Plant Landscape Prints

This rare Original 1920s authentic print is a Taisho Period Woodblock print published from the Japan 1920's The Nippon Mokuhan Gasui, Masterpieces Series.; it is authentically hand ...

M.C. ESCHER (1898-1972) Birds and Fishes, 2008 Facsimile after the original woodcut from 1943 Unsigned Numbered / 450 copies (the number you can see can be different) On vellum 45 x...

This exquisite lithograph after Andrew Wyeth (1917–2009), titled May Day, originates from the distinguished 1962 folio The Four Seasons: Paintings and Drawings by Andrew Wyeth. Published and printed by Art in America Company, Inc., New York, the edition embodies Wyeth’s lyrical study of springtime renewal and human connection to the land. May Day captures a tender seasonal moment—nature reawakening beneath soft light—rendered with Wyeth’s quiet precision and emotional restraint that elevate the ordinary into the timeless. Executed on velin paper, this lithograph measures 17 x 13 inches (43.2 x 33 cm). As issued, it is unsigned and unnumbered, representing the folio’s authentic format. The Four Seasons series was conceived by the editors of Art in America in collaboration with Andrew and Betsy Wyeth, who selected drawings from the artist’s studio and private collection to express the cyclical harmony between nature and spirit. Each image reflects Wyeth’s devotion to atmosphere and the fragile poetry of the passing year. Artwork Details: Artist: After Andrew Wyeth (1917–2009) Title: May Day, from The Four Seasons, Paintings and Drawings by Andrew Wyeth, 1962 Medium: Lithograph on velin paper Dimensions: 17 x 13 inches (43.2 x 33 cm) Inscription: Unsigned and unnumbered, as issued Date: 1962 Publisher: Art in America Company, Inc., New York Printer: Art in America Company, Inc., New York Condition: Well preserved, consistent with age and medium Provenance: From the 1962 folio The Four Seasons, Paintings and Drawings by Andrew Wyeth, published and printed by Art in America Company, Inc., New York Notes: Excerpted from the 1962 folio: "In 1962 the editors of Art in America proposed to Wyeth a portfolio of images of his recent dry-brush drawings. The artist and his wife suggested the theme, 'The Four Seasons,' because of the essential role played in his work by the cycle of the seasons. The drawings were selected by Andrew and Betsy Wyeth from works in the house and studio at Chadds Ford, supplemented by some owned by friends. With a few exceptions they had never been exhibited or reproduced. The plates were made directly from the originals. In these drawings Wyeth's loving concentration on the object is fully revealed. But as always in his work, this concern with the tangible is balanced by sensibility to mood, to the emotion arising from the actual. They are pervaded with a sense of the season—the exact time of year, the hour of the day, the quality of the light. To the truth and subtlety with which he captures these intangible factors, these drawings owe their poignant poetry." About the Artist: Andrew Wyeth (1917–2009) was an American visual artist and one of the best-known painters of the mid-20th century. Although he considered himself an abstractionist, Wyeth’s work is characterized by a meticulous realism imbued with psychological depth and atmosphere. He often painted the landscapes and people surrounding his homes in Chadds Ford, Pennsylvania, and Cushing, Maine, creating an intimate record of American rural life. The son of the celebrated illustrator N. C. Wyeth, Andrew trained under his father before developing his own deeply personal visual language inspired by Winslow Homer, Henry David Thoreau, and King Vidor. His wife, Betsy Wyeth, was both his muse and career manager, while his son Jamie Wyeth continued the family’s artistic legacy. Among Wyeth’s best-known works is Christina’s World (1948), housed in the Museum of Modern Art, New York—a quintessential image of 20th-century American art. His other notable series include The Helga Pictures and his window studies, each reflecting a profound meditation on solitude, memory, and perception. Wyeth was the first painter to receive both the Presidential Medal of Freedom and the Congressional Gold Medal, and was elected to the French Académie des Beaux-Arts in 1980. In 2022, Andrew Wyeth's painting Day Dream sold for USD 23.29 million at Christie’s New York, setting a world record for the artist. Andrew Wyeth lithograph...

