Abstract Abstract Prints

Varujan Boghosian Untitled, from the Long Point Gallery Portfolio, 1988 Woodcut on rice paper. Hand signed. Numbered. Printer's Blind Stamp. Hand signed on lower right recto (front)...

This Limited Edition abstract print, "A Summer Day in Nantucket," by Sofie Swann measures 30" x 24" and is an edition of 95. Printed on canvas, this print ships rolled with natural c...

Series 1 Chryssa, Greek (1933–2013) Date: circa 1979 Screenprint on Arches, Signed and Numbered in Pencil Edition of AP 11/20 Size: 31.5 in. x 31.5 in. (80.01 cm x 80.01 cm)

**ANNUAL SUPER SALE UNTIL APRIL 15TH ONLY** 8This Price Won't Be Repeated Again This Year - Take Advantage Of It* Celebrating the universe with this colorful and beauti...

Beautiful lithograph by Mercedes Pardo, excellent condition. From the limited edition of 25 signed copies Mercedes Pardo was born July 29, 1921 in Caracas, Venezuela. By age 13 she ...

This artwork titled "Tapestry" c.1980, is an original colors etching on Wove paper by noted American artist Ruth Leaf, 1923-1975. It is hand signed, titled and numbered 8/15 in penci...

Judith Rothschild Untitled, from the Long Point Gallery Portfolio, 1988 Woodcut on paper Hand signed, numbered 22/30 and dated on lower front 15 × 22 inches Unframed Publisher: Long...

Nora Speyer Untitled, from the Long Point Gallery Portfolio, 1988 Lithograph on paper with deckled edges Hand signed, numbered 22/30 and dated on lower front 22 × 15 inches Unframed Hand signed, numbered 22/30 and dated on lower front Publisher: Long Point Gallery, Inc., Provincetown, Massachusetts; Printer: Bruce Porter from Trestle Editions Limited, New York Rarely to market, this stunning 1988 woodcut was created by Nora Speyer as part of a portfolio produced for sale by Long Point Gallery, an artist's cooperative in Provincetown, Massachusetts. Superb provenance as it is was acquired from the original Long Point Portfolio. This will be the first time the work will be removed from the portfolio. It is hand signed and numbered from a very small edition of only 30; it is in fine condition, unframed and never framed, and housed in the original portfolio box, with the original colophon page, which also included works by 11 other artists. For reference and provenance we have included an image of the colophon page from the complete portfolio. About Nora Speyer: The most exciting place to me is where I can communicate with the greatest number of artists. I can't live without some artists around. I'm not saying artists are likable. They can be very objectionable, but they are still my world. Nora Speyer Born in Pittsburgh, Speyer enrolled at Temple University's Tyler School of Art when she was sixteen. It was there she became roommates with Lillian Lent...

Damien Hirst Butterfly Heart (Small) H7-4, 2020 Laminated Giclée print on aluminium composite panel in original publisher's packaging Signed by Damien Hirst & numbered 1483/3510 on t...

This Limited Edition abstract print, "Lollipops #2," by Sofie Swann measures 36" x 45" and is an edition of 95. Printed on canvas, this print ships rolled with natural canvas edges a...

Untitled-27 Chryssa, Greek (1933–2013) Date: circa 1980 Screenprint, signed and numbered in pencil Edition of 125 Size: 30 in. x 22 in. (76.2 cm x 55.88 cm)

Pierre Andre Obando creates process oriented abstract paintings. He was born in Belize City, Belize and grew up in the Caribbean, the U.S. Virgin Islands, Miami, Fl and Jackson, MS. ...

Pierre Andre Obando creates process oriented abstract paintings. He was born in Belize City, Belize and grew up in the Caribbean, the U.S. Virgin Islands, Miami, Fl and Jackson, MS. ...

Josef Albers (German-American, b. 1888) Created for the limited edition 'Washburn College Bible' in 1979 as the frontispiece for Volume II. Framed in a clean-lined white lacquer fra...

