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Medium: Etching
Reflection, Signed Surrealist Lithograph and Etching by Salvador Dali
Located in Long Island City, NY
A lithograph and etching on Arches paper after Salvador Dali The Cycles of Life portfolio, made in 1977. This was printed by Forte and published by Duall Graphics for DALART. It is r...
Category
1970s Etching Landscape Prints
Materials
Etching, Lithograph
Orchard III
Located in Palm Springs, CA
Winter landscape of an orchard with hints of a cityscape in the background, also architectural detail in the ground beneath. Signed, numbered and titled from the edition of 200.
Smi...
Category
Early 2000s Contemporary Etching Landscape Prints
Materials
Etching, Aquatint
Place de la Concorde, Surrealist Etching by Salvador Dali 1963
Located in Long Island City, NY
Spanish artist Salvador Dali is considered to be the father of Surrealism, renowned for his technical skill and unique style. This etching features a city landscape with fountains, c...
Category
1960s Surrealist Etching Landscape Prints
Materials
Etching, Aquatint
Cinésias et Myrrhine (Bloch 267-272; Cramer 24), Lysistrata, Pablo Picasso
Located in Auburn Hills, MI
Etching on vélin de Rives BFK paper. Paper Size: 11.5 x 9 inches. Inscription: Unsigned and unnumbered, as issued. Notes: From the album, Lysistrata, 1934. Published by The Limited E...
Category
1930s Cubist Etching Landscape Prints
Materials
Etching
Le Serment des femmes (Bloch 267-272; Cramer 24), Lysistrata, Pablo Picasso
Located in Auburn Hills, MI
Etching on vélin de Rives BFK paper. Paper Size: 11.5 x 9 inches. Inscription: Unsigned and unnumbered, as issued. Notes: From the album, Lysistrata, 1934. Published by The Limited E...
Category
1930s Cubist Etching Landscape Prints
Materials
Etching
Composition, Heart of Darkness, Sean Scully
By Sean Scully
Located in Auburn Hills, MI
Etching in colors on vélin de Lana Royal paper. Paper Size: 11.93 x 9.81 inches. Inscription: Unsigned and unnumbered, as issued. Notes: From the album, Heart of Darkness, 1992. Publ...
Category
1990s Contemporary Etching Landscape Prints
Materials
Etching
Coastal Fog
Located in Palm Springs, CA
Trees in fog. A band of fog off of the Pacific, pouring its way through the forest in Fiscalini Ranch, Cambria.
Born in Berkeley, California, on December 21, 1949, he was raised in ...
Category
2010s Contemporary Etching Landscape Prints
Materials
Etching, Aquatint
1927 Art Deco Etching of a Geisha by Louis Icart
By Louis Icart
Located in New York, NY
Louis Icart (French, 1888-1950)
Geisha on a Bridge, 1927
Color etching on paper
Sight: 21 x 14 in.
Framed: 26 x 19 x 3/4 in.
Signed "Louis Icart" in pencil l.r., blindstamp l.l.
Lou...
Category
1920s Art Deco Etching Landscape Prints
Materials
Etching
Two Elms, Modern Etching by Linda Plotkin
Located in Long Island City, NY
Linda Plotkin, American (1938 - ) - Two Elms, Year: circa 1965, Medium: Etching on Arches, signed, titled and numbered in pencil, Edition: 6/120, Image Size: 22 x 18 inches, Size...
Category
1960s Modern Etching Landscape Prints
Materials
Etching
“Skogskanten” (Winter Landscape with Spruce Trees)
Located in Stockholm, SE
Oskar Bergman (Stockholm 1879–1963 Saltsjöbaden)
“Skogskanten” (Winter Landscape with Spruce Trees)
signed "Oskar Bergman" in pencil
drypoint etching
image size: 19.5 x 29.5 cm (7 ...
Category
1910s Naturalistic Etching Landscape Prints
Materials
Paper, Drypoint, Etching
Night Shadows
By Edward Hopper
Located in Storrs, CT
Night Shadows. 1921. Etching. Levin 82. 7 x 8 3/8 (sheet 10 x 13 7 1/16).s Series: Six American Etchings: The New Republic Portfolio, 1924. Edition approximately 500-600. Illustrate...
Category
1920s American Modern Etching Landscape Prints
Materials
Etching
Chicago Skyline
Located in Middletown, NY
A beautiful turn-of-the-century lake view of Chicago by an American artist known for his Texas landscapes.
Etching with drypoint on watermarked Umbria laid paper with deckle edges, 7 1/4 x 10 7/8 inches (182 x 275 mm), full margins. Signed and numbered 4/25 in pencil, lower margin. In good condition with adhesive residue at the sheet edges on the verso, does not show through to the recto. A lovely Lake Michigan landscape...