This stunning large Artist's Proof is an one-off, hand-painted with highlights by the artist , signed at front and on the back label too; this proof is 80% hand painted with original...

Werner Bronkhorst, Birdie Chance, 2025 Giclée print on heavyweight 395gsm matte Canson Infinity PhotoArt ProCanvas, made with long-lasting Epson archival inks. Hand-stretched over F...

This exquisite lithograph by Marc Chagall (1887–1985), titled Paradis I (Paradise I), from Marc Chagall, Dessins Pour La Bible (Drawings for the Bible), Verve: Revue Artistique et Litteraire, Vol. VIII, No. 33–34, originates from the September 1956 issue published by Editions de la revue Verve, Paris, under the direction of Teriade, Editeur, Paris, and printed by Mourlot Freres, Paris, 1956. This radiant and dreamlike composition envisions the Garden of Eden as a symbol of divine harmony and innocence, where life, color, and spirit coexist in perfect unity. Through lyrical forms and glowing tonal contrasts, Chagall expresses a vision of creation that transcends narrative, merging spiritual wonder with emotional warmth. Paradis I embodies the artist’s enduring fascination with the sacred origins of life and the poetic balance between the earthly and the eternal. The piece forms part of Chagall’s celebrated series of lithographs and drawings created for Dessins Pour La Bible, a monumental project uniting art, scripture, and mysticism in one of the artist’s most important achievements. Executed as a lithograph on velin du Marais paper, this work measures 14 x 10.5 inches (35.56 x 26.67 cm). Unsigned and unnumbered as issued. The edition exemplifies the superb craftsmanship of the Mourlot Freres atelier, renowned for its collaborations with the greatest modern masters of the 20th century. Artwork Details: Artist: Marc Chagall (1887–1985) Title: Paradis I (Paradise I), from Marc Chagall, Dessins Pour La Bible (Drawings for the Bible), Verve: Revue Artistique et Litteraire, Vol. VIII, No. 33–34, September 1956 Medium: Lithograph on velin du Marais paper Dimensions: 14 x 10.5 inches (35.56 x 26.67 cm) Inscription: Unsigned and unnumbered as issued Date: 1956 Publisher: Editions de la revue Verve, Paris, under the direction of Teriade, Editeur, Paris Printer: Mourlot Freres, Paris Catalogue raisonne references: Cain, Julien, and Fernand Mourlot. Chagall Lithographe. Andre Sauret, Editeur, 1960, illustrations 117–46. Cramer, Patrick, and Meret Meyer. Marc Chagall: Catalogue Raisonne Des Livres Illustrés. P. Cramer ed., 1995, illustration 25. Condition: Well preserved, consistent with age and medium Provenance: From Marc Chagall, Dessins Pour La Bible (Drawings for the Bible), Verve: Revue Artistique et Litteraire, Vol. VIII, No. 33–34, published by Editions de la revue Verve, Paris, 1956 Notes: Excerpted from the album (translated from French), This double issue of Verve is dedicated to the full reproduction in heliogravure of the one hundred-five plates etched by Marc Chagall, between 1930 and 1955, for the illustration of the Bible. The artist composed especially for the present work, sixteen lithographs in color and twelve in black, as well as the cover and the title page. This volume was completed and printed on September 10, 1956, by the Master Printers Draeger Freres for heliogravure, and by Mourlot Freres for lithography. About the Publication: Marc Chagall, Dessins Pour La Bible (Drawings for the Bible), published as Verve Vol. VIII, No. 33–34 in September 1956, represents one of the crowning achievements of Chagall’s lifelong dialogue with the sacred. Conceived and directed by the visionary publisher Teriade and printed by the master lithographers Mourlot Freres, the issue features thirty-four color lithographs and numerous black-and-white drawings inspired by biblical figures and stories. Chagall’s works for this edition unite text and image in a luminous meditation on divine creation, moral struggle, and spiritual renewal, imbued with his signature dreamlike symbolism and radiant color. Produced in postwar Paris, this landmark publication reaffirmed the enduring union of art and faith, establishing Dessins Pour La Bible as one of the most important illustrated works of the 20th century. About the Artist: Marc Chagall (1887–1985) was a Belarus-born French painter, printmaker, and designer whose visionary imagination, radiant color, and deeply poetic symbolism made him one of the most beloved and influential artists of the 20th century. Rooted in the imagery of his Jewish heritage and the memories of his childhood in Vitebsk, Chagall’s art wove together themes of faith, love, folklore, and fantasy with a dreamlike modern sensibility. His unique style—merging elements of Cubism, Fauvism, Expressionism, and Surrealism—defied categorization, transforming ordinary scenes into lyrical meditations on memory and emotion. Influenced by Russian icon painting, medieval religious art, and the modern innovations of artists such as Pablo Picasso, Henri Matisse, and Georges Braque, Chagall developed a profoundly personal visual language filled with floating figures, vibrant animals, musicians, and lovers that symbolized the transcendent power of imagination and love. During his early years in Paris, he became an integral part of the Ecole de Paris circle, forming friendships with Amedeo Modigliani, Fernand Leger, and Sonia Delaunay, and his creative spirit resonated with that of his peers and successors—Alexander Calder, Alberto Giacometti, Salvador Dali, Joan Miro, Wassily Kandinsky, Marcel Duchamp, and Man Ray—artists who, like Chagall, sought to push the boundaries of perception, emotion, and form. Over a prolific career that spanned painting, printmaking, stained glass, ceramics, and stage design, Chagall brought an unparalleled poetic sensibility to modern art, infusing even the most abstract subjects with human warmth and spiritual depth. His works are held in the most prestigious museums around the world, including the Museum of Modern Art, the Centre Pompidou, the Tate, and the Guggenheim, where they continue to inspire generations of artists and collectors. The highest price ever paid for a Marc Chagall artwork is approximately $28.5 million USD, achieved in 2017 at Sotheby’s New York for Les Amoureux (1928). Marc Chagall Paradis...