Artist: Pablo Picasso, After, Spanish (1881 - 1973) Title: BUSTE DE FEMME ASSISE, LES MAINS SOUS LE MENTON , #3-B Year of Original Artwork: 1938 Medium: Lithograph on Coventry Paper, 100% acid free Edition of 1000, unnumbered, estate approved printed signature Print Size: 29.25 x 21.25 in. BUSTE DE FEMME ASSISE, LES MAINS SOUS LE MENTON( bust of a woman sitting with her hands under her chin) is a limited edition lithograph re-created after an original painting from the estate Collection of Marina Picasso, Picasso's grand-daughter. Printed using hand drawn lithographic plates(not a photo reproduction or digital print) on archival heavy weight Coventry printmaking paper, 100% acid free. Edition was produced in accordance with the Picasso family...

This artwork "Astres Egares (Lost Astral)" 1970, is an original colors lithograph on creme wove paper by noted Italian artist Berto (Roberto) Lardera, 1911-1989. Published by Les Bib...

Medium: intaglio Year: 2015 Signed Artist Proof from the edition of 25 Image Size: 7.5 x 6 inches Paper Size: 15 x 11 inches Signed and numbered by the artist. Seiko Tachibana's...

Niki de Saint Phalle I Rather Like You A Lot You Fool, 1970 Silkscreen on wove paper Signed and numbered 74//75 in graphite pencil on the front Frame included Signed and numbered 74...

Color etching Edition of 99 + 15 AP 29 3/4 x 21 7/8 in. / 75.6 x 55.6 cm Printed & published by Ediciones Poligrafa, Barcelona.

Joanne Greenbaum’s prints are an energetic profusion of overlapping techniques and colors, featuring clusters of architectural forms, irregular shapes, and doodle-like lines. Greenba...

This contemporary limited edition print by Teodora Guererra features a colorful palette with white, muted orange, green, and varying blue tones layered in light, vertical strokes tog...

Artist: Dale Chihuly (1941) Title: Float Series Year: 2017 Medium: Mixed Media—Five Color Serigraph & Acrylic on Waterford paper Edition: 18/110, plus proofs Size: 37 x 25 inches Con...

This contemporary limited edition print by Teodora Guererra features a colorful palette with white, muted orange, green, and varying blue tones layered in light, vertical strokes tog...

Abstract monotype painting by Colorado woman artist Wilma Fiori (1929-2019). Abstract composition in deep jewel tones of green, orange, teal and purple on a black background. Monotype (numbered 1/1) printed on paper, signed by the artist lower right and upper left. Presented in a custom white frame with all archival materials. Provenance: Estate of the artist, Wilma Fiori About the Artist: Wilma Fiori (Wilma Denny) was born in Youngstown Ohio in 1929 and was raised in Great Bend, Kansas. She studied at Loretto Heights College in Denver, Colorado. Fiori graduated with a Bachelor of Fine Arts (BFA) degree in 1952. Two years later, she married Bob Fiori, a fellow student from Lorreto Heights. She remained active as an alumna for the College while raising four children. During this time, she developed an interest in anthropology and, in 1979, Wilma earned a Masters of Arts in Anthropology degree from the University of Denver. Fiori worked as a curatorial assistant to Richard Conn...

This contemporary limited edition print by Teodora Guererra features a colorful palette with white, muted orange, green, and varying blue tones layered in light, vertical strokes tog...

Lucas Samaras Samaras at Whitney Museum of American Art Exhibition Poster, 1973 Offset lithograph poster 32 × 24 inches Unframed This early vintage poster was published for the Samar...

