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1930s Landscape Prints

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Period: 1930s
Icart, Composition, Le Sopha (after)
Located in Auburn Hills, MI
La pointe sèche etching on vélin de Rives filigrané à notre nom paper. Paper size: 9.5 x 7.5 inches; image size: 6.5 x 4.5 inches. Inscription: unsigned and unnumbered, as issued. No...
Category

Modern 1930s Landscape Prints

Materials

Drypoint, Etching

Klimt, Sonnenblumen, Gustav Klimt, Eine Nachlese (after)
Located in Auburn Hills, MI
Héliogravure, collotype, metallic inks on vélin paper. Paper Size: 18.86 x 17.91 inches; image size: 12.09 x 12.2 inches. Inscription: Signed in the plate and unnumbered, as issued. ...
Category

Symbolist 1930s Landscape Prints

Materials

Lithograph

Klimt, Kirche am Wolfgangsee, Gustav Klimt, Eine Nachlese (after)
Located in Auburn Hills, MI
Héliogravure, collotype, metallic inks on vélin paper. Paper Size: 18.86 x 17.91 inches; image size: 12.01 x 12.09 inches. Inscription: Signed in the plate and unnumbered, as issued....
Category

Symbolist 1930s Landscape Prints

Materials

Lithograph

Klimt, Mohnwiese, Gustav Klimt, Eine Nachlese (after)
Located in Auburn Hills, MI
Héliogravure, collotype, metallic inks on vélin paper. Paper Size: 18.86 x 17.91 inches; image size: 11.93 x 12.09 inches. Inscription: Signed in the plate and unnumbered, as issued....
Category

Symbolist 1930s Landscape Prints

Materials

Lithograph

Cinésias et Myrrhine (Bloch 267-272; Cramer 24), Lysistrata, Pablo Picasso
Located in Auburn Hills, MI
Etching on vélin de Rives BFK paper. Paper Size: 11.5 x 9 inches. Inscription: Unsigned and unnumbered, as issued. Notes: From the album, Lysistrata, 1934. Published by The Limited E...
Category

Cubist 1930s Landscape Prints

Materials

Etching

Le Serment des femmes (Bloch 267-272; Cramer 24), Lysistrata, Pablo Picasso
Located in Auburn Hills, MI
Etching on vélin de Rives BFK paper. Paper Size: 11.5 x 9 inches. Inscription: Unsigned and unnumbered, as issued. Notes: From the album, Lysistrata, 1934. Published by The Limited E...
Category

Cubist 1930s Landscape Prints

Materials

Etching

New York City, The El at Chatham Square - Original lithograph , Handsigned / 100
Located in Paris, IDF
Adriaan Lubbers New York City, The El at Chatham Square, 1930 Original lithograph Handsigned in pencil Numbered / 100 On Rives vellum 28 x 22.5 cm (c. 11 x 9 in) Very good condition
Category

American Modern 1930s Landscape Prints

Materials

Lithograph

'New York, Central Park' — 1930s American Modernism
Located in Myrtle Beach, SC
'New York, Central Park', etching, edition 40, c. 1930. Signed in pencil. Titled and numbered '14/40' on the bottom sheet edge, in pencil. Signed in the plate, lower left. A superb, ...
Category

American Modern 1930s Landscape Prints

Materials

Etching

Angry Skies (Andante Cantabile) — Central Park, New York City
Located in Myrtle Beach, SC
Louis Lozowick, 'Angry Skies (Andante Cantabile)', lithograph, 1935; edition 10, AAA 250; Flint 123. Signed in pencil. Signed in the stone, lower left. A fine, richly-inked impressio...
Category

American Modern 1930s Landscape Prints

Materials

Lithograph

East River View of N.Y.
Located in Fairlawn, OH
East River View of N.Y. Etching, 1934 Signed, dated and titled in pencil by the artist From a very small edition. Brilliant impression Condition: Excellent Image/Plate size: 5-1/8 x...
Category

American Modern 1930s Landscape Prints

Materials

Etching

Composition, Le Peseur d'âmes (The Weigher of Souls), Francis Picabia
Located in Auburn Hills, MI
Lithograph and stencil on vélin d'Arches paper. Unsigned and unnumbered, as issued. Good Condition. Notes: From the volume, Le Peseur d'âmes, précédé d'un frontispice et suivi de hui...
Category

