Small Prints and Multiples

Originally photographed for Harper’s Bazaar editorial covering the 1958 Paris Collection. Artist: Gleb Derujinsky Title: Griffe Notre-Dame Year: 1957 Edition: Estate signed, stampe...

Artist: Salvador Dali Title: Inferno: Canto 9 Portfolio: The Divine Comedy: Inferno Medium: Woodblock engraving Year: 1963 Edition: 4765 Framed Size: 19 1/4" x...

A print from an original drawing by Denis Meyers - Artist proof from an edition 30. The print on paper features some of Denis Meyers "Word Patterns". Ships flat and inquire for framing options. Born in 1979, Denis Meyers is a Belgian urban artist. He studied at the National Superior School of Arts and Visuals of la Cambre, in Brussels, city where he currently lives and works. Denis Meyers is particularly known for his frescoes and stickers in form of faces, which he calls his “perso”, printed and cut out by hand and then spread in the urban space. The artist defines himself as a typographer, a vocation that he inherited from his grandfather, Lucien De Roeck (1915-2002) which created among others the ensemble of the World Expo poster...

This circa 1895 original poster titled "Les Grands Boulevards", created by the renowned French illustrator SEM (Georges Goursat), captures the vibrant and atmospheric essence of Pari...

Giclée print on Archival Matte Paper with Archival Pigment Ink. In 2017 she was awarded the New York State Council for the Arts/New York Foundation for the Arts Fellowship grant for...

The Creation of Earthly and Sea Animals is an artwork realized by Salvador Dalí in 1964. It is part of Biblia Sacra vulgatæ editionis published by Rizzoli-Mediolani between 1967 an...

Alvar's “Maternity in the Village” presents a family surrounded by the warmth of its community. Alvar returns to his earth tones to create the mood of tenderness and affection. Disti...

Artist: Jacques Villon (French, 1875-1963) Title: Golgotha Year: 1956 Medium: Color lithograph Edition: Numbered 74/80 in pencil Paper: Rives Image size: 25.25 x 18.5 inches S...

Barbra Stresiand "Belle of 14th Street" 1973 CBS TV Special 20th Century Litho Signed and numbered 10/150 in pencil, lower margin. Etching, 13.5” x 9.75”. Framed 21.25” x 17.25”. Pulled in 1975. Belle of 14th Street After two successful television shows on CBS, Barbra's manager, Marty Erlichman told the press, “We don't intend to go to the well once too often. The next special will have other performers. However, Barbra will never become just another hostess for just another musical variety show. Whatever we decide to do in the future shows, she will dominate in a unique fashion.” Barbra’s third television special for CBS and her sponsor, Monsanto, was titled The Belle of 14th Street . In February 1966, shortly after finishing up Color Me Barbra , Streisand and husband Elliott Gould took a second honeymoon in Paris. The trip was financed by her television corporate sponsor, Chemstrand. Barbra told the press, “I’m here to purchase the wardrobe for my next TV special. Cost is no object because my sponsor is picking up the tab.” At that point the theme of her third TV show would be fashion, and Paris offered many couture choices. Barbra was seen at a Dior fashion show wearing not the designer’s clothes, but a jaguar suit and hat she had designed herself. In all, it is said Barbra chose nine Dior outfits at a cost of $150,000. However, Barbra Streisand's third television special for CBS was postponed. In March 1966, Barbra flew to London to appear at the Prince of Wales Theatre in Funny Girl . Shortly after beginning her run in London, Barbra announced her pregnancy. Not only did that cause her concert tour to be abbreviated, but Barbra’s television special was postponed as well. Barbra told the BBC in July 1966: “I also can’t do my third television show, which I was supposed to do here [London].” Returning to the States, Barbra performed four concert dates, and then retired to enjoy the rest of her pregnancy and give birth to her son, Jason, in December 1966. CBS and Chemstrand wanted a new special by the end of 1967, therefore production on the show picked up momentum in March 1967. (Barbra was due in Hollywood in May to begin shooting the Funny Girl film.) The format and theme of the television show had changed, too. Instead of centering on fashion, Barbra’s next special would be situated in a 1900’s Vaudeville theater. “We were all determined that the show not be just a variety format,” director Joe Layton said. “We wanted something different. So we hit upon the idea of restaging a vaudeville performance. All the acts, songs, skits and specialties had to be derivative of the period between 1895-1912.” Barbra’s creative collaborators did meticulous research on Vaudeville — “We even called George Burns in Hollywood and Jack Pearl,” said Barbra’s manager, Marty Erlichman. Entitled The Belle of 14th Street , the new special would allow Barbra to play several different characters but not have to shoulder the burden of carrying another one-woman show—this time Streisand would be accompanied by guest stars: Broadway actor Jason Robards; Vaudeville veteran John Bubbles; and Lee Allen...

