Late 20th Century Figurative Prints

Bob Pardo, American, " Ass Glasses" Artist Proof 6/35, Abstract Screen Print. Serigraph, 28 x 25, Late 20th Century, 1980 Colors: Blue, Orange, Yellow, Purple, Black, Red

Salvador Dali (after) New-York City : Plaza Lithograph after a watercolor Printed signature in the plate On BFK Rives vellum 50 x 65 cm (c. 20 x 26 in) Printed in Matthieu workshop circa 1981...

Artist: Salvador Dali, Spanish (1904 - 1989) Title: Ten of Staves from Lyle Stuart Tarot Print Suite [Intended for a James Bond Movie] Year: 1978 Medium: ...

Signed, dated and numbered 59/92 in pencil, lower margin. Printed by Kyron, Mexico City. Co-published by Kyron, and Tasende, Mexico City. Catalogue raisonne: Vlady 244.

This original etching and aquatint is hand signed in pencil by the artist "David Hockney" at the lower right margin. It is also hand numbered in pencil from the edition of 90, at th...

JAPANESE TEMPLE is an original, hand drawn, limited edition lithograph(not a photo reproduction or digital print) by the Dutch artist Nico Vrielink printed using traditional hand lit...

Surrounded by a charcoal background, the male figure at the center of this Pablo Picasso print appears illuminated by the light emanating from the upper right corner. Infused with a ...

THREE BALLET DANCERS is an original hand drawn lithograph by Moses Soyer, the renowned Russian-born American realist painter, draftsman, and printmaker. THREE BALLET DANCERS was hand printed on archival Arches printmaking paper, 100% acid free, signed in pencil by Moses Soyer. THREE BALLET DANCERS depicts a sensitive, realistic portrait of three young female ballet dancers, all dressed in dance rehearsal...

Poster/Print. Measures 36 x 20.75 inches and is Unframed. Good Condition-signs of wear consistent with age and handling/minor tear along the edge of white border.

COLMAR is an original wood engraving by the American artist Bernard Brussel-Smith, hand printed in yellow, light blue and black ink. COLMAR depicts a quaint French village scene with...

Artist: Francois Batet Title: Soiree Chez Maxine Date: 1986 Medium: Lithograph, signed and numbered in pencil Edition: 155/200 Image Size: 19 x 23 inches Paper Size: 22 x 27 inches

Landscapes is an lithograph realized in 1970s Robert Carroll. Hand-signed on the lower right. Numbered. Edition,14/100. Good conditions except for some folding. The artwork repre...