Modern 1930s Landscape Prints

Materials

Lithograph, Stencil

'The Beach at Kaiganji in Sanuki Province' — Lifetime Impression
Located in Myrtle Beach, SC
The Beach at Kaiganji in Sanuki Province (Sanuki Kaiganji no hama), from the series Collected Views of Japan II, Kansai Edition (Nihon fûkei shû II Kansai hen), woodblock print, 1934. A very fine, atmospheric impression, with fresh colors; the full sheet, in excellent condition. Signed 'Hasui' with the artist’s seal 'Kawase', lower left. Published by Watanabe Shozaburo with the Watanabe ‘D’ seal indicating an early impression printed between 1931 - 1941. Stamped faintly 'Made in Japan' in the bottom center margin, verso. Horizontal ôban; image size 9 3/8 x 14 1/4 inches (238 x 362 mm); sheet size approximately 10 5/16 x 15 1/2 inches ( 262 x 394 mm). Collections: Art Institute of Chicago; Austrian Museum of Applied Arts (Vienna); Honolulu Museum of Art; Museum of Fine Arts, Boston; National Museum in Warsaw; University of Wisconsin-Madison. ABOUT THE ARTIST “I do not paint subjective impressions. My work is based on reality...I can not falsify...(but) I can simplify…I make mental impressions of the light and color at the time of sketching. While coloring the sketch, I am already imagining the effects in a woodblock print.” — Kawase Hasui Hasui Kawase...
Category

Showa 1930s Landscape Prints

Materials

Woodcut

STORM LINED - Large Format Gearhart
Located in Santa Monica, CA
FRANCES H. GEARHART (1869-1958) STORM LINED c.1936 Color block print, signed and titled in pencil 13 ¼ x 10 1/8, full sheet 14 3/8 x 11 ¼” with deckle edge on her typical fibrous Ja...
Category

Abstract Impressionist 1930s Landscape Prints

Materials

Color, Woodcut

Prodigal Son
Located in London, GB
A man raises his hand to his chin, his neck tilted and face turned to look at a dilapidated farmhouse, barely held together by planks of wood and exposed to the elements. Behind him ...
Category

American Modern 1930s Landscape Prints

Materials

Lithograph

Ann Nooney, (Loading the Lumber Barge, NYC)
Located in New York, NY
The dimensions are for the image. There are large margins. Signed in pencil. A native New Yorker, Ann Nooney (1900-1970), recorded the urban scene while on the Works Progress Admini...
Category

American Realist 1930s Landscape Prints

Materials

Lithograph

Accord entre les Athéniens et les Spartiates, la paix (Bloch 267-272; C. 24)
Located in Auburn Hills, MI
Etching on vélin de Rives BFK paper. Paper Size: 11.5 x 9 inches. Inscription: Unsigned and unnumbered, as issued. Notes: From the album, Lysistrata, 1934. Published by The Limited E...
Category

Cubist 1930s Landscape Prints

Materials

Etching

Simka Simkhovitch WPA Artist Lithograph Island Beach 1933 American Modernist
Located in Surfside, FL
Simka Simkhovitch (Russian/American 1893 - 1949) signed lithograph. Pencil signed and dated "S. Simkhovitch 1933" lower center. Title "Island Beach,"...
Category

American Modern 1930s Landscape Prints

Materials

Lithograph

Au Jardin d'Allah, Verve: Revue Artistique et Littéraire
Located in Auburn Hills, MI
Lithograph on vélin des Papeteries du Marais paper. Paper Size: 14 x 10.25 inches. Inscription: Unsigned and unnumbered, as issued. Notes: From the album, Verve: Revue Artistique et ...
Category

Fauvist 1930s Landscape Prints

Materials

Lithograph

Refinery Scene
Located in Fairlawn, OH
Refinery Scene Lithgrah, c. 1930 Signed in pencil lower right. (see photo) Edition c. 14 Two impressions in the artist's estate. The other impression I sold to Dave and Reba Willia...
Category

American Realist 1930s Landscape Prints

Materials

Lithograph

Open Air School (iconic image of indigenous teacher by Mexican muralist)
Located in New Orleans, LA
An indigenous teacher, surrounded by her multi-generational students, sits at the edge of a field, open book in hand. In the distance, we see campesinos working the fields with their horses. A lone, armed horseman watches over the class, locating the lithograph in its historical setting, the aftermath of the Mexican Revolution...
Category

