Miniature Prints and Multiples

Lithograph on vélin Lafuma paper. Unsigned and unnumbered, as issued. Good Condition; never framed or matted. Notes: From the volume, Dessins de Henri-Matisse, 1925. Published by Édi...

Jean-Michel Basquiat A TRIBUTE: Important Paintings, Drawings, & Objects: Vintage original 1990s Basquiat announcement card to: Jean-Michel Basquiat at Tony Shafrazi Gallery, New York, September 21 - November 23, 1996. Cover image features a reproduction of Basquiat's Dust Heads (1982). Off-set printed gallery announcement. 7.5 x 6.25 inches (folded closed). Very good overall vintage condition. Some light rub marks to reverse. Published by Tony Shafrazi Gallery, New York, 1996. Unsigned from an edition of unknown. Jean-Michel Basquiat’s dramatic life and iconic paintings—which variously feature obsessive scribbling, enigmatic symbols and diagrams, and iconography including skulls, masks, and the artist’s trademark crown—make him one of the most famous artists of the 20th century. The self-taught painter embraced graffiti before committing to a studio practice. He found a mentor and friend in Andy Warhol, who helped the young artist navigate the 1980s New York art world. Across his oeuvre, Basquiat drew on his own Caribbean heritage; a convergence of African American, African, and Aztec cultural histories; classical themes; and pop cultural figures including athletes and musicians. The immediacy and intellectual depth of his paintings won him widespread acclaim both before and after his untimely death at the age of 27. Related Categories Basquiat Bruno Bischofberger. Basquiat Tony Shafrazi. Marry Boone. Basquiat exhibit. Basquiat ephemera. Basquiat poster. Basquiat prints.

Medium: collotype (after the Miro lithograph). Printed in 1947 in an edition of 1500 by Meriden Gravure and published by Curt Valentin for "The Prints of Joan Miro" portfolio. Size: ...

'Bassets D'Artois a Jambes Droites'. French chromolithograph, published in 1931. Signed by artist in the plate. Printed title lower right of sheet. Plate number top right. From a Fr...

Georges LE MEILLEUR (1861-1945) The Old Church, 1922 Original woodcut Handsigned in pencil Numbered /160 On vellum 32.5 x 25.5 cm (c. 13 x 10 in) Bears the blind stamp of the editor...

Paul César Helleu Elegant Woman Profile, 1913 Original Etching Printed signature On vellum 26 x 20 cm (c. 10.5 x 8 inch) Very good condition, light defects at the edge of the sheet

Book page 179 in Chagall Lithographe II (1957-1962) Reproduction of lithograph created in 1962. Book text in French by Fernand Mourlot. It is the second of five catalogues. This ed...

The Greek Soldier and the Bacchant is an original modern artwork realized by Ferdinand Bac (1859 - 1952) in 1922. Signed and dated on plate on the lowe...

Paris: L'Estampe Moderne, 1897. Color wood engraving on light-weight, cream-colored imitation vellum, 13 1/2 x 9 1/2 inches (342 x 252 mm), full margins. With the L'Estampe Moderne ...

Keith Haring Painted Man: Original 1983 announcement card for Keith Haring’s well-documented exhibition, Keith Haring 'Into 84' at Tony Shafrazi Gallery, New York, 1983. For this series Haring borrowed Jones' body — from head to toe — as the canvas to his work. A bodily canvas defined by much of the bold pictograms characteristic of Haring's artistic signature. Photos by Haring's long-time friend and collaborator Tseng Kwong Chi. Off-set printed, 1983. Dimensions: 6 x 4 inches. Some minor fading to the reverse; otherwise very good overall condition with strong colors. Literature: Keith Haring: Posters (Prestel pub.) Further About In 1983 Keith Haring teamed up with award-winning choreographer and dancer Bill T. Jones, founder of the Bill T. Jones/Arnie Zane Dance Company. Keith and Bill met in London in 1983 at a time when the graffiti artist was opening a major show at the Robert Fraser Gallery, and together they produced a series of exceptional collaborations in both performance and drawing. Related Categories Keith Haring dancer. Ballet. Keith Haring Figurative Drawings. Keith Haring Into 84 poster. Keith Haring and Tony Shafrazi. Haring Shafrazi.

Medium: pochoir (after the watercolor). Printed in 1925 and published in Paris by Albert Morance for "L'Art d'Aujourd'hui", and now very scarce. The publisher's provenance inscriptio...

Chromolithograph, 1878. The gold colour is actually metallic and shiny. From Frederick William Hulme's 'Suggestions in Floral Design', a late Victorian pattern book for interior des...