screenprint printed in color ink on wove paper. New York City subway station interior. Anthony Velonis (1911 – 1997) was an American painter and designer born in New York City who helped introduce the public to silkscreen printing in the early 20th century. While employed under the federal Works Progress Administration, WPA during the Great Depression, Velonis brought the use of silkscreen printing as a fine art form, referred to as the "serigraph," into the mainstream. By his own request, he was not publicly credited for coining the term. He experimented and mastered techniques to print on a wide variety of materials, such as glass, plastics, and metal, thereby expanding the field. In the mid to late 20th century, the silkscreen technique became popular among other artists such as Robert Rauschenberg and Andy Warhol. Velonis was born into a relatively poor background of a Greek immigrant family and grew up in the tenements of New York City. Early on, he took creative inspiration from figures in his life such as his grandfather, an immigrant from the mountains in Greece, who was "an ecclesiastical painter, on Byzantine style." Velonis attended James Monroe High School in The Bronx, where he took on minor artistic roles such as the illustration of his high school yearbook. He eventually received a scholarship to the NYU College of Fine Arts, into which he was both surprised and ecstatic to have been admitted. Around this time he took to painting, watercolor, and sculpture, as well as various other art forms, hoping to find a niche that fit. He attended NYU until 1929, when the Great Depression started in the United States after the stock market crash. Around the year 1932, Velonis became interested in silk screen, together with fellow artist Fritz Brosius, and decided to investigate the practice. Working in his brother's sign shop, Velonis was able to master the silkscreen process. He reminisced in an interview three decades later that doing so was "plenty of fun," and that a lot of technology can be discovered through hard work, more so if it is worked on "little by little." Velonis was hired by Mayor LaGuardia in 1934 to promote the work of New York's city government via posters publicizing city projects. One such project required him to go on a commercial fishing trip to locations including New Bedford and Nantucket for a fortnight, where he primarily took photographs and notes, and made sketches. Afterward, for a period of roughly six months, he was occupied with creating paintings from these records. During this trip, Velonis developed true respect and affinity for the fishermen with whom he traveled, "the relatively uneducated person," in his words. Following this, Velonis began work with the Public Works of Art Project (PWAP), an offshoot of the Civil Works Administration (CWA), where he was assigned to serve the different city departments of New York. After the formation of the federal Works Progress Administration, which hired artists and sponsored projects in the arts, he also worked in theater. Velonis began working for the federal WPA in 1935. He kept this position until 1936 or 1938, at which point he began working in the graphic art division of the Federal Art Project, which he ultimately led. Under various elements of the WPA program, many young artists, writers and actors gained employment that helped them survive during the Depression, as well as contributing works that created an artistic legacy for the country. When interviewed in December 1994 by the Library of Congress about his time in the WPA, Velonis reflected that he had greatly enjoyed that period, saying that he liked the "excitement" and "meeting all the other artists with different points of view." He also said in a later interview that "the contact and the dialogue with all those artists and the work that took place was just invaluable." Among the young artists he hired was Edmond Casarella, who later developed an innovative technique using layered cardboard for woodcuts. Velonis introduced silkscreen printing to the Poster Division of the WPA. As he recalled in a 1965 interview: "I suggested that the Poster division would be a lot more productive and useful if they had an auxiliary screen printing project that worked along with them. And apparently this was very favorably received..." As a member of the Federal Art Project, a subdivision of the WPA, Velonis later approached the Public Use of Arts Committee (PUAC) for help in "propagandizing for art in the parks, in the subways, et cetera." Since the Federal Art Project could not be "self-promoting," an outside organization was required to advertise their art more extensively. During his employment with the Federal Art Project, Velonis created nine silkscreen posters for the federal government. Around 1937-1939 Velonis wrote a pamphlet titled "Technical Problems of the Artist: Technique of the Silkscreen Process," which was distributed to art centers run by the WPA around the country. It was considered very influential in encouraging artists to try this relatively inexpensive technique and stimulated printmaking across the country. In 1939, Velonis founded the Creative Printmakers Group, along with three others, including Hyman Warsager. They printed both their own works and those of other artists in their facility. This was considered the most important silkscreen shop of the period. The next year, Velonis founded the National Serigraph Society. It started out with relatively small commercial projects, such as "rather fancy" Christmas cards that were sold to many of the upscale Fifth Avenue shops...

Black Cat Color lithograph, 1981 Signed in pencil lower right Annotated: AP (Artist Proof) Printer: Jorge Dumas, Atelier Dumas, New York Condition: Very fresh colors Slight creasing ...

Robert Smith (United States, 1944) 'Last spring', 1972 engraving and etching on paper 21.7 x 29.6 in. (55 x 75 cm.) Edition of 75 Unframed ID: SMI1158-002-075 Hand-signed by author

Igor Gabor 'Arquitectura', 1989 silkscreen on paper 19.7 x 27.6 in. (50 x 70 cm.) Edition of 25 ID: GAB1057-001-025 Unframed Hand-signed by author

Silkscreen screenprint with woodblock and silver leaf Hand signed and numbered. In vibrant color of blue and silver on heavy paper with an almost painting type texture to it. Josep...

Ira Moskowitz, Polish/American (1912 - 2001) - David and Bathsheba, Portfolio: Song of Songs, Year: 1972, Medium: Lithograph, signed and numbered in pencil, Edition: 300, Size: 30 ...

Xisco Mensua (Spain, 1960) Untitled from Portfolio "Junio - Julio", 1995 engraving on paper 12.6 x 9.5 in. (32 x 24 cm.) Edition of 6 Frame 16x20 in. ID: MEN1253-001-006_10 Hand-sign...

Flowers is an Original Lithograph realized by Ernesto Treccani in 1973. Limited edition of 125 copies, editor "La Nuova Foglio SPA". Very good condition on a white cardboard. Hand...

TIMELINE DEGA MAN is an original hand drawn lithograph by Peter Max printed using traditional hand lithography techniques on archival paper, 100% acid...