Modern 1930s Landscape Prints

Materials

Lithograph

Figure, Verve: Revue Artistique et Littéraire
Located in Auburn Hills, MI
Lithograph on vélin des Papeteries du Marais paper. Paper Size: 14 x 10.25 inches. Inscription: Signed in the plate and unnumbered, as issued. Notes: From the album, Verve: Revue Art...
Category

Cubist 1930s Landscape Prints

Materials

Lithograph

Post Impressionist Lithograh entitled “LE HAVRE” by Raoul Dufy
Located in New York, NY
This losely rendered and highly narrative Post Impressionist Lithograh entitled “LE HAVRE” by Raoul Dufy originates from France, Circa 1930. A striking composition, this lithograph f...
Category

Post-Impressionist 1930s Landscape Prints

Materials

Lithograph

Bogenschütze (Roethel 79), XXe Siècle, Wassily Kandinsky
Located in Auburn Hills, MI
Woodcut on wove paper. Inscription: Unsigned and unnumbered, as issued. Good condition. Notes: From the volume, XXe Siècle, n°3, July-August-September 1938. Published and printed und...
Category

Modern 1930s Landscape Prints

Materials

Woodcut

FISH MARKET
Located in Santa Monica, CA
FRANCES H. GEARHART (1869 – 1958) FISH MARKET 1930 Color block print, Signed and titled in pencil. Image 11 x 9 inches. Full sheet with deckle edges 14 3/...
Category

1930s Landscape Prints

Materials

Woodcut

Bowling on the Green (from the Bicentennial Pageant of George Washington)
Located in Soquel, CA
Bowling on the Green (from the Bicentennial Pageant of George Washington) 'Bowling on the Green', by printmaker Frederick Childe Hassam, depicts George Washington and friends lawn b...
Category

American Impressionist 1930s Landscape Prints

Materials

Ink, Etching, Laid Paper

Werner Drewes, Winter, 1933, modernist woodcut
Located in New York, NY
A modernist fantasy winter scene created by Werner Drewes, this print brings key aspects of the period together. His cubist-inspired woodcut technique is utilized here to bring the s...
Category

American Modern 1930s Landscape Prints

Materials

Woodcut

French Landscape - Original Etching by E. Corneau - 1930s
Located in Roma, IT
French Landscape is an original artwork realized by Eugène Corneau during the 1930s. Etching and drypoint on paper. Very good conditions except for some small folds on the left mar...
Category

Modern 1930s Landscape Prints

Materials

Drypoint, Etching

L'Eau, Verve: Revue Artistique et Littéraire
Located in Auburn Hills, MI
Lithograph on vélin des Papeteries du Marais paper. Paper Size: 14 x 10.25 inches. Inscription: Signed in the plate and unnumbered, as issued. Notes: From the album, Verve: Revue Art...
Category

Cubist 1930s Landscape Prints

Materials

Lithograph

Fishing
Located in Milwaukee, WI
7.25 x 12.25 inches (sheet), 5 x 11.88 inches (block) Framed 12.63 x 19.50 in Linoleum block print on laid paper Unsigned
Category

1930s Landscape Prints

Materials

Linocut

Composition, Le Livre Blanc, Jean Cocteau
Located in Auburn Hills, MI
Lithograph and stencil with hand coloring on vélin d'Arches paper. Inscription: unsigned and unnumbered, as issued. Good condition. Notes: from the folio, Le Livre blanc, précédé d'u...
Category

Modern 1930s Landscape Prints

Materials

Lithograph, Stencil

Les Champs-Élysées, Place de la Concorde, A La gloire à Paris, Raoul Dufy
Located in Auburn Hills, MI
Etching on vélin Canson et Montgolfier paper. Unsigned and unnumbered, as issued. Good condition. Published by L'Imprimerie Daragnès, Paris; printed by Jean Gabriel Daragnès, Paris, ...
Category