First edition double page lithograph on pages 4,5 of Derriere le Miroir (DLM) No.177. Fold down the center as issued. ""All my mysteries have remained intact. Nobody understands t...

Screenprint in grey and black on BFK Rives wove paper Edition 95 of 100 50.8 x 50.9 cm (20 x 20 in) 64 x 64 x 3 cm, 25.2 x 25.2 1.2 in Signed and numbered on the back Window-mounted ...

Andy Warhol Marilyn Monroe (Pink), 2022 Acrylic-printed Marilyn lined with pink and yellow neon LED artwork with energy-efficient tubing, full board backing Box is plate signed; acco...

Salvador Dali Les Fesses Piquantes (Piquant Buttocks, from La Venus aux Fourrure) 1969 Etching on Arches teinte’ paper Visible: 12.75 x 10.125 inches Framed: 21 x 17 x 1 inches Editi...

Artist: Joan Miro Title: Plate II Portfolio: Lithographe III Medium: Lithograph Date: 1977 Edition: Unnumbered Frame Size: 19 5/8” x 16 3/4” Sheet Size: 13" x 10" Signature: Unsigned...

Subject : Ancient Greek vase-painting depicting dionysiac groups. Technique : Copper-line engraving with original hand-colouring Background information : From the scarce Florence...

Artist: Andy Warhol Title: Untitled (Plate 18) Portfolio: 1956 In the Bottom of My Garden Medium: Offset lithograph and watercolor on paper Date: 1956 Frame Size: 15 3/4" x 18 3/8" S...

Original poster: BOMBAY (American President Lines) Small format without text along the bottom. This is the smaller format for the poster. Archival linen-backed in very fine cond...

Sublime poster of the period realized in 1891 by Jules Chéret 🇫🇷 (1836-1932) to promote the pastilles for the throat of the brand Géraudel. Jules Chéret, to whom the title of "father of the poster" is attributed, created and printed more than 1000 posters. He was considered one of the first professionals of poster advertising. His masterpieces are exhibited in many museums around the world and are highly prized by collectors. Medical - Women Supplement to the French mail...

Printed in a rich terra cotta red on pale pink paper, Orgasm depicts a woman’s head in profile with a dark background. Kitaj was fascinated with the female form, often producing edgy...

Robert Indiana, After, American (1928 - 2018) - The American Love, Medium: Print on Acrylic panel, Size: 14 x 13.5 in. (35.56 x 34.29 cm), Frame Size: 22 x 21.75 inches

Tomás Sánchez is a Cuban painter. Best known for his detailed and idealized nature scenes, his work is characterized by its contemporary interpretation of landscape painting. Sánchez...

This vibrant and eye-catching 1921 advertising poster by Gautolai promotes Cognac aux Oeufs "Aurore", a rich and indulgent egg-based liqueur. The artwork is a stunning example of ear...

Medium: Lithograph on vélin paper Year: 1983 Paper Size: 15 x 22.5 inches, with centerfold, as issued Inscription: Unsigned and unnumbered, as issued Notes: From the folio, Henri Mat...

Lithograph on Japon à la main, attached with chine appliqué to vélin d’Arches paper. Paper Size: 21.5 x 17.875 inches. Inscription: Unsigned and unnumbered, as issued. Notes: From th...

Richard Smith Seven from Logo Suite (Pink Blue), 1971 Silkscreen on 3-D Molded Plastic Over Wood Pencil signed, dated and numbered 65 from the edition of 75 on the front 23 1/2 × 19 ...

Bruno Bruni Alla ricerca del tempo perduto Year: 1967 Color Lithograph Size: 22.6 x 19.5 in Edition: 15 Signed, numbered and dated in pencil by the artist Bruno Bruni senior is an I...

Haarlem: c1700. Mezzotint on watermarked laid paper, 11 1/2 x 18 1/4 inches (290 x 462 mm), thread margins. In good condition with expert repairs at the right corners, and upper-lef...

Medium: original lithograph. Catalogue reference: Mourlot 153. Printed by Mourlot Frères in an edition of 2000 for the Dix Ans d'Edition issue of Derrière le Miroir in 1956, publishe...

A hyper-realistic etching of a foal's head by the well-listed German artist Kurt Meyer-Eberhardt (1895-1977). This particular print is a restrike produced from the artist's original ...