Category
Early 20th Century American Modern Etching Landscape Prints
Materials
Handmade Paper, Etching, Drypoint
Venice Beach Seascape, Long Wave, Nautical Scene in Blue Tones, Limited Edition
By Kind of Cyan
Located in Barcelona, ES
This is an exclusive handprinted limited edition cyanotype.
This beautiful cyanotype is titled "Long Wave in Venice Beach" and it shows an outstanding wave in one of the most iconic ...
Category
2010s Realist Etching Landscape Prints
Materials
Paper, Emulsion, Watercolor, Engraving, Etching, Monotype
Billingsgate
Located in Middletown, NY
Etching printed in dark brownish black ink on cream laid paper, 6 x 8 7/8 inches (152 x 226 mm); full margins. Extremely minor and unobtrusive band of toning along the top sheet edg...
Category
Mid-19th Century Impressionist Etching Landscape Prints
Materials
Laid Paper, Drypoint, Etching
The glass mountain shattered David Hockney Fairy Tales from the Brothers Grimm
Located in New York, NY
This etching from David Hockney’s celebrated Six Fairy Tales from the Brothers Grimm portfolio depicts the somewhat obscure story Old Rinkrank, which Hockney chose to illustrate beca...
Category
1960s Modern Etching Landscape Prints
Materials
Etching, Aquatint
Meadow-Limited Edition Etching, Signed by Artist
By Russa Graeme
Located in Clinton Township, MI
Limited Edition Etching (125/200). Signed by Artist. Measures 32.75 x 25.5 inches and is unframed. The piece is in Fair/Distressed Condition-discoloration/yellowing primarily in the ...
Category
Late 20th Century Etching Landscape Prints
Materials
Etching
Important German Expressionist Etching Hamburg, Reiherstiegdock 1910 Emil Nolde
By Emil Nolde
Located in Portland, OR
Highly important German Expressionist etching by Emil Nolde (1867-1956), Hamburg, Reiherstiegdock, 1910.
This is a very rare signed and titled etching of Hamburg, Reiherstiegdock, is...
Category
Early 1900s Expressionist Etching Landscape Prints
Materials
Etching
Sea Outlook, American Realist Etching by John Beerman
By John Beerman
Located in Long Island City, NY
John Beerman, American (1958 -) - Sea Outlook, Year: 1985, Medium: Etching, signed and numbered in pencil, Edition: AP 4/5, Image Size: 7 x 9 inches, Size: 15 x 15 in. (38.1 x 3...
Category
1980s American Realist Etching Landscape Prints
Materials
Etching
Fly Fishing, Saranac Lake
Located in Storrs, CT
Fly Fishing, Saranac Lake. 1889. Etching, aquatint and burnishing. Goodrich 104. 14 1/4 x 20 5/8; sheet 18 1/2 x 24 1/2. Edition unknown but quite possibl...
Category
Late 19th Century American Modern Etching Landscape Prints
Materials
Etching
Cliveden spring, Bucks, Thames, late 18th century English sepia aquatint, 1799
Located in Melbourne, Victoria
'Cliveden Spring, Bucks'
Aquatint published by Samuel Ireland. From his 'Picturesque Views on the River Thames'. Ireland was an author and engraver who published several series of a...
Category
Late 18th Century Naturalistic Etching Landscape Prints
Materials
Engraving, Etching, Aquatint
Mabel Oliver Rae, etching of Tom Tower, Oxford
Located in London, GB
To see our other views and maps of England - including London, Oxford and Cambridge, scroll down to "More from this Seller" and below it click on "See all from this Seller" - or send...
Category
Early 20th Century Modern Etching Landscape Prints
Materials
Etching
Je suis un volcan
By Etel Adnan
Located in London, GB
Etching on wove paper. Signed and numbered by the artist in pencil. Published by Galerie Le Long.
*This print is supplied within a clamshell box, with book of the same name, as iss...
Category
2010s Abstract Impressionist Etching Landscape Prints
Materials
Etching
Composition (Cramer 36; Bloch 360; Horodisch A6), Non Vouloir, Pablo Picasso
Located in Auburn Hills, MI
Zincograph on Vélin Bouffant paper. Unsigned and unnumbered, as issued. Good condition. Notes: From the volume, Non Vouloir, 1942. Published by Éditions Jeanne Bucher, Paris; printed...
Category
1940s Cubist Etching Landscape Prints
Materials
Etching
Paris : Louvre Museum with Blue Scratch - Original etching
Located in Paris, IDF
Arnulf Rainer (1929)
Paris : Louvre Museum with Blue Scratch
Original etching
On vellum 40 x 50 cm (c. 16 x 20 in)
Authenticated with the blind stamp of the editor Chalcographie of ...
