1920s Prints and Multiples

"Présure Guillien, Dijon Cow" is an original color lithograph poster. The artist's name is printed in the lower left, and the name of the printing company, Havas, is printed in the lower right. The poster advertises rennet, a product used to curdle milk and make cheese, featuring a milk maid with a red kerchief tied around her head in front of a white cow. She holds a golden bucket...

WENDINGEN- 5-8/9 1923 R. N. ROLAND HOLST. Shells, the Wonder Forms of the Sea. Published November 1923. Strange resemblance’s by R. N. Roland Holst; Na...

To see our other views of Oxford and Cambridge, scroll down to "More from this Seller" and below it click on "See all from this Seller" - or send us a message if you cannot find the view you want. Mabel Oliver Rae...

Poster Adverting the Entertainer Simon Frevalles. 1923. Color lithograph. On Linen. An outstanding twentieth century painter, printmaker and illustrator, Marcel Vertes moved from his native Hungary to Paris during the First World War. The art of Marcel Vertes was at its peak during the vibrant and somewhat wild decade of the 1920’s. Concentrating upon scenes of Paris street life, portrayals of women and depictions of circus and cabaret acts, Vertes left a legacy of original lithographs and drawings that superbly capture the spirit of 1920’s Paris. Vertès is also responsible for the original murals in the Café Carlyle...

Original Etching by Jean-Gabriel Domergue Dimensions: 33 x 25 cm 1924 Edition of 100 This artwork is part of the famous portfolio The Afternoon of a F...

"Harvest Home" is an original color lithograph poster by an unknown artist. It features a scene of a field with a few pumpkins and wheat. Below the image is an excerpt from a Henry A...

Original Lithograph by Leonard Foujita Title: Soldiers Signed in the plate Dimensions: 23 x 28 cm Edition of 97 From the " Propos d'un intoxiqué " Portfolio, published in 1928 by Jav...

"Girl With Flowers" is a lithograph printed in brown, signed and dated in stone upper left WJR. It depicts the head of a girl with short hair surrounded by floating flowers. 14.5" ...

Baumberger, Otto. PKZ 1923, Color lithograph, On Linen 50 1/2 x 35 1/2” Baumberger was one of the most prolific Swiss poster artists, with well over 200 designs to his credit. Beginning in 1917, he regularly worked for PKZ. This poster is not only the best he produced for the company but is also an icon in poster history. The tweed coat is rendered in near-photographic perfection to the point where you can practically feel the fabric. Baumberger took a totally new approach to advertising by ingeniously incorporating the poster's text into the image in the form of the label in the coat. With this poster Baumberger cemented his role as master of the "Object Poster," (a title he earned four years earlier with a classic image of a top hat), and began the trend of "New Objectivity" within the Swiss school of Graphic Design. A sensation from the day it was issued, this image remains compelling and proves to be one of the finest of the PKZ posters...

This advertising calendar poster dated from 1920 for the "Chinese and Western Medicine Pharmacy" melds the meticulous detail of traditional Chinese painting with the craft of color lithography. Compared to other Western influenced advertisements of the era featuring seductive women, posters like this one captivated consumers with the latest fashion trends. We see a woman with a Western hair cut...

Maurice Utrillo - La Place Ravignan, Montmartre - transfer lithograph Dimensions : 13 x 10". Paper : Rives vellum. Edition : 200 copies. Printed signature, as issued 1927 From Tableaux de Paris, Emile-Paul Freres, Paris The place is now called "La Place Emile-Goudeau" Maurice Utrillo (1883 - 1955) The French painter Maurice Utrillo was born as the illegitimate son of the painter Suzanne Valladon in Paris on December 26, 1883. He was adopted by the Catalan art critic Miguel Utrillo...

An excellent impression of this extremely rare, early lithograph. This is the second edition (of two) and is signed, dated and numbered in pencil by Lozowick. Printed by Burr Miller,...

Pierre Bonnard - The Street - Original Lithograph Dimensions : 13 x 10". Paper : Rives vellum. Edition : 225 copies. 1927 From Tableaux de Paris, Emile-Paul Freres, Paris CHARLES...

Hindenlang, Charles [Karl]. Gewerbemuseum, Basel/Licht Reklame. 1928. Color lithograph. Printed by Wasserman, Basel. 35 1/5 x 50 1/4." Hiddenlang was known primarily as a muralist with interests in painting, glassware, ceramics, stage and graphic design. Born in Basel and educated at the city's Gewerbeschule. The Kunsthalle Basel dedicated to him in 1965 along with Dick and Karl Otto...

Color Lithograph on handmade paper from Ecce Homo, by George Grosz, 1922. Printed by Kunstanstalt Dr. Selle & Co. AG, Berlin Published by Malik Verlag, 1923. Numbered in Roman numera...

