.4×19.3 on 25.4×31.3in Edition: 30 Si...

Willibrord Haas Arches and Stripes (Bögen und Streifen) (Post-war Abstraction, Joseph Beuys, German painter) Color Etching Year: 1986 Size: 15.4×19.3 on 25.4×31.3in Edition: E.A. (...

Artist: James Rosenquist, American (1933 - ) Title: While the Earth Revolves at Night Year: 1982 Medium: Etching with Aquatint, signed and numbered in pencil Edition: 59 Image Size: ...

A very good impression of this color aquatint, etching and lithograph. With the artist's signature ink stamp and numbered 26/65 in pencil. With the artist's estate ink stamp and sign...

Artist: Darryl Hughto, American (1943 - ) Title: Blues Power Year: circa 1981 Medium: Serigraph, Signed and Numbered in Pencil Edition: 160, 4 AP Size: 42 in. x 29.5 in. (106.68 ...

Artist: Darryl Hughto, American (1943 - ) Title: Aurora Borealis Year: 1980 Medium: Silkscreen, signed and numbered in pencil Edition: 180, AP 9 Size: 42 x 30 in. (106.68 x 76.2 cm)

This is a unique monotype, signed and dated lower right. The image measures 21.75 x 23.75 inches inches and it is currently unframed. Pat Passlof was bor...

Artist: Pierre Clerk, Canadian (1928 - ) Title: Morocco Series #8 Year: 1980 Medium: Screenprint on Arches, signed and numbered in pencil Edition: AP 2/45 Image Size: 21 x 35 inches ...

Artist: Darryl Hughto, American (1943 - ) Title: Warm Hearth Year: 1981 Medium: Silkscreen, signed and numbered in pencil Edition: 160 Image Size: 28.2 x 39 inches Size: 30 x...

Artist: Bruce Porter, American (1948 - ) Title: Untitled III Medium: Lithograph, signed and numbered in pencil Edition: 14 Image Size: 24 x 18 inches Size: 28 x 22 in. (71.12 x 55.88...

Artist: Chryssa, Greek (1933 - 2013) Title: Chinatown Portfolio II, Image 2 Year: circa 1978 Medium: Screenprint, signed and numbered in pencil Edition: 150 Size: 40 in. x 30.5 in....

Artist: Patrick Hughes, British (1939 - ) Title: Sunscrapers Year: 1980 Medium: Aquatint, signed and numbered in pencil Edition: 24/90 Size: 36 x 29.25 inches

Artist: Nicholas Krushenick Title: Over the Top Year: 1978 Medium: Screenprint, signed and numbered in pencil Edition: 200, AP 30 Image Size: 29 x 24 in. ...

Artist: Vitaly Komar, Russian (1943 - ) and Alexander Melamid, Russian (1945 - ) Title: Church, NJ Year: 1991 Medium: Etching, signed, numbered, dated, and tilted in pencil Paper Si...

Artist: Edward Hansen Title: Serghana Wheat Year: circa 1980 Medium: Serigraph, signed and numbered in pencil Edition: 24/40 Image Size: 27.5 x 23 inches Size: 33.5 x 29 in. (85.09 x...

"Drawings 1970-80 (Cicada)" Margo Leavin Gallery, Los Angeles, 1981 Exhibition Poster 30.5 x 22.5 inches Unsigned

Artist: Charlie Hewitt, American (1946 - ) Title: Untitled - F Medium: Woodblock, Signed and Numbered in Pencil Edition: 100 Size: 20 in. x 24 in. (50.8 cm x 60.96 cm)

"Boldest Native" is an original color lithograph by Michael Knigin. This piece features a pile of apples with abstract textures. The artist signed the piece lower right and titled it...

"Chicago International Art Exhibition" is a color poster after Ed Ruscha, autographed and dated lower right. The artists initials are also in the lower ...

Artist: Rafael Bogarin Title: Jupiter 5 Year: 1981 Medium: Serigraph, signed and titled in pencil Edition: 295 Paper Size: 29 x 23 inches

Artist: Rafael Bogarin Title: Jupiter 6 Year: 1981 Medium: Screenprint, signed and titled in pencil Edition: 295 Paper Size: 28.5 x 22.5 inches

This original etching is hand signed in pencil by the artist “Chillida” at the lower left margin. It is also hand numbered in pencil from the edition of 100, at the lower right margi...