Category
21st Century and Contemporary Expressionist Etching Landscape Prints
Materials
Etching
Paris : Tribute to Louvre Museum with Orange Scratch - Original etching
Located in Paris, IDF
Arnulf Rainer (1929)
Paris : Tribute to Louvre Museum with Orange Scratch
Original etching
On vellum 40 x 50 cm (c. 16 x 20 in)
Authenticated with the blind stamp of the editor Cha...
Category
21st Century and Contemporary Expressionist Etching Landscape Prints
Materials
Etching
Himmelstrasse, Austria
Located in San Francisco, CA
This artwork titled "Himmelstrasse, Austria" c.1950 is an original color etching by Austrian artist Luigi Kasimir 1881-1962. It is hand signed in pencil at the lower center by the a...
Category
Early 20th Century Realist Etching Landscape Prints
Materials
Etching
The Spire -- New York
Located in Storrs, CT
The Spire -- New York. 1985. Etching and drypoint. 14 1/2 x 11 (sheet 22 1/2 x 18). Trial proof of the second third, prior to the edition of 100. Printed on Rives cream wove paper, on the full sheet with deckle edges. A rich impression in pristine condition, housed in an archival sleeve. This etching has never been matted. Provenance: the artist's estate. Titled, annotated 'third state - trial proof' and signed in pencil. A dramatic view of the Chrysler Building.
Painter and printmaker Lawrence Nelson...
Category
20th Century American Modern Etching Landscape Prints
Materials
Drypoint, Etching
Four Framed Hogarth Engravings "Four Times of the Day"
Located in Alamo, CA
The four plates in this "Four Times of the Day" set were created utilizing both engraving and etching techniques by William Hogarth in 1738. Hogarth's original copper plates were refurbished where needed by James Heath and these engravings were republished in London in 1822 by Braddock, Cradock & Joy. This was the last time Hogarth's original copper plates were used for printing. Most were melted down during World War I for the construction of bombs. Printed upon early nineteenth century wove paper and with large, full margins as published by William Heath in 1822. The inscription below each print reads "Invented Painted & Engraved by Wm. Hogarth & Publish'd March 25. 1738 according to Act of Parliament".
These large folio sized "Four Times of the Day" engravings/etchings are presented in complex gold-colored wood frames with black bands and scalloped gold inner trim. A majority of each thick impressive frame is covered with glass applied near the outer edge. Each frame measures 25.75" high, 22.25" wide and 1.88" deep. There are a few small dents in the edge of these frames, which are otherwise in very good condition. "Morning" has two focal areas of discoloration in the upper margin and some discoloration in the right margin, a short tear in the left margin and a short tear or crease in the right margin. "Noon" has a spot in the upper margin that extends into the upper image, but it is otherwise in very good condition. "Evening" has a faint spot in the upper margin, but it is otherwise in very good condition. "Night" is in excellent condition.
The "Four Times of the Day" series is in the collection of many major museums, including: The British Museum, The Metropolitan Museum of Art, The Tate Museum, The Chicago Art Institute and The Victoria and Albert Museum.
Through this series Hogarth is portraying early 18th century London street life at "Four Times of the Day". His characters are exhibiting their personalities, quircks, strange activities, but he also wants to draw attention the disparities between the wealthy aristocracy and the common working class.
Plate 1, "Morning" depicts morning in Covent Garden in the winter in front of Tom King...
Category
Mid-18th Century Old Masters Etching Landscape Prints
Materials
Engraving, Etching
Silent Snow (Poetical imagery and Christmas memories in New England)
By Mary Teichman
Located in New Orleans, LA
This image is from an exclusive edition published by Stone + Press in 1994 in an edition of 100. This impression is #98. It brings to mind the Robert Frost poem, Stopping by Woods on a Snowy Evening.
The woods are lovely, dark and deep,
But I have promises to keep,
And miles to go before I sleep,
And miles to go before I sleep.
Mary Teichman...
Category
1990s American Modern Etching Landscape Prints
Materials
Etching
Piazza Navona allagata solito farsi nelle Feste di Agosto
Located in Fairlawn, OH
Piazza Navona allagata solito farsi nelle Feste di Agosto
Etching, 1752
Signed in the plate lower right (see photo)
From: Della Magnificenze di Roma Antica e Moderna ( The Magnificen...
Category
1750s Old Masters Etching Landscape Prints
Materials
Etching
India Etching Listed Artist c1920 Signed and Titled Benares Ghats Daily Life
Located in Norfolk, GB
Benares, India
Artist: M.Sherlock (1897-1973)
Medium: Etching
Date: c 1920
Size Mounted: 53 x 37 cm
Size Plate: 34.7 x 22 cm
Marjorie Sherlock was part of a group of women artists ...