Lithograph in colors on vélin Exhibition Fine Art Cartridge paper. Paper Size: 12.75 x 9.75 inches. Inscription: Unsigned and unnumbered, as issued. Notes: From the folio, Hockney's ...

"Electric Chair" F. & S. 81, is a screenprint in colors on wove paper by Andy Warhol. The work is signed verso. This piece is number 43 from an edition of 250 + 50 AP, and is one fro...

Jose "Pepe" Contino (Cuba, 1933) 'Untitled (from Porfolio Grabados Cubanos)', 1978 photoengraving on paper Canson 320 g. 17.6 x 23.6 in. (44.6 x 59.8 cm.) Edition of 200 ID: CON-302 ...

Jane Hammond Untitled 1996 Signed and numbered Lithograph (Edition of 50) 12 x 9 inches

Ex Libris A. Zuyeva Paper, etching, 11x7 cm

The Raven and the Fox is an artwork realized in 1974. Etching and drypoint with stencil, 1974. Printed by Atelier Rigal. Edition XIV/CXX on Auvergne paper. It belongs to the sui...

André COTTAVOZ Paris : Notre Dame Viewed from the Seine Original lithograph (Printed in Atelier Mourlot in 1973) Handsigned in pencil Justified HC On A...

This artwork titled "Persimmons" 1980, is a colors woodcut on wove paper by noted Korean artist Bong Kyu Ahn, b.1938. It is hand signed, dated, titled, and numbered 10/90 in pencil b...

This artwork titled "Listen" 1998 is an original color lithograph on paper by noted American artist David Hollowell, b.1951. It is hand signed and num...

Henry Moore Five Ideas for Sculpture 1981 Original lithograph, hand signed Paper size: 21.5 x 17.5 inches, Image size: 14 x 10 inches From and edition of 50 Cat No: 610

Francesco Clemente Francesco Clemente Watercolors (Hand Signed), 1992 Offset Lithograph exhibition announcement (Hand Signed) 23 × 18 inches Hand signed in...

ED BAYNARD (American, 1940-2016) Flowers, Flowers in a Vase, Etching. 1979/1980, Hand signed, dated l.r., Hand numbered from small edition 12/24, Dimensions: 23 by 19 in. Framed 25 by 21 in Born in Washington, D.C. in 1940. Raised in Washington, D.C. and newly graduated from high school, he flew to Europe living off and on in Paris and London. During this time, he designed costumes for Jimi Hendrix, worked as a graphic designer for the Beatles as well as Elizabeth Taylor and Richard Burton. Returning to New York, he dedicated his life to art after a surprise success with his first show in 1971 at the Willard Gallery in NYC. Ed's images are Zen-like in their simplicity and grace rendered in a flat, graphic style that recalls Japanese Ukiyo-e prints. His watercolors are luminous, like the rest of his representations regardless of the medium. The Japanese inspired ukiyo-e style woodblock prints and lithograph works he created at Tyler Graphics in 1980 contain a 20th century "floating world" sensibility. Ed's wish was to bring harmony, color, and a meditative stillness to this chaotic planet. He did so in a gentle and powerful way, always as an expression of his deep gratitude for the love and beauty, friendship, and concerns he held dearest. His first solo exhibition was in 1971 at New York's legendary Willard Gallery on the recommendation of Agnes Martin. Baynard went on to have exhibitions at galleries including Betty Parsons Gallery, New York (1973); Marian Goodman Gallery, New York (1977); John Berggruen Gallery, San Francisco (1980); and Barbara Gladstone Gallery, New York (1980/81).. Baynard manages to retain a simplicity of form inspired by a love of Japanese Woodblock prints. His new works reflect the same poetry of his earlier paintings, retaining his stylized compositions with their Zen like minimalism and Oriental calm, along with a new sense of rhythm and movement. Baynard uses familiar themes such as flowers, plants, pots, and vases, incorporating them into his delicate watercolor still lifes, thus creating stunning visual feasts. He was included in the 1972 Landscape exhibition at MoMA NY alone with other luminaries James Boynton...