A purple sparkly dice suspended on a black background, hypnotically curious in both content and technique, viewers find themselves pleasantly puzzled. Heidler & Heeps have developed ...

This exquisite lithograph and pochoir after Joan Miro (1893–1983), titled Sans titre (Untitled), from the album Miro, L'Oiseau solaire, L'Oiseau lunaire, Etincelles (Miro, The Sun Bi...

B/w etching on Hollande Van Gelder Paper, with margins. Belongs to the series "Le Chef-d'Oeuvre Inconnu". Hand Signed and numered in bistre ink. Edition of 10/99, aside from the port...

Don Freeman is best known for his paintings and works on paper of New York City's theatre industry: the signage, the stages and sets, the actors, the costumers and ushers, anything a...

Medium: lithograph (after the watercolor). Printed in 1965 at the Mourlot Freres atelier and published by the Hirschl-Adler Gallery for their 1965 Raoul Dufy exhibition. Sheet size: ...

Il Est dans les Meilleures Conditions ... is a b/w litograph plate (n. 8), from the satirical series Les Hippophages, composed of 10 plates of caricatures “ de mœurs” (of behaviours)...

Lithograph on vélin Sarrió paper. Unsigned and unnumbered, as issued. Good condition, with centerfold, as issued. Notes: From the folio, Tapís De Tarragona, il·lustracions, Joan Miró...

This is an original rare and extremely collectible first octavo edition John James Audubon hand colored lithograph entitled "Brown Pelican, Young First Winter", No. 85, Plate 424, fr...

Medium: screenprint (after the drawing). Printed in 1963 on a special semi-transparent paper in an edition of 450 for "Naissances" and published by Galerie Der Spiegel. Size: 11 3/4 ...

This is one of a series of 6 signed and numbered prints created by the great French poster artist, Gerard Courbouleix, known as Razzia. This print measures 10.5" x 14.5" and is from...

This exquisite lithograph by Fernand Leger (1881–1955), titled Planche 92 (Plate 92), from the album Cirque, Lithographies Originales (Circus, Original Lithographs), originates from ...

Man Ray, American (1890 - 1976) - Untitled from Le Surrealisme en 1947, Year: 1947, Medium: Lithograph, signed in the plate, Edition: 950, Size: 9 x 7.75 in. (22.86 x 19.69 cm), Pri...

To see our other views of Oxford and Cambridge , particularly suitable for wedding and graduation presents, scroll down to "More from this Seller" and below it click on "See all from...

Set of Six Hand Coloured Botanical Prints/Lithographs and Engravings Published by G. Ridgway, S. Curtis, W. Baxter and W. Fitch Early Mid 19th Century Size: image: 8.5 x 5.5 inches P...

Medium: etching, engraving and mezzotint (after Claude Lorrain). This lovely impression on wove paper was engraved by G.H. Every for the "Beauties of Claude Lorraine" portfolio. The ...

Etching in colors on vélin de Lana Royal paper. Paper Size: 11.93 x 9.81 inches. Inscription: Unsigned and unnumbered, as issued. Notes: From the album, Heart of Darkness, 1992. Publ...

First edition published in 1972 by Harry N. Abrams, New York, authored by John Barnicoat. This hardcover edition, part of The World of Art Library, is bound in cloth with a dust jack...

'Kloakentiere' (Monotremes - echidna and platypus)) German wood-engraving, circa 1895. 240mm by 155mm (sheet)

"Nativity" Modernist Landscape Screenprint in Ink on Paper Whimsical modern landscape silkscreen print of the nativity scene by San Francisco, C...

'Nepenthes Villosa Hook. fil.' Botanical lithograph with original hand-colouring of a carnivorous pitcher plant, native to Borneo. 1858.

Part of the Derrière le Miroir No. 188 series, Study II by French artist Le Yaouanc exemplifies his masterful use of geometric abstraction. Influenced by architectural and mechanical...

Medium: original lithograph. Printed by Mourlot and published in Paris by Teriade for Verve in 1956 for a special edition devoted exclusively to Chagall's original Bible art. Size: 1...

Woodcut print realized by Utagawa Kuniyoshi in 19th century. Good condition.

'Paradiesvogel' (Birds of Paradise) German chromolithograph, circa 1895. 240mm by 155mm (sheet)

Lithographie originale our XXe siecle Color lithograph, 1964 Unsigned (as issued) From: XXe siecle, Permanence du Sacre, No. 24 Publisher: G. di San Lazzaro, Paris Printed by Mourlot...

Medium: original lithograph. Printed in Paris in 1967 by Clot, Bramsen et Georges and issued in an edition of 2500 for "Les Temps Situationistes" (The Situationist Times -- a radical...