Category
1860s Other Art Style Etching Landscape Prints
Materials
Paper, Black and White, Etching
Lunar Eclipse, by John Hogan, etching, landscape, red, brown, limited, edition
Located in Santa Fe, NM
Lunar Eclipse by John Hogan etching landscape red, brown, black limited edition
ACPI © 1999
John Hogan A graduate of Northeast Louisiana State University with a bachelor's degree a...
Category
1990s Contemporary Etching Landscape Prints
Materials
Etching
Vachère au Bord de l'Eau
Located in Santa Monica, CA
CAMILLE PISSARRO (French 1830-1903)
VACHERE au BORD de l’EAU 1890 (Delteil 93 viii/viii)
Etching, unsigned as published in “Gazette des Beaux Arts”, Paris, 1890. On laid paper
Very...
Category
1890s Impressionist Etching Landscape Prints
Materials
Drypoint, Etching
Hadrian's Mausoleum, Castel S. Angelo: A Framed 18th Century Etching by Piranesi
Located in Alamo, CA
This large framed 18th century etching by Giovanni Battista Piranesi entitled "Veduta del Mausoleo d'Elio Adriana ora chiamato Castello S. Angelo nella parte opposta alla Facciata de...
Category
1750s Old Masters Etching Landscape Prints
Materials
Etching
Destinations (Flatiron Bidg, 5th Avenue and Broadway at 23rd Street)
Located in New Orleans, LA
In "Destinations", Frederick Mershimer creates an image of taxis rushing by the Fuller Building, better known as Flatiron Building. The building is only six feet wide at its rounded...
Category
1990s Contemporary Etching Landscape Prints
Materials
Mezzotint, Aquatint
LIGHT AND SHADE TAXCO - J. T. Arms Mexican Masterpiece with Striking Detail
Located in Santa Monica, CA
JOHN TAYLOR ARMS (1887 – 1953)
LIGHT AND SHADE TAXCO, 1946 (F. 394: (#2 from the Mexican series.)
Etching and aquatint signed and dated in pencil. Image 10 ½ x 13 5/8, sheet 14 1/...
Category
1940s American Realist Etching Landscape Prints
Materials
Etching
Basilica of San Lorenzo in Rome: A Framed 18th Century Etching by Piranesi
Located in Alamo, CA
This large framed 18th century etching by Giovanni Battista Piranesi entitled "Veduta della Basilica di S. Lorenzo fuor della mura" (Basilica of San Lorenzo Outside the Walls), published in Rome in 1750 in Piranesi's Vedute di Roma (Views of Rome), This etching depicts the Basilica of San Lorenzo Outside the Walls, which is a Roman Catholic papal basilica and parish church, located in Rome, Italy. The Basilica is one of the Seven Pilgrim Churches of Rome and one of the five "papal basilicas". It was built as a shrine to the martyred Roman deacon St. Lawrence.
This Piranesi etching is held by many museums and institutions, including: The Metropolitan Museum, The British Museum, The National Gallery of Art, The Yale University Art Gallery, and The Harvard Museum of Art.
This magnificent etching is presented in a brown-colored wood frame and a tan French...
Category
1750s Old Masters Etching Landscape Prints
Materials
Etching
"Aus Sluis" original etching
Located in Henderson, NV
Medium: original etching. Printed on laid paper in 1919 and published in Berlin by Paul Cassirer. Plate size: 3 3/4 x 5 3/4 inches (98 x 147 mm). Signed in the plate (not by hand).
Category
1910s Etching Landscape Prints
Materials
Etching
Automne (Autumn)
Located in Storrs, CT
Automne (Autumn). 1938. Aquatint print in colors. Chapon/Rouault 288C. 19 1/2 x 25 1/2 ( sheet 22 5/8 x 30 3/4). Edition 175, #58. Published by Vollard. A rich impression with brigh...
Category
Mid-20th Century Expressionist Etching Landscape Prints
Materials
Color, Aquatint
Palazzo, Florence
Located in Fairlawn, OH
Palazzo, Florence
Etching, engraving, aquatint, soft ground and lift ground, printed in colors from three copper plates. 1954
Signed in pencil lower right (see photo)
Edition 250 plis 10 on Rives wove paper, printed by the artist
Published by The Print Club of Cleveland, No. 33 for 1955
REFERENCE: Geske #32
Condition: Mint
Image size: 9 3/16 x 13 1/8 inches
Impressions of this image can be found in the following museums:
National Gallery of Art, Washington
Toledo Museum of Art
Oberlin, Allen Museum of Art
Cornell Univeristy
Cleveland Museum of Art
Indianapolis Museum of Art
Baltimore Museum of Art
Georgetown University
Indiana Univeristy, Eskenazi Museum of Art
David Museum of Art at Wellesley College
"Painter and printmaker Rudolph Otto "Rudy" Pozzatti was born in Telluride, Colorado, on January 14, 1925. Upon graduation from high school, he received a scholarship to attend the University of Colorado in Boulder where he enrolled as an art major. In 1943, his studies were interrupted by his induction into the U. S. Army. After his discharge in 1946, he re-enrolled in the University of Colorado where he studied under Wendell...