Artist: Rafael Bogarin – Venezuelan (1946- ) Title: Jupiter 4 Year: 1980 Medium: Screen Print Sight size: 19.5 x 25.5 inches. Sheet size: 22.5 x 28.5 inches. Signature: Signed lower right Edition: 295 This one: 116/295 Condition: Excellent Unframed This exceptional geometric abstract serigraph is by the noted Venezuelan artist Rafael Bogarin (1946- ). This is Jupiter 4. I have others from the series, also for sale. The print has never been framed and is in excellent condition. It measures 22.5" x 28.5". Rafael Bogarin is an established contemporary Venezuelan artist known for his abstract serigraphs. Bogarin was born in 1946, in El Tigre, where he grew up making his own toys and learning to draw. He studied in Caracas at the Cristobal Rojas School of Fine Arts, specializing in lithography and etching. From 1970 to 1992, Bogarin, like so many artists, lived in New York. As he explored various techniques, he became an expert in serigraphs, earning himself acclaim in Latin America as a pioneer. In South America he traveled the continent giving classes and learning about native cultures. When he returned to the land of his youth, he was inspired to create the concept of the entire world in the Museo Vial in El Tigre in 1982. Later he made others along the route between Colombia and Venezuela. Recently he has been creating and realizing ideas like the Museo de Murales a Cielo Abierto (Museum of Murals to the Open Sky). Detailed biographical information (source: artist's website): Rafael Bogarín was born in El Tigre, Anzoátegui state, Venezuela, on January 20, 1946. He studied at the Cristóbal Rojas School, which he finished in 1966; Among his teachers are Luis Guevara Moreno, Pedro León Zapata, Luisa Palacios and Luis Chacón. Upon returning from school he founded the Zapato Roto group with other artists, with the aim of taking art to the streets. In 1966 he directed the outdoor exhibitions of the Venezuelan American Center, and two years later he participated in the XXVIII Official Salon, where he received the Rome Prize. During that time he ordered elements such as nuts and serrated blades in relation to discs engraved with burin and other techniques, and made the final impression in planes of one color. In 1970 he received a scholarship and traveled to New York; He studies at the Pratt Graphic Center and the Blackburn Printmaking Workshop. In 1973 he founded, together with Manuel Kohn, the Bogarín Printmaking Workshop, a workplace for Venezuelan artists living in the United States; This workshop, of which he has been master printer, allowed continuity to his artistic work. Bogarín investigates the possibilities of super eight cinema and makes films with quality similar to commercial formats; From these experiences emerge The Lonely World (1975) and New World Symphony (1976). In 1977 he deepened his study of color with The New Color, a portfolio where he produced superimposed colors through transparencies and glazes. His teaching experience includes courses at the Rafael Monasterios School of Plastic Arts in Maracay (1969-1970), Ceagraf (1979), as well as workshops in various cities around the world. In 1980 he made an exhibition of silkscreen prints in cities in Italy, El Salvador, Colombia, Mexico and the United States. That