from a series of photographic observances capturing the antics of urban gardening and striking art of topiaries' green minimalism Topiary I by Frank Schott 59.5 x 59.5 inches (1...

large scale photogaph from a series of photographic observances capturing the antics of urban gardening and whimsical botanical art of topiaries' green minimalism TOPIARY II by Fran...

from a series of photographic observances capturing the antics of urban gardening and striking art of topiaries' green minimalism Topiary I by Frank Schott ...

Original Stan Galli "Pacific Northwest" United Air Lines Vintage Poster – Stunning Mid-Century Travel Art. Archival linen backed in excellent condition, ready to frame. Grade A. ...

Lively French lithograph of sunflower field with multiple tones of yellows, orange, red, and while sunflowers, circa 1960. Original artwork on paper ...

Eve Stockton’s woodcut prints are inspired by close observation of nature and her eclectic interest in science. Her woodcuts depict nature at different scales, often simultaneously. ...

Plage de France, Côte d’Argent, le Bassin d’Arcachon by A. Marguet (1960) — Original French Travel Poster. Archival linen-backed in very fine condition, ready to frame. Grade A- co...

GOING TO CHURCH was the very first limited edition print created by the self-taught African American artist William Tolliver (b.1951-2000) in 1987. GOING TO CHURCH is an original han...

This image is from an exclusive edition published by Stone + Press in 1994 in an edition of 100. This impression is #98. It brings to mind the Robert Frost poem, Stopping by Woods on a Snowy Evening. The woods are lovely, dark and deep, But I have promises to keep, And miles to go before I sleep, And miles to go before I sleep. Mary Teichman...

large scale photogaph from a series of photographic observances capturing the antics of urban gardening and whimsical botanical art of topiaries' green minimalism TOPIARY II by Fran...