Howarth, Albany. VALLEY OF THE TIBER. Etching, not dated. Edition size not known. Signed in pencil lower right. 13 3/4 x 10 1/2 inches (plate), 19 5/8 x 14 3/4 inches (sheet). In ex...

Original French vintage poster: DAHLIAS DOMAINE DE SCEAUX. Linen backed in very good condition. Ready to frame. Artist: Touchagues Timeless French Elegance: Featuring the ic...

Here Kitaj depicts a sculpture of a nude woman, shaded delicately in black, printed on wonderfully textured handmade muted orange paper. The woman’s hand reaches to the inside of her...

Dealer, street photography from Richard Heeps series, The Streets of Hong Kong. Richard's aim for his City series is to represent the fingerprint of a place, in this the street store...

Pablo Picasso (1881-1973) - Homme couché et femme assise Lithograph from 1967. The edition of 223/500 on Auvergne Richard de Bas paper. With two watermarks - one of the paper, sec...

Vassily Kandinsky (1866-1944) Surrealist City Scape in Blue, 1965 Heliogravure (photo-etching) Printed signature in the plate On Lana vellum 56.5 × 37.5 cm (c. 22 x 15 in) Authentic...

Screenprint in 5 colours on Fabriano 5 paper Edition 24 of 150 50.9 x 49.5 cm (20 x 19.5 in) (56 x 54.4 x 4 cm, 22.1 x 21.4 x 8.7 in) Signed, numbered, dated and titled on the front ...

Heidler & Heeps Dice Series - Chartreuse Yellow Six (inky blue). Hypnotically curious in both content and technique, viewers find themselves pleasantly puzzled. Heidler & Heeps have...

June Mary Ann Hildebrand - Salute to 1965, Year: 1965, Medium: Lithograph, Woodblock and Intaglio on Japon, signed, titled and numbered in pencil, Edition: 5/8, Image Size: 22 x ...

Original aquatint etching “Untitled” by the Germans artist, Ferdinand Springer. Signed in lower right margin in pencil by the artist and dated 1951. Condition is excellent. Edition size in pencil in lower left margin 98/200. Sheet size (full) is 115 by 22.75. Image size is 9.75 by 18.75. The artwork is housed in a thin antique silver contemporary frame. Overall framed measurements are 19.5 by 27 inches. Under glass. Provenance: A St. Petersburg, Florida collector. Ferdinand Springer, painter and printmaker, was born to a German father and a Swiss mother in Berlin on October 1, 1907. After graduating from high school in Potsdam, he studied art history at the University of Zurich. He began painting in 1927 and visited Milan where he met the Italian painters Giorgio Morandi and Carlo Carrà. Springer moved to Paris in 1928 where he studied with Roger Bissière at the Académie Ranson. In 1932, he learned intaglio techniques at Atelier 17 in Paris and, in 1937, he traveled to New York where he exhibited at the Julian Levy Gallery. During this time he met Alexander Calder and Salvatore Dali...

Lithograph in colors on vélin Fabriano charta ex meris pannis "ab alveo" manu fabricata, perlucidis figuris intexta paper. Paper size: 19 x 13.75 inches. Inscription: Signed in the p...

Hans Thoma (1839 Bernau - 1924 Karlsruhe), Adam and Eve, 1897. Algraph on strong wove paper, published by Breitkopf und Härtel in Leipzig as ‘Zeitgenössisches Kunstblatt Nr. 113’, 44...

Richard Hunt Paper piece V, Terracotta Voyage, 1978 Artwork made exclusively from colored paper pulps, formed, handmade Twinrocker paper made by hand utilizing stencils to apply the wet colored paper pulp to the wet backing layer of pulp for the main image, in order to keep it consistent. The colored washes of pulp vary slightly with each print - similar to ones that are hand colored with watercolor washes. Signed and numbered 12/50 in graphite front; bears Lakeside Studio blind stamp 18 31/50 × 23 1/2 × 1/5 inches Unframed Formed, handmade Twinrocker paper Signed and numbered 12/50 on the front Published and printed by Lakeside studio, Lakeside, Michigan with blind stamp Also accompanied by gallery issued Certificate of Guarantee Richard Howard Hunt...

Lithograph, 1960 Handsigned by the artist in pencil and numbered 28/50 Publisher : Verve (Paris) Printer : Mourlot (Paris) Catalog : [Mourlot 244] 52.50 cm. x 38.00 cm. 20.67 in. x ...

Il pipistrello (The Bat) is a wonderful color etching on paper, realized by the Italian artist Placido Scandurra in 1976. A wonderful mix between figurative and Abstract art, signe...