year he resumed his interest in outdoor exhibitions with a museum project with murals by 30 artists for El Tigre (Venezuela); The Rafael Bogarín Road Museum was inaugurated in 1982 and brought together 30 murals on 2 x 4 meter fences, by artists such as Mario Toral, Édgar Sánchez and Paul Davis. He carried out the project to recover the architectural spaces of El Tigre (Venezuela), through murals, sculptures, plazas and humanized spaces. In 2006 he painted the largest painted flag in the world in El Tigre, Venezuela. Bogarín has exhibited his work on all 5 continents and currently lives and works in Panama City in his private workshop and in the Articruz workshop. Individual exhibitions Ø 1966. Gallery of the Medical College. Caracas Venezuela. Ø 1966. Venezuelan American Center. Caracas Venezuela. Ø 1970. Protobello Gallery. Caracas Venezuela. Ø 1977. First National Bank of Louisville. Luosville, Kentucky, USA. Ø 1978. Venezuela Gallery. New York City, USA. Ø 1979. Julián Marchena Room, Museum of Costa Rica. San Jose Costa Rica. Ø 1979. La Otra Banda Gallery. Merida, Venezuela. Ø 1980. Galeter Center. Adro, Italy. Ø 1980. Gallery of Modern Art. Santo Domingo Dominican Republic. Ø 1980. Jewish Community Center. Monmouth, New Jersey, USA. Ø 1980. Frank Fedele Fine Arts. New York City, USA. Ø 1980. El Túnel Gallery. Guatemala, Guatemala. Ø 1981. Garcés – Velásquez Gallery. Bogota Colombia. Ø 1982. Siete Siete Gallery. Caracas Venezuela. Ø 1984. Acquavella Gallery. Caracas Venezuela. Ø 1985. Cultural Center. Santa Cruz, Bolivia. Ø 1992. Sotage Gallery, Puerto La Cruz, Venezuela. Ø 2017. Arteconsult Gallery. Panama City, Panama. Awards Ø 1969. Rome Prize. XXIX Official Salon of Venezuelan Art, Museum of Fine Arts. Caracas Venezuela. Ø 1971. Honorable mention. First Young Artists' Salon. Maracay, Venezuela. Ø 1984. First prize, Salón Aragua. Maracay, Venezuela. Murals Ø 1974. Venezuelan Consulate. New York City, USA. Ø 1982. Creator of the First Road Museum in the World. El Tigre, Venezuela. Ø 1983. Road Museum. Roldanillo, Colombia. Ø 1984. Bicentennial Road Museum. Cucuta, Colombia. Ø 2000. Ceramic mural. Dairy, Venezuela. Group exhibitions Ø 1963 to 1966. Spiral Gallery. Caracas Venezuela. Ø 1966. El Pez Dorado Gallery. Caracas Venezuela. Ø 1966. “Zapato Roto” Festival. Caracas Venezuela. Ø 1967. D´Empaire Hall. Maracaibo Venezuela. Ø 1970. Drawings and engravings room. Central University of Venezuela. Caracas Venezuela. Ø 1966 and 1971. Arturo Michelena Hall. Valencia, Venezuela. Ø 1966 to 1968. Annual Venezuelan Art Salon. Museum of Fine Arts. Caracas Venezuela. Ø 1968. Luis Ángel Arango Library. Bogota Colombia. Ø 1969. Tertulia Room. Cali, Colombia. Ø 1969. Lunn Gallery. Washington, DC, USA. Ø 1969. Gallery of Visual Arts. Maracay, Venezuela. Ø 1970. Venezuelan Cultural Week. Miami and Jamaica. Ø 1972. Two Rivers Gallery. Binghampton, New York City, USA. Ø 1972. Moos Gallery. Montreal, Canada. Ø 1973. Spoleto Festival. Italy. Ø 1974. Young Artists, Union Carbide Building. New York City, USA. Ø 1975. Government of Caracas. Caracas Venezuela. Ø 1975. Graphic VII, Mendoza Gallery. Caracas Venezuela. Ø 1976. Brooke Alexander Gallery. New York City, USA. Ø 1977. Denise Rene Gallery. New York City, USA. Ø 1978. Sam Flax...