Modern 1930s Landscape Prints

Materials

Etching

'Financial District', New York City — American Modernism
Located in Myrtle Beach, SC
Howard Cook, 'Financial District', lithograph, 1931, edition 75, Duffy 155. A fine, richly-inked impression, on cream wove paper, the full sheet with wide margins (2 3/4 to 5 5/8 inches), in excellent condition. Image size 13 5/16 x 10 3/8 inches (338 x 264 mm); sheet size 23 x 16 inches (584 x 406 mm). Matted to museum standards, unframed. Literature: 'American Master Prints from the Betty and Douglas Duffy Collection', the Trust for Museum Exhibitions, Washington, D.C., 1987. Collections: Crystal Bridges Museum of American Art, Library of Congress, Metropolitan Museum of Art, Philadelphia Museum of Art, Smithsonian American Art Museum. ABOUT THE ARTIST Howard Norton Cook (1901-1980) was one of the best-known of the second generation of artists who moved to Taos. A native of Massachusetts, he studied at the Art Students League in New York City and at the Woodstock Art Colony. Beginning his association with Taos in 1926, he became a resident of the community in the 1930s. During his career, he received two Guggenheim Fellowships and was elected an Academician in the National Academy of Design. He earned a national reputation as a painter, muralist, and printmaker. Cook’s work in the print mediums received acclaim early in his career with one-person exhibitions at the Denver Art Museum (1927) and the Museum of New Mexico (1928). He received numerous honors and awards over the years, including selection in best-of-the-year exhibitions sponsored by the American Institute of Graphics Arts, the Brooklyn Museum, the Society of American Etchers, and the Philadelphia Print Club. His first Guggenheim Fellowship took him to Taxco, Mexico in 1932 and 1933; his second in the following year enabled him to travel through the American South and Southwest. Cook painted murals for the Public Works of Art Project in 1933 and the Treasury Departments Art Program in 1935. The latter project, completed in Pittsburgh, received a Gold Medal from the Architectural League of New York. One of his most acclaimed commissions was a mural in the San Antonio Post Office in 1937. He and Barbara Latham settled in Talpa, south of Taos, in 1938 and remained there for over three decades. Cook volunteered in World War II as an Artist War Correspondent for the US Navy, where he was deployed in the Pacific. In 1943 he was appointed Leader of a War Art Unit...
Category

American Modern 1930s Landscape Prints

Materials

Lithograph

HORSE FRIGHTENED BY LIGHTNING - Proof imp - One of Sheet's Most Important Prints
Located in Santa Monica, CA
MILLARD SHEETS (1987 – 1989) HORSE FRIGHTENED BY LIGHTNING, 1939 Lithograph signed in pencil, annotated “TRIAL PROOF”. The published edition is 75. Image, 17 x 22”. Sheet 19 ½” x 2...
Category

American Modern 1930s Landscape Prints

Materials

Lithograph

DESERT BARRIER
Located in Santa Monica, CA
FRANCES H. GEARHART (1869-1958) DESERT BARRIER c. 1933 Color block print, unsigned 12 x 9 ¼”. Typical original margins on good fibrous japan paper. Many very good impressions by G...
Category

American Impressionist 1930s Landscape Prints

Materials

Woodcut

A 1930s Etching & Aquatint of Palmolive Building Chicago by S. Chester Danforth
Located in Chicago, IL
A 1930s, Art Deco etching & aquatint of the Palmolive Building in Chicago by notable print maker S. Chester Danforth. Image size: 14 1/4" x 8". Archivally matted to 20" x 14". S....
Category

Art Deco 1930s Landscape Prints

Materials

Paper, Etching, Aquatint

VALLEY RAMPARTS -
Located in Santa Monica, CA
FRANCES H. GEARHART (1869-1958) VALLEY RAMPARTS 1933 Color block print, signed and titled in pencil. 10 1/8 x 12 inches. Very large and good impression In generally good condition. ...
Category

Impressionist 1930s Landscape Prints

Materials

Woodcut

Spring Night, Greenwich Village
Located in Storrs, CT
Spring Night, Greenwich Village. 1930. Drypoint and sand ground. McCarron 85. 10 x 12 3/8 (sheet 13 1/4 x 15 5/8)). Edition 92. A rich, tonal impress...
Category

American Modern 1930s Landscape Prints

Materials

Drypoint, Etching

'Hill' — American Modernism, California
Located in Myrtle Beach, SC
Paul Landacre, 'Hill', wood engraving, 1936, edition 60 (only 54 printed); only 2 impressions printed in a second edition of 150. Signed, titled, and numbered '49/60' in pencil. Wien...
Category

American Modern 1930s Landscape Prints

Materials

Woodcut

Stoops in Snow
Located in Storrs, CT
Stoops in Snow. 1930. Drypoint and sandpaper ground. McCarron catalog 89.state ii. 9 x 14 7/8 (sheet 13 1/4 x 18 7/16 ). Edition 115 recorded impressio...
Category

American Modern 1930s Landscape Prints

Materials

Drypoint, Etching

Street in Marblehead, Massachussets
Located in Middletown, NY
Drypoint etching on white, buff laid paper with deckle edges, 8 13/16 x 12 inches (224 x 305 mm), full margins. One of only 25 proof impressions. In superb condition with excellent i...
Category