Original Etching by Jean-Gabriel Domergue Dimensions: 33 x 25 cm 1924 Edition of 100 This artwork is part of the famous portfolio The Afternoon of a Faun. Jean-Gabriel Domergue Jea...

Chas Laborde - Paris - Capucine's Boulevard - Original Etching Dimensions : 13 x 10". Paper : Rives vellum. Edition : 225 copies. 1927 From Tableaux de Paris, Emile-Paul Freres, Paris Chas LABORDE Charles Laborde was born in Buenos Aires on August 8, 1886. He was the youngest of the five sons of Adolphe-Sylvestre Laborde-Pinou, a Basque-Bearne millionaire who had made a fortune selling spirits to the Indians and luxury goods imported from France to wealthy Argentines. The family returned to France when Charles was six months old. His mother died when he was two. He spent his childhood at their family château d’Escout outside Oloron-Sainte-Marie in the Pyrenees. His brothers went to a boarding-school, his father was often in Paris on business, and little Charles was left to his devices. Though it was a lonely childhood, he was a darling of his generous and magnanimous father. Charles got his early drawing skills from a village artist and found support in his brother Jean-Felix. Charles frequently accompanied his father visiting artisans and helped him choose de luxe objects to be sold in Argentine. He first attended the Rollin college in Paris, then a lyceum in Pau, where he lived with full board and lodging after his father’s death in 1901. From childhood Charles wanted to be an artist and tried several pseudonyms for himself: Ch. Laborde, Carlos Laborde,Carlos Edrobal and Carl Lab. He started wearing a velvet suit and a large hat. At 17, the timid shortsighted teenager wearing big glasses was expelled from college for smoking and drinking alcohol and went to Paris into the custody of his elder brother Jean-Felix, who carried on his father’s business. Charles enrolled in the prestigious l’Académie Julian, studying under Henri Royer and Marcel Baschet. Simultaneously he was a pupil of William Bouguereau and Luc-Olivier Merson at l’École des Beaux-Arts. The latter was famous for being the designer of the 50 and 100 franc banknotes, and he believed that he was teaching a “little Daumier”. In England, where he went every year from 1905 to 1914 with the family of his friend Cooper, a classmate at l’Académie Julian, he found not only his pseudonym Chas (short for Charley), but also the land of his dreams. Peculiarities of London and its inhabitants were reflected in drawings of William Hogarth and Thomas Rowlandson, whose album The Microcosm of London (1808) prompted Charles to make his London Streets Scenes (1928). Owing to those trips Charles took a liking to the atmosphere of England and its reserved and terse humor. In 1905 the château d’Escout and the Buenos Aires Commercial Fund were sold. After coming into inheritance, Laborde became financially independent and obtained an atelier in Montmartre at 11 bis Rue des Saules. His neighbors were de la Butte, Francis Carco and Pierre Mac Orlan, who sympathized with the easy-going young man with a positive attitude to life. His friend Pierre Falke...

Luza, Reynaldo. Trade Catalogue. This plate: Woman in gold wearing white, striped fur coat with large collar, on black background. Paris, Draeger for Revi...

Procede by Georges Manzana Pissarro (1871-1961) Coloured monotype with gold, silver and pencil 24 x 30 cm (9¹/₂ x 11³/₄ inches) Signed lower right, Manzana Artist biogaphy Like all ...

Color Lithograph on handmade paper from Ecce Homo, by George Grosz, 1922. Printed by Kunstanstalt Dr. Selle & Co. AG, Berlin. Published by Malik Verlag, 1923. Numbered in Roman numer...

Benigni, Leo. Brides les Bains/En Savoie/La Station de la Femme Elegante, 1929. 24 1/2 x 39 1/2"; Color lithograph. On Linen. Small tear in middle of bottom poster, otherwise in v...

Original Etching by Jean-Gabriel Domergue Dimensions: 33 x 25 cm 1924 Edition of 100 This artwork is part of the famous portfolio The Afternoon of a Faun. Jean-Gabriel Domergue Jea...

Original Etching by Jean-Gabriel Domergue Dimensions: 33 x 25 cm 1924 Edition of 100 This artwork is part of the famous portfolio The Afternoon of a F...

Henri Matisse Nu couché de dos 1929 Lithograph on Arches Velin paper, Edition of 50 Paper size: 50.5 x 66 cms (20 x 26 ins) Image size: 46 x 56 cms (18 x 22 ins) HM16567

Original Etching by Jean-Gabriel Domergue Dimensions: 33 x 25 cm 1924 Edition of 100 This artwork is part of the famous portfolio The Afternoon of a F...