Artist: Charlie Hewitt, American (1946 - ) Title: Untitled - E Medium: Woodblock, Signed and Numbered in Pencil Edition: 100 Size: 20 in. x 24 in. (50.8 cm x 60.96 cm)

Artist: Tony Bechara, Puerto Rican (1942 - ) Title: Shandaken Year: circa 1980 Medium: Serigraph, signed and numbered in pencil Edition: 250, AP 35 Image Size: 20 x 20 inches Size: 2...

This swirling chrome and silver print is named in reference to the famous painting “Starry Night” by Vincent van Gogh. The spiral that pulls at the center of the composition is remin...

Artist: Barry Nelson, British/American (1937 - ) Title: Paralax XXI Year: 1981 Medium: Etching with Aquatint, Signed and numbered in pencil Edition: 25 Size: 30 x 22 in. (76.2 x 55.8...

Titled Ledoux, color limited edition lithograph. Hand signed by artist in pencil to right hand corner, 101/150 to left. 19.5" X 14" print view area. This is done in a Postmodernist, Memphis Milano style. Valerio Adami (born 17 March 1935) is an Italian painter. Educated at the Accademia di Brera in Milan, he has since worked in both London and Paris. His art is influenced by Pop Art. Adami was born in Bologna. In 1945, at the age of ten, he began to study painting under the instruction of Felice Carena. He was accepted into the Brera Academy (Accademia di Brera) in 1951, and there studied as a draughtsman until 1954 in the studio of Achille Funi. In 1955 he went to Paris, where he met and was influenced by Roberto Matta and Wifredo Lam. His first solo exhibition came in 1959 in Milan. In his early career, Adami's works were expressionistic, but by the time of his second exhibition in 1964 at Kassel, he had developed a style of painting reminiscent of French cloisonnism, featuring regions of flat color bordered by black lines. Unlike Gauguin, however, Adami's subjects were highly stylized and often presented in fragments. In the 1970s, Adami began to address politics in his art, and incorporated subject matter such as modern European history, literature, philosophy, and mythology. In 1971, he and his brother Giancarlo created the film Vacances dans le désert. In 1974 he illustrated a Helmut Heissenbuttel poem, Occasional Poem No. 27. Ten Lessons on the Reich with ten original lithographs {Galerie Maeght}. In 1975, the philosopher Jacques Derrida devoted a long essay, "+R: Into the Bargain", to Adami's work, using an exhibition of Adami's drawings as a pretext to discuss the function of "the letter and the proper name in painting", with reference to "narration, technical reproduction, ideology, the phoneme, the biographeme, and politics". The Galerie Maeght is a gallery of modern art in Paris, France, and Barcelona, Catalonia, Spain. The gallery was founded in 1936 in Cannes. The Paris gallery was started in 1946 by Aimé Maeght. The artists exhibited are mainly from France and Spain. Since 1945, the gallery has presented the greatest modern artists such as Matisse, Bonnard, Braque, Miró, and Calder. In 1956, Adrien Maeght opened a new parisian venue. The second generation of “Maeght” artists was born: Bazaine, Andre Derain, Giacometti, Kelly, Raoul Ubac, then Riopelle, Antoni Tapies, Pol Bury and Adami, among others. There were four retrospective exhibits of Adami's work between 1985 and 1998. They were held in Paris, the Centre Julio-Gonzalez de Valence (Spain), Tel Aviv, and Buenos Aires. In 2010, the Boca Raton Museum of Art devoted a special exhibit to Adami's Post Modern paintings and drawings. Derriere le Miroir, the editor was Aimé Maeght. Derrière le Miroir is a French art magazine created in 1946 and published until 1982...

Artist: Raymond Parker, American (1922 - 1990) Title: Untitled 13 Year: 1980 Medium: Silkscreen with Hand-Coloring, signed and numbered in pencil Edition: 70 Size: 32 x 40 in. (81.28...

Artist: Lowell Blair Nesbitt, American (1933 - 1993) Title: Rose Monochrome Year: circa 1980 Medium: Serigraph, signed and numbered in pencil Edition: 200 Image Size: 27 x 27 inches ...

Artist: Jean-Marie Haessle, American (1939 - ) Title: Elena's Dream Year: 1980 Medium: Serigraph, signed and numbered in pencil Edition: 295 Paper Size: 23 in. x 29 in. (58.42 cm x 7...

Artist: Barry Nelson, British/American (1937 - ) Title: Baronian I Year: 1983 Medium: Etching with Aquatint, signed in pencil Edition: AP Size: 29.5 in. x 41 in. (74.93 cm x 104.14 cm)