Landscape is an original etching on paper realized by Maro Logli. Hand-signed at the bottom of the image. numbered on the lower right, edition, IX/XXX. very good condition. Sheet...

This series of cyanotype triptychs showcases the beauty of nature scenes, including stunning beaches and oceans, as well as the intricate textures of w...

Image dimensions: 14.7 x 19.8 cm. La Cava is an original black and white etching on paper, printed in 1843 as a plate of the print suite "90 Views of the citi...

American Crow by J.J. Audubon from his Birds of America folio shows an adult male crow in a Black Walnut bush with a nest of a Ruby-Throated Hummingbird in a branch below the crow. This original chromolithograph plate no. 226 is in good condition with a repairable water mark in the image on the left side as can be seen in the photos. The ” Birds of America” by John James...

Jon Carsman Faded Glory - 1978 Print - Silkscreen, on Arches archival paper 34¼'' x 24'' inches Edition: signed in pencil and marked 156/100 image size 20" x 30" inches “Jon Cars...

Hilltopper is an original, hand drawn, limited edition lithograph(not a photo reproductioon or digital print) by Peter Sculthorpe (b.1948 Ontario, Canada) printed using hand lithography techniques on archival Arches paper, 100% acid free. Hilltopper is a finely detailed winter landscape drawing depicting a snow covered hilltop with a lone, English style horseback rider and nature details including dried grasses, branches, and large bare tree firmly anchored to the frozen earth. Print size - 32 x 27 inches, unframed, excellent condition, hand signed in pencil by Peter Sculthorpe, numbered PP (Printers Proof) aside from the edition of 275 Edition size - 275, plus proofs Year published - 1989 Printer - J K Fine Art Editions Co. NY Peter Sculthorpe's paintings are well known for their true to life depictions of rural stone barns, color changing shadowy skies, snow covered landscapes, cows, horses, lone figures that capture the countryside and stone architecture of the Brandywine Valley...

A single oak tree in a meadow with the grass aglow in early morning. These are the foggy woods in the hills of Oakland, across the bay from San Francisco. This is a photograph printe...

A large scale photograph of lush emerald green nature biotope, a highly detailed observation of the natural beauty of Northern California's coastal redwood forest Redwoods Study II ...

Landscapes Of Autumn is a modern artwork realized by the painter Rolandi, in the 1980s. Mixed colored screen print. Hand signed on the lower right margin. Artist's proof (as reported on the lower left margin) Dry stamp on the lower margin. Maurizio Coccia, also known as "Rolandi" painter, engraver, sculptor, artistic decorator. Born in Rome in 1940, he studied painting and turned to the masters of the Via Margutta and was inspired by the works of Cagli and Guttuso. After making his debut in the 70s with two exhibitions in Trieste and Rieti, he also exhibits in the United States and in the major Italian galleries...

The Lion of Venice, representing Mark the Evangelist, is a winged lion, is an aspect of the Tetramorph. On the pinnacle of St Mark's Cathedral he is depicted as holding a Bible, and ...

Original "Mexico, País de Maravillas" Linen-Backed Vintage Poster, c. 1950s. Grade A- condition. Immerse yourself in the vibrant charm of mid-c...

Exclusive limited edition cyanotype diptych. Details: + Title: Duo of Egyptian Palms + Year: 2024 + Edition Size: 20 + Medium: Cyanotype on Watercolor Paper...

Janick LEDERLE Little Street in Santorini Original lithograph (Mourlot) Handsigned in pencil Limited /275 copies On vellum 55 x 39 cm (c. 21.6 x 15,3 in) Excellent condition

Extra large scale photograph of lush tropical rainforest botanical tableau, from a series of highly detailed large format nature observations, an homage to the fantastical jungle pai...