Woodcut print on paper. Hand signed and dated by Lyonel Feininger. Unknow edition. Image size approx 3.9 x 3.9 inches. Sheet size 7 x 6.5 inches. Artwork is in excellent conditio...

Bauhaus 3rd portfolio: German Artists. Number 11 from edition of 110. Handprinted. Semi parchment paper. Signed. Produced and published by the Staatliches Bauhaus in Weimar. Im original box. Sheet 3, 8, and 9 are framed. Measurements: 22.64 x 18.11 x 0.98 in ( 57,5 x 46 x 2,5 cm ) Index of contents: Sheet 1 Rudolf Bauer, Bantama, lithograph, circa 1921 Sheet 2 Willi Baumeister, Visieren (Sitzende Figur), lithograph, 1921-2 Sheet 3 Heinrich Campendonck, Sitzender weiblicher Akt in Landschaft mit Bauernhaus, woodcut, 1920-21 Sheet 4 Walter Dexel, Sternenbrücke (Abstrakte Komposition), woodcut, 1919 Sheet 5 Oskar Fischer, Reitendes Paar, lithograph, 1920-21 Sheet 6 J. van Heemskerk, Komposition, woodcut, 1920-21 Sheet 7 Bernhard Hoetger, Figuren, lithograph, 1921 Sheet 8 August Macke...

Charles Martin - The Eiffel Tower - Original Lithograph Dimensions : 13 x 10". Paper : Rives vellum. Edition : 225 copies. 1927 From Tableaux d...

Dame Laura Knight "The Circus Dressing Room" 1925 Etching Ed. 20 Signed Lower Right Image Size: approx. 14 x 10 inches Framed Size: approx. 23.5 x 17.75 inches An English impressio...

Original Etching by Jean-Gabriel Domergue Dimensions: 33 x 25 cm 1924 Edition of 100 This artwork is part of the famous portfolio The Afternoon of a F...

Maurice de Vlaminck - Paris' Souflot Street - Original Etching Dimensions : 13 x 10". Paper : Rives vellum. Edition : 225 copies. 1927 From Tableaux de Paris, Emile-Paul Frere...

Classic polo scene drawn on stone featuring six ponies on the field drawn on stone & signed by Edward King (LL) Print Sz: 10 3/4"H x 18 1/2"W Frame Sz: 18"H x 25 3/8"W

"Homo"Verne, (Still Life with wine bottle, wine glass, glass of beer and dice) Pochoir printed on black textured colored paper, c. 1930 Signed and numbered in white pencil by the art...

John Tandy, painter and stage designer, studied at the Architectural Association before becoming a student at Leon Underwood's Brook Green school and la...

Charles Martin - The Eiffel Tower - Original Lithograph Dimensions : 13 x 10". Paper : Rives vellum. Edition : 225 copies. 1927 From Tableaux de Paris, Emile-Paul Freres, Pari...

Wreath. Paper, lithograph, 29x24 cm Apsitis Aleksandrs (1880. 06. 04. Riga – 1943. 19. 09. Germany) – painter, graphic artist. 1894. – His family gone to St. Petersburg and in this time to his made copies from good known artists. (1898. – 1999.) – he learned at the art Studio of L. Dmitriev – Kavkazski. He is best known as a book and journals graphic (his pseudonyms were Aspids, A. Petrovs, Čūska, Skits, Oseņevs and others). In this time living at St. Petersburg and Moscow he cooperated with journals «Родина», «Нива», «Звезда» (1902. – 1906.), and also with book publishes I. Sitina, A. Stupina and P. Soikina. He illustrated a Russian classic writer’s books (A.Chechov, I. Turgenev, M. Gorky, M. Saltikov - Scedrin and others). 1912. – Illustrated the jubilee edition to L. Tolstoy „War and Peace”; 1913. – Illustrating to first Russian’s children...

John Tandy, painter and stage designer, studied at the Architectural Association before becoming a student at Leon Underwood's Brook Green school and la...

John Tandy, painter and stage designer, studied at the Architectural Association before becoming a student at Leon Underwood's Brook Green school and later studying at the Grosvenor ...

John Tandy, painter and stage designer, studied at the Architectural Association before becoming a student at Leon Underwood's Brook Green school and later studying at the Grosvenor ...

Sir Alfred J Munnings (England, 1878-1959) "Humorist" and Donoghue Going out for the Derby, 1921 First State Impression Frost & Reed London 1924 Pencil sig...

Color Lithograph on handmade paper from Ecce Homo, by George Grosz, 1921. Printed by Kunstanstalt Dr. Selle & Co. AG, Berlin. Published by Malik Verlag, 1923. Numbered in Roman numer...

Henri Matisse Figure assise, le bras droit appuyé sur une table 1929 Etching on Chine appliqué on Arches Vélin paper, Edition of 25 Image size: 18.4 x 12.3 cms (7 1/4 x 4 3/4 ins) ...