American Modern 1930s Landscape Prints

Materials

Archival Paper, Drypoint, Etching

Composition (Roethel 201), XXe Siècle, Wassily Kandinsky
Located in Auburn Hills, MI
Woodcut on wove paper. Inscription: Unsigned and unnumbered, as issued. Good condition. Notes: From the volume, XXe Siècle, n°5-6, February-March 1939. Published and printed under th...
Category

Modern 1930s Landscape Prints

Materials

Woodcut

La Cité Notre Dame (Duthuit I.248), A La gloire à Paris, Henri Matisse
Located in Auburn Hills, MI
Etching on vélin Canson et Montgolfier paper. Unsigned and unnumbered, as issued. Good condition. Published by L'Imprimerie Daragnès, Paris; printed by Jean Gabriel Daragnès, Paris, ...
Category

Modern 1930s Landscape Prints

Materials

Etching

Original Lisieux Centre Mondial de Pelerinage (pilgrimage) vintage French poster
By Fred Money
Located in Spokane, WA
Original linen-backed Lisieux travel poster, printed by the French State Railways. Centre Mondial de Pèlerinage. Archival linen-backed and in very fine condition, ready for framing. Artist: Fred...
Category

American Modern 1930s Landscape Prints

Materials

Offset

La terre, Verve: Revue Artistique et Littéraire
Located in Auburn Hills, MI
Lithograph on vélin des Papeteries du Marais paper. Paper Size: 14 x 10.25 inches. Inscription: Signed in the plate and unnumbered, as issued. Notes: From the album, Verve: Revue Art...
Category

Surrealist 1930s Landscape Prints

Materials

Lithograph

Down the River
Located in London, GB
In this sentimental work from 1939, Benton expresses his admiration for the rural lifestyle of the Midwest. He highlights the connection between man and the land by depicting two fig...
Category

American Modern 1930s Landscape Prints

Materials

Lithograph

'Laguna Cove' — American Modernism, California
Located in Myrtle Beach, SC
Paul Landacre, 'Laguna Cove', wood engraving, 1935; edition 60 (16 printed), 2nd edition 150 (6 printed), Woodcut Society 200, Wien 247. Signed and titled in pencil. A brilliant, black impression, on cream wove Japan, with full margins (3/4 to 1 3/4 inches), in excellent condition. Archivally matted to museum standards, unframed. This impression is from the edition published for the Twentieth Presentation Print of the Woodcut Society, 1941. Printed by Torch Press, Cedar Rapids. Literature: Reproduced in 'James Swann...
Category

American Modern 1930s Landscape Prints

Materials

Woodcut

Figurative Picasso Etching, 'Minotaure Endormi Contemplé Par Une Femme', 1933
Located in New York, NY
"Minotaure Endormi Contemplé Par Une Femme" (1933) is a striking and emotionally charged work by Pablo Picasso, capturing the artist’s complex engagement with mythology, surrealism, ...
Category

Cubist 1930s Landscape Prints

Materials

Laid Paper, Etching

MORNING IN YOSEMITE
Located in Santa Monica, CA
HAROLD L. DOOLITTLE (1883 - 1974) MORNING IN YOSEMITE c 1938 Aquatint, signed and titled in pencil by the artist. Plate size 13 3/8 x 9 3/4". Sheet 16 x 11 1/8" with deckle edges. Doolittle was a renaissance man. His day job was as an engineer for the Edison Electric Co. But he produced an outstanding body of prints for 5 decades as well as photographs. His very rare arts and crafts furniture is highly sought after. He was a long time member and officer in the California Print...
Category

American Realist 1930s Landscape Prints

Materials

Aquatint

Samuel Chamberlain, The Public Gaol, Williamsburg (Virginia)
Located in New York, NY
Samuel Chamberlain was a superb draftsman and his architectural images are often very complex. This image is, by contrast, quiet and understated: serene to the point of lonely. It's ...
Category

American Modern 1930s Landscape Prints

Materials

Drypoint

Reiterweg (Roethel 111), XXe Siècle, Wassily Kandinsky
Located in Auburn Hills, MI
Woodcut on wove paper. Inscription: Unsigned and unnumbered, as issued. Good condition. Notes: From the volume, XXe Siècle, n°3, July-August-September 1938. Published and printed und...
Category