Category
1950s American Modern Etching Landscape Prints
Materials
Aquatint
Church of San Pietro In Banchi, Italy - 1908 Original Etching
Located in Soquel, CA
Church of San Pietro In Banchi, Italy - 1908 Original Etching
Original 1908 etching of the church of San Pietro Banchi in Genoa, Italy by George Walter Chandler (American, 1866-1928...
Category
Early 1900s Post-Impressionist Etching Landscape Prints
Materials
Laid Paper, Etching
Henley-bridge, Oxon, Thames, late 18th century English sepia aquatint, 1799
Located in Melbourne, Victoria
'Henley-bridge, Oxon'
Aquatint published by Samuel Ireland. From his 'Picturesque Views on the River Thames'. Ireland was an author and engraver who published several series of aqua...
Category
Late 18th Century Naturalistic Etching Landscape Prints
Materials
Engraving, Etching, Aquatint
Composition (Ginestet/Pouillon 42-64), Hésiode, Les Travaux et les Jours
Located in Auburn Hills, MI
Etching in colors on vélin de Rives paper. Unsigned and unnumbered, as issued. Good condition, with centerfold, as issued. Notes: From the folio, Hésiode, Les Travaux et les jours. E...
Category
1960s Modern Etching Landscape Prints
Materials
Etching
John Taylor Arms, Study in Stone, Cathedral of Ourense
Located in New York, NY
John Taylor Arms was known for making such finely drawn etchings that commercial tools were not good enough: He regularly used sewing needles with corks ...
Category
Mid-20th Century American Realist Etching Landscape Prints
Materials
Etching
'Chicago Harbor' — Urban Realism
By Anton Schutz
Located in Myrtle Beach, SC
Anton Schutz, 'Chicago Harbor', etching, edition 100, c. 1927. Signed and numbered '87/100' in pencil. Annotated '580 Chicago Harbor', in another hand, in the bottom left margin. A f...
Category
1920s American Realist Etching Landscape Prints
Materials
Etching
York Avenue, Sunday Morning.
Located in Storrs, CT
York Avenue, Sunday Morning. 1939. Drypoint. Kraeft 78. 7 3/4 x 12 7/8 (sheet 8 x 12). Edition 100. Provenance: Estate of David Llewellyn Reese, New York. ...
Category
1920s American Modern Etching Landscape Prints
Materials
Drypoint, Etching
Landscape, Helio Etching by Franz Marc
Located in Berlin, DE
Franz Marc (1880-1916), Germany, Member of "Blaue Reiter", expressionist.
Helio etching on paper. This etching comes from the portfolio no 2, it apeard in an edition of 5 in 1922.
Th...
Category
1910s Expressionist Etching Landscape Prints
Materials
Etching
Two Elms, Modern Etching by Linda Plotkin
Located in Long Island City, NY
Linda Plotkin, American (1938 - ) - Two Elms, Year: circa 1965, Medium: Etching on Arches, signed, titled and numbered in pencil, Edition: 6/120, Image Size: 22 x 18 inches, Size...
Category
1960s Modern Etching Landscape Prints
Materials
Etching
The Three Graces
By Art Werger
Located in Palm Springs, CA
A print from his series titled "Submerged". These prints play with the reflections of light beneath the surface in suburban pools, this time featuring three young girls.
His prints...
Category
1990s Realist Etching Landscape Prints
Materials
Etching, Aquatint
Arbres (Gestural, Abstract, Composition Spain, Catalonia)
Located in Kansas City, MO
Catalogue raisonné: Maluquer 287
Etching
Year: 1989
Signed, dated, numbered or inscribed
Edition: 50
Size: 7.6 × 10.7 on 10.9 × 15.0 inches
One of the most celebrated Spanish artist...
Category
1980s Modern Etching Landscape Prints
Materials
Etching
Venice: An 18th Century Etched View of the Grand Canal & Rialto Bridge by Lovisa
Located in Alamo, CA
This is an early 18th century etching of the Grand Canal and Rialto Bridge in Venice entitled "Altra Veduta del Ponte di Rialto" by Domenico Lovisa, f...
Category
Early 18th Century Etching Landscape Prints
Materials
Etching
Accord entre les Athéniens et les Spartiates, la paix (Bloch 267-272; C. 24)
Located in Auburn Hills, MI
Etching on vélin de Rives BFK paper. Paper Size: 11.5 x 9 inches. Inscription: Unsigned and unnumbered, as issued. Notes: From the album, Lysistrata, 1934. Published by The Limited E...