Ed Paschke BAD, 1991 Silkscreen and Lithograph on Rising Mirage Paper, accompanied by documentation Pencil signed, titled "BAD", and annotated "Trial Proof" on the front 22 × 20 inches Unframed Also accompanied by gallery issued Certificate of Guarantee This work is a unique Trial Proof on Rising Mirage Paper, pencil signed by the artist and annotated "Trial Proof" the very first impression, aside from the regular edition. It is accompanied by the tirage sheet, with the biography of the artist and a description of the work. (see photos). As such it is a rare impression. Published by Chicago Serigraphic Workshop and Artco, Incorporated Ed Paschke Biography: Ed Paschke was born in Chicago where he spent most of his life as an important painter. He was initially associated in the late 1960s with the second generation of Chicago Imagists who called themselves The Hairy Who. He received his B.F.A. from the School of The Art Institute of Chicago in 1961 and his M.F.A. in 1970. Between degrees he lived for a time in New York where he easily came under the influence of Pop art, in part, because of his interests as a child in animation and cartoons. His fascination with the print media of popular culture led to a portrait-based art of cultural icons. Paschke used the celebrity figure, real or imagined, as a vehicle for explorations of personal and public identity with social and political implications. Although his style is representational, with a loose affiliation to Photorealism, Paschke’s art plays...

Lithograph on vélin d’Arches paper. Unsigned and unnumbered, as issued. Good condition. Notes: From the folio, La Féerie et Le Royaume, Lithographies Originales de Marc Chagall, 1972...

Lithograph on brown-toned cardboard, no signature. Héliogravure  on bot sheets, recto and verso. Edition of 6500 unsigned copies. Printed by Mourlot and published by Tériade on the...

This artwork "Untitled" is an original color lithograph by acclaimed Iranian artist Mahmoud Farshchian, born 1930. It is hand signed and numbered 20...

Screen print on waxed paper plate. Unsigned from an unknown edition. Published by Bert Stern, New York. Plate size 10 x 10 inches. Frame size approx 17 x 17 inches. Stamped "Roy Lichtenstein On First Inc, 1969" on plate verso. Excellent condition. All reasonable offers will be considered. Lichtenstein made the paper plate for the well-known fashion and advertising photographer Bert Stern, who had set up an uber-chic New York boutique called “On First Store”. Located in Manhattan, Stern’s idea was to commission stylish yet affordable objects for the home and wardrobe from notable fashion designers and artists. Unfortunately, the shop did not last long and most of the plates were left undistributed. About the Artist: Roy Lichtenstein (American, 1923–1997) was an artist known for his paintings and prints which referenced commercial art and popular culture icons like Mickey Mouse. Composed using Ben...

Beautiful lithograph by Corneille, from the portfolio Fight on the Moon. Lithograph on art paper 1985 38 x 28 cm Numbered 94/150 500 €

Alice In Wonderland:Hookah Smoking Caterpillar is an original hand made etching by the American abstract painter Knox Martin. Printed in black ink on archival printmaking paper, 100% acid free. Erotic fantastical interpretation of “Alice’s Adventures in Wonderland”, where Alice first meets the Catepillar while he is sitting on a mushroom smoking a hookah. He helps her by advising her to eat from the mushroom if she wants to change her size. Print size- 18" x 15", Image size - 8.25" x 6.75" Edition size - 50 About the artist- Knox Martin (1923-2022) was an esteemed New York School painter. Knox Martin was born in 1923 in Barranquilla, Colombia. He was the son of the aviator, painter, and poet William Knox Martin, the first man to fly over the Andes mountains. After serving in World War II, Knox Martin attended the Art Students League of New York on the G.I. Bill from 1946-1950, where he studied with Harry Sternberg, Vaclav Vytlacil, Will Barnet, and Morris Kantor. In 1954, Knox Martin's friend Franz Kline placed a painting of his in the Stable Gallery Annual. Charles Egan of the renowned Charles Egan Gallery saw Knox Martin's painting at the Stable Gallery and asked Martin to show his work in a one-man show for the tenth anniversary of the Egan Gallery. Since then, Knox Martin was a celebrated painter, sculptor and muralist. Knox Martin had an extensive exhibition record and his work is in museum, corporate and private collections worldwide. His two best-known murals in NYC are Venus and Woman with Bicycle...

