Late 20th Century Figurative Prints

Lithograph on acid-free Rivoli paper. Paper Size: 8.5 x 10.3 inches. Inscription: Unsigned and unnumbered, as issued. Notes: From the album, Against All Odds, 20 drawings - Oct. 3, 1...

This artwork titled "Metropolitan Opera, New York City, Premiere" 1980 is an original colors serigraph by noted American artist LeRoy Neiman, 1921-2012. It is hand signed and numbere...

Robert Indiana New Glory Banner Silkscreen on heavy woven paper Year: 1997 Unsigned as issued Size: 10.4 × 16.8 on 16.6 × 21.7 inches Framed: 29 x 21.25 inches COA provided *W...

Elizabeth Catlett - CHILDREN WITH FLOWERS 1995, limited edition lithograph printed in twelve colors using traditional hand lithography techniques on archival Arches paper, 100% acid ...

Original American Airlines San Francisco vintage travel poster. Artist: Dong Kingman, 1970s linen-backed authentic travel poster, ready to frame. Grade A- condition. Size 20...

Nude is an lithograph artwork on paper realized by Carlo Marcantonio. Hand-signed on the lower right in pencil. Good conditions. Artist's proof IX/XV. The artwork is represented ...

Marc Chagall "Le Nu" Lithograph in colors on Arches paper 21.25 x 14 in. (image size) 25.5 x 18.38 in (sheet size) ​​​​​​​Edition of 50 + Épreuve d'artiste Signed in pencil lower rig...

Robin Morris, American (1953 - ) - Francois and a few friends, Year: 1986, Medium: Lithograph, signed and numbered in pencil lower right, Edition: 162/350, Image Size: 20 x 28 in...

Adored by collectors and art lovers around the globe, Alex Katz is renowned for his elegant and distinctive version of figuration, with printmaking serving as an essential part of hi...

Artist: Robert Indiana, American (1928 - ) Title: Marilyn from the American Dream Portfolio Year: 1997 Medium: Serigraph, signed and numbered in pencil Edition: 395 Image Size: 14 x ...

Lithograph on vélin d’Arches paper. Unsigned and unnumbered, as issued. Good condition. Notes: From the folio, La Féerie et Le Royaume, Lithographies Originales de Marc Chagall, 1972...

In 1995, Michel Delacroix became the Official Artist of the Special Olympics World Games and was joined for the unveiling of the splendid commemorative lithograph ‘Sport. Spirit. Splendor' by Caroline Kennedy. This commissioned print edition, SPORT, SPIRIT, SPLENDOR is a town landscape scene depicting community people gathering by the flag pole at the town green to cheer on the colorfully dressed charity runners as they pass. In SPORT, SPIRIT, SPLENDOR a calming pink and blue horizon serves as the backdrop of this quaint New England town green landscape scene featuring a charity running event printed in shades of Autumn golden ochre, greens, brown. A prominent white steeple tops the terracotta brick town hall building, a red, white, and blue American flag and a dark blue and chrome yellow Special...

Francesco Clemente Francesco Clemente Watercolors (Hand Signed), 1992 Offset Lithograph exhibition announcement (Hand Signed) 23 × 18 inches Hand signed in...

Serigraph in colors on paper. Hand signed and numbered by Peter Max. Edition of 150. Artwork is in excellent condition. All reasonable offers will be considered.

Nancy Graves Nancy Graves: A Survey 1969/1980 (Hand signed and inscribed to Dick Polich of Tallix), 1980 Offset lithograph poster (hand signed, dated and inscribed) signed, dated and...

Artist: Peter Max Title: Flower Jumper Year: 1978 Medium: Screenprint on Arches, signed and numbered in pencil Edition: 134/200 Image Size: 23 x 31 inches Size: 27 in. x 33.5 in. (...

Carol Channing HELLO DOLLY Tony Awards Broadway Legend NYT Published Caricature Al Hirschfeld (1903-2003) Carol Channing in "Hello Dolly" Plate Size: 12 1/2 x 9 1/2 Paper Size: 20 x...