Category
1930s Cubist Etching Landscape Prints
Materials
Etching
Reflection, Signed Surrealist Lithograph and Etching by Salvador Dali
Located in Long Island City, NY
A lithograph and etching on Arches paper after Salvador Dali The Cycles of Life portfolio, made in 1977. This was printed by Forte and published by Duall Graphics for DALART. It is r...
Category
1970s Etching Landscape Prints
Materials
Etching, Lithograph
La Cité Notre Dame (Duthuit I.248), A La gloire à Paris, Henri Matisse
Located in Auburn Hills, MI
Etching on vélin Canson et Montgolfier paper. Unsigned and unnumbered, as issued. Good condition. Published by L'Imprimerie Daragnès, Paris; printed by Jean Gabriel Daragnès, Paris, ...
Category
1930s Modern Etching Landscape Prints
Materials
Etching
Piazza del Popolo con Obelisco Egizio
Located in Fairlawn, OH
Piazza del Popolo con Obelisco Egizio
Etching, 1752
Signed in the plate lower left (see photo)
From: Della Magnificenze di Roma Antica e Moderna ( The Magnificense of Ancient and Mod...
Category
1750s Old Masters Etching Landscape Prints
Materials
Etching
Al Dolo - Etching by Giovanni Antonio Canal - 1735/44
By Giovanni Antonio Canal (Canaletto)
Located in Roma, IT
Al Dolo is an original Artwork realized by Giovanni Antonio Canal, commonly known as Canaletto (Venice, 1697 - 1768).
Original Etching on Laid paper...
Category
1730s Modern Etching Landscape Prints
Materials
Etching
The Temple of Asclepius with the Chariot - Etching by Giuseppe Vasi - 1753
Located in Roma, IT
The architect is Paolo Posi, and the image is engraved by Giuseppe Vasi.
The title: Prospetto della prima machina de fuochi d'artifizio, rappresentante il Tempio di Esculapio figl...
Category
1750s Modern Etching Landscape Prints
Materials
Etching
'Brooklyn Bridge' — Iconic New York City Landmark
Located in Myrtle Beach, SC
Luigi Kasimir, 'Brooklyn Bridge', color etching with aquatint, 1927, edition 100. Signed in pencil.
A superb impression, with fresh colors, on heavy, cream wove paper; with margins...
Category
1920s American Modern Etching Landscape Prints
Materials
Etching, Aquatint
Spiaggia di Nettuno, Impressionist Etching by Renzo Vespignani
Located in Long Island City, NY
Renzo Vespignani, Italian (1924 - 2001) - Spiaggia di Nettuno, Year: circa 1970, Medium: Etching, signed and numbered in pencil, Edition: AP, Image Size: 4.5 x 10.75 inches, Size: 1...
Category
1970s Impressionist Etching Landscape Prints
Materials
Etching
New York Map of Days, Illustration New York Map, Blue Art, NYC, Geography print
Located in Deddington, GB
New York Map of Days is a limited edition etching by Mychael Barratt. The illustrative style of this piece brings New York, it’s landmarks and endless stor...
Category
2010s Contemporary Etching Landscape Prints
Materials
Paper, Etching
The Enchanted Doorway; Venezia
Located in Middletown, NY
Etching and drypoint on antique cream laid paper, 12 3/8 x 6 9/16 inches (315 x 167 mm), full margins. Signed, dated, and inscribed "Edition 100" in pencil, lower margin. In very goo...
Category
Early 20th Century American Modern Etching Landscape Prints
Materials
Handmade Paper, Etching, Drypoint
Coastal Fog
Located in Palm Springs, CA
Trees in fog. A band of fog off of the Pacific, pouring its way through the forest in Fiscalini Ranch, Cambria.
Born in Berkeley, California, on December 21, 1949, he was raised in ...
Category
2010s Contemporary Etching Landscape Prints
Materials
Etching, Aquatint
Beethovens Residence at Mödling Colored Etching by Henry Goering
Located in Soquel, CA
Beethovens Residence at Mödling - Vintage Colored Etching by Henry Goering WWII
Hand colored etching of the Christof House (the Yard of Christ) by Henry...
Category
1920s American Impressionist Etching Landscape Prints
Materials
Paper, Ink, Etching
Wareham Bridge
Located in Missouri, MO
Wareham Bridge
Medium Drypoint
Year of Work 1877-1877
Image Size: approx. 6 in.; Width 8.9 in. / Height 15.2 cm.; Width 22.7 cm.
Sir Francis Seymour Haden (16 September 1818 - 1 June 1910), was an English surgeon, best known as an etcher.
He was born in London, his father, Charles Thomas Haden, being a well-known doctor and lover of music. He was educated at Derby School, Christ's Hospital, and University College, London, and also studied at the Sorbonne, Paris, where he took his degree in 1840. He was admitted as a member of the College of Surgeons in London in 1842.