This is original watercolor over a limited edition woodcut political poster. hand signed, dated and numbered. it bears similarity to works by Alexander Calder. Employing a star and abstract design. Katherine Porter is an American artist born in Cedar Rapids, Iowa in 1941. She received her BA from Colorado College in 1963. Katherine Porter received an honorary doctorate from Colby College. She has shown twice in the Whitney Biennial and solo exhibitions at the Knoedler Gallery in London, the Nina Nielsen Gallery in Boston, and the Andre Emmerich and Salander-O'Reilly Galleries in New York. Her work is in the collections of the Metropolitan Museum of Art, Museum of Modern Art, Whitney Museum of American Art, Museum of Fine Arts in Boston, and the Tel Aviv Museum and Bezalel Museum in Jerusalem. (Katherine Page Porter, Katherine Pavlis Porter) Her exhibitions include biennials in 1976 and 1981 at the Whitney Museum of American Art in New York City; 1980 at the San Francisco Museum of Fine Arts; 1981, Dartmouth College, Hanover, New Hampshire; 1985, Brandeis University, Waltham, Massachusetts; and 1987 at the Sidney Janis Gallery, New York City. Classic Americana. American Abstract Expressionism. Early Pattern and Decoration piece, The movement was championed by the gallery owner Holly Solomon. The P&D movement wanted to revive an interest in minor forms such as patterning which at that point was equated with triviality. The prevailing negative view of decoration was one not generally shared by non-Western cultures, The Pattern and Decoration movement was influenced by sources outside of what was considered to be fine art. Blurring the line between art and design, many P&D works mimic patterns like those on wallpapers, printed fabrics, and quilts. There is a close connection between the Pattern and Decoration movement and the Feminist art movement. The P&D movement arose in opposition to the Minimalist and Conceptualist movements. Mary Grigoriadis Valerie Jaudon, Joyce Kozloff, Miriam Schapiro, Robert Zakanitch all worked in this same vein. SELECTED SOLO EXHIBITIONS Galerie Hubert Winter, Vienna, Austria Victoria Munroe Fine Art, Boston, MA Meridian Gallery, San Francisco, CA Salander O’Reilly Gallery, New York, NY Bowdoin College Museum of Art, Brunswick, ME Andre Emmerich Gallery, New York, NY Knoedler Gallery, London Sidney Janis Gallery, New York, NY Pace Gallery, Addison, ME Dartmouth College, Hanover, NH (drawings) Harcus Krakow Gallery, Boston, MA SELECTED GROUP EXHIBITIONS Contemporary Landscape Painting, Nagoya/Boston Museum of Art, Nagoya, Japan From the Collection of Edward Broida, Palm Beach Art Museum, Palm Beach, FL Abstraction Per Se (through January 1993), Pratt Manhattan Gallery, NY Painting Self-Evident (Curator), Picolo Spoleto Festival, Charleston, SC Art on Paper 1990, Weatherspoon Art Gallery, The University of North Carolina, Museo Barjola, Gijon, Spain; Calouste Gulbenkian Foundation, Lisbon, Portugal; Pratt Manhattan Gallery, NY Sightings, Instituto de Estudios Norteamericanos, Barcelona; Casa Revilla, Valladolid, Invitational, New Britain Museum of American Art, New Britain, CT Atelier Project, Neuberger Museum, SUNY Purchase, NY Landscape Show, Allan Frumkin Gallery, NY Rethinking the Avant-Garde, by Jonathan Fineberg, The Katonah Gallery, NY Nancy Hoffman Gallery, NY Group Show, Van Abbemuseum, Eindhoven, Holland Contemporary Drawings, Museum of Modern Art, New York, NY International Survey of Recent Painting and Sculpture, Museum of Modern Art, NY Modern Expressionist: German, Italian, & American Painters, Sidney Janis Gallery, NY American Women Artists, Part II: Younger Generation, Sidney Janis Gallery, NY Contemporary Works on Paper, Frumkin-Adams Gallery, NY Hassam Speicher Purchase Fund Exhibition, American Academy of Arts and Letters, NY The End of the World: Contemporary Visions of the Apocalypse, The New York Museum of Contemporary Art, NY Recent Acquisitions, Museum of Modern Art, New York, NY Homage to Arthur Dove, Hobart and William Smith Colleges, Geneva, NY Six Painters, The Hudson River Museum, Yonkers, NY Twenty New York Painters, Institute of Contemporary Art, Philadelphia, PA 74th American Exhibition, The Art Institute of Chicago, Chicago, IL Abstract Painting, Women’s Caucus, NY Biennial, Whitney Museum of American Art, New York Spoleto Choice, Spoleto Festival, Charleston, SC From Women’s Eyes, Rose Art Museum, Brandeis University, Waltham, MA Theodoran, Solomon R. Guggenheim Museum, New York, NY Three If By Air, Obelisk Gallery, Boston, MA Betty Parsons Collection, Finch College, New York, NY SELECTED PUBLIC COLLECTIONS Addison Gallery of American Art, Andover, MA Albertina Museum, Vienna, Austria California Palace of the Legion of Honor (Achenbach Foundation), San Francisco, CA Detroit Art Institute, Detroit, MI Fogg Art Museum, Harvard University, Cambridge, MA Gemeentsmuseum of the Hague, The Hague, Netherlands (permanent installation) Solomon R. Guggenheim Museum, New York, NY High Museum of Art, Atlanta, GA Houston Museum of Fine Art, Houston, TX Massachusetts Institute of Technology, Cambridge, MA Metropolitan Museum of Art, New York, NY Mount Holyoke...