This cheeky, pastel pink print depicts a range of intimate styles, a tongue-in-cheek recollection of the gridded haircuts displayed outside barber shops. It is from the Oo La La portfolio of 15 lithographs printed offset from zinc plates, drawn by both artists. Produced in collaboration with Ron Padgett...

Salvador DALI Les chevaliers du roi Arthur ("The cavaliers of King Arthur") Original etching Handsigned in pencil Limited to 115 copies On vellum ...

Israel Rubinstein, Israeli (1944 - ) - The Hunters, Year: 1980, Medium: Screenprint on Arches, signed and numbered in pencil, Edition: 350, Image Size: 27 x 35.5 inches, Size: 3...

Raymond PEYNET Astrology - Zodiac : Leo (Lion), 1979 Original etching Handsigned in pencil Numbered /22 On Arches vellum 76 x 56 cm (c. 30 x 22 inches) This etching is authentified ...

Colorful abstract expressionist lithograph celebrating the 1976 Olympics in Montreal Canada by American artist LeRoy Neiman. The work f...

Raymond Pettibon Black Flag flyer Los Angeles, 1982: Black Flag Olympic Auditorium, Los Angles, CA, Saturday July 17, 1982. Flyer/handbill for gig by Black Flag, DOA, Descendents, U...

Shirley MacLaine Dances Broadway Film Star 20th Century Litho NYRT Published Al Hirschfeld (1903 -2003) "Shirley MacLaine Dances on Broadway" Hand-signed L...

Fugue is an original hand drawn limited edition lithograph by the African American artist Hughie Lee-Smith printed using hand lithography techniques on archival Arches paper, 100% ac...

CLÉMENT CYCLES is a fine art lithograph re-creation after the original French advertising poster created by PAL(Jean de Paleologue) for Fernand Clément Bicycle Co., France. Hand craf...

Letter Z from Alphabet series is an original lithograph realized by Rafael Alberti in 1972. Hand-signed and dated on the lower margin. Numbered on the lower margin. Edition 10/99...

Bicentennial Bandwagon by Red Grooms, American (1937) Date: 1975 Offset Lithograph (unsigned as issued) Image Size: 10 x 13 inches Size: 14 in. x 17 in. (35.56 cm x 43.18 cm) Frame S...

This artwork titled "Shall We Dance" 1988 is an original color lithograph by American artist Robert Hoppe, 1943-1989. It is hand signed and numbered 149/3...

This serigraph was created by contemporary American artist Hunt Slonem. Slonem is best known for his Neo-Expressionist paintings and bright tropical palette, and his subject matter o...

Color lithograph with photolithography. Hand signed lower right by Rafael Canogar. Hand numbered 62/75 lower left corner. Artwork size 22 x 29 inches. Frame size 30 x 37 inches. ...

Yvon TAILLANDIER A World at Altitude Original screen print Handsigned in pencil Numbered / 12 copies On paper 38 x 28 cm (c. 14.9 x 11 in) Excellent condition

"Three Ribbon Heads", Art Deco Female Figurative by John Luke Eastman. 1984 Beautiful mid-1980's hand colored Art Deco style lithograph by Southern California artist John Luke Eastman (American, b.1929). In this 1984 version of Eastman's "Three Ribbon Heads", a delicate flowing line drawing of three consecutive women's faces in profile are framed by ribbons in a circular composition. As in many of the artist's works, Eastman captions the piece with the following phrase: " In this life we have three lasting qualities...faith, hope, and love. But the greatest of them is love." Hand signed and dated in pencil lower right, "John L. Eastman 84" artists proof. Displayed in a light grey mat and new art deco-style giltwood frame. Paper size: 20"H x 16"W. Framed size: 19.5"H x 23.25"W x 1"D. John Luke Eastman is a Southern California artist with a unique style. A graduate of UCLA with a degree in graphic arts, he was successful fashion illustrator and art director for prestigious department store in L. A. before turning his full attention to fine art. Over the part decade he has created and mastered the unique style that is currently found in his limited edition silk-screen graphics. A versatile artist, who has illustrated many record and book covers he refers to his style as "the 5th dimension" or "beautiful distortion". The qualities he seeks to impart through his works are fluidity of movement, a feeling of spatiality, weightlessness and beautiful color. His artworks have been in a lot of shows across the country. He recently had show at Celux (Louis Vuitton membership...