Original leaflet from Johann Prüss' 1479 printing of "Das Heldenbuch." The Heldenbücher is the title given to a group of late medieval/early renaissance Germanic manuscripts primari...

Many of the depicted scenes were inspired by moments where Fahnestock was astonished by something that was equal parts mesmerizing and distressing. “Seeing my first wildfire in person, or the images of San Francisco covered in an orange haze, all the while recognizing that these things were in fact terrible. They signified disasters and ecological shifts. The increase in wildfire events is due in part to the encroachment of larger, developed communities onto lands that were previously maintained for fire season by natural means or by the Forest Service...

This exquisite lithograph by Joan Miro (1893–1983), titled L'air (The Air), from Verve, Revue Artistique et Litteraire, Vol. I, No. 3, originates from the 1938 issue published by Editions de la revue Verve, Paris, under the direction of Teriade, Editeur, Paris, and printed by Mourlot Freres, Paris, 1938. This lyrical and atmospheric composition embodies Miro's fascination with the invisible rhythms of nature and the poetry of movement. L'air captures the ethereal and weightless essence of the natural world through his fluid linework and organic forms, evoking a sense of freedom and transformation. The work reflects Miro's deep belief in the interconnectedness of all living things and his pursuit of an art that transcends material boundaries to reach the spiritual realm. Created during one of the artist's most innovative periods, this piece demonstrates the harmony between abstraction and imagination that defines his unique visual language. Executed as a lithograph on velin du Marais paper, this work measures 14 x 10.5 inches. Signed in the plate and unnumbered as issued. The edition exemplifies the superb craftsmanship of the Mourlot Freres atelier, renowned for its collaborations with the leading modernists of the 20th century. Artwork Details: Artist: Joan Miro (1893–1983) Title: L'air (The Air), from Verve, Revue Artistique et Litteraire, Vol. I, No. 3, 1938 Medium: Lithograph on velin du Marais paper Dimensions: 14 x 10.5 inches Inscription: Signed in the plate and unnumbered as issued Date: 1938 Publisher: Editions de la revue Verve, Paris, under the direction of Teriade, Editeur, Paris Printer: Mourlot Freres, Paris Catalogue raisonne references: Dupin, Jacques, et al. Miro Graveur. D. Lelong, 1984, illustration 1310. Miro, Joan, et al. Joan Miro: Lithographs. Leon Amiel, 1972, illustration 6. Condition: Well preserved, consistent with age and medium Provenance: From Verve, Revue Artistique et Litteraire, Vol. I, No. 3, published by Editions de la revue Verve, Paris, 1938 About the Publication: Verve, Revue Artistique et Litteraire was one of the most influential art periodicals of the 20th century, founded in Paris in 1937 by the visionary Greek-born publisher Teriade (Stratis Eleftheriades). Conceived as a synthesis of art and literature, Verve brought together the greatest modern artists and writers of its time—Henri Matisse, Pablo Picasso, Marc Chagall, Georges Braque, Joan Miro, Fernand Leger, and others—alongside poets and philosophers such as Paul Eluard, Albert Camus, and Jean-Paul Sartre. Each issue was a work of art in itself, luxuriously printed by master lithographers such as Mourlot Freres and produced in collaboration with leading typographers and designers. Verve became a platform for avant-garde creativity, publishing original lithographs and essays that reflected the evolving spirit of modernism. Matisse collaborated closely with Teriade from the magazine's inception, producing some of its most iconic issues, including those devoted to his paper cut-outs. The final Verve issue of 1958, which featured La Tristesse du Roi and the Nu Bleu series, stands as a testament to Matisse's enduring genius and to the publication's legacy as the definitive meeting of art, poetry, and printing craftsmanship in 20th-century France. About the Artist: Joan Miro (1893–1983) was a Catalan painter, sculptor, printmaker, and ceramicist whose visionary imagination and lyrical abstraction made him one of the most influential and beloved artists of the 20th century. Born in Barcelona, Miro drew inspiration from Catalan folk art, Romanesque frescoes, and the luminous landscapes of Mont-roig del Camp, developing a deep connection to nature that infused his work with vitality and symbolism. After formal training at the Escola d'Art in Barcelona, he absorbed the lessons of Post-Impressionism and Cubism before moving to Paris in the early 1920s, where he became a leading figure in the Surrealist movement. There, Miro forged a personal visual language of biomorphic shapes, floating symbols, and radiant color harmonies that reflected both spontaneity and spiritual depth. In creative dialogue with peers such as Alexander Calder, Alberto Giacometti, Salvador Dali, Wassily Kandinsky, Marcel Duchamp, and Man Ray, he helped revolutionize modern art by dissolving the boundaries between abstraction and dream imagery. Miro's inventive approach extended far beyond painting, embracing sculpture, ceramics, and monumental public commissions that redefined how art could interact with space and emotion. His expressive freedom and gestural abstraction profoundly influenced later artists including Jackson Pollock, Mark Rothko, Alexander Calder, Jean Dubuffet, Antoni Tapies, and Joan Mitchell, inspiring generations who sought to merge instinct, color, and imagination. Today, Miro's work remains a cornerstone of modernism, prized by collectors and celebrated in major museums worldwide. His highest auction record was achieved by Peinture (Etoile Bleue) (1927), which sold for £23,561,250 (approximately $37 million) at Sotheby's, London, on June 19, 2012. Joan Miro L'air, Miro Verve...