Venus Goddess With Horse from "Antiquities of Herculaneum" is an etching on paper realized by Filippo Morghen in the 18th Century. Signed on the plate. Good conditions with some fo...

David Roberts R.A. 1796 - 1864 THEBES - COLOSSAL STATUES OF AMUNOPH III First Edition lithograph Full plate: 137 Presented in a acid free mount Published by F.G. Moon & Son, Londo...

Paper Size: 19.5 x 16 inches ( 49.53 x 40.64 cm ) Image Size: 13.75 x 12 inches ( 34.925 x 30.48 cm ) Framed: No Condition: B: Very Good Condition, with signs of handling or age ...

Claudine Loquen is a French artist born in 1965 who lives & works in Paris, France. She depicts portraits, especially women faces as Colette for literature. About artwork : numbered...

Offset lithograph in colours, on smooth wove paper Edition of 300 59.7 x 59.7 cm (23.5 x 23.5 in) Signed and numbered on front Artwork in excellent condition. Only visible under raki...

Artist: Shepard Fairey Title: Power - Lenticular Print Medium: 2-Phase flip Lenticular Print Signed: Hand Signed by Shepard Fairey on the Certificate of Authenticity Edition Numb...

Lithograph on papier Kitakata à la main, mounted on papier Cartiere Enrico Magnani à la main paper, as issued. Paper Size: 23.5 x 19 inches. Inscription: Unsigned and unnumbered, as ...

This modern, geometric abstract, giclee print is by artist and graphic designer Burton Kramer. Mesmerizing circles in black and white pop against a deep blue background, edged in ne...

Saul Steinberg Sam's Art, from The New York International Portfolio), 1966 Lithograph on wove paper with blind stamp Pencil signed and numbered 12/225 on the front Published by Tanglewood Press, Knickerbocker Machine and Foundry, Inc., New York Printed by Irwin Hollander with blind stamp Unframed This Steinberg lithograph is titled Sam's Art, which of course refers to Uncle Sam, the nickname for the United States government. It features his version of the motto seen on our dollar bills, "Annuit Coeptis", which is one of the mottoes found on the Great Seal of the United States. It is directly underneath the "Eye of Providence" and is translated by the US Treasury and State Department as "God (or Providence) favors our undertakings". American President Abraham Lincoln, sitting in front of an easel, is also depicted as an artist in this telling 1960s work. Commentary: "In Saul Steinberg’s lithograph ‘Sam’s Art’, Abraham Lincoln, in stove-pipe hat, poses as the artist in front of his canvas. While his attention looks fixed on rendering the slightly wobbly pyramid with an eye, the Masonic motif from the back of the one dollar bill, the line from his brush has floated off the canvas to become a cubist-futurist cloud in the sky. The American Eagle looks on, perched on a civil war cannon...

After Egon Schiele (1890 – 1918), AUSTRIA “ART CANNOT BE MODERN, ART IS PRIMORDIALLY ETERNAL.” -SCHIELE Defiantly iconoclastic in life and art, Egon Schiele is esteemed for his mas...

Well presented in a simple mahogany frame and cream mount. On wove.

This is a hand-colored copper plate engraving depicting Ranunculus (Persian Buttercup) flowers from Basilius Besler's landmark work, Hortus Eystettensis (Garden at Eichstatt), first published in 1613 in Eichstatt, Germany near Nuremberg and later in 1640 and 1713. This beautiful colorful engraving is printed on thick laid chain-linked paper. There is latin text on the verso. There are central horizontal creases and two small holes on the right and another in the left lower corner. It is otherwise in excellent condition. Basilius Besler (1561–1629) was an apothecary and botanist. He was curator of the Willibaldsburg Castle garden of Johann Konrad von Gemmingen, prince bishop...

Lithograph with foil stamping on paper. Hand signed and numbered by the artist. From the edition of 350. Artwork is in excellent condition. Certificate of authenticity included. A...

Artist: Hajime Sorayama, Japan, b. 1947 Size: 17" x 24" Medium: Lithograph on High Gloss Paper Signature: Lower Left Subject: Nude Female in Black Leather Jacket and Boots, Urinating...

The root of Guedes's work is located in the MADÍ movement, of Argentine origin and little repercussion in Spain, which attaches great importance to the tensions that are established ...

Medium: Lithograph on grand vélin d'Arches spécial paper Year: 1961 Paper Size: 14.8 x 22 inches, with centerfold, as issued Inscription: Unsigned and unnumbered, as issued Notes: Fr...