Raymond Pettibon Black Flag 1982/1984: A set of 2 rare Raymond Pettibon illustrated Black Flag punk flyers. Published on the occasion of: Black Flag & Saccharine Trust at the Whis...

An overflow of traffic in front of St. Bartholomew's Episcopal Cathedral on Park Avenue between 50th and 51st

Original Bal du Moulin Rouge “Frénésie” Vintage Cabaret Poster. Linen-backed in excellent condition, ready to frame. Turn your wall into a Paris night. René Gruau’s electric silh...

Pablo Picasso's depiction of a woman from Alès is bright and colorful, rendered in bright shades of pink, yellow, and blue. Shown in a Cubist style with her face and body fragmented,...

This artwork titled "Desert Series B" c.1990, is an original colors monoprint aquatint on Wove paper by noted American artist Ruth Leaf, 1923-2015. It is hand signed, titled and numb...

Roy Lichtenstein Two Paintings: Dagwood, 1984 is a vivid, colorful piece that demonstrates the clever work of Lichtenstein’s varied oeuvre. The work is c...

RED HORSE on HOT PINK THREE GEISHAS is an original lithograph on archival Somerset printmaking paper, 100% acid free by the renowned Chinese born artist Walasse Ting (DING XIONGQUAN,...

Evening Singers, limited edition color lithograph, kachinas, katsina, Hopi, red signed, titled, and numbered by the artist at the bottom limited edition of 50 unframed The Galle...

Héliogravure on vélin paper. Paper Size: 15 x 22.5 inches, with centerfold, as issued. Inscription: Unsigned and unnumbered, as issued. Notes: From the folio, Henri Matisse, Jazz, Sp...

Héliogravure on vélin paper. Paper Size: 15 x 22.5 inches, with centerfold, as issued. Inscription: Unsigned and unnumbered, as issued. Notes: From the folio, Henri Matisse, Jazz, Sp...

Héliogravure on vélin paper. Paper Size: 15 x 22.5 inches, with centerfold, as issued. Inscription: Unsigned and unnumbered, as issued. Notes: From the folio, Henri Matisse, Jazz, Sp...

Héliogravure on vélin paper. Paper Size: 15 x 22.5 inches, with centerfold, as issued. Inscription: Unsigned and unnumbered, as issued. Notes: From the folio, Henri Matisse, Jazz, Sp...

Héliogravure on vélin paper. Paper Size: 15 x 11.25 inches. Inscription: Unsigned and unnumbered, as issued. Notes: From the folio, Henri Matisse, Jazz, Special Edition for the Museu...

Héliogravure on vélin paper. Paper Size: 15 x 11.25 inches. Inscription: Unsigned and unnumbered, as issued. Notes: From the folio, Henri Matisse, Jazz, Special Edition for the Museu...

Vintage Poster Inter-Art-Galery Exhibition is a vintage poster realized in 1987, for the exhibition held at Inter Gallery. Vintage offset and lithograph poster. Good conditions. Marc Chagall (Lëzna, 1887 – Saint-Paul-de-Vence, 1985). Chagall was a Russian-French artist of Belarusian Jewish origin. An early modernist, he was associated with several major artistic styles and created works in a wide range of artistic formats, including painting, drawings, book illustrations, stained glass, stage sets, ceramics, tapestries and fine art prints. Before World War I, he travelled between Saint Petersburg, Paris, and Berlin. During this period he created his own mixture and style of modern art based on his idea of Eastern Europe and Jewish folk...

After Jean-Michel Basquiat, El Gran Espectaculo ( The Nile ) Christie's NYC, 2023. Large Screenprint poster printed on Arches Paper. Natural wood custom frame, hq plexiglass Size is ...