Lithograph on Arches Velin paper, Edition of 50 Paper size: 50.6 x 66 cms (19 7/8 x 26 ins) Image size: 45.4 x 54 cms (17 7/8 x 21 1/4 ins)

Colourful pochoir No.20. by E.H Raskin Published 1926 by F Dumas Editeur, Paris Image Sz: 13 3/4"H x 9 1/4"W Frame Sz: 18"H x 14"W

Color Lithograph on handmade paper from Ecce Homo, by George Grosz, 1922 Printed by Kunstanstalt Dr. Selle & Co. AG, Berlin. Published by Malik Verlag, 1923 Numbered in Roman numeral...

HENRI MATISSE 1869-1954 (Emile Benoît) Le Cateau-Cambrésis 1869-1954 Nice (French) Title: Frontal Nude, Right Leg Folded Nu de face, jambe droite repliée, 1929 Technique: Original...

Glam art deco c1926 'Tres Parisien' fashion pochoir No.8. w/ gouache highlights depicting two chic ladies of the day Art Sz: 10 5/8"H x 6 7/8"W Fram...

Two Turkeys by Georges Manzana Pissarro (1871 - 1961) Pochoir with hand-coloured metallic paint 42 x 59.5 cm (16 ½ x 23 ⅜ inches) Signed with Estate stamp, lower left Numbered 1/25 C...

Derain, Andre (French, 1880-1954). ROFIL A GAUCHE DE FEMME BAISSEE (LEFT PROFILE OF A WOMAN LYING DOWN). Adhemar 71, BN-IFF 17. Lithograph, 1927. One of 25 copies numbered in Roman n...

FEDOR LOEVENSTEIN LOWENSTEIN 1901-1947 (Czech / French) Title: Portrait of a Man with Hands on Table, early 1920’s Technique: Original Hand Signed, Numbered and Titled Woodcut on thin paper Paper Size: 28 x 22 cm / 11 x 8.7 in Plate Size: 14.8 x 10 cm / 5.8 x 3.9 in Additional Information: This work is hand signed in pencil by the artist "F. Loevenstein" at the lower right margin. It is also tilted in Cyrillic "ИАН ИАNCON" (probably Jan Jansson) and numbered "22" in pencil at the lower left margins. This work was printed in the early 1920's in a small edition. Our impression is number 22 from the edition. Originally from Czechoslovakia, Fédor Löwenstein...

Lithograph on Japon paper, Edition of 50 Paper size: 43.7 x 28.1 cms (17.2 x 11.1 ins) Image size: 39.1 x 23.7 cms (15 3/8 x 9 1/4 ins)

Signed and numbered in pencil; Signed in the plate Edition: 75 Provenance: Frederick Keppel & Co. Inc. No. L 8621 (label) References And Exhibitions: Published by Edmund Sagot, ...

Parisien Chez Larue restaurant 3, Pl de le Madeleine b&w c1920s advert sheet featuring three male diners wooing a lady at table by Pierre Fali donne de l'esprit Image Sz: 9 3/8"H x ...

Etching, signed bottom right Image size: 2 1/2 x 9 3/4 inches (6.5 x 35 cm) Mounted This is an original print from a copper plate etching by Robert Smith Forrest. It depicts one of ...

Classic 'Saratoga Steeple-Chase' framed c1920s board game Manufactured by J.H. Singer New York together w/ a verso 44 slot racetrack Board Sz: 7 3/4"H x 13 3/4"W Frame Sz: 14"H x ...

In most of Nora's work, she combines realism and fantasy. Here, the viewer's position is the back of a theater. In front, there are four raised hands, cheering a monumental image of a sleeping wrapped infant resting on a crescent moon and surrounded by two stars. The infant is floating above the seats and centered in the middle theater curtain...

Colour pochoir by E.H. Raskin From the folio Fantaisies Oceanographiques Published in Paris 1926 Art Sz: 14"H x 10"W Frame Sz: 18"H...

FEDOR LOEVENSTEIN LOWENSTEIN 1901-1947 (Czech / French) Title: Jewish Man, early 1920’s Technique: Original Hand Signed, Numbered and Titled Woodcut on thin paper Paper Size: 28 x 22 cm / 11 x 8.7 in Plate Size: 14.8 x 10 cm / 5.8 x 3.9 in Additional Information: This work is hand signed in pencil by the artist "F. Loevenstein" at the lower right margin. It is also tilted in Cyrillic "EBPEЙ" (Jew) and numbered "19" in pencil at the lower left margins. This work was printed in the early 1920's in a small edition. Our impression is number 19 from the edition. Originally from Czechoslovakia, Fédor Löwenstein...