A large scale photograph of lush emerald green nature biotope, a highly detailed observation of the natural beauty of Northern California's coastal redwood...

Growing Tall Max Epstein, Canadian (1932–2002) Date: 1980 Screenprint, signed and numbered in pencil Edition of 295 Image Size: 28 x 18.5 inches Size: 35 in. x 23 in. (88.9 cm x 58.4...

Aspen Study III by Frank Schott a series of images capturing the yellow golden Indian summer foliage palette of aspen trees in California's Sierra Nevada...

HAROLD LUKENS DOOLITTLE (1873 - 1974) WESTERN PEAKS c. 1945 Aquatint signed and titled in pencil. 6 3/4 x 8 7/8 sheet 9 5/8 x 12 3/4. Good condition save for just a hint of darkening within the window and small bits if tape on the sheet edge verso. Doolittle was a renaissance man. His day job was as an engineer for the Edison Electric Co. But he produced an outstanding body of prints for 5 decades as well as photographs. His very rare arts and crafts furniture is highly sought after. He was a long time member and officer in the California Print...

Allison Gildersleeve, born in Connecticut in 1970, earned her B.A. from the College of William and Mary and her M.F.A. from Bard College. Gildersleeve lives and works in Brooklyn, Ne...

"Pomme d' Amour" Mid-Century Modern Aquatint embossed Floral "Sept Tomate Original by Anne Walker Mid-Century Modern Aquatint of the Pomme d’amour or ‘Love Apple’ by Anne Walker (Be...

This is an original antique hand-colored botanical mezzotint and line engraving of flowering Chrysanthemum matricaria plants. It is entitled "A. Chrysanthemum Matricarice Folus Flore...

Laurent Marcel Salinas, Egyptian/French (1913 - 2010) - Forest, Medium: Lithograph, Image Size: 17 x 20 inches, Size: 21 x 30 in. (53.34 x 76.2 cm)

Jean Baptiste Camille Corot was a French landscape and portrait painter as well as a printmaker in etching. His prolific works simultaneously referenced the Neo-Classical tradition a...

Cars are a central theme in a lot of Chicano art, and Frank Romero has made several famous images on the theme. This a unique stencil painting made on handmade paper (from Bhutan). There are 20 prints in the edition, with hand-painting on each. Throughout his 40 year career as an artist, Frank Romero has been a dedicated member of the Los Angeles arts community. As a member of the 1970s Chicano art collective, Los Four, Romero and fellow artists Carlos Almaraz...

Original Rick Griffin Canablis vintage psychedelic European Limited Edition, numbered and in excellent condition. The first printing done in the US was about 14” x 20” in size, but you get the full impact of this in the larger European size format. Printed in 1967, Rick Griffin’s plate signature is in the lower right corner. The edition number is in the lower left-hand corner. Bold, playful, and unmistakably psychedelic, this limited European edition of Rick Griffin’s “Canablis — Pipe & Cigarette Tobacco” bursts with high-contrast color, hand-tooled lettering, and a lush still life framed by swaying palms. Griffin’s eye-popping typography and layered iconography channel the late-60s poster...

Vintage Floral study etching titled "Weeds" by Marina Payot (American, 20th century), 1983. Titled, signed, and dated lower edge. Artists Proof designation. Unframed. Image: 11.75"H ...

Irish Setters in the Field is an original etching by Leon Danchin showing two adult Irish Setters in a field pointing to the right.This etching is printed on Arches paper, pencil si...

This hand-colored botanical mezzotint and line engraving by Johann Wilhelm Weinmann (1683-1741) is entitled "A. Lathyrus Major Peremis Richern B. Lathyrus Narbonensis Flore Albescen...

Collotype from frottage on vélin paper. Unsigned and unnumbered, as issued. Good condition. Notes: From the album, Max Ernst, Histoire Naturelle, 1972. Published and printed by Verla...