Title: Zion Subject: Various biblical images depicting Creation and prayer 1922 Medium: woodcut Frame: 14" x 18" Image: 12.5" x 16.75" Provenance: owned and signed verso by Peter Keil. Central panel shows the Jewish star over a crown, with inscription in Hebrew: "When God comforts Zion, He will comfort all its ruins and make its deserts look like Eden," and "You have sanctified the seventh day, the goal of creation of Heaven and Earth." This is flanked by a Palestinian farmer pioneer on the left and a Jew praying on the right. The lower tier shows six vignettes of the days of creation from Genesis. Hermann Fechenbach was born in 1897 in Württemberg, Germany. He grew up in Bad Mergentheim where his parents had an inn, which served as a meeting place for the local Jewish community. He left school early and through family connections with clothing retailers received training in window dressing. His skill with brush writing was quickly recognised by a big firm in Dortmund where he was responsible for the displays in 10 large windows. He received his conscription papers in 1916 and recalls “being as patriotic as any other fool”. In August 1917 he was involved in a grenade attack in which he was the sole survivor. With serious injuries to both legs he struggled to safety and was eventually transported to a front line “slaughterhouse” where the first of a series of amputations was performed which led to the loss of his left leg. As a result of his injuries his father dropped his opposition to him becoming an artist. His formal art education started in 1918 with training at a Stuttgart handcraft school for invalids. He attended the Academies in Stuttgart and Munich to learn painting and restoration for 3 years. He was influenced at this time by Max Liebermann. He has been compared to Kathe Kollwitz and was a contemporary of Jakob Steinhardt and hermann Struck. In 1923 he went to Florence for a year. While in Florence he started to produce a series of miniature wood engravings to illustrate the stories of Genesis. This was followed by periods in Pisa, Venice, Vienna and Amsterdam. In 1924 he returned to Stuttgart to paint in the contemporary style “Die Neue Sachlichkeit”. (The New Objectivity was a movement in German art that arose during the 1920s Weimar republic as a reaction against expressionism. The term was coined by Gustav Friedrich Hartlaub, the director of the Kunsthalle in Mannheim, who used it as the title of an art exhibition staged in 1925 to showcase artists who were working in a post-expressionist spirit. These artists—who included Max Beckmann, Otto Dix, George Grosz, Christian Schad, Rudolf Schlichter and Jeanne Mammen) Every spring and autumn he exhibited at the “Kunstgebit” which served as the showcase for all serious artists of the period. His professional status “Kunstmaler und Grafiker” was recognised by Berlin in 1926. Practically all his work from this period was sold following exhibition. In 1926 he collaborated with an architect friend to build a bungalow in Hohenheim, a non-Jewish area and a suburb of Stuttgart. Hermann alternately lived in his country bungalow and his town studio, producing portraits for sale or barter and wood engravings for his own pleasure. In 1930 he married a non-Jewish professional photographer – Greta Batze. They had a studio in Stuttgart, which was used to teach art to a group of 12 students. In 1933 the Nazi influence removed his name from the official state register together with the right to exhibit. By spending most of his time in his bungalow out of the Jewish quarter the Fechenbachs escaped being registered by the Nazis for some years. They were ostracised and abused by their non-Jewish neighbours. Hermann made weekly visits to friends in town to teach them the practical skills they would need assuming they were to escape from Germany. His energies were directed towards protection and survival. Ultimately the Nazi persecution forced the Fechenbachs to flee their homeland. They moved to Palestine for 3 months in 1938, but found the political and physical environment unsustainable. Greta arrived in England penniless in January 1939 to work as a domestic servant and to find a guarantor for her husband. Hermann arrived in May 1939. They moved to Blackheath a few months later. Hermann resumed his painting and engraving as a means of earning a living. He raised enough money to get his parents out of Germany to join his brothers in Argentina but was unable to save his twin sister Rosa who died in a Nazi concentration camp. In 1940 Hermann was interned in Bury as a suspect alien. He protested about his treatment by starting a hunger strike. Because of his persistence he was moved to a prison in Liverpool. From Liverpool he was moved to the Hutchinson Camp in the Isle of Man with fellow artist Kurt Schwitters. Arrangements were made for Greta to be accommodated near by. While interned he commenced work on “Refugee Impressions”, a series of linocut prints (no wood was available). In 1941 when released from internment the Fechenbachs came under the sponsorship of Dr. Bela Horovitz, the Austrian art publisher who in turn made an introduction to Professor Tancred Borenius. They were offered lodgings with a family in Oxford. Hermann had his first public exhibition for many years in a small gallery in Oxford in 1942. A second exhibition of oils, pencil drawings, coloured linocut and woodblock prints held later in the year was opened by the mayor of Oxford and critically acclaimed. In 1944 the first London exhibition took place at the Anglo-Palestinian club in Piccadilly. There were two exhibitions at the Ben Uri Art gallery during this period. In 1948 a second exhibition at the Anglo Palestinian club was inaugurated by a member of the Rothschild family and several members of Parliament. This was a great success. In 1944 the Fechenbachs moved to a top floor studio flat in Colet Gardens. Open exhibitions were held each Spring at the Embankment from 1946 to 1951. Movietone News produced a short feature on the artist, which was shown in cinemas in England and Germany. In 1969 he published the Genesis story in a hard back volume containing 137 prints. He started to research the fate of the entire Jewish community of Bad Mergentheim during the period of the second world war, liaising with historian Dr. Paul Sauer and Professor Max Miller, historian and theologian. In 1972 Kohlhammer published his partly autobiographical book “The last Jews of Mergentheim”. He exhibited at the Anglo-Palestinian Club & the Ben Uri Gallery in the 1940s. His works only came to prominence during the last year of his life when he exhibited at Blond Fine Art. Peter Keil part of the Junge Wilde. In 1978, the Junge Wilde painting style arose in the German-speaking world in opposition to established avant garde, minimal art and conceptual art. It was linked to the similar Transavanguardia movement in Italy, USA (neo-expressionism) and France (Figuration Libre). They were also known as the Neue Wilde. Artists included; Austria: Siegfried Anzinger, Erwin Bohatsch, Herbert Brandl, Gunter Damisch, Hubert Scheibl, Hubert Schmalix...