Artist: (after) Ellsworth Kelly (American, 1923-2015) Title: "Ellsworth Kelly: Ferus Gallery (Gate)" Year: 1966 Medium: Original Lithograph, Exhibition Poster on cream wove paper Lim...

This Limited Edition abstract print, "A Summer Day in Nantucket," by Sofie Swann measures 45" x 36" and is an edition of 95. Printed on canvas, this print ships rolled with natural c...

Chinatown 8 Chryssa, Greek (1933–2013) Date: circa 1979 Screenprint, Signed and Numbered in Pencil Edition of 66/250 Size: 38 x 31 in. (96.52 x 78.74 cm)

This contemporary limited edition print by Teodora Guererra features a colorful palette with white, muted orange, green, and varying blue tones layered in light, vertical strokes tog...

This Limited Edition abstract print by Sofie Swann is an edition of 95. Printed on canvas, this print ships rolled with natural canvas edges and can be stretched upon arrival - pleas...

This contemporary limited edition print by Teodora Guererra features a colorful palette with white, muted orange, green, and varying blue tones layered in light, vertical strokes tog...

This contemporary limited edition print by Teodora Guererra features a colorful palette with white, muted orange, green, and varying blue tones layered in light, vertical strokes tog...

This contemporary limited edition print by Teodora Guererra features a colorful palette with white, muted orange, green, and varying blue tones layered in light, vertical strokes tog...

Times Square Fragment #8 Chryssa, Greek (1933–2013) Date: 1979 Screenprint, signed and numbered in pencil Edition of 300 Size: 32 in. x 25 in. (81.28 cm x 63.5 cm)

Chinatown 2 Chryssa, Greek (1933–2013) Date: circa 1979 Screenprint, Signed and Numbered in Pencil Edition of 66/250 Size: 38 x 31 in. (96.52 x 78.74 cm)

This contemporary limited edition print by Teodora Guererra features a cool wash of blue and white with an abstracted coastal aesthetic. This print pairs beautifully with Indigo Tide...

This Limited-Edition abstract print, by Sofie Swann is an edition of 95. Printed on canvas, this giclee ships framed in a white floater frame wired and ready to hang. Other floater f...

**ANNUAL SUPER SALE UNTIL MAY 15TH ONLY** **This Price Won't Be Repeated Again This Year - Take Advantage** **IMPORTANT: This is Limited Edition of only 30 prints on C...

This artwork "Astres Egares (Lost Astral)" 1970, is an original colors lithograph on creme Wove paper by noted Italian artist Berto (Roberto) Lardera, 1911-1989. It is hand signed an...

Chinatown Portfolio 2, Image 6 Chryssa, Greek (1933–2013) Date: circa 1978 Screenprint, signed and numbered in pencil Edition of 150 Size: 40 in. x 30.5 in. (101.6 cm x 77.47 cm)

"Homage to the Square - Portfolio 2, Folder 19, Image 2" from the portfolio “Formulation: Articulation” created by Josef Albers in 1972. This monumental series consists of 127 origin...