Modern 1930s Landscape Prints

Materials

Woodcut

Klimt, Haus im Garten, Gustav Klimt, Eine Nachlese (after)
Located in Auburn Hills, MI
Héliogravure, collotype, metallic inks on vélin paper. Paper Size: 18.86 x 17.91 inches; image size: 12.13 x 12.24 inches. Inscription: Signed in the plate and unnumbered, as issued....
Category

Symbolist 1930s Landscape Prints

Materials

Lithograph

Présence de Paris, A La gloire à Paris, Jean Gabriel Daragnès
Located in Auburn Hills, MI
Etching on vélin Canson et Montgolfier paper. Unsigned and unnumbered, as issued. Good condition. Published by L'Imprimerie Daragnès, Paris; printed by Jean Gabriel Daragnès, Paris, ...
Category

Modern 1930s Landscape Prints

Materials

Etching

Haystack
Located in London, GB
A fine impression of this very popular image with full margins (smaller on top and bottom) published by Associated American Artists.
Category

American Modern 1930s Landscape Prints

Materials

Lithograph

Cinésias et sa famille (Bloch 267-272; Cramer 24), Lysistrata, Pablo Picasso
Located in Auburn Hills, MI
Etching on vélin de Rives BFK paper. Paper Size: 11.5 x 9 inches. Inscription: Unsigned and unnumbered, as issued. Notes: From the album, Lysistrata, 1934. Published by The Limited E...
Category

Cubist 1930s Landscape Prints

Materials

Etching

Picasso, Composition, Picasso 1930-1935, Cahiers d'Art (after)
Located in Auburn Hills, MI
Lithograph on vélin paper. Unsigned and unnumbered, as issued. Good condition. Notes: From the album, Picasso 1930-1935, 1936. Published and printed by Éditions des Cahiers d'Art, Pa...
Category

Modern 1930s Landscape Prints

Materials

Lithograph

Dark House
Located in New Orleans, LA
Dark House is a soft-ground etching with aquatint signed in pencil by the artist. This image is in the collection of the Detroit Institute of the Arts Printmaker Earl Horter, born in 1881 in Germantown, Pennsylvania, was known for his realistic etchings and aquatints of urban scenes, though he was also an illustrator and painter. As a teenager, he engraved stock certificates. He was essentially self-taught, though he did take an etching class when he moved to New York City in 1903 to work for an advertising agency. Horter had a one-man show in 1916 in New York City at the Frederick Keppel and Company gallery. He was given the exhibition by Carl Zigrosser, later the first Curator of Prints and Drawings at the Museum of Modern Art. Horter was back in Philadelphia in 1917, where he would remain until his death in 1940. He worked there as art director for the N. W. Ayer advertising firm from 1917-1923. Horter was a member of the Society of Illustrators. He exhibited at the Pan American Exposition in 1915 in San Francisco, California; the Art Institute of Chicago, Illinois; and the Philadelphia Print Club's National Exhibition of Prints; as well as Corcoran Gallery biennials from 1935 to 1939, in Washington, D.C. Horter is listed in "Mantle Fielding's Dictionary of American Artists"; "Who Was Who in American Art"; and Mallett's "Index of Artists". Though not a man of extraordinary means, Horter was a lover of modernist art, which he gradually purchased, creating an important collection, well ahead of its time in America, of Cubist and Precisionist works, as well as African sculpture and Native American artifacts. Artists Horter collected include Europeans Picasso, Braque, Duchamp and Brancusi, and Americans Charles Sheeler and Arthur B. Carles. He was a friend of Carles, as well as other artists and collectors such as Leopold Stokowski, conductor of the Philadelphia Orchestra; Franklin Watkins; S. S. White; and Carroll Tyson...
Category

American Modern 1930s Landscape Prints

Materials

Etching

La Promenade en Bateau - Lithograph by Raoul Dufy - 1930s
Located in Roma, IT
La Promenade en Bateau is an original modern artwork realized by Raoul Dufy in 1930s Original Lithograph. Good conditions. Raoul Dufy (1877-1953) He was a French artist and design...
Category

Modern 1930s Landscape Prints

Materials

Lithograph

'Plowing It Under' — WPA Era American Regionalism
Located in Myrtle Beach, SC
Thomas Hart Benton, 'Goin' Home', lithograph, 1937, edition 250, Fath 14. Signed in pencil. Signed in the stone, lower right. A fine, richly-inked impression, on off-white, wove pape...
Category

American Realist 1930s Landscape Prints

Materials

Lithograph

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