Screen print realized by the italian painter Rolandi, in the 1980s. Hand signed in pencil on the lower right margin. Artist's proof (as reported in the lower left margin) Dry stam...

FRANCES H. GEARHART (1869-1958) (Mt.) SAN JACINTO c. 1926 Color block print. Signed in pencil. Unknown edition but uncommon. Image 6 5/8 x 4 1/8 inches. On Gearhart's typical fibrous japan paper. Sheet 10 ½ x 5 7/8 inches. Generally fresh with her usual pinholes along right margin for printing, slight bit of discoloration in the margins Provenance: Whitmore - Print Corner, Hingham MA. Their Gearhart inventory no. They were Gearhart's principal East coast dealer in the 30's. Obtained from the Whitmore Collection’s grandson in 1995. Old Print Shop...

This hand-colored botanical mezzotint and line engraving by Johann Wilhelm Weinmann (1683-1741) is entitled "Cereus Erectus Altissimo Surinamensis (Cereus Cactus Plant)". It is plate...

Sunflower, no. 10 from the third installment of Das Werk Gustav Klimts Created during his residency in Litzlberg on Attersee, where Klimt and the Floge family summered from 1900-1907, Klimt explores nature’s transcendental qualities. His single sunflower is human-like, it’s golden halo is like a ring of sun-kissed hair surrounding a bald pate. It’s known that at the same time Klimt was creating this image, he was also at work on a photo essay about the Floge sisters’ clothing from their fashion salon. Their fashion house was best known for its “reform dresses” which featured loose-fitting long robes which billowed at the arms and torso. Viewed with this in mind, it is not a hard leap to imagine the lone sunflower as a self-portrait from reverse. Klimt’s balding head crowned in a golden corona forms the apex of a pyramidal flowing gown of foliage and flowers. By orienting the anthropomorphic flower at the garden’s central foreground and adorning it with repetitive motifs of round flowers of varying sizes, Klimt’s sunflower...

Hand signed and numbered. Edition of 150 prints. Excellent condition.

Salvador Dali, Spanish (1904 - 1989) - Warriors Dream, Portfolio: Peace in Vietnam, Year: 1973, Medium: Lithograph, signed and numbered in pencil, Edition: 135/300, Size: 16.25 ...

This hand-colored botanical mezzotint and line engraving by Johann Wilhelm Weinmann (1683-1741) is entitled "Pisum Mapis flore pupureo". It is plate 818 in Weinmann's monumental publ...

This Limited Canvas Edition ( #12 of 20 ) is authentically hand painted by the artist on Giclée printed canvas. , finished with Shizico Yi's original brushstroke and oil paints on 9...

A drypoint and aquatint by artist Sylvia Plimack Mangold.

The Art of Modern Living is a digital pigment print on paper, image size 24 x 38.5 inches and framed in a contemporary light wood frame. Signed 'RENÉ LALONDE' lower right and annotat...

WILLIAM SELTZER RICE (1873 - 1963) THE THAW c 1915-20 Color woodcut, signed and titled in pencil. Image 8 7/8 x 12 inches, sheet 10 3/4 x 14 3/8 inches. On textured fibrous paper. V...

Lithograph on vélin pur Chiffon Moulin à papier Richard de Bas paper. Inscription: unsigned and unnumbered, as issued. Good condition. Notes: from the folio, Le Tir à l'arc mis en lu...

This is an original antique colored botanical mezzotint and line engraving of banana plants, which is finished with hand-coloring. It is entitled "Banana 2. Mauze, Baradis-feigen", p...

David T. Kessler, American (1950 - ) - Reflected Overhang IV, Year: circa 1980, Medium: Screenprint on Arches, signed, titled and numbered in pencil, Edition: 15/100, Image Size: ...

Classical Bird print, after John James Audubon, printed by Harry N. Abrams, Publishers, New York unframed, 17 x 14 inches color print on pap...