Artist: Joan Miro Title: Plate 5 Portfolio: Peintures sur Cartons Medium: Lithograph Date: 1965 Edition: Unnumbered Frame Size: 21 1/4” x 17 1/4” Sheet Size: 15” x 11” Image Size: 15...

A very good impression of this color aquatint, etching and carborundum. Signed and numbered 27/75 in pencil by Miro. Printed and published by Maeght, Paris. Catalogue reference: Du...

Sam Francis Untitled (from Fresh Air School), 1972 Lithograph on wove paper, for the Carnegie Museum of Art 15 × 22 inches Limited Edition of 6,000 (unsigned edition; there is a sepa...

Artist: Adja Yunkers, Latvian/American (1900 - 1983) Title: Pueblo Year: 1977 Medium: Lithograph, Signed, Dated and Titled in Pencil Edition: 70, Shop Proof Size: 33.5 x 25 in. (85.0...

Magnificent Jungle Cats Etching, drypoint and monoprint inking of the plate Printed by the artist at Atelier 17, New York Annotated 1/5 in pencil Estate stamp and number, verso Editi...

This Limited Edition abstract print, "A Summer Day in Nantucket," by Sofie Swann measures 50" x 40" and is an edition of 95. Printed on canvas, this print ships rolled with natural c...

Times Square Fragment XII Chryssa, Greek (1933–2013) Date: circa 1979 Screenprint, signed and numbered in pencil Edition of AP 11 Size: 37 in. x 25 in. (93.98 cm x 63.5 cm)

Affiche pour la Hune II Lithograph in colors, 1970 Signed in pencil lower right Numbered 13/99 lower left This impression from the edition before the addition of lettering and the pu...

Tess Jaray Mistral - 1970 Print - Silkscreen on Heavy Paper 28.75'' x 24.5'' inches Edition: Signed in pencil and marked 35/75 Unframed Tess Jaray studied...

These colorful, exuberant and expressionistic works depict a series of hand-drawn Miami beach and tourism postcards in various states of permutation and collapse, at times curling in on themselves and dissolving into glorious, saturated scribbles, the final piece printed with shimmering silver in twenty nine colors. The Arles reference (inspiration for much of Van Gogh's work, and home at various points to Picasso, Gaugin, and Jacques Réattu) reveals Morley's penchant for art history reference in his art. Malcolm Morley, Arles/Miami, 1973. A portfolio of five lithographs. All stones and plates were drawn by the artist and the editions pulled at the Shorewood Atelier in New York. Each edition consists of 150 lithographs on Arches paper plus 25 Artist's Proofs on Rives BFK paper. Portfolio 63/150. Shorewood Atelier. Each lithograph is signed and numbered in pencil by the artist. A copy of this portfolio is in the collection of MoMa, New York, Yale University Art Gallery, Connecticut, Harvard Art Museums, Boston, Minneapolis Institute of Art Collection, Minneapolis, and Brooklyn Museum, Brooklyn. "MIAMI SILVER" - Twenty-one colors printed from five stones and one plate. 23¼" × 34. "MIAMI POSTCARD...

Antoni Tàpies Lithograph c. 1967 from Derrière le miroir: Lithograph in colors; 15 x 33 inches. Very good overall vintage condition; contains center fold-lines as originally issue...

Chinatown 3 Chryssa, Greek (1933–2013) Date: circa 1979 Screenprint, Signed and Numbered in Pencil Edition of 66/250 Size: 38 x 31 in. (96.52 x 78.74 cm)

Anish Kapoor Untitled, from 15 Etchings (from the Equitable Assurance Gallery collection), 1996 Etching on Zerkall paper Pencil signed and numbered 21/30 on the front; bears embossed...

Sol Lewitt Benefit Concert (Hand signed by Sol Lewitt, Philip Glass and Meredith Monk), 1978 Offset lithograph 19 1/2 × 21 1/2 inches Limited Edition of 75 Hand signed by Sol Lewitt ...