In 1843-1844, with his friends Duval, Le Cannes and Colonel Guibout, he travelled in Italy and made his first sketches from nature. Haden attended no art school and had no art teachers, but between 1845 and 1848 he studied portfolios of prints belonging to a second-hand dealer named Love, who had a shop in Bunhill Row, the old Quaker quarter of London. Arranging the prints in chronological order, he studied the works of the great original engravers, Albrecht Dürer, Lucas van Leyden and Rembrandt. These studies, besides influencing his original work, led to his important monograph on the etched work of Rembrandt. By lecture and book, and with the aid of the memorable exhibition at the Burlington Fine Arts Club in 1877, he tried to give a true reflection of Rembrandt's work, giving a nobler idea of the master's mind by taking away from the list of his works many dull and unseemly plates that had long been included in the lists. His reasons were founded upon the results of a study of the master's works in chronological order, and are clearly expressed in his monograph, The Etched Work of Rembrandt critically reconsidered, privately printed in 1877, and in The Etched Work of Rembrandt True and False (1895).
Haden's printmaking was invigorated by his much younger brother-in-law, James Whistler, at the Haden home in Sloane Street in 1855. A press was installed there and for a while Haden and Whistler collaborated on a series of etchings of the Thames. The relationship and project did not last.
Haden followed the art of original etching with such vigour that he became not only the foremost British exponent of that art but brought about its revival in England. His strenuous efforts and perseverance, aided by the secretarial ability of Sir WR Drake, resulted in the foundation of the Royal Society of Painter-Etchers and Engravers. As president he ruled the society with a strong hand from its first beginnings in 1880.
Notwithstanding his study of the old masters of his art, Haden's own plates were very individual, and are particularly noticeable for a fine original treatment of landscape subjects, free and open in line, clear and well divided in mass, and full of a noble and dignified style of his own. Even when working from a picture his personality dominates the plate, as for example in the large plate he etched after J.M.W. Turner's "Calais Pier," which is a classical example of what interpretative work can do in black and white. Of his original plates, more than 250 in number, one of the most notable was the large "Breaking up of the Agamemnon."
An early plate, rare and most beautiful, is "Thames Fisherman". "Mytton Hall" is broad in treatment, and a fine rendering of a shady avenue of yew trees leading to an old manor-house in sunlight. "Sub Tegmine" was etched in Greenwich Park in 1859; and "Early Morning--Richmond", full of the poetry and freshness of the hour, was done, according to Haden, actually at sunrise. One of the rarest and most beautiful of his plates is "A By-Road in Tipperary"; "Combe Bottom" is another; and "Shere Mill Pond" (both the small study and the larger plate), "Sunset in Ireland," "Penton Hook," "Grim Spain" and "Evening Fishing, Longparish," are also notable examples of his genius. A catalogue of his works was begun by Sir William Drake and completed by Harrington in 1880. During later years Haden began to practise the sister art...
Category
1870s Other Art Style Etching Landscape Prints
Materials
Etching
'Downtown, New York' — 1920s Modernism
Located in Myrtle Beach, SC
John Taylor Arms, 'Downtown, New York', etching with aquatint, 1921, edition 75, Fletcher 108. Signed, dated, and numbered 14/75 in pencil.
A superb, finely nuanced impression, in d...
Category
Early 20th Century American Modern Etching Landscape Prints
Materials
Etching
Piazza Navona allagata solito farsi nelle Feste di Agosto
Located in Fairlawn, OH
Piazza Navona allagata solito farsi nelle Feste di Agosto
Etching, 1752
Signed in the plate lower right (see photo)
From: Della Magnificenze di Roma Antica e Moderna ( The Magnificen...
Category
1750s Old Masters Etching Landscape Prints
Materials
Etching
Piazza della Minerva - Rome - Etching by Giuseppe Malandrino - 1970
Located in Roma, IT
Piazza della Minerva - Rome is an artwork realized in the 1970s by Giuseppe Malandrino .
Original B.W. etching print.
Hand-signed by the artist in pencil on the lower right cor...
Category
1970s Contemporary Etching Landscape Prints
Materials
Etching
The Windmill by François Vivares, after Rembrandt
Located in Middletown, NY
Engraving on cream laid paper, 8 x 5 7/8 inches (202 x 149 mm), trimmed at the platemark. Adhered at each corner to a small sheet of archival laid paper. Horizontal edge loss at the ...
Category
Mid-18th Century Old Masters Etching Landscape Prints
Materials
Handmade Paper, Laid Paper, Etching
Christ and the Woman of Samaria Among Ruins by James Bretherton after Rembrandt
Located in Middletown, NY
Bretherton, James (After Rembrandt van Rijn).
Christ and the Woman of Samaria Among Ruins.
London: c 1775.
Etching on light cream laid paper, 4 3/4...