Etching and aquatint realized by Henry Alken in 1822. Table from "The Sporting Repository", first edition. Very good condition. Henry Alken (1765-1851) was en english painter and e...

Original artist proof engraving, aquatint, intaglio on archival paper by the Russian/American artist, Nahum Tschacbasov. Signed in pencil lower right and dated 1947. Condition: good...

Lithograph, stencil on vélin paper. Paper Size: 12.4 x 9.65 inches. Inscription: Signed in the plate and unnumbered, as issued. Notes: From the album, XXe siècle, Nouvelle série N° 6...

This is an original antique colored botanical mezzotint and line engraving of flowering Red Sweet Peas which is finished with hand-coloring. It is entitled "Lathyrus Flore Majore Pur...

Medium: original lithograph. Catalogue reference: Mourlot 205. This charming composition is one of the original lithographs Chagall contributed for a volume by Jacques Lassaigne, pub...

Les Amateurs d'Estampes Woodcut, 1892 Initialed in the plate lower left Titled below image: "Gravure originale sur bois par F. Vallotton" Reference: Valloton and Goerg 107c, with the...

Vanity Fair portrait of General Sir Francis Grenfell KCB Chromolithograph, 1889. Field Marshal Francis Wallace Grenfell, 1st Baron Grenfell, GCB, GCMG, PC was a British Army offic...

Medium: original lithograph. This lithograph is from the rare 1953 "Improvisations" portfolio, published by the Artists Equity Association of New York on the occasion of the 1953 Spr...

This exquisite lithograph after Jean Cocteau (1889–1963), titled Frontispice pour Les Cavaliers d’Ombre (Frontispiece for The Horsemen of Shadow), from the album Les Cavaliers d'Ombr...

Francisco Goya, Que Guerrero! Etching and Aquatint, from the Series "Los Proverbios, realized in 1815 and printed in 1877. This copy belongs to the edition of "L'Art", 1877. With th...

Paris: Sagot, 1898. Wood engraving on cream wove paper, 8 1/2 x 6 1/4 inches (216 x 158 mm), full margins. Signed and numbered 11/25 in pencil, lower right. With the blindstamp of t...

"Bare Tree, Toya Lake, Hokkaido, Japan, 2009 is a silver gelatin print that was printed in the darkroom by master photographer and printer Michael Kenna. The print is matted to 20x1...

Medium: pochoir (after the gouache). Printed in Paris in 1929 at the atelier of Daniel Jacomet for L'Art Cubiste. Image size: 5 1/4 x 8 1/8 inches (132 x 205 mm). A text inscription ...

"Zaida del Rio (Cuba, 1954) 'Untitled ', 2016 digital print on paper 11.1 x 8.3 in. (28 x 21 cm.) ID: DER-201"

David Roberts R.A. 1796 - 1864 Interior of the Great Temple of Aboo Simbel Subscription edition and First edition lithographs available Full plate: 139 Acid free mount With David ...

Medium: collotype (after the Miro lithograph). Printed in 1947 in an edition of 1500 by Meriden Gravure and published by Curt Valentin for "The Prints of Joan Miro" portfolio. Size: ...

This exquisite lithograph after Pablo Picasso (1881–1973), titled 16.5.64. V, from the folio Le Gout du Bonheur, trois carnets d`atelier (The Taste of Happiness, Three Studio Sketchb...

Auguste François GORGUET (1862 - 1927) Night Andante Original lithograph Printed signature, as issued 1897/98 Printed on paper Vélin (wove) Size 40 x 31 cm (c. 16 x 12") INFORMAT...

Albert Rafols Casamada - ESTRUCTURES 2 Date of creation: 2006 Medium: Lithograph on paper Edition: 75 Size: 41 x 31 cm Observations: Condition: In very good conditions and never fram...