Lithograph on vélin d’Arches paper. Paper Size: 19.5 x 28.25 inches, with centerfold, as issued. Inscription: Signed in the plate and unnumbered, as issued. Catalogue raisonné refere...

This offset lithograph in colours is hand signed in pencil by the artist "Botero" at the lower right margin. It is also hand numbered in pencil from the edition of 150, in the lower...

"Guys and Dolls" Broadway Musical Tony Awards Signed Nathan Lane & Faith Prince Al Hirschfeld (1903-2003) "Guys and Dolls" Lithograph on heavy pape...

PHILIP PEARLSTEIN Nude in New Mexico, 1984 Lithograph on art paper 31 3/5 × 40 3/4 inches Signed, titled, dated and numbered in graphite pencil from the limited edition of only 65. (48/65) Unframed Philip Pearlstein was born in Pittsburgh, PA, in 1924 and came to New York with Andy Warhol - his first roommate. In 1941, his junior year in high school, he received his first recognition when awarded first and third prizes in Scholastic Magazine's 14th National High School Art Exhibition. Upon graduation from high school in 1942, he enrolled in the Carnegie Institute of Technology but the draft limited his attendance to one year. After discharge from the army in 1946, he returned to Carnegie Tech where he studied with Robert Lepper, Balcomb Green and Samuel Rosenberg...

This artwork is an original seriolithograph (serigraph with lithograph) by American artist Barbara A. wood, born 1926. It is hand signed and numbered 257/260 in pencil by the artist....

Artist: Sir Peter Thomas Blake Title: Costume Life Drawing Year: 1972 Print - Lithograph Heavy Paper   Size:  30'' x 22 5/8'' Edition: Signed and Numbered 116/125 Kelpra stamp on v...

Don Nice New York, New York (hand signed and inscribed by Don Nice), 1984 Rare offset lithograph poster (signed and inscribed from Don Nice to Dick Polich) Signed and inscribed in gr...

The hand tool is undoubtedly Jim Dine’s most iconic motif. Meticulously catalogued in rows like scientific specimens or sketched individually, hammers, awls, brushes, saws and screwd...

Screen print realized by Nicola Simbari in 1976. Edition of 90. Hand signed in pencil. Very good condition.

GEOGRAPHY, EAST Year: 1992 Medium: 2-color, soft ground etching Paper Size: 28 x 25 inches (71 x 64 cm) Plate Size: 19 x 18 inches (48 x 46 cm) Edition: 60 Price: $6,000 Suite of f...