Category
18th Century Old Masters Etching Landscape Prints
Materials
Handmade Paper, Etching, Laid Paper
The Ponte and Castel S. Angelo (Veduta del Ponte e Castello Sant' Angelo)
Located in Fairlawn, OH
The Ponte and Castel S. Angelo
Veduta del Ponte e Castello Sant' Angelo
Etching, 1754
Signed in the plate lower right above the caption
From: Vedute di Roma
A proper Roman printing w...
Category
1750s Old Masters Etching Landscape Prints
Materials
Etching
New Bridge, Glasgow - Etching by W. H.Bartlett - 1845
Located in Roma, IT
New Bridge, Glasgow is an etching realized in 1845 by W. H. Bartlett.
Signed on the plate.
Titled on the lower center.
Good conditions with slight foxing.
The artwork is beautif...
Category
1840s Modern Etching Landscape Prints
Materials
Etching
Winter Landscape
By Hans Figura
Located in San Francisco, CA
Artist: Hans Figura (Austrian, 1898-1978)
Title: Winter Landscape
Year: Circa 1950
Medium: Color etching with aquatint on silk
Edition: Unknown
Plate mark (Image) size: 17.25 x 13.75 inches
Framed size: 23 x 19.5 inches
Signature: Hand signed in pencil by the artist
Condition: very good
Frame: Custom framed in a silver and gold frame
About the artist.
Hans Figura (Austrian, 1898-1978) was a noted painter and etcher, who was well known for his aquatint etchings on paper or satin of European and American landscape and cityscape scenes, as well as paintings of landscape and cityscape scenes, Tyrolean Alp scenes of villages and chalets, street scenes, harbor and marine scenes.
Hans Figura was born January 22, 1898, in the small town of Nagy-Kikinda near the Austro-Hungarian border, to Austrian parents. His father was a railway official and he spent his childhood in various small villages along the railway line between Vienna and Hungary. He graduated from the highschool in Vienna and also studied at the Higher Graphical Federal Education and Research Institute, a vocational school there (Höhere Graphische Bundes-Lehr und Versuchsanstalt)
As a young man, he served as an officer in the Austrian Army during WWI from 1916-18 on the Russian and Italian fronts. After the war he attended medical school at the University of Vienna for several years beginning in 1918, and seven semesters later, he passed his first state exam, but eventually decided that he preferred the arts to medicine. He also studied at the Academy of Fine Arts in Vienna (Akademie der bildenden Künste Wien) and by 1922 he had devoted himself to painting and etching, while also working in other artistic printing mediums, batik, illustration, bookbinding and working with leather.
From 1923-28, Figura made numerous art study trips throughout Europe including; Germany, Italy, France, Belgium, Holland, England, Czechoslovakia and Hungary. His first major success came in 1924, when he won acclaim for his etchings exhibited in Italy and the United States. In 1929, he visited the United States and in 1930, he traveled back to France, Holland and also Switzerland. During this time, Figura maintained studios in both New York City and Vienna, Austria. Throughout the course of his career, he exhibited his paintings and prints in many of the large cities throughout Europe and the United States and many of his etchings and paintings were acquired by museums and galleries, including The Kulturamt, Vienna, Austria; the Landesmuseum of Lower Austria; as well as The Society of Art Lovers, Berlin and Munich.
Select Exhibitions:
1924- Exhibitions in Italy and the United States.
Circa Mid 1920's-1939- All the exhibitions at the Kunstlerhaus, Vienna, Austria.
1926- "Secession...
Category
Mid-20th Century Realist Etching Landscape Prints
Materials
Etching
Composition (Cramer 36; Bloch 360; Horodisch A6), Non Vouloir, Pablo Picasso
Located in Auburn Hills, MI
Zincograph on Vélin Bouffant paper. Unsigned and unnumbered, as issued. Good condition. Notes: From the volume, Non Vouloir, 1942. Published by Éditions Jeanne Bucher, Paris; printed...
Category
1940s Cubist Etching Landscape Prints
Materials
Etching
Etching landscape prints for sale on 1stDibs.
Find a wide variety of authentic Etching landscape prints available on 1stDibs. While artists have worked in this medium across a range of time periods, art made with this material during the 21st Century is especially popular. If you’re looking to add landscape prints created with this material to introduce a provocative pop of color and texture to an otherwise neutral space in your home, the works available on 1stDibs include elements of blue, yellow, orange, red and other colors. There are many well-known artists whose body of work includes ceramic sculptures. Popular artists on 1stDibs associated with pieces like this include Giuseppe Malandrino, Giuseppe Vasi, Frans Hogenberg, and John Taylor Arms. Frequently made by artists working in the Modern, Contemporary, all of these pieces for sale are unique and many will draw the attention of guests in your home. Not every interior allows for large Etching landscape prints, so small editions measuring 0.01 inches across are also available