Sol Lewitt "A form driven from a rectangular solid" Year: 1.992 Woodcut on Japanese paper copy 19/75 Signed and justified by hand Print run of 75 copies. 57,5 x 77 cm.

Speckled Corn Kachina, Dan Namingha, lithograph, Hopi, kachina, blue, orange hand pulled limited edition lithograph signed and numbered by the artist Glenn Green Galleries also pr...

Xisco Mensua (Spain, 1960) Untitled from Portfolio "Junio - Julio", 1995 engraving on paper 12.6 x 9.5 in. (32 x 24 cm.) Edition of 6 Frame 16x20 in. ID: MEN1253-007 Hand-signed by a...

Figurative abstract wood cut print titled "Copula Amarilla" by Cecelia Sánchez Duarte. Pencil signed with edition number "3/10", title, and signature bottom margin. Image, 31.25"H x ...

Martha Diamond (1944-2023) was a Contemporary American painter best known for cityscape abstractions in sweeping, gestural brush strokes. Skyscrapers is...

Color offset lithograph - created on the occasion of the tennis tournament 1998 monogrammed in print In great condition

Lithograph, silkscreen in colors on vélin vergata paper. Paper size: 16.5 x 12.625 inches. Inscription: Signed in the plate and unnumbered, as issued. Catalogue Raisonne Reference: M...

Salome's Dance is an original etching realized by Leo Guida in 1989. Very good condition, hand signed and titled, artist proof. Mounted on a white cardboard passpartout (50x35 cm)....

Set against the green background, the geometric figure in this Pablo Picasso print is comprised of numerous rectangular shapes that overlap one another in the typical Cubist fashion....

Musee D'Art Moderne Paris 1993 Serigraph poster after Niki de Saint Phalle Niki de Saint Phalle was a French-American artist and sculptor known for her bold, large-scale works, inc...

Color lithograph after a gouache by Georges Braque from the edition of 398 published by Armand & Georges Israel in 1988. Printed signature. Artwork en...

Woman is an original Vintage Offset Print on ivory-colored paper, realized by Franco Gentilini (Italian Painter, 1909-1981) in the 1970s. The state of preservation of the artwork is...

There is a natural and raw understanding in Mukesh Sharma’s prints that depict, and are influenced by, the Rajastani communities of his home town in rura...

Artist: Andy Warhol. Title: 'Mick Jagger' FS II.143 Framed Announcement card. Medium: Lithograph Size: Image size: 6" x 4" Framed: 10" x 8" Year: 1975 Description: Signed and numbere...

Bath John Hardy, American (1923–2014) Date: circa 1976 Lithograph, Signed in Pencil Edition of 275 Size: 30 in. x 22 in. (76.2 cm x 55.88 cm)

In his print Climbing, Mark Kostabi explores the theme of corporate ambition, depicting faceless characters "climbing the corporate ladder" in his signature style. This early work re...

C F S I is an original hand drawn lithograph by the New York woman artist Marie Roberts printed using hand lithography techniques on archival Arches paper 100% acid free. C F S I portrays a Coney Island Sideshow Performance with several onlookers standing by the stage watching the show. C F S I is a skillfully expressed comic character figure drawing printed in black ink shaded with colored crayon line textures in shades of red, yellow and blue. C F S I is a very fine impression exemplifying the magic and artistic mastery of hand crafted lithography with its nuanced tusche brush strokes and pencil crayon line textures and shading. Print size - 29.5 x 21.25 in, unframed, excellent condition, hand signed in pencil by Marie Roberts Image size - 26.25 x 18.25 in Year published - 1995 Edition size - 25 Marie Roberts, a Coney Island native is best known for her banners for the Coney Island Circus Sideshow...

Artist: Donald Saff Title: Year: 1980 Medium: Etching with Aquatint, Hand signed and numbered in pencil Edition: 150 30 in. x 22.5 in. (76.2 cm x 55.88 cm) bears publishers blindst...

Dramatic, large scale black, white, green and grey Western American landscape with river, grassy banks, trees, and rolling clouds filling the sky. Hang in minimalist, modern, and con...

Bengt Lindström (1925-2008) Ancestor Face Original Lithograph Printed signature in the plate Numbered / 400 ex On vellum 31 x 22.5 cm (c. 12 x 9 in) Excellent condition